The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation

Luna Park in St Kilda has been a popular tourist destination thoughout the times and Jack Kerr and friend visited the theme Park during a visit to Melbourne at some stage. At this stage it appears that a photographer studio was in place at the park. It was common for people to get photos done of their adventures to show friends and relatives and for a photographic memory.Shows the popular destinations during the time. Demonstrates typical dress in the period.Rectangular, Black & white. Jack Kerr & friend sitting on a bench seat both wearing hats, suits and ties.Back: In black ink stamped, Luna Park, St Kilda. Electric Studio M. D. True, Manager. Photos Finished while you wait. Day or Night. Written inpancil the word Kerr. park, jack, photography, st, kilda, luna, kerr

Originally presented to the St Kilda 14ft Sailing Club in memory of Hon Life Member, Past Commodore Charles Marshall of the Royal St Kilda Yacht Club and long time President and Honorary Life Member of the 14ft Sailing Club. It was first won season 1954-1955 by Noel Brooke skippering the 14-footer dinghy Charles Marshall. On the disbanding of the Dinghy Club in 1966, the trophy was re-donated to the RMYS for competition in the Off-the–beach Heron Class, First won by A. Neale with Gypsy. On the decline of the Heron class it was then re-allocated 1970-71 for the Gwen 12 Class to be first won by Geoffery and Phillip Hughes with Concorde II. Season 1975-76 it was allocated for a combined division event over three heats to be won by Hugh Kesterton with Cygnet. Later it was allocated for 1st, 2nd and 3rd divisions aggregate over the Watts, Bennell and Dick Lean races based on the VYC handicap system. Again amended to be awarded for best result gained in the Bert Watts, Doc Bennell and Dick Lean events as a series.Silver fully rigged racing sloop, mounted on shaped rectangular wooden base, 250 x 140mm, with silver shaped description plaques centred both sides. The whole is enclosed in a Glass case with silver winners inscription plaques attached around base of case.CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ST KILDA 14FT SAILING CLUB BY MR & MRS HUGH. S. HAWES. 1955 CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ROYAL MELBOURNE YACHT SQ FOR THE HERON CLASS BY MR & MRS H. S. HAWES. 1966trophy, charles marshall, memorial trophy

Donated August 25, 1956 by Edward Lumley and Sons (Vic) Pty Ltd, for Annual Competition between all yachts on the Club register. It was first raced January 16 1957, and won by Graham Drane skippering Commodore Otto Meik’s, Paula. Trophy when later provided for by New Zealand Insurance Company donation, was reallocated for a combined divisions result using V.Y.C. handicaps over three races:- ‘W.T. Crosbie Memorial’, ‘Cactus Cup’ and ‘Service Shield’.A Trophy which includes a Chronometer, Barometer and Thermometer mounted in a 155mm diameter Brass Semi Spherical gimbled setting and mounted on 110mm high, six sided tapered brown base with oblong winners inscription plaques attached to faces.PRESENTED TO ROYAL ST KILDA YACHT CLUB FOR ANNUAL COMPETITION 1956edward lumley, trophy, perpetual

Morrison Kleeman Real Estate sales information material for the Alistair Knox designed house known as the Zull House. "Nestled into a private hill of more than an acre of established gardens, shady ornamental gardens, shady ornamental grapesvines and gumtrees, sounds of bellbirds engulf this Alistair Knox home of special ambience. This home features the textures and colours of nature, home made Hawthorn bricks, flooirng slate from the old St Kilda baths and recycled timbers..." The property was sold Feb 26, 2004 (Source: realestateview.com.au) Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.1 documents, 2 pages A4 gayle blackwood collection, houses, morrison kleeman real estate, metery road, eltham south, alistair knox, zull, st kilda baths

Digital copy of colour photographfred mitchell collection, 1996, arts precinct, southbank, st kilda road

