Early black and white photographs of Marysville and surrounds.This collection of photographs shows various scenes around Marysville and surrounds such as waterfalls, lookouts and local towns. Valentines snapshots were done of many places world wide, and packaged in a convenient size to be posted.VALENTINE'S/ SNAPSHOTS/ 8 Real Photographs/ MARYSVILLE, Victoria/ No. 1/ Published For/ The Valentine Publishing Co. Pty. Ltd./ Melbourne and Sydneymarysville, victoria, valentine publishing co, photograph, souvenir, beautiful ferns on michaeldene track (image 1), cathederal range (image 2), camberville township (image 3), tallest known hardwood tree (image 4), main street marysville (image 5), on black spur road (image 6), stevenson falls (image 7), taggerty valley (image 8)

This letter was sent by The State Savings Bank of Victoria to General Secretary for the Association for the Advancement of the Blind, dated 9th March, 1943. It reads "Dear Sir, re: Mortgage: The Trustees of Recreation Ground for the Blind to this Bank. With reference to your letter of 1st instant, we herewith return agreement - the Trustees to the Association - which has been duly noted. Yours faithfully, G. Cartwright, Acting Secretary. 1 typed bank with State Savings Bank of Victoria letterheadassociation for the advancement of the blind, kooyong club house

Blue and gold hard cover with stylized figure of life saver on front cover with multi coloured blue cover on back with small boxed copy of front cover figure. Taken from painting Beltman and Co by Brian St Alban Smith 1958. 548 pages followed by lists of award winners both individuals and clubs. Title and authors in dark blue text.History of Life Saving Victoria for over 50 yearswarrnambool, surf life saving victoria, surf championships, shark attacks, surf boats

We hold 2 copies of this post card, the image of which which had been hand-tinted. The tree guards along the street prevented horses from browsing on their bark and leaves. The street on the right is probably Beatrice Avenue. SLV collection dates the post card as c1906.A coloured stamped postcard identified as Albany Crescent, Surrey Hills, Victoria showing the tree plantings on the naturestrips, gutters and houses with picket fences.SHP2213a Postcard front "Albany Crescent, Surrey Hills, Victoria". On the back is a message addressed to Mr N Smith at Phillip Island from "Ada". SHP2213b Received 2001 See our postcard print also/ From Julie Jones Heritage Officer Whitehorse/ after Heritage Trails published/ Have an original card already.albany crescent, surrey hills, ada, mr n smith, phillip island, post cards, 1901-1910

Shows picture of Mactier Gardens and Victoria Hotel, Hogan Street, Tatura,.Colour photograph showing Mactier Gardens (on left) and Victoria Hotel (on right) Hogan Street, Tatura. Photograph stuck onto piece of white cardboard. hogan street tatura, mactier gardens tatura, victoria hotel tatura

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the Cumberland Falls which are in Cambarville. These falls are located on the Marysville-Wood's Point Road. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville - Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed.POST CARD REAL PHOTO/ THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA PUBLISHED BY THE ROSE STEREOGRAPHS/ Armadale, Victoria. "Tyrone"/ Buxton/ via Alexandra/ 5-1-54 Dear Auntie/ Just a card to let you know everything is/ all right, the weather just beautiful it could not/ be better. We saw Em May the other day they seem/ to be having a great time they looked good-oh./ We have not been out the last two or three days/ we are having a good rest a lot of our crowd/ have gone home so I suppose there will be a new/ lot coming. We held a cricket match between our/ house & Glasgow we beat them & they supplied/ us with a couple boxes of chocolates but it was good en-/ joyment. I think this is all hoping all at home are well/ with love Myrtle.cumberland falls, cambarville, marysville, victoria, waterfalls, p. 2328, rose series postcard, postcard, souvenir, mountain ash, mining, timber mills, big culvert, yarra track, a cameron, fj barton, black saturday bushfires, 1939 bushfires, eucalyptus regnans

CEMA Art Collection Previously located in History HousePortrait of Queen Victoria depicting her torso and head. She looks to her right and is shown in an almost profile view. Dressed in black with a white collar, she wears a blue and white band in her hair. She wears a small gold earring, black choker with gold locket and a brooch with a man's portrait. The work has a gilded frame with some decoration and exposed canvas.Front: J.A.BRIGGS Queen Victoria, 1838-1901 Back: Painted by J A Briggs 1897queen victoria, 1800s, portrait, portrait painting, female, female portrait

Victoria Cross for Australia was introduced in 1991 for actions in Afghanistan. Corporal Cameron Baird was the 100th Australian to receive the award This coin is one of a series "Legends of ANZACS", uncirculated, with a value of 25 cents.Bronze coin featuring an Australian Victoria Cross, laminated, mounted on card printed in colour both sidesLogos of Westpac, 100 years of ANZAC, and Legacy, with photographs of Albert Jacka and Cameron Baird, VC recipients.victoria cross, coins, commemorative coins

Henley on the Lakes taken from Eastern Wharf during Centenary Celebrations Lakes Entrance Victoria. c1958 Colour photograph of decorated boats for Henley on the Lakes taken from Eastern Wharf during Centenary Celebrations Lakes Entrance Victoria. c1958. Similar colour photograph at Regatta 04274.1 . Plus 3 Black and white photos township, people, waterways, gippsland lakes, celebrations

Map included with book "Victoria: Gold and Minerals" issued by Mines Department Victoria, 1935Fold out coloured mapYellow mark indicating depositsvictoria, auriferous areas, mineral localities, department of mines, tin, antimony, copper, silver lead, tungsten, manganese, platinum, iron

Newspaper Clipping from "The Mail", 12-9-1995, P 17, "Footy girls the best in Victoria"Norwood Secondary College junior girls football team proved beyond doubt last week that it was the best in Victoria. The team blitzed Benalla Secondary College 12.11-83 to -0.1-1 in the state final of the Victorian Secondary State Schools Sports Association football competition.

The Municipality of Kew (1860-1863), the Borough of Kew (1863-1910), the Town of Kew (1910-1921) and the City of Kew (1921-1994) were local government instrumentalities in the State of Victoria. In 1994, the City of Kew was amalgamated, together with the former Cities of Camberwell and Hawthorn, into the new City of Boroondara (1994- ). Like other local government entities of the period, Kew was administered by town clerks. The two notable town clerks in Kew's history were H. H. (Henry Hirst) Harrison (1868-1955) and W. D. (William Dickie) Birrell (1899-1974). Harrison was appointed to the position in 1901 and retired in 1938 after 37 years. Birrell, appointed Acting Town Clerk in 1921, became Town Clerk in 1938, following Harrison's retirement. He continued in this role until his retirement in 1966.This card is part of an historically significant civic collection, containing hundreds of separate invitations, documents, greeting cards, programmes and tickets issued and/or collected by successive town clerks. Items in the collection illuminate the political, social and cultural history of the district. As a continuous record, ranging across most decades of the Twentieth Century, they reveal changing tastes in design, values and relationships in the history of local government in Victoria.THE GOVERNMENT OF VICTORIA / REQUESTS THE PLEASURE OF THE COMPANY OF / The Town Clerk and Lady / AT THE HISTORICAL PAGEANT IN / COMMEMORATION OF THE 50TH ANNIVERSARY OF THE OPENING / OF THE FIRST COMMONWEALTH PARLIAMENT / IN THE MELBOURNE EXHIBITION / WEDNESDAY 9TH MAY, 1951, AT 8 P.M. / RSVP TO SECRETARY, PREMIER'S DEPARTMENT, MELBOURNE C.2. BY 23RD APRIL. / ON RECEIPT OF ACCEPTANCE RESERVATION CARDS WILL BE FORWARDED.civic invitations -- kew (vic), civic ephemera - city of kew -- government of victoria, commemoration of the sitting of the first parliament, exhibition buildings -- melbourne (vic.)

cameleer and two children on resting camel, Pioneer Skills Day, taken between Caltex Service Station and State Bank building Esplanade Lakes Entrance VictoriaBlack and white photograph showing cameleer and two children on resting camel, Pioneer Skills Day, taken between Caltex Service Station and State Bank building Esplanade Lakes Entrance Victoriatourism, animals

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street

This collection of photographs shows various scenes around Marysville and surrounds such as waterfalls and rivers. Valentines snapshots were done of many places world wide, and packaged in a convenient size to be posted.An envelope with 6 black and white photographs of scenic attractions taken in and around Marysville in Victoria.VALENTINE'S/ SNAPSHOTS/ 6 REAL PHOTOGRAPHS/ FOR YOUR/ ALBUM/ MARYSVILLE, Victoria/ Published by The VALENTINE PUBLISHING CO.,/ PTY., LTD., Melbourne. To From Design 539/ PRINTED IN GT BRITAINtaggerty river (image 1), acheron way (image 2), nicholl's lookout (image 3), main street marysville (image 4), stevensons falls (image 5), cora lynn falls (image 6), valentine publishing co, marysville, victoria, souvenir

New Works cottages originally built for John Carpenter and George Carpenter of Lakes Entrance Victoria. Colour photograph of two of the New Works cottages originally built for John Carpenter and George Carpenter of Lakes Entrance Victoria. Also two other colour photographs of John and George Carpenters original homes with many people on front verandah genealogy, historic houses, settlement

Built in 1923-1927, the school is the gift from the children of the state of Victoria, Australia, to the children of Villers-Bretonneux as proof of their love and good-will towards France. Twelve hundred Australian soldiers, fathers and brothers of these children, gave their lives for the heroic recapture of the town on April 24th and 25th, 1918. On the front of the building there are two plaques (one in French and one in English) referring to this. In the School Yard, as well as an Aboriginal style mural created by the students of the school and inaugurated on ANZAC Day 2009, is an inscription over the porch on a green background in yellow writing saying : DO NOT FORGET AUSTRALIA Due to the strong bond of friendship between the Australian population and the inhabitants of Villers-Bretonneux. This message expresses the need to remember and show gratitude. Also situated in the school is the Victoria Hall, with its wooden paneling, co-ordinated by the Ballarat Technical Art School with most of the carving being undertaken by Australian sculptor John Grant of Daylesford Technical College in Victoria. The carvings represent fauna and flora from Australia. (http://www.museeaustralien.com/en/?Victoria_school, accessed 04/02/2014)Photographs of each of the Pilister at Victoria School, Villers Bretonneux. Each pilister is carved with an Australian Animal.villers-bretonneux, ballarat technical art school, victoria school, victoria hall, world war, world war 1, australian animals, possum, cockatoo, kookaburra, platypus, lyrebird, koala

Fish Creek., Victoria : Mary Ellis : c2003 172 p. : ill.(some col.)., ports. : 30 cm. non-fictiongardening - victoria - history, mary ellis, gardens -- victoria -- history., gardeners -- victoria -- biography.

