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Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: STYLE
Bendigo Advertiser ''The way we were'' from 2000. Style: Bishopcourt, Forest Street Bendigo, was built for resident surgeon Paul Howard McGillivray in 1876. His consulting rooms were located on the ground floor. His private entry was from Forest Street, originally enclosed with a veranda and balcony. The building was later acquired by the Anglican Church as the Bishop's Palace, hence the name ''Bishopcourt''. Dr.McGillivray was one time president of the Victorian Medical Society and a fellow of the Linnaean Society for his works on natural history. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Book - 'LYDIA CHANCELLOR COLLECTION: PSYSIOLOGICAL AND PHRENOLOGICAL CHART (IN BOOK FORM.)
A paperback book titled, ' Physiological and Phrenological chart (in book form)' by Rev. J.J. Brown. 'Illustrated with 70 engravings on Wood by S. Calvert. On the inside front page the book is titled, 'A delineation of the Character, Talents, Physiological Developments and Natural Adaptions of Miss L. Pethard. By J.J. Brown. With a table, on pages 4 and 5, naming over 200 pursuits in life, and showing those for which by nature…is best adapted.' Melbourne: Spectator Publishing Co. Ltd. 270 Post Office Place. MDCCCCVI. 54p. (ill)Rev. J.J. Brownbooks, technical, physiology, lydia chancellor collection, collection, books, physiology, psychology, science, health, medicine -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: BOXING
Black and white photograph, boxing, 22/3/91, Strath village, photograph of Tony Torcasio and Sam Greco posing to look like they're about to fight for an Advertiser photograph. Bendigo Advertiser description: 22/3/91 LISA WHERE: Strath Village WHY: Visit to Strath Village WHO & WHAT: R. Tony Torcasio Victoria Sales Musashi Kick Boxer Sam Greco Karate. Fitness & Nutrition Consultant Content H 416844 Silent Bronwyn March. W. 412665, Natural foods and vitamins.Lisarecreations, sports, boxing -
Bendigo Historical Society Inc.
Document - TYPED PAPER: THE BOLD BENDIGO THEORY
Typed 9-page paper - ''Bendigo-Cum-Sandhurst-Bendigo --- The Bold Bendigo Theory. Outlines the Abednigo Thompson story, the Conan Doyle poem (text); Bendigo-Sandhurst-Bendigo history incl ref to plebiscite in 1891. Concludes: '' …when one considers all the evidences of time and circumstance that point to the Bold Abednigo (Bendigo) theory, it seems natural to give it precedence over all others because of the sheer logic of its progressive sequence and its reasoning''. Various handwritten phrases inserted as corrections/amplifications of text.document, names of bendigo pioneers, ross heverfield, robert ross haverfield. mr charles sherrard. bendigo creek. william thompson (bold bendigo) -
Kiewa Valley Historical Society
Book - Book - Alpine Area - Department of Conservation, Forests & Lands, Alpine Area / Planning Proposals / a basis for management. 1987
It is the policy of the Government that most of the State's alpine area will be proclaimed as an Alpine National Park, which would complement the Kosciusko National Park in N.S.W.. This is yet to be achieved (1987), however there is a need for sound, efficient and coordinated management based on the area's natural features, values and uses. Planning is proceeding on this basis.Victoria's alpine area is one of the State's most outstanding and spectacular natural areas. It is noted for its diverse plant and animal life, scenery, recreation opportunities and as a water catchment. This country is at the upper end of the Kiewa Valley and the planning for it is of interest to the Kiewa Valley inhabitants.White bound book with green print for title at the top, black & white picture and black print at the bottom for the name of the government authority publishing the book.143 pages with fold out map after page 7. The map is coloured green to indicate the planning area.alpine area, bogong national park, victorian department of conservation forests & lands -
Federation University Historical Collection
Equipment, Maltron Single Hand Keyboard
An ergonomic keyboard designed for people who need to type with one hand. Typing speeds of 85 WPM are possible with this keyboard. The layout of the keyboard is designed for one handed users to type quickly and efficiently.The shape allows the natural movement of the hand. The company was formed in 1977 and this model was created in 1981. Single handed keyboard with grey and yellow buttons and power cord. Maltronkeyboard, maltron, disability, one handed keyboard, impaired aid, electronic -
Bendigo Historical Society Inc.
Functional object - Beeswax
Beeswax has been used for millennia. From the 19th century on the main uses included, the making of candles (mainly for the wealthy), cosmetics ( eg. natural protection and gloss for the lips), wax for seals on mail and documents, and for polishing furniture (scrapings of wax dissolved in spirits such as turpentine). Also used for lubricating thread.Two lumps of beeswax used for a functional purpose. beeswax, wax -
Kiewa Valley Historical Society
Pie Iron Camping, circa mid to late 1900s
This Pie Iron was used in the mid to late 1900's when stock, both cattle and sheep, were grazed on the Bogong High Plains. Providing meals for stockmen over open fires, even in log cabins in the Victorian Alpine region, was usually by a "camp cook" or a stockman designated "cook" from the Valley station/property. The use of "camping cooking utensils were a necessity and not a "weekend" affair. Stockmen could spend up to six weeks on the plains and all their cooking needs required had to "pack horsed" from the valley below. A scientific study started in 1947, to study the impact of grazing cattle on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This item is highly significant to the Kiewa Valley as it demonstrates the kind of cooking utensils that were required for camp drafts in the Bogong High Plains environment. As the control of cattle and sheep in the High Plains was very demanding upon horse and rider, good "tucker" was a pre- requisite for a successful operation. As the time spent in this remote location was governed by the climatic condition maximum utilisation of the very good pastures in the High Plains was crucial to a successful and profitable season.This pie iron has two pie forms in horizontal configuration and both top and base rounded forms are connected at one end (Top) with pop rivet application. This application allows for the "opening" up of the two halves. The bodies are made from cast iron in a "cup" form and a metal rod and wooden handle extend to permit the opening of the two sides. The inner side of the "cups" are smooth which relates to pie requirements and not the jaffle/sandwich irons. A clasp metal "D" ring is installed at the end of one wooden handle (to keep the iron in the close/cooking position).camp fire cooking utensils, hot plate, cast iron cooking appliances, pie irons, jaffle irons, drovers kitchen -
National Wool Museum
Card - Packaging – The Look of Berber, c.1980s
Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour on lighter shades of background colours resembling a natural undyed version of the traditional carpets. Berber is known for being one of the oldest and most durable kinds of carpet. Traditionally, Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures. The origin of carpet weaving by the Berber populations dates back several millennia. The hand-spun cloth they created was named after the individual tribe, and they used natural fibres to create cloaks, rugs and other fabrics. Card showing printed text and graphic featuring an image of a sheep in tones of orange, brown and cream. Printed: PURE NEW WOOL / THE / LOOK OF / BERBERcollins bros mill pty ltd, manufacturing, geelong, wool, berber -
Federation University Art Collection
Ceramic, Sarah Canham, #Fliporflop 1, 2 & 3, 2021
'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni -
Kiewa Valley Historical Society
Book - Historical - SECV x3, Three Decades. The Story of the State Electricity Commission of Victoria from its Inception to December 1948, First Published March 1949
At the time of writing this book The State Electricity Commission of Victoria had been in existence for 30 years. This book tells something of its progress and achievements during that period. It includes brown coal and water power. The Commission was to develop and use these natural resources through the expertise and experience of the Commissioners, its staff and employees. Historical: Chapter 5 "The War Years - and Kiewa." describes the early stages of the Kiewa Hydro Electric Scheme. Photos, map and diagrams of the Kiewa Scheme are also included. Hard cover blue bound book with the SECV insignia and the title "Three Decades" both in gold on the front cover. Book includes coloured and black and white photos.Handwritten inside front cover: "Bob Burnett". Title page: hand written in print and crossed out: "L.D.Miller / Tawonga". Not crossed out - "(Cheryl)"state electricity commission of victoria. kiewa hydro electric scheme. bogong high plains. pretty valley. kiewa valley. -
National Vietnam Veterans Museum (NVVM)
Headwear, Bush Hat
The Australian Giggle Hat was made from jungle green cotton twill and featured a headband for inserting natural camouflage. Early versions were of British manufacture and had large screened air holes. However, from 1968 the Giggle hat was produced in Australia and featured smaller un-screened air holes.Olive green coloured cotton bush hatbush hat, giggle hat, clothing -
Ballarat Tramway Museum
Photograph - Tram No.14 travelling East, outside the Town Hall
Tram No.14 travelling East, outside the Town Hall. The Town Hall clock shows 8 o'clock. Judging by the shadows, and level of natural light indicates that it may be a Summer evening. The scarcity and style of motor vehicles indicates to this reviewer that this photograph may have been taken some time during WW2.Tram No.14 travelling East, outside the Town Hall."85", "KEN MAGOR Neg. No 2335"ballarat, ballarat tramways, sturt st, ballarat town hall -
Nillumbik Shire Council
Print (Lithograph) Clifton Pugh, Clifton Pugh, Untitled (Black Birds) from the Bodford Terrace Suite 1978, 1978
Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin -
Nillumbik Shire Council
Painting, Clifton PUGH, White Choughs in the Landscape, 1958
Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs -
Ballarat Tramway Museum
Pamphlet, City of Ballarat, "Wetlands in Ballarat", early 1990s
The pamphlet provides information about the wetland areas in the Ballarat district, in particular the ones in the North Gardens Reserve and Lake Wendouree. Provides information on the importance of the Wetlands, locations and a map. As well, provides contact details for the Department of Conservation and Natural Resources and the City of Ballaarat. Based on the spelling of the City of Ballaarat pamphlet early 1990s.Yields information about the Ballarat's wetlands within in which the tramway museum operates.Pamphlet - 4 fold DL printed in red and green ink.city of ballarat, wetlands, lake wendouree, conservation -
Federation University Art Collection
Work on paper, Phillip Davey, The Bolter, 1975
Philip DAVEY (1949- ) Born Devon, United Kingdom Arrived Australia 1958 The broad artistic practice of Philip Davey incorporates images of urban and natural landscape, as well as figurative narrative works, often inspired by classic Australian texts. He has been artist in residence at several Victorian secondary institutions. Framed etching of a man in convict uniform surrounded by three thylacines.available, thylacene, convict -
Pyrenees Shire Council
painting, Dry Swamp by Maude Glover Fleay, 1935
"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP -
Greensborough Historical Society
Book, Nillumbik Shire Council, 1997 Community Guide Nillumbik, 1997_
Guide to services provided by Nillumbik Shire Council. Nillumbik Shire is located 25 kilometres north-east of Melbourne and the southern boundary is the Yarra River. The south of Nillumbik is predominantly urban, with commercial centres at Eltham and Diamond Creek. The north of the municipality includes significant natural features like Kinglake National Park and Sugarloaf ReservoirAnnual guide to services in Nillumbik. 64 pages. Cover is pale yellow with colour drawings. nillumbik shire council, handbooks -
Greensborough Historical Society
Book, Nillumbik Shire Council, 1998 Community Guide Nillumbik, 1998_
Guide to services provided by Nillumbik Shire Council. Nillumbik Shire is located 25 kilometres north-east of Melbourne and the southern boundary is the Yarra River. The south of Nillumbik is predominantly urban, with commercial centres at Eltham and Diamond Creek. The north of the municipality includes significant natural features like Kinglake National Park and Sugarloaf ReservoirAnnual guide to services in Nillumbik 72 pages. Cover has white background and some 3-D artwork.nillumbik shire council, handbooks -
Greensborough Historical Society
Book, Nillumbik Shire Council, 1999 Community Guide Nillumbik, 1999_
Guide to services provided by Nillumbik Shire Council. Nillumbik Shire is located 25 kilometres north-east of Melbourne and the southern boundary is the Yarra River. The south of Nillumbik is predominantly urban, with commercial centres at Eltham and Diamond Creek. The north of the municipality includes significant natural features like Kinglake National Park and Sugarloaf ReservoirAnnual guide to services in Nillumbik76 pages, illus. Cover has photographs of local people and title in white on orange background.nillumbik shire council, handbooks -
Greensborough Historical Society
Book, Nillumbik Shire Council, Nillumbik Community Guide 2000/2001, 2000-2001
Guide to services provided by Nillumbik Shire Council. Nillumbik Shire is located 25 kilometres north-east of Melbourne and the southern boundary is the Yarra River. The south of Nillumbik is predominantly urban, with commercial centres at Eltham and Diamond Creek. The north of the municipality includes significant natural features like Kinglake National Park and Sugarloaf ReservoirAnnual guide to services in Nillumbik76 pages, black and white illustrations. Cover has a collage of local children with title in white on mid-blue background.nillumbik shire council, handbooks -
Australian National Surfing Museum
Photograph, Unknown, Reno Abellira Holding Twin Fin Surfboard, circa 1977
Reno Abellira was one of the top surfers to come out of Hawaii during the seventies. He was noted for his speed and style on the wave culminating in success on the early professional surfing circuit. The twin fin surfboard was a natural progression from the single fin and one of the most popular types of surfboard ridden during the mid-seventies.Reno Abellira was one of Hawaii's top surfers and one if its first professional surfers during the seventies. This rare photograph shows Reno holding his 'tools in trade' a twin fin surfboard.Black and white photograph of Hawaiian surfer Reno Abellira holding the tail of a twin fin surfboard. Abellira is wearing an O'Neil full length wetsuit.O'Neill logo on wetsuitreno abellira, twin fin surfboard, o'neill wetsuits -
Whitehorse Historical Society Inc.
Clothing - Blazer
Blazer belonged to donor's Father, Harold Victor Allen who worked for Colonial Gas Ass. Ltd., firstly at Footscray and then at Box Hill in the 1960's. He retired in 1971. Born in Ballarat in 1906 & worked there until 1945 , then moved to Footscray where his wife Eileen helped him with Natural Gas conversion.Navy Blue cotton Blazer.Three pockets. Top pocket has Colonial Gas Ass. logo in yellow and blue. Sleeves have two buttons at wrist length. Back has split pleat.Designed by Peter Jackson Aust.costume, male -
Ballarat Heritage Services
Photograph - Postcard, Gong Gong, Ballarat, 1908
Gong Gong was a locality in Ballarat East, near Fellmongers. A reservoir was built there. Situated only 10 minutes drive from the Ballarat CBD. In 2019 Gong Gong Reservoir Park is set in natural bush surrounds. There are scenics views, picnic and BBQ facilities with toilet facilities available on weekends. It is located along the Yarrowee River.photograph of Gong Gong reservoir 1908Gong Gong Ballarat - 13-4-1908 verso - note to Miss M I Wise, Gutheridge Parade, Salew. hewitt's yarrowee soap works, fellmongery, tannery, gong gong, mair street, daylesford road, o'deas, kinnane's, quin's, nestors -
Pyrenees Shire Council
painting, The Morning After the Storm by Maude Glover Fleay, 1930
Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay -
Bendigo Historical Society Inc.
Document - BILL ASHMAN COLLECTION: F. W. WOOLWORTH CO
Letter dated November 12, 1937 to Paul A. Douden & Co. from W. W. Eden, Mgr. F. W. Woolworth Co. W. W. Eden mentions that since installing Scale Buoys over two years age we have had no trouble from scale or lime deposits at all in our system, except for the water used for cooling the natural gas engines. This water didn't come in contact with the Scale Buoys and they contemplated additional units to treat it. They also had no scale in the coffee makers and dish washers.sciences, instruments - general, scalebuoy, bill ashman collection, f w woolworth co, paul a douden & co, scale buoys, w w eden -
Kew Historical Society Inc
Photograph - Ceiling fresco, Drawingroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style … The second panel represents a hawking party. The ladies hold aloft the natural perches for their falcons. The men, seated in picturesque variety of attitude, hold their cross-bows, and a boy is relieving a heron from an arrow which has pierced its bosom.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Warrnambool and District Historical Society Inc.
Book - educational encyclopaedia, Charles Beale & M. Gately, Gately's Universal Educator, 1886
An encyclopaedia and business guide (late 19th century)This book has a brown leather cover which is heavily embossed with brown and gold patterns and gold lettering, The spine is torn at the top and the cover is worn at the edges.The pages are gilt-edged and contain printed text and black and white sketches, illustrations, maps and diagrams. non-fictionAn encyclopaedia and business guide (late 19th century)19th century australia, 19th century encyclopaedia, 19th century business guide -
Federation University Historical Collection
Book, System of Mineralogy Vol 2, 1816, 1916
"Three interesting and valuable volumes on mineralogy by Jameson, an old-time authority, published in 1916, have been presented to the School of Mines by Mr J.F. Austin, headmaster of Wendouree State School." (Ballarat Courier 31 May 1916) Author Robert Jameson was the Regius Professor of Natural History, Lecturuer on Mineralogy and keeper of the Museum in the University of Edinburgh.Blue hard covered bookStamped on inside cover with Ballarat School of Mines Stamp Pasted in label on inside cover "May 1916 Presented by J.F. Austin Esq, SS. Wendouree" Signed on Frontice page "I.C. Wirst" "J.F. Austin"j.f. austin, robert jameson, mineralogy