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Glernfern H0136 https://vhd.heritagecouncil.vic.gov.au/places/57 (as at 23/10/2020) Glenfern was built on spacious grounds at the corner of Inkerman and Hotham Streets, East St Kilda in two main stages in 1857 and 1876. From 1876 to 1984 Glenfern had only two owners, including the well known Melbourne family of artists, the Boyds. The property was bequeathed to the National Trust of Australia (Victoria) in 1984 and has remained in their ownership. The original Glenfern allotment was bought by John Bakewell in 1856 and sold the following year to Francis McDonnell, a prominent Melbourne investor. By 1858, the house, rated as the most valuable in Caulfield, had been built on the site. Due to financial difficulties, McDonnell offered a number of properties for sale in 1860, including Glenfern. It was not sold at this stage, but subsequently mortgaged in 1862. In 1866 Thomas Watson purchased the property and lived there until 1876 when it was sold to Captain John T. T. Boyd and his wife, Lucy, founders of the Boyd dynasty of artists, musicians, writers and architects. The Boyd family, including twelve children, lived there until 1907, with Lucy Boyd retaining ownership after her husband's death in 1891. In 1907 the property was subdivided and the greatly reduced Glenfern portion was purchased by the Ostberg family, who lived there from 1915. In the latter years of Boyd family ownership and the Ostberg ownership, Glenfern had several tenants and was run as a school on two occasions. The Ostberg family occupancy continued until the death of Miss Amy Ostberg in 1984. From 1929 the property was listed as Glenfern Flats, necessitating various internal alterations over a period of time. The original two storey house, attributed to architect Charles Laing, was extended for the Boyd family in 1876, by architect M. Hennessy. This comprised the addition of a two storey wing to the south of the existing building. Stables were built in 1884 by the architects Smith and Johnson and other outbuildings, since removed, were recorded on the site. The gardens were developed from the establishment of the estate and remnants of early plantings, exotic trees in particular, are evident. Various additions and alterations were made to the house in the twentieth century and a separate block of flats was built on the southern boundary in c1964. Glenfern is a two storey picturesque Gothic house of stuccoed brick with steep, gabled slate roofs, elaborate bargeboards and chimneys of conjoined stacks set diagonally. The original, asymmetrically planned L-shaped house, containing the principal rooms and a rear wing, was designed with two main facades facing north and west. The north facade contains an unusual recessed pointed arch bay formed between twin chimney flues. Internally cedar joinery includes an unusual set of double doors between the drawing room and parlour, the centre pair of which fold back and then slide into the walls. Detailing of the 1876 additions copied that of the original house, including the bargeboards, chimneys and western verandah. Ownership of Glenfern passed to the National Trust of Australia (Victoria) in 1984 and in 2002 transformation of the property into a Centre for the Arts and Culture commenced. This began with the establishment of an Artist-in-residence programme, followed by the Glenfern Writers Centre. Restoration and renovation of the building has been undertaken concurrently with the establishment of this centre. How is it significant? Glenfern, East St Kilda is of architectural and historical significance to the State of Victoria. Why is it significant? Glenfern is of architectural significance as an unusually intact and rare example of the picturesque domestic Gothic Revival house in Victoria. Of particular note are the clustered chimneys, bargeboards and twin arched chimney flues and the folding/sliding cedar doors between the principal rooms. It is significant as an important work of the prominent Melbourne architect, Charles Laing. Glenfern is of historical significance for its connection with the distinguished Victorian Boyd family. It has been recorded in a painting by Emma Boyd, wife of Arthur, in 1885 and in print by writer, Martin Boyd in 1952. Glenfern is of historical significance due to its ownership by only two families from 1876; firstly the Boyds until 1907 and the Ostbergs until 1984. Of note is the resistance to redevelopment in the latter half of the twentieth century and the subsequent survival of the 1907 Glenfern estate.Page 98 of Photograph Album with two photographs (one square and one landscape) of views of Glenfern.Handwritten: "Glenfern" 417 Inkerman Street [top right] / 98 [bottom right]trevor hart, east st kilda, garden, pitched roof, glenfern, hotham street, boyd family, 1850's, 1860's, 1870's, john bakewell, francis mcdonnell, thomas watson, lucy boyd, glenfern flats, charles laing, m. hennessy, smith and johnson, stables, gothic, stuccoed brick, gabled slate roofs, elaborate bargeboards, asymmetrical, cedar joinery, verandah, national trust of australia, centre for the arts and culture, artist-in-residence, glenfern writers centre, gothic revival, clustered chimneys, emma boyd, inkerman street, north caulfield, captain john boyd, artists, writers, st kilda east, national trust of australia (victoria), caulfield, amy ostberg, architects, m hennessy, doors, chimneys, martin boyd, arthur boyd, ostberg family

