3rd Division Officers Training Course - Military Symbols - Exercises 1-4. Dates: 1971 and 1972.Collection of four multipage documents on green and cream coloured paper. Printing on one side of each page in black type. handwritten answers and anecdotes in blue and red ink. Pages have two holes punched on LHS for inclusion in a ring binder.Various handwritten anecdotes on paper in blue and red ink.military symbols, officer training, army, kevin john herdman

A Spalding, "Fred Stolle" Pro-Flite Model tennis racquet, featuring whipping around shoulders, perforated leather handle grip, and white plastic butt cap. Manufacturer's name across base of head; model name across throat. 'Two-tone diamond' symbol on shaft & shoulders. Wreathed 'S' trademark features on shaft. 'S' symbol on butt cap. Throat on obverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, String, Plastictennis

A Spalding, "Fred Stolle" Pro-Flite Model tennis racquet, featuring whipping around shoulders, perforated leather handle grip, and white plastic butt cap. Manufacturer's name across base of head; model name across throat. 'Two-tone diamond' symbol on shaft & shoulders. Wreathed 'S' trademark features on shaft. 'S' symbol on butt cap. Throat on reverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, String, Plastictennis

An example of a War Orphans Appeal button badge. These badges were a precursor to the Legacy Badge appeals that occur annually. The age of this badge is not known, possibly from the 1940s. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.An example of an early Legacy badge that was sold in the 1940s to raise money for war orphans.Round metal button badge with white background and the Legacy torch and wreath in a stapled in cardboard and plastic cover.Printed in red text 'War orphans appeal. Lest We Forget. 1/-'legacy appeal, fundraising

The artillery piece of the cannon was cast at the Low Moor foundry in England in 1861. It is a 68 pound muzzle loading cannon, capable of firing a 68 pound weight projectile. The arrow on the top of the barrel is the symbol of government ownership. It is probably one of the artillery pieces purchased by the Victorian government in response to the 1863 report by Captain Scratchley, which recommended 19 such artillery pieces be bought for the defence of Hobsons Bay, (Williamstown, Melbourne) (Billets p.12). It was possibly brought to Warrnambool in the late 1860s or the 1870s, to be used for training purposes by volunteers and local militia. The wrought iron runners were probably added to the slides at a later date. This model of carriage had been manufactured since 1855, and the traversing slide since 1860. The traversing slide of the wooden carriage absorbs the recoil when the gun is then returns to the gun to its original position for loading and re-firing. The properties of the timber (regarded as being Burmese teak) have helped to preserve these carriages in Australia. This particular carriage and traversing slide would have been manufactured about the same time as the gun (in 1861) in the Royal Carriage Department of the Royal Gun Factory in Woolwich, England. The gun would then have been assembled on the traversing slide of the carriage, then despatched as a unit. The wooden slide compressor mechanism that belongs to the cannon was used to limit the recoil when the cannon was fired. It is now stored separately for purposes of preservation. It is extremely rare, as it is the only one surviving in this group of South Western Victorian cannons.This 68 pdr cannon, mounted with its original wooden carriage, is part of the South Western Victoria collection of surviving 19th Century artillery pieces, item number W/F/02. It is rated as EXTREMELY RARE on a State, National and World level. The 68 pound smooth bore cannon of this period are not particularly rare either in Australia or overseas; its significance lies in its Victorian provenance and as an element in a major collection of 19th century cannon. The number of surviving carriages with traversing slides in this group in South Western Victoria is unique in Australia and probably in the World. Out of 10 such platforms surviving in Australia, the South Western Victorian group has half. Several survive around the world but probably not in such a large group. The wooden sliding compressor mechanism belonging to this cannon is extremely rare, and the only one in this South Western Victorian group of Guns and Cannons. As a whole, this cannon has undergone very little restoration or modification, giving it a high level of integrity.Warrnambool Garrison Cannon. 68pdr smoothbore, muzzle-loading, cast-iron cannon. Manufactured in Low Moor, 1861, No. 10310. Mounted on the wooden carriage with wrought iron traversing slide and wrought iron runners and fittings. The cannon's Cascabel is cast with a loop. The wooden slide Compressor Mechanism, or Recoil Mechanism, is extremely rare. This mechanism comprises two equal-sized sections of wood, one on each side of the centre, joined by metal rods. In the centre of this wooden platform, with openings, top and bottom is a 15cm diameter metal cylinder with two cusps on the edge of the top (this wood has split over time). Two parallel sides each have two 1cm thick metal "L' plates attached 15cm long and 8.5cm wide. With the unit is ‘ L’ bracket, curved bracket and bolt head.Cannon trunnion "LOW MOOR / 10310 / 1861" Top of the barrel "7045, (symbol of an arrow pointing up), 95 – 3 – 14, 1861, 209" Cascabel "CV / N / C" The rear of left-hand slide " "OD” “JW” “No 33” Side chock – “JW” twice. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, muzzle loading cannon, 68 pound cannon, low moor foundry, royal gun factory, warrnambool militia, warrnambool garrison volunteers, warrnambool fortifications, wooden sliding compression mechanism, carriage and traversing slide, 19th century cannon, traversing platform, garrison sliding carriage, 68 pounder

