Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages.Black and white photograph of a group of people in a greenhouse on Churchill Island. The photograph has a plant in the centre of the frame and has been taken from the outside. Photograph has been printed on a type of card and has a matte finish applied.Catalogue number written in pencil on reverse. Hand written on reverse in pen: "'Gone Potty' re-potting moonah in the greenhouse. Ch. Isld working bee Jan 21 1980."churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the former Churchill Island curator and FOCIS member, Christine GraydenColour photograph of woman in pink jacket posing for a photograph with a woman in period costume with blue skirt, in front of a 'Victorian Collections' bannerFLAGSTAFF HILL VOL GUIDE IN/COSTUME WITH CHURCHILL ISLAND/CURATOR AT MUS AUS VIC/CONFERENCE 2/4/2014 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, christine grayden

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Amess House Catalogue number written in pencil on reverse. Written in pen on reverse 'This I think in around 1936/Probably photos shown Harry Jenkins when he was looking at buying the island' churchill island, amess house

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a working horse team standing in a pasture, ringed with hay. They are being held by their handler Lyall who is talking to Ash. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen: "Working horse team being rested with their handler Lyall talking to Ash. C.I. Easter Festival 30/3/2013" churchill island, photograph

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a Victorian Working Draught Horse Association official standing in front of a team of Clydesdale horses hitched to a piece of machinery. Two men are gathered to the left side. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "Victoria Working Draught Horse Association official & members with a team & old roller. C.I.Easter Festival 30/3/2013"churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a man and horse taking a break from pulling a hay baler aloft. The windmill can be seen in the background along with another horse and man.Catalogue number written on reverse in pencil Handwritten on pen in reverse 'Having a break from pulling the hay grabber aloft. Churchill Island Easter Festival 30/03/2013'churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of working horse team and handler standing in a paddock amidst ungathered hayCatalogue number written on reverse in pencil Written in pen on reverse 'Working horse team resting with their handler Lyall talking to Ash. C.I. Easter Festival 30/3/2013'churchill island, photograph

Widows are sitting around chatting in the club rooms at Legacy House next to a table of craft items. This was the one of the Annual Art and Craft Exhibitions that was run by the widows club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. Names unknown.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a craft exhibition at Legacy House.Very faint "July 88" in pencil. "Legacy House Club Rooms, 293 Swanston St" and "Crop" in black pen with lines denoting areas to crop. This paper manufactured by Kodak.widows, craft, activities

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower head of plant with brown stem, green foliage and long white flowers. Seven drawings include two branches with foliage and flowers, two flower details and three details of buds or seed pods. The work is on white paper, mounted in a double matt (grey on maroon), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (maroon pencil) Nodding Beard-heath - Leucopogon woodsii (lower centre) (pencil) Back: 25 (upper left) (pen) Nodding Beard-Heath $80 (Leucopogon woodsii) CE Woolcockcema, botanical, collin woolcock

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock, woolcock collection, botanical drawings

Photograph. J L Faul, Bill Lansell & Rising Sun Hotel - photo. Cardboard mounted photograph of 3 men in a 2 seater motor car with the Rising Sun Hotel in the background. Two men in photo - J L Faul & Bill Lansell. Photo dated 1905. Rising Sun Hotel is a stone and brick structure with a tin roof. Picket fence and post and rail fence visible. On the back: J L Faul, driver; 1905, somewhere in Victoria (in pen) 8/1905 in pencil.photograph, j l faul, bill lansell, rising sun hotel

Some of these plans were held in P. Tulk's office, used by Honours Student, Linda Hipwell in 1999. (1a) Rough sketch on tracing paper. (1) Rainforest Project drawn by G. Olive, rough sketch pen and pencil on paper. (2) 1 tracing paper and 2 paper copies, Rainforest Garden Development Plant Schedule Key by type of plant. (3) Blueprint of Rainforest Garden Development, plant names beside plants, note to P. Tulk from J. Kellow. (4) Native Garden Burnley VCAH Hort Eng. II. Surveying by Gail, John, Rebecca, Sean, Tim (Students). g. olive, phil tulk, linda hipwell, vcah, students, rainforest, gardens

THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so. Image dated as November 1963 based on same image in Port of Echuca collection (possibly frame 32 of film) (print 19.5 x 24.5cm) On reverse in pencil: " K Class at Echuca" Echuca K Class. 1940-1968". In blue pen:" Photo by: George L. Coop Nov 1963" https://victoriancollections.net.au/items/59de9cc421ea6b12dc3f7597Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencycoal hopper, echuca railway station, george coop collection, k-158, k-class steam locomotive (vr newport workshops)

A photo of a smiling girl wading in the ocean. It came from an envelope with other camp photos. Junior Legatees attended Somer's Camp over summer holidays organised by Melbourne Legacy. The newspaper article on 12 January 1977 says it was a day where junior legatees were treated to sailing activities by yachtsmen of Westernport. The boys were at Somers Camp and the girls had been holidaying in the Legacy Camp at Kew. The Legacy envelope was marked "P6 Junior Legatee Camps and Hols" in red pen, and dated Jan 1977 in pencil. The contents will be items 00418 to 00425. Melbourne Legacy provided camps for junior legatees - the children of deceased servicemen. It started with outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring. Permanent camp buildings were built and with an association with Lord Somers (Governor of Victoria) it was called Somers Camp. The camps gave the children an opportunity of a summer beach holiday with other Legacy children.A record of Junior Legatee camps.Black and white photo of a girl at the beach.Handwritten on the back "Holiday Camp at Somers" in blue pen. Stamped "Melbourne Legacy" and "11 Jan 1977" in purple ink. Stamped "Copyright The Herald and Weekly Times" in blue ink. somers camp, junior legatee outing, beach

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/20 Neg. No ..../ Date taken 27-7-53/ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen).

Viewing area is known as The Balconies overlooking Victoria Valley. Photo is typical of tourism photos taken by the Victorian Railways during this period. c1950 -60'sa group of people (17) standing on a rocky ledge overlooking a treed valley. a second rock ledge is above them creating the impression of a large mouth. Printed on back: Copyright Photograph. This photograph may be reproduced on condition that it is acknowledged a s 'VICTORIAN RAILWAYS PHOTOGRAPH'. P3465 written faintly in pencil. The Balconies Halls Gap written in blue penscenery, lookouts

Churchill Island has a large photograph collection dating from the nineteenth century. This series shows snippets of life on the Island after its acquisition by the Victorian Government in the late 1970s. This photograph shows Edith Jeffery with her son, Gerald.Photograph of two people posing for a photo in the garden at Churchill IslandEDITH JEFFERY (WIFE OF BOB JEFFERY)(DURING/BUCKLEY ERA.) WITH SON GERALD, NAMED AFTER/GERALD BUCKLEY [written on reverse top in pen] catalogue number written on reverse in pencilchurchill island, photograph, edith jeffery, gerald jeffery

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Valda Treadwell sitting with a cup of tea on the base for Harry Jenkins sundial with the entrance to the orchard in background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Valda Treadwell Sitting on the base for Harry Jenkins Sundial. Behind here - entrance to the orchard. Pine trees in background'churchill island, valda treadwell

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of Doug Finlayson and Valda Treadwell standing on the path in front of Amess House, with a wooden arbour visible on the left side of the photo.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. DOUG FINLAYSON AND VALDA TREADWELL ON PATH IN FRONT OF HOUSE. NOTE - PINE TREES AND THE BIG DAM BEHIND THEM'churchill island, valda treadwell, doug finlayson

A passport of Legatee George Knocks from 1928. George Knocks was born in the UK and joined the Royal Navy in World War 1. He later migrated to Australia and joined Legacy in 1929 until his death in 1945, he left a significant bequest to Melbourne Legacy which was used to help many people. Information from a press release in 1975 relates the story of George Knocks who joined Legacy and left a bequest that made a difference. The information was intended to be used by press and magazines etc. A longer version of the story is in the Weekly Bulletin - 29 Sept 1964 and a document prepared by Legatee Armstrong in 1965 called One Man's Legacy. Summary: George was described as a lonely ex-seaman who migrated to Australia after the first world war. He learnt about Legacy and the work with widows and children. 'He joined up as a Legatee and from that day, the pattern of life changed greatly for George. He became absorbed in his new environment and spent most of his time with the children. The mothers founding him a rugged, but completely trustworthy friend.' When George died on 14 April 1945 he was mourned by many Legacy friends. His left his property to four comrades, as trustees to use in continuing Legacy's work, this bequest became the George Knocks Fund. As a result, a great many people in Legacy's care were helped, in all sorts of ways.A record of the life of a legatee and an example of what passports contained in the 1920s.Black hardcover passport of George Knocks issued 1928.Cover stamped in black ink 'A73884' and signed in black ink 'G. Knocks', pages notes in pen and pencil, stamp from Colombo, Sri Lanka and Freemantle WA, in purple ink.george knocks, fund, bequests