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 Caulfield's Building Heritage by Dr Geulah Solomon states that Ercildoune was the home of Sir Samuel Wilson and later, Arthur Knox. Knox is likely the person who subdivided the land, creating Ercildoune Street.Page 100 of Photograph Album with two photographs (landscape) of Ercildoune and two photographs (one landscape and one portrait) of two other houses on Inkerman Street.Handwritten: "Ercildoune" (576) [top left] / Inkerman Street [top right] / 138 INKERMAN ST [under bottom left photo] / LABASSA GROVE CORNER OF INKERMAN OPPOSITE ERCILDOUNE [under bottom right photo] / 100 [bottom right]trevor hart, east st kilda, ercildoune, mansions, towers, gardens, bloomsbury, inkerman road, labassa grove, attic houses, porches, inkerman street, caulfield north, st kilda east, sir samuel wilson, arthur knox, ercildoune street, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 134 of Photograph Album with one landscape photograph of a Victorian house on Meadow Street.Handwritten: Meadow Street [top right] / 134 [bottom right]trevor hart, east st kilda, decorative brackets, picket fence, slate roof, chimneys, garden, cast iron columns, cast iron frieze, meadow street, st kilda east, caulfield, victorian style, cast iron work, verandahs

The photographs for the slides are believed to have been taken by the inaugural Editor for the Caulfield Contact - the official newspaper of the former City of Caulfield from 1976-1994. The Editor was also Council's Community Liaison Officer and she (and her successor) took many photographs of official events and Council-related services and locations in connection with both these official roles. The City of Caulfield was the Municipal Council for an area of the South Eastern suburbs of Melbourne, including Brighton East, Carnegie, Caulfield, Elsternwick, Gardenvale, Glen Huntly, McKinnon, Murrumbeena, Ormond and St Kilda East. Credit: Glen Eira Historical Society - This item was digitised and made available through the Glen Eira Heritage Digitisation Strategy 2019-2023. Glen Eira Historical Society acknowledges the support of Glen Eira City Council. Page 8 of slide album D to F, in a polypropylene slide sleeve containing 20 x 35mm colour slides. A sample of 7 images from this page is included. glen eira city council, local government, caulfield city council, caulfield council, city of caulfield, caulfield contact, council services, brighton east, carnegie, caulfield, elsternwick, gardenvale, glen huntly, mckinnon, murrumbeena, ormond, st kilda east, caulfield municipality photo slide collection, roads and streets, north road, murrumbeena road, neerim road, queens avenue, sports and recreations, tennis, petrol stations, alma road, orrong crescent, caulfield north, east boundary road

This file contains 10 items about the history of Glen Huntly: 1/6 photocopied pages from ‘The History of St Kilda’ which relates to the place name Glen Huntly, and the Quarantine graves, date unknown. 2/2 photocopied pages from the ‘Sun Pictorial’ dated 13/4/1928 and 12/4/1928; relating to the state of the graves at Point Ormond and their re-internment to St Kilda Cemetery. 3/1 pen and ink sketch of graves at Point Ormond from the State Library Victoria. 4/3 pages taken from a website on the re-internment of graves and some social history as to the reason that the new emigrants were coming to Australia. The Article also has 7 photographs. 5/2 newspaper articles on the ‘Glen Huntly’ descendants forthcoming reunion being held on 21&22/4/1990. 6/1 article reprinted from newsletter no. 22 October 1983 on the barque ‘Glen Huntly’. Also details of passengers who died and the burial of 3 at Point Ormond. 7/1 handwritten document (unattributed) taken from ‘Migrant ships for South Australia 1836-1850’ by Ronald Parsons. 8/1 pamphlet commemorating the 150th anniversary of the ‘Glen Huntly’ arriving in Melbourne. It gives information about the ship, passengers, memorial in St Kilda Cemetery and upcoming descendants’ reunion. 9/1 program of commemoration events 21&22/4/1990. 10/1 piece of art work for a ‘Welcome to Glen Huntly’ sign, featuring a ship. Undated, unattributed and source unknown.‘glen huntly’, buchanan captain, fever ship, emigrants, cummins ann, st kilda cemetery, bowman mrs, caulfield, craig john, cameron miss, mcgonagle mrs, elsternwick, armstrong george, mathers james, the glen huntly pioneers memorial, jones alfred ramsey, st david’s uniting church (grange road), glen huntly, glen huntly road, lake street, glen huntly state school, glen huntly presbyterian church, south caulfield, mernda avenue, garden avenue, grange road, jenkin (boss) william, wattle avenue, chinese joss-house, smith a.w, glen huntly post office, foundation stones, king f.l, methodist church, trinity congregational church, greek orthodox church, salvation army temple, wanalta road, st anthony’s roman catholic church, st agnes’ anglican church, booran road, st david’s uniting church, el nido grove, manses, royal avenue, munster avenue, james street, rothschild street, neerim road, organs, peace memorial organ, railways, marara road, curraweena road, booran road, bambra road, rosstown railway, murray-ross william, leila road, murray-ross leila, ‘the grange’, north road, wild cherry road, ‘rosstown’, picture theatres, manchester grove, aerodrome, lord reserve, neville street, lyons street, morgan street, rosedale avenue, rifle clubs, glen huntly infant welfare centre, watson grove, rowlands drapery, drapers, bones plant nursery, nurseries, elsternwick railway station, railway stations, kooyong road, glen eira road, truganini road, rosstown sugar works, ross murray, street names, typhoid, diseases, death and dying

