Showing 697 items matching "curator"
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Federation University Historical CollectionBook - Petty Cash July 1972-July 1974, Ballarat School of Mines and Industries, Ballarat, Ballarat School of Mines and Industries Ballarat Petty Cash Book 1972-1974, 18/07/1972
School of Mines Ballarat is a predecessor of Federation Univeristy This book lists the petty cash details of the School of Mines in the 1970's and 80's giving us an understanding of the operations of the School of Mines in that era and of the people involved with the institution at that time. It shows projects that were being undertaken at the institution at the time and gives us an historical perspective on project costs and the type of work being doneRed book with white painted writing on the frontPetty Cash July 1972 to July 1974 possible in white correction ink on front coverschool of mines and industries ballarat, petty cash, art, physics, office, library, chemistry, electrical engineering, electrical trades, mechanical engineering, curator mt helen, maths, biology, motor mechanics, carpentry and joinery, geology, sculpture, gem studies, malting and brewing, craft, junior tech, student counselling -
Flagstaff Hill Maritime Museum and VillageInstrument - Cambridge pH Meter, Cambridge Scientific Instrument Co. Ltd, 9-6-1946
This pH meter was made in 1946 by Cambridge Scientific Instrument Co. Ltd. in London. The company was founded in 1881 and the owner eventually became Horace Darwin, the youngest son of the famous scientist Charles Darwin. It is a portable version that can be used on-site in many different situations. A similar instrument was used by the Chemistry Department of what is now the University of Cambridge. The science of pH measurement began in the 1910s and was further developed in 1926. The pH meter is an electronic scientific instrument used to determine the pH measurements of a solution accurately; the amount of acid and alkaline in it This measurement can have many other applications helping to maintain the appropriate balance for a particular result. For example, it can measure the pH of pharmaceutical medications, soil, swimming pool water and hair shampoos. This Cambridge portable electronic pH instrument was made in 1946 by a company specialising in scientific instruments. It is an early example of much smaller devices used today in many different fields including medicine, and the preservation and conservation of shipwreck artefacts. Flagstaff Hill Maritime Museum and Village's Curator uses a pH meter today in the conservation process of a historic cannon that was recovered from the 1839 wreck of the vessel 'Children'.Scientific instrument, electric Cambridge Portable pH Meter in a polished wooden box with compartments, fold-out doors, and leather carry handle. Includes blue covered Instruction manual with a 'Certificate of Test' inside, and chemicals. Electrodes mounted in compartment. The lid is separate from the base, attached by pins and hinges. A plate inside the lid gives instructions for 'Preparation for Use'. Made by the Cambridge Instrument Company, London, in 1946.Printed on plate: "Cambridge Instrument Co. Ltd, 13 Grosvenor Place, London, S.W.1' Certificate dated: "6-3- 46" (1946)flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ph meter, cambridge scientific instrument co. ltd, horace darwin, cambridge university, ph balance, scientific instrument, ph measurement -
Mission to Seafarers VictoriaBook, Gavin Fry, Ray Honisett, An Illustrated Life, 2021
The first comprehensive study of the life and work of Ray Honisett [1931-2019], one of the most significant illustrators of his generation and the doyen of Australian aviation art.164 pages, softcover with colour illustrations.non-fictionThe first comprehensive study of the life and work of Ray Honisett [1931-2019], one of the most significant illustrators of his generation and the doyen of Australian aviation art.ray honisett, gavin fry -
Glenelg Shire Council Cultural Collection
Booklet - Booklet - History of Portland, c. 1965
Two copies of 8 page booklet of Portland's history, produced by CEMA Historical Group for the official opening of Gardens Cottage restoration, and to commemorate the landing of Edward Henty, 19 November 1834, and other pioneers of Victoria. White paper, black print, single stapleFront: a. 'VIVIAN' - top right, handwritten, blue biroportland history, local history, portland botanic gardens, curators cottage -
Orbost & District Historical Societybook, Gilbert, Mary, 1926
This book belonged to Mary Gilbert and was probably used by her whilst at Melbourne University as a student. Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.Mary Gilbert was the first curator of the Orbost Museum, and a local teacher. She was a highly respected Orbost citizen.A black paged botany book with a leatherette cover. Inside are hand -drawn botanical specimens. On the front, in gold, is the Melbourne University insignia with its motto -"Postera crescam laude" ( "May I grow in the esteem of future generations").MARY I. GILBERT BOTANY 1 1926 No. 437gilbert-mary -
Orbost & District Historical Societyvase, first half 20th century
Belonged to Mary Gilbert who was a passionate local historian. She was awarded a British Empire medal in recognition of her work for education and the community. . Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.This item has aesthetic significance. It was owned by Mary Gilbert, a prominent Orbost personality, the first curator of the Orbost Museum. Handmade, tall carved wooden vase painted red. Bush scene painted black with pokerwork.vase ornament-wood gilbert-mary -
Federation University Historical Collection
Booklet, Berry, Anderson & Co, Ballarat School of Mines Annual Report, 1897, 1897
Annual Report, Associateship of the School, Calendar for 1899, Examination Fees, Fees, Full Certificates Issued prior to 1897, Honorary Correspondents, Life Governors, Meteorological Observations, Office Bearers, Passes obtained since 1892 in Final Examinations, Professors and Lecturers, Report of the Superintendent of Laboratories, Report of the Professor of Geology and Botany, Report of the Professor of Engineering, Instructor in Engineering Drawing, Report of the Lecturer in Electricity, Report of the Teacher of Drawing, Results of Examinations Conducted by Education Department 1897, Statement of Receipts and Expenditure for year 1897, Statistics - Students attending Lectures, Subscriptions and Donations, Subjects included in Regulations Technical Schools, Time TableBallarat School of Mines Annual Report, Pale green soft cover, 62 Pages annual report 1897, andrew anderson president, r. denham pinnock - vice president, the hon. john warrington rogers - trustee, the right reverend samuel thornton bishop of ballarat - trustee, james millhinch - trustee, james oddie - trustee, the hon. henry cuthbert - honorary solicitor, r. g. middleton - honorary treasurer, thomas s. hart - curator of museum, chas. kent - auditor, fred j. martell - director, professor alfred mica smith, john m. sutherland, professor g. j. dawbarn, w. huey steel, henry j. hall, a. e. c. kerr, j. f. usher, l. hart, a. e. callow, daniel walker, hubert r. w. murphy -
Federation University Historical Collection
Booklet, Berry, Anderson & Co, Ballarat School of Mines Annual Report, 1898, 1898
Annual Report, Associateship of the School, Calendar for 1900, Examination Fees, Fees, Full Certificates Issued prior to 1898, Honorary Correspondents, Life Governors, Meteorological Observations, Office Bearers, Passes obtained since 1892 in Final Examinations, Professors and Lecturers, Report of the Superintendent of Laboratories, Report of the Professor of Geology and Botany, Report of the Professor of Engineering, Report of the Instructor in Engineering Drawing, Report of the Lecturer in Electricity, Report of the Teacher of Drawing, Report of the Teacher of Photography, Results of Examinations Conducted by Education Department 1898, Statement of Receipts and Expenditure for year 1898, Statistics - Students attending Lectures, Subscriptions and Donations, Subjects included in Regulations Technical Schools, Time TableBallarat School of Mines Annual Report 1898, Pale green soft cover, 68 Pages. INcludes photographs of The Ballarat School of Mines Junior Chemical Laboratory, Group of Students, Students at the Last Chance Mine. annual report 1898, andrew anderson - president, r. denham pinnock - vice president, the hon. john warrington rogers - trustee, the right reverend samuel thornton bishop of ballarat - trustee, james millhinch - trustee, james oddie - trustee, the hon. henry cuthbert - honorary solicitor, r. g. middleton - honorary treasurer, thomas s. hart - curator of museum, chas. kent - auditor, fred j. martell - director, professor alfred mica smith, john m. sutherland, professor g. j. dawbarn, w. huey steel, henry j. hall, a. e. c. kerr, j. f. usher, l. hart, thomas s. hart, a. e. callow, daniel walker, charles kent - auditor, andrew anderson, john warrington rogers, samuel thornton, thomas hart, charles e. campbell, james oddie, james millhinch, r.g> middleton, r. denham pinnock, g.j. dawburn, charles kent, james gibson -
Federation University Historical CollectionBooklet, Ballarat School of Mines Calendar for the Year 1900 with Annual Report and Balance Sheet for 1899, 1900
Annual Report, Associateship and Certificates, Calendar for 1901, Examination Fees, Fees, Full Certificates Issued prior to 1899, Honorary Correspondents, Life Governors, Meteorological Observations, Office Bearers, Passes obtained since 1892 in Final Examinations, Professors and Lecturers, Report of the Superintendent of Laboratories, Report of the Lecturer of Geology and Botany, Report of the Professor of Engineering, Report of the Lecturer in Engineering Drawing, Report of the Lecturer in Electricity, Report of the Teacher of Drawing, Report of the Teacher of Photography, Results of Examinations Conducted by Education Department 1899, Statement of Receipts and Expenditure for year 1899, Statistics - Students attending Lectures, Subscriptions and Donations, Subjects included in Regulations Technical Schools, Time TableBallarat School of Mines Calendar for the Year 1900 with Annual Report and Balance Sheet for 1899, Pale grey soft cover, 73 Pages, including photos of a number of lecture theatres. annual report 1900, andrew anderson - president, r. denham pinnock - vice president, hon. r.t. vale - vice president, the hon. john warrington rogers - trustee, the right reverend samuel thornton bishop of ballarat - trustee, james millhinch - trustee, james oddie - trustee, the hon. henry cuthbert - honorary solicitor, r. g. middleton - honorary treasurer, thomas s. hart - curator of museum, chas. kent - auditor, fred j. martell - director, professor alfred mica smith, daniel walker, hubert r. murphy, charles a. deane, percy r. osborne, arthur garrad, thomas evans, stanley b. vial, harry lego, thomas s. hart, godfrey hart, professor g. j. dawbarn, robert j. allan, a. e. c. kerr, henry j. hall, john m. sutherland, g. f. fryer, j. f. usher, chas, e. campbell, charles kent - auditor, engineering lecture room, cyanide plant, senior chemistry laboratory, chemistry laboratory, junior chemistry laboratory -
Federation University Historical Collection
Book - Annual Report, Berry, Anderson & Co, Ballarat School of Mines Calendar Year 1901-02 with Annual Report and Balance Sheet for 1900, 1901
Calendar and Annual Report 1901-02, Associateship and Final Certificates, Calendar for 1902, Certificates issued during 1900 in Metallurgy of Gold and Ore Dressing, Discipline, Discipline Board, Fees, Full Certificates Issued, General Regulations, Honorary Correspondents, Meteorological Observations, Office Bearers, Passes Obtained since 1892 in Final Examinations, President's Annual Report, Professors and Lecturers, Results of Examinations Conducted by Education Department 1900, Statement of Receipts and Expenditure for Year 1900, Statistics - Students Attending Lectures, Subscriptions and Donations, Subjects Included in Regulations Technical Schools, Subjects of Instruction - Department of Chemistry and Metallurgy, Geological Department, Engineering Department, Electrical Department, Department of Mathematics and Physics, Practical, Plane and Solid Geometry, Photography, Time Table 1) 05225.1 Ballarat School of Mines Calendar for the Year 1901-02 with Annual Report and Balance Sheet for 1900, Pale grey soft cover, 93 Pages 2) 05225.2 Ballarat School of Mines Calendar for the Year 1901-02 with Annual Report and Balance Sheet for 1900, Pale grey soft cover, 93 Pages Images include: Senior Members of Staff, Interior of Museum, Balance Rooms, Engineering Lecture Room, Part of Cyanide Plant, Senior Chemistry Laboratory, Chemistry Lecture Room, Assay Laboratory, Junior Chemistry Laboratoryannual report 1901-02, andrew anderson - president, r. denham pinnock - vice president, hon. r.t. vale - vice president, the hon. john warrington rogers - trustee, the right reverend samuel thornton bishop of ballarat - trustee, james millhinch bickett - trustee, james oddie - trustee, the hon. henry cuthbert - honorary solicitor, r. g. middleton - honorary treasurer, thomas s. hart - curator of museum, chas. kent - auditor, fred j. martell - director, professor alfred mica smith, daniel walker, hubert r. murphy, charles a. deane, percy r. osborne, arthur garrad, thomas evans, douglas a. runting, ernest trend, thomas s. hart, g. stephen hart, professor g. j. dawbarn, a. e. c. kerr, herbert krause, henry j. hall, john m. sutherland, kerr grant, j. f. usher, chas, e. campbell, charles kent - auditor, chemistry laboratory, assay laboratory, electricity lecture room, charles kent, cyanide plant, judge warrington rogers, john warrington rogers, samuel thornton, james bickett, thomas hart, t.s. hart, henry hall, charles campbell, j.m. sutherland -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening, 'Dredging, Draining, Dipping and Shipping' exhibition, Joan Winter, Jul 1995
Members of PMH&PS worked on the exhibition (research, writing etc) and society loaned items from our collection. Curated by Joan Winter.Invitation to the opening of 'Dredging, Draining, Dipping and Shipping - A History of the foreshore and low-lying lands of the City of Port Phillip', an exhibition by the City of Port Phillip opened by Hon. Frank Crean.celebrations fetes and exhibitions, joan winter - curator -
Women's Art RegisterBook - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art RegisterBook, Joan Kerr, Heritage. The National Women's Art Book, 1995
500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Obstetrical crotchet and blunt hook used by Box Hill Hospital labour ward
This is a destructive instrument which, when placed around the neck of the fetus and twisted, succeeded in severing the head. This type of instrument was used in emergency surgery when the fetus was already dead and the mother's condition was critical. This instrument might also have been used to remove tumors. Source: Yale University Library, 'Blunt hook and crochet', https://collections.library.yale.edu/catalog/17322011 This was included with other obstetric instruments, mostly destructive instruments, from Box Hill Hospital labour ward given to RANZCOG in February- March 1998. The maternity service at Box Hill hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Obstetrical crotchet. Nickel plated stainless steel, with large blunt hook at one end and crotchet hook at the other, and fluting at the centre. "B.H.H.L. Ward"destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Placenta praevia forceps used by Box Hill Hospital labour ward, Ramsay
Similar to Willett's placenta praevia forceps [see Down Bros Catalogue of Surgical Instruments and Appliances, c1930, p 940]. John Abernethy Willett (1872 -1932) modified an existing pair of surgical scalp forceps for use in bringing down the head of a foetus in the case of placenta praevia. As the safety of c-sections increased and fetal viability became a dominant consideration, these were used only for the dead/pre-viable foetus. (Source: Baskett, Thomas. 'On the Shoulders of Giants - Eponyms & Names in O&G'.) This was included with other obstetric instruments, mostly destructive instruments, from Box Hill Hospital labour ward given to RANZCOG in February- March 1998. The maternity service at Box Hill hospital combined with St Geroge's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pair of long handled forceps, placenta praevia style. Inscribed "B.H.H.L Ward" inner handle."B.H.H.L Ward"destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Set of Braun's craniotomy forceps used by Box Hill Hospital labour ward, Allen & Hanburys, England
Carl Rudolph Braun (1823-1891) was the inventor of this instrument, as well as a type of decapitation hook. Braun was born and practiced in Austria, and followed Semmelweis as assistant to Klein at the Vienna Maternity Clinic in 1847, before becoming its head in 1856. Braud added a gynaecology section to the clinic in 1858, being convinced that obstetrics and gynaecology should be together. (Source: Baskett, Thomas. 'On the Shoulders of Giants: Eponyms and Names in Obstetrics and Gynaecology'). This device was included with a range of other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Craniotomy forceps, Braun's. Stainless steel forceps, with wingnut. Upper blade has open oval section and ridged grip section on the handle. Lower blade has serrated inner edge and ridged grip section on the handle. Wingnut is used for attaching the upper and lower blades of the forceps. Inscribed "B.H.H.L Ward" on forceps."B.H.H.L Ward"destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Sims-type uterine dilator used by Box Hill Hospital labour ward
Used for probing a woman's uterus through the cervix, to measure the length and direction of the cervical canal and uterus. Dilators are primarily used to open and dilate the cervix to gain access to the uterine cavity but can also be used as sounds. This device was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Three bladed Sims uterine dilator, consisting of upper blade, lower blade, bridge, and wingnut. Blades are polished stainless steel with matte steel handles. Upper surface inscribed, (trademark) MADE IN GERMANY INOXIDABLE", "21"."21"box hill hospital -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Embryotomy scissors used by Box Hill Hospital labour ward, Thomas Russ & Son Ltd, Sheffield, England
Embryotomy is a destructive procedure whereby a fetus is dismembered to facilitate removal from the uterus when delivery is obstructed or impossible. It carries a risk of trauma (such as uterine rupture or vaginal/cervical injury) but aims to reduce the risks of mortality and impaired function to the patient. (Source: Medecins Sans Frontieres, 'MSF medical guidelines - Essential obstetric and newborn care - 9.7 Embryotomy'') This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Embriotomy scissors. Curved-on-flat scissors with take-off point.destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Pelvimeter used by Box Hill Hospital labour ward
A pelvimeter is used in obstetrics for measurement of the female pelvis, with the aim of attempting to determine whether there will be any potential issues with a vaginal birth. The style of this pelvimeter is similar to Collyer's pelvimeter as depicted in Aesculapius Surgical Instruments p. 2195. This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pelvimeter. Similar in style to Collyer's pelvimeter. Has adjustable arms hinged with a wingnut, and a scale graduated in inches and centimetres.obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Tool - 'Ramsay' pelvimeter used by Box Hill Hospital labour ward, Ramsay
A pelvimeter is used in obstetrics for measurement of the female pelvis, with the aim of attempting to determine whether there will be any potential issues with a vaginal birth. This pelvimeter is similar in style to Martin's pelvimeter (see Aesculapius). This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St Geroge's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pelvimeter, manufactured by Ramsay. Metal device with calibrator graduated to 18 inches/ 45 cms. Inscribed " Ramsay" upper arm."Ramsay"obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Tool - Bonney's myomectomy clamp used by Box Hill Hospital labour ward, Down Bros., London
Victor Bonney (1872- 1953) was a gifted and innovative surgeon. One of Bonney’s most notable achievements was his development of a successful procedure for myomectomy. After his wife developed fibroids and had her uterus removed early in their marriage, Bonney took a great interest in the practice of conservatism in surgery. Prior to Bonney, myomectomy “had fallen into disuse because of excessive blood loss during the operating and the infections that commonly followed” (Chamberlain, 'The master of myomectomy') , but Bonney saw an opportunity to revolutionise this practice. In his words: “I set myself to make myomectomy so feasible, successful and safe as to render it a fair alternative to hysterectomy in every case… Excepting only in a very few instances… I have succeeded, and now enter the operating theatre free of the trammels which at one time too often compelled my hand against my heart.” (Bonney, 'The fruits of conversatism') Bonney’s crucial innovation was the development of a new surgical clamp, an instrument which is now referred to as Bonney’s myomectomy clamp. The clamp was ingeniously designed to cut off blood supply to the uterus by compressing the uterine arteries, immediately reducing the excessive blood loss which had previously been associated with the procedure. Although technological advances mean that these are now seldom used, Bonney’s success with this procedure was such that his clamps were regularly used for myomectomy procedures for decades after his death. This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett. Stainless steel clamp. Scissor type instrument with two sets of finger grips and a locking ratchet mechanism. The blades close to form two apertures which can be selectively decreased in size."DOWN BROS LONDON STAINLESS" upper surface of RH handle; "B.H.H.L. WARD" inner surface of LH handle.surgery, obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Tool - Simpson's perforator used by Box Hill Hospital labour ward
This is a destructive instrument. Perforators were used to pierce and empty the skull in a craniotomy (which is a form of embryotomy). A craniotomy is a procedure whereby "a perforation is made in the foetal skull to reduce the volume of the foetal head which prevents delivery." (Source: Medecins Sans Frontieres, 'MSF medical guidelines - Essential obstetric and newborn care - 9.7 Embryotomy'') This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Simpson's perforator. Stainless steel perforator with fluted handles. Various inscriptions: "ALLEN & HANBURYS LTD/ENGLAND S.S.ut" on shaft, "12" on inner surface of hinged brace, "B.H.H.L. Ward" on inner shaft of blade."B.H.H.L. Ward"destructive instruments -
University of Melbourne, Burnley Campus Archives
Document - Report, Speech Day Reports - Greenkeepers and Golf Curators Courses, 1961-1974
Principal's Reports 1961, 1974; notes for Greenkeepers' course, 3 reports dates 1961, 1970, 1974principal, eric bruce.littlejohn., thomas hugh kneen, golf course curators, greenkeepers -
University of Melbourne, Burnley Campus Archives
Booklet, Greenkeepers' and Golf Curators' Course, 1966
greenkeepers, golf curators -
The Adam Lindsay Gordon Commemorative Committee Inc.Film - DVD, Brenton Manser, Rider and Writer- The Life of Lindsay, 2014
From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014 -
Ararat Gallery TAMATextile, Cresside Collette, Egyptian Moon Goddess, Astarte (curators title)
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Heidelberg Theatre Company Inc..Memorabilia - Program Photos Review Newsletter Poster Articles, Lost in yonkers by Neil Simon directed by Gayle Poor
2019, heidelberg theatre company inc, directed by gayle poor, 429, artspace artist - anne lucas, artspace curator - teresa schipano, arty played by henry smith, jay played by robbie nicholson, bella played by aimee sanderson, gert played by cat jardine, louis played by liam gillespie, eddie played by seth kannof, grandma played by lindy yeates, ass director catherine christensen, production coordinator maureen mcinerney, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, stage assistant janine kerwood, lighting design emma fox, sound design rob wanless, set design gayle poor & owen evans, costumes wendy drowley, costumes assistant catherine christensen, props melanie belcher & maureen mcinerney, set decor mal cother, lighting operator jarrod catt, sound operators rob wanless & harry gravell, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review cheryl threadgold, htc 2018 awards: best performances in a main role claire benne (private lives) & claire abagia (blue stockings): best performances in a supporting role libby kaye (private lives) & juliet hayday (blue stockings), vdl awards: gold award for an actress in a minor role – venetia macken (angustias in the house of bermuda alba), 2018 bill cherrey award bob tyres -
Heidelberg Theatre Company Inc..Memorabilia - Program Photos Review Newsletter Poster, It's a wonderful life a radio play by Joe Landry directed by Terese Maurici
2019, heidelberg theatre company inc, directed by terese maurici, 431, artspace exhibitor textile art community art space, artspace curator - teresa schipano, freddie filmore/henry f potter & others played by liam gillespie, jack laurents/george bailey played by mark yeates, sally applewhite/mary bailey played by llaaneath poor, mycroft fry/clarence the angel played by tim camilleri, lana sherwood/violet bick & others played by paula mcdonald, harry heywood/harry bailey & others played by gavin baker, bobby b sharpe /pianist played by jack stringer, wally watson/foley artist played by phil holmes, dolores birdwhistle/floey assistant & others played by kadey mcintosh, musical director jack stringer, production coordinator jim thomson, lighting design emma fox, set design phil holmes, sound engineer andrea cole, stage manager karen dowling, pianist/vocal coach jack stringer, costume design wendy drowley, choreography llaaneth poor, foley props phil holmes, props jim thomson & phil holmes & terese maurici, set painter mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator emma fox, rehearsal prompt ryan purdey, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Heidelberg Theatre Company Inc..Memorabilia - Program Photos Review Newsletter Poster, The drawer boy by Michael Healey directed by Karen Wakeham
2019, heidelberg theatre company inc, directed by karen wakeham, 432, artspace artist fred colla, artspace curator - teresa schipano, angus played by john cheshire, morgan played by andrew mcaliece, miles played by sam barson, production coordinator bruce akers, stage manager melanie belcher, lightening designer deryk hartwick, set designer lisa mcvilly, sound design john rowe, costume designer catherine christensen, composer david cheshire, props gaye billings & karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, furniture warren lane, set painter mal cother, sound & lighting operators john rowe & chloe connolly, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Heidelberg Theatre Company Inc..Memorabilia - Program Photos Review Newsletter Poster Articles articles special events, Tartuffe by Moliere directed by Joan Moriarty adapted by Christopher Hampton by arrangement with Origin Theatrical on behalf of Samuel French Limited
433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes
