Demonstrates uniform cap manufacture for a SEC Inspector and has a strong association with Theo Dunstan.A well used - SEC Inspectors/Conductors cap - black cloth exterior, grey cotton interior lining, brown leather internal hat band, on exterior with a plastic band at the front half of the cap terminating in two small SEC gold coloured metal buttons on either side, black plastic peak. Missing the Inspectors trip or "braid" Sewn to the inside top of the cap, a white label with red printing "Commonwealth Government Clothing Factories Melbourne" and stamped "6 5/8".tramways, trams, ballarat, uniforms, cap, inspectors

Demonstrates uniform cap manufacture, badge and has a strong association with a former Ballarat Driver - Jock Menzies.SEC Motorman/Drivers/Conductors cap - green cloth exterior, grey cotton interior lining, brown leather internal hat band, black cotton hat band on exterior with a plastic band at the front half of the cap terminating in two small SEC metal buttons on either side, black plastic peak fitted with cap or badge No. 60, nickel plated silver, in the centre of the cap above the hat band. Sewn on the inside is a label "Commonwealth Government Clothing Factories Melbourne" and stamped "6 3/8". See also Reg. Item 3044 for an ex Geelong cap.tramways, trams, uniforms, cap badge, cap

Has a strong association with the uniforms and caps of the SEC tramway crews, yields information about their manufacture.Plastic strip, or chin strap cut from a premanufactured strip, with slots at either end, a buckle, a loop and two small rivets to be used as a cap band for the SEC tramway crew caps. The slits at either end were fitted over the cap buttons (See Reg Item 4452) Possibly made by the Australian Government clothing factory. The strap could be adjusted to be used as a chin strap if needed. Two No.tramways, trams, uniforms, cap, crews

Demonstrates the manufacture of uniform items and their use in uniforms for tramway crews in Ballarat.SEC uniform clothing button 24 diameter, with SEC crest, 1921 and organisation name embossed onto outer surface, with backing piece and brass wire lug for sewing on rear. Nickel plated silver? Has Manufacturers name stamped on rear - Stokes & Sons Melbourne.tram, trams, secv, ballarat tramways, uniforms, buttons

The cardigans were knitted by Gavan Deppeler's Grandmother for her husband in the 1930's. They were a farming family.Two hand knitted striped cardigans (2441.1, 2441.2). 1930's. One is dark green and grey stripes, The other is pale blue and grey stripes. Each is a slightly different pattern of narrow stripes with V- neckline and grey buttons down front. They have been well worn with some wear and holes.farming history, cardigans, hand made

Card with 7 small black buttons plus hat pin with black wooden handle.costume accessories, hat accessories, hat pin

Card with 8 black silk covered coat buttons.costume accessories, haberdashery, buttons

Clothing issue for Royal Australian Army Ordnance Corps.Khaki cap with leather strap above peak held in place with two brass buttons decorated with map of Australia and crown. Badge centre front, shield topped with crown. Leather band insert.Top of inside of cap is clear plastic lined.On badge. Australian Army Ordnance with Royal & Corps above. On the wreath surrounding shield, latin motto inscribed. Inside red label TATHAN. Brand label EMERCO in crown of hat.army cap

Air-Force clothing issue.Blue cloth cap, black band, badge centre front. Black fabric strap above the peak, fastened with two brass buttons decorated with crown and Air Force wings. Leather insert, top of inside cap lined with clear plastic.Badge: RAAF surrounded by wreath and crown.Inside crown of hat: logo of Australian Government Clothing Factory. Size (broad arrow) 57.

All tramway platform crew were issued with a cap and were expected to wear it at all times. Demonstrates uniform cap manufacture.SEC Motorman/Drivers/Conductors cap - green cloth exterior, grey cotton interior lining, brown leather internal hat band, black cotton hat band on exterior with a plastic band at the front half of the cap terminating in two small SEC metal buttons on either side, black plastic beak. Sewn on the inside is a label "Commonwealth Government Clothing Factories Melbourne" and stamped "6 3/8".btm, ballarat tramway museum, conductors, conductors hat, uniforms, sec, conductors cap, motormen, drivers

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly handmade by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Short sleaved, tailored blouse. Handmade with decorative embroidery and crochetwork around neckline and sleaves. Crochet work is also used on both sides of the vertical central panel which is fastened by 7 cream coloured buttons. Seams are used to make this a fitted garment at the waist. There is a "clip" in the front and back of the blouse. emma thomas, emma courtis, blouse, clothing

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly made by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Black jacket is handmade with a heavy cotton lining. Collar and hem of the garment are lined with black velvet. Sleeve hems also lined with a band of black velvet. Hock and eye fasteners provide centre closing. Twelve small, black buttons (decorative) have been sewn vertically along the centre panel from collar to hem. Boning has been inserted into both of the side seams to shape the jacket. Darts, with decorative stitching, have also been used to tailor the front of the jacket around the centre closure panels (Three darts on either side of the centre closure panels). A central seam runs through the jacket back which ends in a "scalloped" shape.emma thomas, emma courtis, clothing, jacket

Lined black wool waistcoat with four buttons and one lined pocket on either side. The front collar extends to a lapel running down to the buttons. The back has a cotton belt with buckle for adjustable sizing. There is no maker's identification.waistcoat, men's clothing, formal wear

Lined wool jacket manufactured by "Apex (Reg.) Tailored Dress Wear Specialists, The Myer Store for Men Melbourne & Adelaide" There are wide grosgain lapels and jacket is closed with a single button. An extra button inside allows for extension if needed. Three buttons line each cuff. There ae two deep pockets either side of the jacket and one smaller top pocket on the RHS. The shoulders are padded.men's clothing, formal wear, jacket

Woollen fabric, satin cotton lined waistband trousers with belt/buckle adjustments at either side. There are two buttons either side of centre waistband seam at back, four buttons evenly spaced along front waistband and two small buttons for waistband closure at front. The fly opening at front has 5 buttons. There are two deep cotton side pockets. Writing on lining of RHS pocket reads "Myer 3/40?. There is a back LHS pocket. The trouser lengths appear to have been altered.men's clothing, formal wear, trousers

In about 1888 William George Ashman (1871-11/2/1944) began a tailoring business in High Street, Eaglehawk. In 1890 he admitted his brother Arthur Thomas Ashman to the business and they traded as Ashman Brothers. In 1936 the company of Ashman and sons was registered at 265 Hargreaves Street. They specialised in made to measure, hand tailored suits. William married Clara Hunkin (1871-25/11/1944) in 1894. Their sons, John, Eric, Basil and Charles followed into the family business.Woolen fabric trousers, part of Dress Suit. A decorative strip runs down each leg. The waistband can be adjusted on either side by belt/buckle attachments. Trousers fasten with two buttons and there are four buttons at the fly opening at front. There are two deep lined pockets either side and one top pocket at rear on LHS. There is a maker's label stitched to the lining of the Rear pocket which reads "Ashmans, Hargreaves Street, Bendigo 'The Home of Better Suits'". A name written in ink below the maker's label is 'Mr M. Suurpaa, 28-3-1961 7252." Leather strips have been sewn inside edge of each leg cuff for garment protection.men's clothing, formal wear, trousers

Welmar was formerly Welch Margetson Co. Pty. Ltd, men's outfitters and converted to a public company in 1945. There main factory was in Melbourne with a second site opening in Bendigo. In 1949 the Chairman was Mr A Mee.Cotton dress shirt. Brand "Mens Wear by Welmar". Size is undetermined. Laundry mark on collar appears to read "Bigg". Starched waffle pattern bib panels and large cuffs with allowance made for cuff links. Front opening with button holes. Buttons missing.Collar laundry mark. "Biggs"formal wear, dress shirt, welmar

Demonstrates the manufacture of uniform items and their use in uniforms for tramway crews in Ballarat and has a very strong association with well known Tramway identity in Ballarat.SEC uniform clothing button from uniform of Lew Walker, SEC Motorman, on last day of service. 24 diameter, with SEC crest, 1921 and organisation name embossed onto outer surface, with backing piece and lug for sewing on rear. Nickel plated silver? STATE ELECTRICITY COMISSION OF VICYTORIA 1921tram, trams, secv, ballarat tramways, uniforms, buttons, btm

Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy. Her marriage occurred shortly after the death of her father, and took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front. oggi - 103-105 collins street - melbourne (vic), women's clothing, wedding dresses, janet (brock) walker, australian fashion - 1970s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Plum coloured single piece dress, belted at the waist, with a belt covered with the same fabric. It has pearl buttons. The dress was retailed by Scotchco of MelbourneLabel: Scotchco of Melbourneaustralian fashion - 1950s, melbourne fashion designers - scotchco of melbourne, women's clothing, day dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Golda Whelan, a designer with Hartnell of Melbourne designed this wedding dress for her daughter Liane Whelan. Liane married John Merry at St John's Anglican Church in Toorak in 1969.The dress was manufactured in the 'house' of Hartnell of Melbourne, a leading Melbourne Fashion House in the 1950s and the 1960s.White slim line lace wedding dress, featuring eleven self-covered buttons down centre back Off centre rear opening done up by metal press studs. The dress has a silk satin lining and netting underskirt.hartnell of melbourne, golda whelan, wedding dresses, lace dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. 1860-70. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black crepe bodice with front opening featuring numerous buttons, covered with the same fabric as the bodic. It has short sleeves and a square scalloped neck line.australian fashion - 1940s, costumes - bodices, fashion design, fashion -- 1940s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long black fine silk velvet evening dress featuring a high rounded collar fastened at the rear of the neck with a number of black fabric covered buttons. The ends of the wide sleeves and the hem are raw and unsewnwomen's clothing, evening dresses, australian fashion

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with five concealed pearl buttons. Hand worked broderie anglais lace. Peplum is attached to an insert of ribbon tape lace. Neckline and bodice edged with lace. The same lace is also used to border an insert cutwork panel with concealed button holes lace, women's clothing, underwear, undergarments, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with 3 pearl buttons decorated with 4 rings of cut work flowers. Ribbon threaded around the neckline. Bodice gathered to attach to peplum at waist line. Handworked.fashion and textiles collection - kew historical society, lace, women's clothing, underwear, undergarments, chemisettes