This file contains 10 items about the Regent Lodge Extension Appeal: 1/Three promotional pamphlets, all called ‘Regent Lodge: A special kind of care’, stating that a building appeal will be launched early next year. The pamphlets also list office bearers. 2/A letter from Rodney Horsfield, Chairperson of the Project Working group, to Betty Freeland of the Elsternwick-Caulfield South Parish, dated 25/03/1992, asking for her to consider becoming a member of the Appeal Team. The letter also contains information on the history of Regent Lodge, the plans for development and progress on raising funds to date. 3/A letter from Ian Clark, Chairman of the Regent Lodge Extension Appeal, to Betty Freeland, dated 18/05/1992, inviting her to the official launch of the Regent Lodge Extension Appeal at Caulfield Grammar School, 217 Glen Eira Road Caulfield on 31/05/1992. The letter gives brief details on the launch, saying it will be attended by the appeal’s patron, the Honourable Joan Child, AO, and the Playback Theatre company. 4/A letter, recipient and sender unknown, dated 26/05/1992, giving details of the appeal launch and a brief history of Regent Lodge. 5/Two newspaper articles from the Southern Cross, Caulfield, dated 16/06/1992. The first, ‘Grant boost for dementia sufferers’, discusses a federal government grant of $8 million to dementia services, and $9 million to disability services. Heathlands, Camden Court, Lovell House, Clarence Court, Regent Lodge and St. Kilda House all received funds. The second, ‘Lodge building appeal launched’, describes the Regent Lodge Extension Appeal and its launch, and includes brief comment by appeal patron Joan Child. The article describes the plans for the appeal and extension, and outlines how readers can make donations. Included is a black-and-white photograph of Joan Child with members of the Playback Theatre Group at the Appeal Launch. 6/The original of the photograph used in the newspaper article in item 5, showing Joan Child with members of the Playback Theatre Group at the launch of the Regent Lodge Extension Appeal. 7/A letter from Rod Horsfield, Convenor of the Project Working Group, to Betty Freeland, dated 22/06/1992, discussing the launch and asking for the opportunity to meet with her Parish council or Finance Committee. 8/The plans for the extension of Regent Lodge, as well as a colour drawing of what the front of the extension will look like. 9/Preliminary photographs taken for the appeal brochure ‘Regent Lodge: Committed to Caring’. Twelve black-and-white photographs of two elderly residents at tea. Also, one black-and-white photographs of an elderly resident being assisted by another person, likely a staff member. 10/Three copies of the appeal brochure ‘Regent Lodge: Committed to Caring’. The brochure contains information about the lodge, the plans for the development, including a floorplan for a typical six bedroom unit, the costs of the extension and breakdown of how the appeal target amount would be spent, and messages from patron Joan Child, Appeal Committee Chairman Ian Clark, and Convenor of the Project Working Group Reverend Rod Horsfield. Also included is a list of the members of the Appeal Committee and Project Working Group. Black-and-white photographs of residents and workers at the Lodge are included in the brochure.regent lodge, regent street, elsternwick, emma street, caulfield south, heathlands, camden court, lovell house, st. kilda house, balaclava, caulfield grammar school, glen eira road, st. georges road, caulfield, uniting church, uniting church lodge program, regent lodge alzeimer appeal, regent lodge extension appeal, tansley hunt and partners, nepean presbytery, child joan the honourable, horsefield rod rev., horsfield rod rev., horsfield rodney rev., lukies noela mrs., campbell jack, cardell bob, davies gail mrs., greensmith duncan, tansley vern, merrick ruth ms., seccull barbara ms., freeland betty miss, clark ian, wilcox rosemary mrs., coleman julie, playback theatre company, martens veronica mayor, brown george, terrell tom, diseases, disabled people, nursing homes, fundraising events, aged people

Correspondence between Mr Frank Maher and Felicitie Ampbell re information about a property at 173 Glen Eira Road, St Kilda East. Included is a copy of Frank Maher’s recollections of people and places around east St Kilda area. Also includes a copy of a photograph of his childhood home c. 1930 and a map of the area around the property where he lived.st kilda east, elsternwick, caulfield, myrtle street, bailey ave, atley grove, glen eira road, hotham street, glenhuntly road, elizabeth street, regent street, balaclava road, mcwhae ave, gordon street, ripponlea mansion, caulfield grammar school, caulfield race course, elsternwick police station, caulfield city hall, city of glen eira city hall, glen eira historical society, holy angels catholic church, st. josephs catholic church, a.r.p. wardens, drill hall, brighton rifles, grocers, sweet shops, terrace houses, tennis courts, saddlers, billiard rooms, horse drawn vehicles, market gardens, motor cycles, fuel merchants, maher frank, tracey martin brian, tracey john edmond, tracey margaret, maher mary eleanor, maher martin john, tracey kathleen, bent thomas, nathan benjamin

This file contains one item. 1. Four black and white photographs of Greenmeadows Gardens in St. Kilda East. Three of the Photographs have handwritten annotations and two are stamped identifying the printers as Hermes Studios on 356 Neerim Road, Carnegie. All Photographs are undated.greenmeadows gardens, greenmeadows park, st. kilda east, neerim road, hermes studios, carnegie, parks and reserves

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for St Mary's Anglican Church https://vhd.heritagecouncil.vic.gov.au/places/43715 (as at 14/10/2020) St Mary's has architectural significance as a representative example of French influenced Low and Mixed Gothic (see stylistic Typology in National Trust's Historic Churches Study) and is further distinguished by its use of bluestone, entirely without relief. French influence is demonstrated by the high nave, apsidal sanctuary, spirelet and trumeau. The building is locally important as a historic focus for Anglican worship and early mission activity whilst its architectural grandeur is expressive of mid Victorian Caulfield's status as a suburban location for the Metropolis gentry.Page 56 of Photograph Album with three exterior photographs (two portrait and one landscape) of St Mary's Anglican Church.Hand written: St Mary's Anglican Church Eira Road [top right] / Neg 235 8 Oct 1966 [under top left photo] / 3 Sep 1972 [under bottom left photo] / 56 [bottom right] trevor hart, 1880's, elsternwick, glen eira road, st kilda east, church of england, gothic, st mary's, bluestone, apsidal sanctuary, spirelet, trumeau, anglican, 1870's, caulfield north, french-influenced low and mixed gothic style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. The Jubilee School on the corner of Hood Crescent and Glen Eira Road was built in 1887 AD to commemorate Queen Victoria’s Jubilee.Victorian Heritage Database https://vhd.heritagecouncil.vic.gov.au/places/43705 The former St Mary's Jubilee School is locally significant as an early purpose built church school, associated with St Mary's Church. Its use of polychrome brick is locally conspicuous whilst the adoption of the Gothic Style not only underlines its Christian foundations but relates to the comparable schools of the Public Works Department of the same period.Page 57 of Photograph Album with four exterior photographs (2 portrait and 2 landscape) of St Mary's Church Hall. Bottom right photograph is a photo of a photo.Hand written: St Mary's Church Hall - Glen Eira Road [top left] / Neg 233 8 Oct 1966 [under top left photo] / 3 Sept 1972 [under bottom left photo] / bottom right photo titled "St Mary's Sunday School" / 57 [bottom left] trevor hart, 1880's, elsternwick, glen eira road, st kilda east, church of england, st mary's, caulfield north, st mary's anglican church hall, hood crescent, jubilee school, polychrome brickwork, curved windows, church hall, queen victoria’s jubilee, victorian, sunday schools, st mary's jubilee school, gothic style