Latrobe Bridge Sale Victoria in closed position . The operating machinery is still visibleBlack and white photograph of the Latrobe Bridge, in its closed position. The operating machinery is visible, plus the unique pier structure of the central span. In the rowing boat moored along side the river bank, a person wearing a boater hat is seated. Sale Victoriawaterways, bridges, civil engineering

This building was part of a range of shops known as Victoria House, built by Vere Quaile, blacksmith, in 1857. It consisted of a shop, a blacksmith's forge and wheelwright, and was located to the east of the blacksmith's forge in Main Street. Between 1874 and 1892 Francis Timmons operated a clothier and drapers business in this building.Small sepia unframed photograph on card with gold border framing photograph. The name of the business can be clearly seen above the awning. Less clear is the name "Victoria House', also above the awning. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. In handwriting: 'Victoria House'. Clothier + Draper. Main St. c.1857. Next to Blacksmith Cottage. Courtesy Mrs. Jeremeas. Photo 1883.stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., clothing shops, drapers bacchus marsh vic

North Arm from Marine Parade, hire boat jetties on right. Lakes Entrance Victoria. Plus second photo with cyprus trees at football ground on far right background,Colour photograph of view of North Arm from Marine Parade, hire boat jetties on right. Lakes Entrance Victoria. Second photograph with cyprus trees at football ground on far right background, recreational facilities, boats and boating, business, waterways

The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A large image of the LIncoln Causeway at the Victorian/NSW border at Wodonga. The southbound lanes on the right hand side feature overhead signals and traffic light signs to control traffic leading into the Fruit fly inspection checkpoint ahead. The photo is in a wooden frame.On right hand side: Border sign: Wodonga/Victoria and the Victorian State Coat of Arms.fruit fly control, victoria border, lincoln causeway wodonga

Copy of Print/picture of Queen Victoria for her Jubilee. In frame - timber with gilded oak . Red velvet inset, and acorn decoration with gilded moulding.Her Most Gracious Majesty Queen Victoria, Empress of India. From celebrated painting in possession of Her Majesty by Prof. Van Angeli. Presented with the Jubilee Number with the illustrated London Mews with special permission of Her Majesty.

Copy of Print/picture of Queen Victoria for her Jubilee. In frame - timber with gilded oak . Red velvet inset, and acorn decoration with gilded moulding.Her Most Gracious Majesty Queen Victoria, Empress of India. From celebrated painting in possession of Her Majesty by Prof. Van Angeli. Presented with the Jubilee Number with the illustrated London Mews with special permission of Her Majesty.

fish boxes being iced at Harbecks Jetty Lakes Entrance Victoria. c1950 Also a black and white photograph of a woman on jetty beside fish boxes marked VFA Black and white photograph showing fish boxes being iced at Harbecks Jetty Lakes Entrance Victoria. Also a black and white photograph of a woman on jetty beside fish boxes marked VFA c1950boats and boating

Main Street. On Right is London Chartered Bank. W Muir Produce Dealer. Bank of Victoria. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Another view of the top or eastern end of Main Street 1866. It is almost the same area as in photo No 14 but looking westward towards the Grampians. Streetscape with bend of road in foreground. Bank of Victoria prominent on right side of image.stawell businesses streetscape

In 1861, August Dhmel of Slatey Creek near Ballarat, applied to be naturalized. He was born in Prussia and arrived by ship from Hamburg in 1849. He was thirty years old and was wishing to purchase land intending to settle for the rest of his life in the Colony of Victoria. This would be granted after taking the Oath before one of the Judges of the Supreme Court. This was taken before Sir Redmond Barry, Knight, in April 1861. A copy of the wording of the oath August Dhmel took hand written on a separate page.Thick cream paper, hand written in ink. Official seal - red and gold - between two pieces of light blue paper and dark blue ribbonSeal Signature of I Moore Date 20 February 1861 Signature of Governor of Victoria, Sir Henry Barklyaugust dhmel, slatey creek, ballarat, naturalize, colony of victoria, judge of the supreme court, redmond barry

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / Reverse: Y 6 / 017 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A listing of National Trust listed buildings from around Victoria in 1966. Each entry has a photograph and caption with some history of the building. Arranged by region.The development of architectural style in Victoria.278 pages, black and white illustrations. Hard cover. Dust jacket has illustration of interior of the Library of the Supreme Courtmelbourne architecture, victoria architecture, historic buildings victoria, national trust of australia, victoria