This is a set of eight photographs of technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo. c1960s to c1980s. The Wild A9 Stereocomparator and Wild B9 stereo plotter were introduced in 1962. The Wild B8 stereo plotter was introduced in 1966. Technicians used the Wild A9 Stereocomparator to accurately measure between pass, tie, and survey control points on aerial photographs. The Wild B9 and B8s were used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B9s used a four and a half square, and the B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting with B8 and B9 stereo plotters was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In the early days topographic detail and contours were plotted with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. This is a set of eight photographs of technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo. c1960s to c1980s. Black and white and colour photos are on photographic paper and scanned at 300 dpi. .1) - Photo, black & white, c1965. Unidentified technician operating a Wild A9 Stereocomparator. .2) - Photo, black & white, c1965. Unidentified technician operating a Wild B9 stereo plotter. .3) - Photo, black & white, c1967. L to R: Unidentified technician, SPR Ken Jeffery operating a Wild B9 stereo plotter. .4) - Photo, colour, c1974. Unidentified technician, operating a Wild B8 stereo plotter. .5) - Photo, black & white, c1974. Unidentified technician operating a Wild B8 stereo plotter. .6) to .7) - Photo, black & white, c1979. Unidentified technicians operating a Wild B8 stereo plotter. .8) - Photo, black & white, c1985. Unidentified technician in AUTOMAP 2 operating a Wild B8 stereo plotter..1P, .2P, .4P, .5P, .7P – no annotations. .3P – annotated ‘Standing - , Seated SPR Ken Jefferies (sic). .6P – annotated with date ‘1979’ .8P – annotated ‘AUTOMAP 2’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, photogrammetry

black and white photo: brick bulding . Commercial ? Brick front with parapet , 2 arched doorways,3 arched windows, building frontrs street. 2 doors to underground cellar open. Windows barred, Side wall has brick buttresses. Galvanised iron roof with 6 glass skylights and louvred ventilator. Rear of Batchelder's cart to left. Male seated near cart. 3 males in timber pens rear of Batcherlders cart to left. Raised footpath. Protective stanchions at entrance door. On back in pencil ' not known' ' 13'Batchelderbuildings, commercial

Brown decorated timber frame, cream shadow box mounting card, booklet, photocopy text, glass. Black printed text reads -Autograph Book / Belonging to Geelong Supporter / Kenneth W. Cavey- and -Donated by / Peter Price / and Family-. There is a photocopy of a blue front cover of a booklet with the text -Autographs-. On the left of the display is an opened booklet with notes and autographs hand-written in pencil and pen. Display is protected by glass. Rear of frame has a Kardinia Picture Frames sticker and a fabric cord running horizontally which is used to hang the item.Autographs of 1934. Les Hardiman. Reg Hickey. Angie Muller. Bob Troughton. Clive Coles. Lou Daily. Alex McGregor. George Todd. George Moloney. Jack Walker. Jack Williams. Jack Metherell. Jack Carney. Len Metherell. Bill Kuhlken. Allan Everett. Jack Collins. Peter Hardiman. Tom Arklay. Joe Tucker. Jack Lyons. Norm Glenister. Gus Leishman.gfc 1934 team, geelong cats 1934

Photo mounted on dark grey matt board with some decorative embossing around the photo. Pictured is a group of men and women seated and standing at the side of Kerr's Mandurang Hotel. The building is weatherboard. In the background is a large stack of wood and a buggy. All the men are wearing hats and the young man on the left is wearing a white apron. Written on the back in pen is Kerr and written in pencil is Kerr's Mandurang Hotel. Seated centre is William Kerr's son John Kerr and perhaps his brother William ? Behind. Lady in front row right holding a bird.bendigo, hotel, mandurang hotel, john jones collection - kerr's mandurang hotel, william kerr, john kerr, william kerr

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/25 Neg. No 199/ Date taken 2-11-53/ SUBJECT./ Office Extension (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKSHOP NO. 1. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/17 Neg. No 148/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives