This booklet has been issued in 1940 by the Warrnambool Progress and Tourist Association established in 1927. Warrnambool was the winner of the Sun News Pictorial Quest in 1928, the ‘Ideal City’ and used this title to promote the city. There had been several Tourist Associations in Warrnambool prior to 1927 and all of them promoted Warrnambool as a health resort and an ideal holiday destination with the Sea Baths in Gilles Street and the beach close by. This guide has been produced during World War Two with rationing of petrol and other goods and most people in Victoria would not have been contemplating long and expensive holidays so Warrnambool with its rail service and beach facilities would have been seen as a possible holiday destination. This Warrnambool Tourist Guide is of considerable interest both for its content regarding Warrnambool’s attractions in World War Two and for its 1940s advertisements and photographs. This is a booklet of 33 pages stapled together. It is a Warrnambool Tourist Guide from the 1940s. The pages are mostly white but there are a couple of blue and buff-coloured pages. The cover is pink with mauve and black printed material and a photograph on the front cover of the Warrnambool camping ground on the foreshore. The back cover has become detached. The booklet contains information on the tourist attractions of Warrnambool and district, black and white photographs of buildings, events and scenic spots and advertisements for local businesses. Many of the advertisements also contain photographs of business premises. Front Cover: ‘The Ideal City, Warrnambool On The Sea, , Victoria, Australia, Camping Grounds at the Beach, Tourist Guide – Where to Go! What to See! To Advance Warrnambool, The Ideal City, Victoria’s Premier Health and Holiday Resort, Price 6d.’ tourism in warrnambool, warrnambool, sun news pictorial quest, warrnambool tourist guide, the ideal city

Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair.

Photograph taken in 2009Colour photograph, mountedI took this picture on the bridge at Ripponlea train station. It shows what the station is like. Two platforms (City, Sandringham) Palm trees that are old and were established with the English people came and settled over Australia. By Ethan Lawrenceripponlea, glen eira road, railway, ripponlea station, ripponlea state school

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Pte George Maddams was in the 67th (Bendigo) Inf Bn Militia.1. Full length, black and white, portrait of a standing soldier. Taken in a studio. He is not armed and not wearing a hat. 2. Group portrait of a large body of marching troops. They are on a road beside telegraph poles and wires. An officer is marching in front of the troop. They are armed with what appears to be Long Lee Enfield rifles.1. On Rear - Pte G. Maddams 2. Fully written in pencil - addressed to Dear Linda. It describes the soldiers as going for a Guard review etc.passchendaele barracks trust, photographs, ww1, george maddams

History of Eltham Primary School to 1970Photocopy of original book: History of the Eltham Primary School, published in 1970. 14 pages. 3 Photocopies of parts of map Handwritten notes by H.G. about walking to school and early classroom conditons and activiites Writings by Grade 1 students of EPS "about what life was like 150 years ago"eltham primary school, adamson, armstrong, atkinson, betti, blackman, brown, buchanan, caldwell, clark, cochrane, coleman, curran, daply, dudfield, dunne, dunstan, elliott, findlay, fisher, gamble, gardiner, gardner, gilchrist, gray, greenwood, haniford, harry gilham collection, hughes, hunniford, jobling, kane, kaylock, kewish, lancaster, main, mccoll, mcmurrey, mcolvan, meadow, meadows, murray, murrey, orlebar, overman, pearson, peerson, potter, scott, sincom, son, spicer, state school no. 209, stewart, sweeney, teague, unsworth, warren, williams

This is a photo of Mason's house, on the road to Ladysmith in the Mt William gold fields.The photo appears to have been taken on a foggy day. It shows an unsealed road flanked by a few gum trees and with a ditch containing water on the left. On the right in the middle distance there is a house with a twin pitched roof and a veranda at the front. In the distance on the road is a vehicle and what appears to be a few people. The are mountains in the far background.buildings, houses

This is a photograph of students from Orbost State School. Those in the photograph have been identified by Mary Gilbert. Back Row L-R - Eva Morgan; R. Powell; Doris Smith; ?; Mona Arkins; E. Hardy; H. Beattie; Molly Hammill; Jessie Morgan; Kath Daley; Jessie Gall; Nina Williams; Billy Kerr; Gwenda Beveridge; Emily Mackley; Chrissie Mackley; Myra Malcolm; Annie Malcolm; Betty Gilbert; K. Beattie; Doreen Feltis; B Woodlands; ?; ?; ?; Carl Wehner; Bill Grose; Ham Bird; Eddie Lowater; ?; Jack Morgan; B. Hawkless; Jack Nixon; Harry Perry; Georg perry; Arthur Simpson; Albert Shaw; Bill Laycox; ? Lock; Neha Cameron; Stan Smith; Stan PorterThis photograph is associated with the history of education on Orbost.A black / white photograph showing a group school children in front of an outside wall of a timber building. Seated in the front row is a boy holding a sign with "GRADES 5 & 6" hand-written in what appears to be white chalk on a blackboard. The photograph is mounted on grey card and has a list of names attached to the bottom.

Seven typed pages and one page of additions titled 'Anecdotes' read at the RHS Convention held in Bendigo at 'Dudley House' on 9/10/1076. Notes mention what it was like in the early days, things that had happened, buildings in View Street, open-air theatres, musicians, and characters that roamed the streetsdocument, names of bendigo pioneers, bendigo & eaglehawk anecdotes, arblaster's powder factory, annals of bendigo, latham and watson's mine, gray, bendigo advertiser 1858, dr harry leigh atkinson, ravenswood property, a. n. a. hall, sir john quick, princess theatre, the tiv, mr frank cusack, pederewski, lyric photo plays, oscar flight, tiny coupe, fedder duster, overcoat charlie, bayonet, benevolent home, sydney myer, myer stores, robert harkness, nubby bux, j bruce, henry john king, louis williams

Aulsebrook Collection: Bendigo and District Tourist Association General Meeting paper. a) General Meeting notice for August 2nd 1972. 1 page, typed. b) Minutes for meeting June 7th 1972. 3 pages, typed. Information on what was talked about eg. Finance, correspondence, general buisness etc.

"What Australia Makes, Makes Australia" - The Mytton Story. A short history by L F HARRISON and L W JOHNSON (Wal). 25 pages. Myttons was an engineering firm with premises in South Melbourne and Port Melbourne. They made objects as diverse as cutlery sets to sinks and larger industrial stainless steel productsindustry - manufacturing, social activities, societies clubs unions and other organisations, sport - australian rules football, myttons ltd, rodd cutlery, allbrite cutlery, dev mytton, grosvernor cutlery, built environment - industrial, reginald h mytton, eric g redwood, colin mackay, l f harrison, l w (wal) johnson, russell flack, john donaldson, lance powell, horrie farrow, syd svensson, tom fahey, tommy lahiff, arthur steele, jean hopkins, dennis mackinley, lorraine robertson, douglas robertson

Photograph of a section of Pall Mall, Sandhurst (probably westwards from Bull Street). The photo has been taken from the middle of what is now Rosalind Park. There is an arched sign approx. in the middle of the row that reads ' Rowkirk and Co. In the foreground there are a number of Straggling mature trees as well as several dead onesBatchelderplace, streetscape, pall mall, batchelder, pall mall, rowkirk and co.

This item was distributed by Sklar Manufacturing, based in Long Island, New York.This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Metal cylindrical jube with cap, containing silver nitrate. Title of label on the front of the jar reads 'Ralks/SILVER NITRATE/APPLICATORS/(75% SILVER NITRATE)'. Label also carries a poison warning about the nitrate and what to do should in case of accidental exposure. Printed with an expiry date of May 1986.

This item began in 1982, finished 1983. Question arises - why did it not continue?Attempt by Club to recognise another success - but not continued.Wooden shield with small separate brass plaques in the shape of shields attached to the shield. Two of these are inscribed with winners names. The Shield also has an inscription at the top and a separate medallion with an outline of a cyclist stamped on it. A gold coloured stand with what appears to have been a cyclist on this stand has been broken off."K W Smith Perpetual Trophy/Fastest Time Road Aggregate/1982 R Bradford/1983 R Bradford"k w smith perpetual trophy; road aggregate; r. bradford; 1982; 1983;

Newspaper clipping from the Courier, 15/12/2018 titled "Oh, what fun it is to ride on a tram", reporting on the Santa Tram, a three year old Ivy with Roger Salen dressed as Santa in front of 40 at Depot Junction. Quotes Peter Waugh Photo by Kate Healy, story by Melanie Whelan.btm, volunteers, personnel, santa tram, christmas

Has a strong association with the Ballarat tram crews and yields information about the working conditions, and what could be taken as sick leave., Has a strong association with the Ballarat tram crews and yields information about the working conditions, and what could be taken as sick leave.Duplicated demi foolscap sheet titled "Employees - Sick Leave", advising what type of absences were not entitled to sick leave in accordance with SEC personnel regulations - sunburn, dental treatment and injuries resulting from a brawl. Dated 4/2/1971 and signed by I.F. Pellas as SEC District Manager.trams, tramways, motormen, personnel, conductors, sickness

This newsletter published in January 1999 by the President Bendigo RSL Alan Holmes is basically an Annual report of the Sub Branch in 1998. The 22 sub headings cover all aspects of the Sub Branch. The one photograph shows Norm Smart with his Life Membership Certificate on the left, on the right is Jack Barnes, Norm was the Treasure BRSL and Jack was the Secretary. Some of the main points are: Membership total 1998 being 797, 40 members had passed on, award of the French Legion of Honour to Jack Locket 108 years old, Anzac Day was a high standard with guest Speaker Ray Wheeler, Annual dinner guest speaker being Warick Johanson, Life Membership awarded to Norm Smart, 97 parcels had been delivered to Members in Care, Appreciation to Jack Barnes, Norm Smart & Peter Ball, 19 Bendigo RSL Members win the Edinburg Bowls Sheild, Museum report by Curator Peter Ball, Appeals report by Malcolm Angus raising in the two Appeals, ANZAC $29,223.35, POPPY $22565.20, List of the full Committee 1998 & next AGM to be February 8th 1999, the first Sandakan service and B.B.Cue to be held on Sunday March 7th at 11.00Newsletter, paper, 4 pages each folded, all print B &W, there are 22 sub headings, two advertisements and one large article re Whats on at the Bendigo & District Servicemen's Club, heading on first page is simply "Newsletter 1999" underlined, one photo showing two RSL Members.brsl, smirsl, newsletter, 1999

Newspaper clipping from a "What's On" type section, advertising the W-11 City Circle service with Z81 for the Karachi or Pakistan tram. Gives details of the times, operation, guest speakers - Professor Jane Kelway and Gwenda Tavan and a singer and website - tramtatic.net Cutting not dated, c2006 or 2007. Possibly from The Age.trams, tramways, transporting art, karachi, city circle, w-11 tram, decorated trams, tram 81

Notice to Members - from the Australian Railway Historical Society Victorian Division (ARHS) titled "VR Trams 35 & 48", advising that they are seeking a home for these vehicles whose remnants were in the procession of the Division and the Bendigo Gas Works. Offers were to close 12/11/2013. Not known what exactly happened.trams, tramways, vr trams, victorian railways, disposal, bendigo, sale of trams

Photocopy of a three page document titled "Uniform Dress Standards", providing details of male and female uniforms to be worn during the summer and winter periods, hair styles and what badges were permitted to be worn on the uniform. Issued Jan. 1992 on PTC letterhead, signed by Gregory Dower, Manager Depot Operations.trams, tramways, personnel, crews, the met, uniforms

A brochure explaining Legacy's work and providing information on how to donate. The paragraphs included: What is Legacy? Who are the members of Legacy? What kind of help does Legacy provide? How is Legacy financed? How many children is Legacy helping in Victoria? What does its help to widows and children cost Legacy? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What, shortly, is Legacy's objective in helping the children? Address given for Junior Legacy is 45 Market St, Melbourne.A record of how Legacy portrayed itself to the wider community.One page white paper, printed, folded in half. Black and white photograph and printed text.marketing, legacy promotion, fundraising

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. Very similar to item at 01445 in the things it lists. Headings included: Whom does Legacy help? What kind of help does Legacy provide? What is the composition of a Legacy Club or Group? How many dependants is Legacy actively helping in Victoria? What does Legacy spend in this State in its work? How are these funds provided? Why is Legacy work necessary when there is a generous Repatriation Act? What is Legacy's aim?An example of promotional material issued by Legacy in 1962.Black and white brochure x 4 pages to promote Legacy in 1962 with a mother and two children on the cover.legacy promotion, fundraising

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. Very similar to item at 01445 and 01446 in the things it lists. Headings included: Whom does Legacy help? What kind of help does Legacy provide? What is the composition of a Legacy Club or Group? How many dependants is Legacy actively helping in Victoria? What does Legacy spend in this State in its work? How are these funds provided? Why is Legacy work necessary when there is a generous Repatriation Act? What is Legacy's aim?An example of promotional material issued by Legacy in 1964.Black and white brochure x 4 pages to promote Legacy in 1964 with a mother and two children on the cover.legacy promotion, fundraising

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Information on how and what to catalogue.White ring bound soft covered book, white cover and back with title in red and other writing in black. 5 pictures of collected items.

It is unknown what this item was a pattern for.One flat piece of rectangular wood with a hole on the top - center and two nails, one at the top left corner, one at the bottom - RH corner. A second piece of wood is attached on top of the first; it is smaller in width and split exactly in two. There is a design cut out of second piece in shape of a pear. Bulbous part of design is centered around a hole in the first piece of wood. Three nails protrude from the second piece of wood. Three nails in the second piece of wood are located; one in each section of the more bulbous end of cut-out, & third on one section of the smaller end of cut-out. Hole on bottom of wood does not go all of the way through.

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photo of a man dressed in a three piece suit and hat, leaning against a stone architectural feature high above the surrounding countryside. The foreground is concreted and on the far left is part of what appears to be a metal support for another structure. The background is hazy, but appears to be part of a town below. The man is Frank Wright.frank wright, conductor

Postcard, WW1, B&W image of a bombed railway yard showing what appears to be the tender of an engine. Location unknown. Two Australian soldiers standing among rubble in the foreground. Another two soldiers leaning from the tender. Ruined steel framework of a building in background. Written in pencil on the reverse "G10" and "GS"postcard, postcard, ww1, railway yard ruins