The Bentwood chair has been called ‘the world’s most popular chair’. The original Bentwood chair, was designed by German-Austrian cabinet maker and Master Joiner, Michael Thonet (b.1796 - d.1871) and introduced to the market in 1859. Thonet started his business in his home town of Boppard as an independent cabinet maker in 1819. In the 1830’s he began trying to make furniture from glued (laminated) and bent wooden slats. Over the next few years his attempts to patent this process failed in Germany, Great Britain, France, and Russia. He then began using lightweight, strong wood and bending it into elegant, comfortable furniture. The Bentwood technology took Thonet years to perfect. In simple terms, the wooden rods or lengths were wet by soaking or steaming, bent into shape and then held in place until they hardened into the moulded curved shape or pattern. The wood usually chosen for the bentwood chairs was maple or beech. Thonet had revolutionised an older process by industrialising the process. The dowels of wood were cut and prepared as components of furniture, treated by the ‘bentwood’ process, then ready immediately for assembling with very little extra workmanship needed. Thonet held 2 patents for this process, the second one ended on 10th July 1869 and was non-renewable. At the Trade Fair at Koblenz of 1841 Prince Klemens Wenzel von Mettemich was very impressed with Thonet’s furniture, especially the chairs. In 1842 Thonet sold his Boppard business and emigrated to Vienna, and began working, along with his sons, on the interior decoration of the Palais Leichtenstein, for the Carl Leistler establishment. In 1849 he began his own business again, the Gebruder Thonet to include his sons (translated “Brothers Thonet”). He produced the “No. 1” Bentwood chair. He received a bronze medal for his Vienna bentwood chairs at the World Fair in London in 1851, and a silver medal in Paris in 1855. In 1856 he opened a new factory in Koritchan (Moravia), where there were extensive woods of beech trees available for his enterprise. In the next years, five more Eastern European production sites were established in Bystritz (1862), Nagy-Ugrócz (1866), Wsetin (1867), Hallenkau(1867) and Nowo-Radomsk(1880). Thonet’s 1859 No. 14 “chair of chairs” (or “Konsumstuhl Nr. 14” – coffee shop chair no. 14) was the most famous of all of Thonet’s Bentwood chairs. In 1867 he received a gold medal at the Paris World Fair. This new style of furniture making became very popular. Up until 1830 50 million of these chairs had been produced. By the 1870’s Thonet owned offices in almost 20 countries, with sales locations across Europe, in Chicago and New York. In 1889 he set Thonet set up a head office in Frankenberg, Hesse. Bentwood models designed in the mid to late 19th century featured hand-caned or laminated wood seats and were usually stamped with the country of origin. The Bentwood elements were the backrest, seat rim and legs. Typically the seat was covered with ‘bucket’ leather. After the Patent ran out in 1869, companies such as Jacob & Josef Kohn began the production of bentwood furniture.The popularity of the Bentwood chair that was introduced by Michael Thonet in the 1850s is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, pair of two. Backrest has full length inverted U inside frame. Support rail and wire reinforcing between legs. 3692.01 seat has floral pattern pressed into wood 3692.02 seat is plain (replacement seat). Made by Harnison & Co.3692.01 chair's marks; Label ""HARNISON & CO./ NEUSOL / BUDAPEST" and "WIENER NOBEL" and "(symbol) N inside circle, under Crown" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, domestic furniture, dining furniture, bentwood chair, harnison & co., neusol, budapest, wiener nobel

This is a docket indicating that the Woodford State school has purchased sweets in the 1950s for its annual picnic from Norm McDowell, a storekeeper at Bushfield. Bushfield and Woodford are small settlements seven kilometres north of Warrnambool. Woodford State School began in 1854 and is still operating today.No further information has been found on Norm McDowell but his general store was operating in the 1950sThis docket is of interest as the only memento we have of a Bushfield storekeeper some fifty tears agoA rectangular piece of paper torn from a dockets book. It has red, blue and cream text and some printed blue lines and figures. It also has hand written pencil notes. There is some damage in the top left hand corner. Norm. Mc Dowell GENERAL STOREKEEPER Sweets (Two Pounds, one shilling ) in symbols Paid. Woodford State School picnicbushfield, woodford state school

This bottle came from the Warrnambool aerated waters manufacturer, John Fletcher. This factory was commenced in the mid 19th century by John Davis. As a young boy John Fletcher worked in the cordial factory of John Rowley in Banyan Street, Warrnambool and then worked for John Davis at his Union Cordial Factory for many years. In 1885 he succeeded John Davis in this business. Fletcher’s business continued until1930 when it was bought by another soft drinks manufacturer, Ralph Reeves. John Fletcher manufactured aerated waters, soda, tonic water, lemonade, ginger ale, hop beer, hop bitters, sarsaparilla and cordials. This bottle is of interest because it is a John Fletcher bottle and he was a prominent soft drinks manufacturer in Warrnambool for over 40 years. This is a clear glass bottle. It has a round base and a rounded body tapering in the neck to a round moulded open top. The stopper or seal is missing. The bottle has embedded lettering with details of the manufacturer of the contents.‘John Fletcher Trade Mark (crown symbol) Warrnambool’ ‘This bottle is the property of John Fletcher Warrnambool & cannot be legally used by others’ john fletcher, warrnambool, cordial manufacturers in warrnambool, history of warrnambool

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Double sided cards advertising Montrose Cottage and Eureka Museum. Printed by Zilles Graphic Industries, Ballarat. White card with russet colour print. Printed on both sides. Each side has Eureka Museum and Montrose CottageEureka Flag and Cannon. Drawing of Montrose Cottage and flag with Lion. Symbol of National Trust Australia. Coat of Arms. Location map.zilles graphic industries, montrose cottage, eureka musuem

RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

RMS Queen Elizabeth that sailed primarily on the North Atlantic Ocean from 1939 to 1968 for the Cunard Line , later owned by the Queen Corpration and then the Seawise University. Queen Elizabeth was a slightly larger ship (than the Queen Mary) , the largest passenger liner ever built at that time and for 56 years thereafter. She also has the distinction of being the largest-ever riveted ship by gross tonnage. She first entered service in February 1940 as a troopship in World War II, and it was not until October 1946 that she served in her intended role as an ocean liner. With the decline in popularity of the transatlantic route, both ships were replaced by the smaller. Queen Elizabeth was sold to a succession of buyers, and finally was sold to Hong Kong businessman of the Orient Overseas line in 1970. In 1972, whilst she was undergoing refurbishment in Hong Kong harbour, fire broke out aboard under unexplained circumstances, and the ship was capsized by the water used to fight the fire.Marine artLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with two funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hanging cord missing . Remnant Brown paper backing.at lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v.wright

Stretched by Val D'AngriColoured scene on silk cloth, stretched over light board that has been covered in calicoJapanese symbols in side margins Serial number 1024-127 in left margin VD'A - 7/81 on back (Val D'Angri)japanese bridge, textiles

This is a first edition.Light grey cloth covered hard covered book of 473 pages. On the spine is gold lettering on a dark brown rectangular background. There are photographs and diagrams throughout the book.Written in pencil on fly - M Can; (pound symbol) 8-10-0 Stamped on fly - Department of Mining University of Melbourne.interfacial phenomena, book, j t davies, e k rideal, chemical engineering, physics of surfaces

The wallet was issued to some Australian soldiers in Vietnam and its waterproof characteristic was essential in a very wet environment.Significant to the soldier as it protected largely, irreplaceable documents and/or pictures.Made of a flexible plastic material, colour is Olive Drab and has sufficient capacity to carry smaller documents and protect same from moisture.Printed onto the item: V44/Made in Australia/1945/D, arrow upwards symbol D/F, arrow upwards 12.vietnam, vietnam war, equipment, diamond valley vietnam veterans sub branch

The Common Buzzard is part of the buteo genus (Latin for buzzard or hawk) which indicates it is part of the raptor group whose features include a medium to large build, a strong body and larger wings. The family includes birds of prey such as hawks and buzzards. Like their name suggests, Common Buzzards are very ‘common’ in the UK but can also be found in other parts of Europe, Africa and Asia. The birds’ habitat consists of woodland, shrubland, forest, wetlands and countryside, and they can live in cold, tropical and temperate climate zones. Similar to other raptor species, Common Buzzards make their nests in tree branches or tree forks. With finely tuned hearing, they are able to detect small marsupials, and their diet consists of small amphibians, birds and mammals. Normally solitary, these raptors can occasionally be seen with others. Common Buzzards are classified as of ‘Least Concern’ on the IUCN Red List. While there is some noticeable fading of this particular taxidermy specimen’s plumage, it is relatively well presented. The completely black eyes and string through the nose of the specimen seem to be taxidermy/curatorial choices, as this is not something that is normally found on living versions today, and the eyes of Common Buzzards are normally golden eyes with black pupils. It is interesting to note, when considering the selected artificial eyes, that the original swing tag labeled this specimen as Saleo tinnunculus Lina, a form of kestrel (known to have complete black eyes), which perhaps explains this taxidermist choice. As a Common Buzzard, this particular specimen could have had its frame and breast area bulked out a little more, as birds within the buteo genus are generally recognised to be of medium to large build. Overall however, this is a fairly reasonable and accurate representation of the species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.With similar colourings and features to a range of raptor species, the Common Buzzard can often be mistaken for other varieties of buteo and raptor. The bird’s plumage generally varies by location, but normally includes a variety of shades of brown, commonly with darker brown on its back and lighter coloured feathers on its breast, underbelly areas and face. These birds normally have fine bands on their tail and darker tipped wings. Common Buzzards have smaller heads with a band of yellow around the base of their small curved beaks and golden yellow eyes. This particular specimen’s feathers have faded and he stands upon a wooden perch with an identifying tag hanging from its right leg.Swing Tag: Swing tag obverse seems to read: ‘…io [? First few symbols aren’t clear]/ Saleo /tinnunculus/ Lina [there is also another illegible symbol on the tag in the centre on the second line] Swing tag reverse: illegible sections of text and the beginning of a number ‘403…[?]. Metal tag: 1032[?]taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, buteo, hawks, raptors, birds of prey, buzzards

This is a dish or pin tray sold in Warrnambool as a souvenir of the city. It features Shelly Beach, one of the popular picnic spots, especially in the first half of the 20th century. This dish was made by Royal Stafford China and was presumably produced with a plain centre so that an illustration of a tourist spot in Australia could be reproduced on the dish. There were many similar items produced by Royal Stafford China that featured Warrnambool scenes and were selling in Warrnambool in the 1930s, 40s and 50s. They were all good quality items and so many have survived today. They were useful as well as decorative – vases, plates, cups and saucers etc. Some business houses in Warrnambool also had Royal Stafford China souvenir items featuring the business name to sell or give away to customers. Tourism in Warrnambool has always been an important aspect of the city and this souvenir dish is a good example of the souvenir items on sale in the first five or six decades of the 20th century. It will be useful for display. This is a small white china dish or pin tray with a colour sketch (taken from a photograph?) of Shelly Beach in Warrnambool. The illustration covers most of the dish which has a gold edging. The bottom of the dish has the name and symbol of its maker. ‘Royal Stafford China Made in England’ tourism in warrnambool, royal stafford china

Three lancet stained glass windows. The window on the left has the symbol IHS, an abbreviation of the Greek word for Jesus. The central window has an empty cross, the right window has the Alpha and Omega symbolising 'the beginning and the end/the first and last'.To the Glory of God. In memory of / James Fraser and Bertha Jukes./ Erected by their children.jukes, james jukes, bertha jukes

Postcard, color. On bottom: Exterior View, original Chinese Joss House, Bendigo, Vic. Image shows red painted brick building, central double doorway, chinese symbols on outside of door frame. Circular brick pond in foreground.Rose Seriesbendigo, buildings, chinese joss house, bendigo, joss house, chinese

BENDIGO HISTORICAL SOCIETY: Historical Notes on the City of Bendigo Included: 1871 Bendigo's Big Year from the Bendigo Advertiser July 1971 Information on mining in Bendigo Information on the Town Hall Information on the Mayoral Chain and Symbols/Coat of Armsbendigo, history

Unit plaque made of wood and brass. Shield shaped. Unit name on scroll. Black and white atomic symbol with central disc. Red top half black bottom half with "131" in middle. Chinese dragon. Brass plate at bottom.Presented to Gunner B E Blink SVN Jun 67 May 68 - engraved on brass plate on bottom of plaque, 1 ATF Det 131 Div Loc Bty RAA (on heraldic scroll)raa, unit plaque, 131 div location battery, shield, welcome home parade

Pink silk ladies jacket with silver coloured material around the neckline. Material is ornate design featuring exotic birds & symbols. Four butterfly shaped fasteners. Black ric rac around the sleeves & pockets. Lining is plain pink.ladies jacket

Navy faux leather WHS school satchel with yellow corded trim and a simple WHS symbol on the middle at the front. Has four metal studs on the bottom, with some corrosion, and a thin over-the-shoulder handle strap connected to the top corners.

Tea tin with depictions of tea pickers, dancers & musicians, in shades of red, green & gold, hinged lid marked Tea from Ceylon with a symbol of a lion holding a sword. Paper label inside lid, inside of tin gold in colour.Moran & Cato's perfection in teadomestic equipment, food storage & preservation, tea leaf tin

Molded plastic reproduction of Disney cartoon image featuring Elvira Grandma Duck Coot character playing tennis against Gus Goose character. Text lower right:'COPYRIGHT (symbol) WALT DISNEY COMPANY'. Materials: Cardboard, Plastictennis

These photograph wallets were use in the first half of the 20th century when films were sent away to be processed. Kodak used these packaging items to promote their brand. Images of women were very popular on these wallets, with the ‘Kodak Girl’ positioned by Kodak as an important mascot or symbol to suggest the ease and accessibility of photography to the masses – a symbol which drew on traditional understandings of gender roles.They are colourful reminders of a time period when people eagerly awaited the arrival of their processed prints. The most striking examples date from the 1930s and demonstrate how Kodak used these packaging items to promote their brand. . (ref.KODAK HERITAGE COLLECTION newsletter) Three envelopes for holding photographs. They are cardboard envelopes with sewn edges. They have advertising for Kodak film, prices of printing. On 1504.2 - Record Photographical Service East Malvern U5549.Hanwritten in ink: 1504.1 -Miss Cameron 1504.2-H.P. Cameron 1504.3 Mr H.P. Cameron 1504.1 and 1504.3 stamped Gough Chemist Orbostphotography kodak

The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform

An example of badges issued by Legacy prior to 1966 for fundraising during the Legacy Appeal and Badge Week. Also a leaflet from 1964 showing the styles and colours of badges and their donation value. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Examples of early Legacy badges that were sold in the 1960s to raise money for Legacy's work.A set of Legacy Appeal badges with Legacy torch and wreath issued prior to 1966 and a leaflet from 1964.White oval badge has '£1 AJ Parkes Brisbane' on reverse. Brown badge has '£25 Angus and Coote' on reverse. Pale blue badge has '£50 Angus and Coote' on reverse. Green oval badge has '£10 "Parxite 77" AJ Parkes Brisbane' on reverse.legacy appeal, fundraising, badge week