Refer to the Service of; Brit NR 911335, Edgar James William Foster.4 sets of ribbons, sewn over a brass bar. One of the ribbons has the number "8" sewn on to it (some threads have broken) . oN THE REAR OF THE BAR IS A 60MM PIN FOR MOUNTING IT ON A UNIFORM.campaign ribbons, british army, ww2

Roy Thurlow collection, refer Cat No 4688P.Badge, cloth backing, crown at top in colours, center circle has black embodied lettering “AUSTRALIA PARATUS”, middle has a tank depiction of embroidered silver/gold metal thread.badges, armoured

This school book which was owned by George Mathieson contains maps and information on different countries around the world. It is handwritten and is probably of secondary school level. The maps appear to have been traced and hand-drawn and coloured. There is a loose newspaper map of the Dardenelles loose in the book. This book as an example of school work and geography in the early 20th century, has social and historical significance.Pale green light card cover with dark green pattern and text. Back cover is plain. It contains alternate pages of tracing paper in between normal pages. Bound with cotton? threadGeorge mathieson, written in ink on front cover.warrnambool, federal drawing book, george mathieson, school drawing book 1920's,

this item was made to commemorate the coronation of Queen Elizabeth !! in 1953. In June 1953 , Elizabeth II was crowned Queen of the United Kingdom, Canada, Australia, New Zealand, South Africa, Ceylon (now Sri Lanka), and Pakistan, and became the Head of the Commonwealth. Many souvenirs were made to mark this occasion. Some were unique and hand-made. The main sources for crochet and other needlework designs available to women were in journals, magazines and pattern books.This milk jug cover reflects an important pastime for Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping flies and insects away from food. It is also a tangible souvenir of the coronation of Queen Elizabeth 11.A rectangular jug cover hand crocheted in white thread. It has blue and red beads sewn into the edges. the design is "JUNE" above a crown with "E 11 R 1953" below the crown.

In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Bib or feeder for a baby, cream coloured, crocheted in a circle with ends shaped to fit around the neck, satin ribbon threaded through crochet border. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, baby clothes, bib, feeder, crocheted bib, crocheted feeder

The bosun’s chair is a typical piece of equipment included on board a vessel in the late 19th and early 20th century. The nautical word 'bosun' is an abbreviation of the word 'boatswain' who is the person responsible for the repair and maintenance of the vessel. It could be used when rigging the sails and for rescue at sea, along with a thick rope anchored on shore or a rope between ships. It could also be used to move passengers to and from a ship as well as cargo on, to and from the vessel. A bosun's chair is a simple piece of equipment made from a short plank of wood and a sturdy piece of rope. It looks a little like a child's swing but usually has a pulley system that allows the user to adjust the length of the hanging piece of rope, and in so-doing adjusts the height above the floor or ground or sea. In modern times a harness would also be worn by the bosun’s chair user for safety reasons. Bosun's chairs are also used by window cleaners, construction workers and painters. The bosun’s chair is sometimes just a short plank, or even a canvas sling. The bosun's chair is significant for its association with maritime equipment carried on board a vessel in the late 19th and early 20th century for maintenance and safety purposes. It was occasionally used to save lives. The bosun's chair is also significant as an early version of equipment still used today. Since its invention there have been many safety features added in certain industries such as window cleaning and painting.Bosuns chair, rectangular slab of wood with two holes at both ends through which rope ends are threaded for support and the loops above the seat are tied with sailor's knotting to form a triangle. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, bosun's chair, bosuns chair, boatswains chair, rigging, maritime equipment, bosun's seat, life saving, marine technology, ship rigging

This scarf was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Scarf, part of the W.R. Angus Collectionl. White fine fabric sewn into rectangle shape with tassels of embroidery thread each end. Attached is a fabric label with blue embroidered text “ANGUS” Blue embroidered text "ANGUS"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, scarf, formal wear accessories

Black and white photograph of a young man, operating/adjusting a knitting machine. This is a close up shot and only the young mans head and hands are visible. Six threads are visible coming into the machinecottage, miners

3 wooden reels of silk thread,. 5 - 6 strands together on reel 9026.1 Shade S3, mushroom colour 9026.2 Shade S5, dark brown 9026.3 Khaki colourOn label on top of Reel - Super Silk Twist. Yellow Label. Made in England On label bottom of Reel - Hand buttonhole twist, No. 6, 72 yards.

These School Papers, numbers 431 to 440, were distributed to pupils on a monthly basis beginning in 1896, as extra reading material in addition to the Victorian Reader. The owner, Millie Crameri (nee Rae) was a pupil at Gapsted State School Number 2241. During the 1960s the form of The School Papers changed into 3 grades of readers:Meteor, Comet and Orbit.A complete example of a 20th century textbook used in a rural school with insights into course content and learning modes of that time.Of local significance because Millie Crameri was a well known local identity. There is a sticker inside the front cover with Millie's name and details inscribed, presumably in her own handwriting. A brown hard cover folder containing monthly reading material for both Grades 7 and 8 during 1937. Each leaflet is preserved in the folder by inserting through cotton/linen threads.FORDITE embossed on the front cover.primary schools, rural schools, learning materials

Vietnamese Flag. Red half blue, half gold embroidered star in middle with Vietnamese writing on top half and lower half in gold thread. Chien Thang CAI LAY 1967flag, vietnamese flags

Contains poems of remembrance written by service personnel, about poppies.Booklet with green coloured card cover and containing four pages made from two sheets of folded yellowed white paper. Printed in blue and bound with stitched and tied red thread.wwi, remembrance poppies

Else Oertel was a German internee in Camp 3A from 1940-1945. Woodworking was popular amongst the internees and it is probable that another internee in camp 3 made the buckle for Else. Her daughter, Else-Lore Hukins donated the item.Hand carved wooden (belt) buckle. Polished front with initial. Painted red sides. 2 x metal loops on back for threading belt, etc. through. Inscription on back also.1. "E" 2. "Januar 1940 VB"tatura, ww2, camp 3, internment, internee camps, costume, accessory, clothes, handcrafts, woodcarving

Else-Lore Oertel, with her mother, was a German internee in Camp 3A as a child, from 1940-1945. The pendant was made for her & inscribed with her initials.Hand carved wooden heart pendant for use as jewellery. Small hole in carving on decorative piece on top of heart for inserting thread, chain, etc. to wear. Initials in black (ink?) on front."EL"tatura, ww2, camp 3, internment, internee camps, costume, accessory, jewellery, handcrafts, woodcarving, else-lore hukins, oertel

Believed to be made by Mr. Doster at Camp 3, TaturaSet of 8 dark brown wooden buttons mounted on a piece of card : 2 are round each with 2 holes in the centre, 6 have shanks. All 8 are threaded onto cardbacking.button set, glockeman b, beck b, doster, wood, camp3, tatura, ww2 camp 3, costume, accessory, clothes

Made by Mrs Noel (Lizzie) Morton, the donor's mother on their farm "Wanera" at Benjeroop on the Murray River. It was stitched with a treadle machine. Her sister Flora MacDonald did the running stitch and provided the silk backing. The squares were sent as samples from a firm called "Fred Hesse" who advertised in the Melbourne papers "Be smart and dressy In a suit by Fred Hesse". The buyer chose a sample and then sent it back with measurements and received a "mail order" suit.A small knee rug made from suiting samples machine stitched together. It is backed with black silk fabric and finished with a running stitch of orange wool oversewn with black wool thread.farming quilting quilting - history, wanera benjeroop, farming, quilting, quilting - history

Semi circular, round metal object with flat and blunt on one end, sharp point on the other end. Below the sharp point is a round hole or eye in the neddle. Threaded with a piece of twine.None

The Tungamah Football League was formed in 1953 and dissolved in the late 1960's. This was the only premiership won by the Wilby FC and was played against Congupna Road at Mulwala on 28th September 1967. Wilby lost to Mulwala in the 1968 Grand Final.Red and black cloth triangular pennant shape. Bound on short side and threaded with rope for hanging from a pole. Red base colour with black edges. White letters stitched in the centreT.F.L. Wilby F. C Premiers 1967

Cream linen oblong folded in half to form a pouch to contain a powder compact. The flap has a needle lace motif and the edges have a narrow band of needle lace in a linen thread.costume accessories, female, handcrafts, lacemaking, handcrafts, needlework

Thirty two stick sandalwood fan with decorative pierced design and hand painted design of blossom and butterfly. Sticks are secured with a gilt hinged wire loop threaded with a pale pink tassel.costume accessories, female, handcrafts, woodcarving

Red and blue printed card of 12 hooks and eyes. Made of enamelled metal . On the reverse of the card - continuous strip of labelling with makers details and description of material. Hooks secured to card with thread.'Neway's' 'World famed' Hooks and eyes by appointment to her majesty Queen Elizabeth the Queen Mother - If it fastens NEWEYS makes it - Made in Englanddomestic items, sewing, costume accessories, haberdashery

Black helmet with adjustable head fittings inside made of leather and Cotton tape. Thin cord threaded through the top of helmet to hold head the fittings. Very worn. Smooth surface. No manufacturing name. Australian Standards Sticker inside. Name on label Jim E. helmets, safety equipment

When the newly married William and Anna Maria Greenlaw acquired the property in 1862, an existing house known as Studley Villa stood on the land. John Hodgson probably built the latter soon after he bought three portions of land here in 1853. The Greenlaws changed the name of the residence to Villa Alba in about 1870 and in 1882-84 rebuilt the house to create the present mansion. After William Greenlaw’s death in 1895, John Ballinger rented the house until 1914. The lease then passed to Samuel and Esther Fripp, who went on to purchase the property in 1918 after Anna Maria Greenlaw’s death in 1918.This rare textile is associated with the most significant period of Villa Alba's history and is an example of the colonial aspirations of its citizens in the boom years of the 1880s before the crash that engulfed the owner.Small white damask tablecloth or napkin embroidered with the crest of William Greenlaw, the owner of Villa Alba in Walmer Street, Kew. The embroidery of the crest and borders of garlands are completed in multicoloured silk thread.Greenlaw crest - griffin holding thistle in beak over initials WGvilla alba, william greenlaw, tablecloths

Square, white linen tablecloth with red hand-embroidered flowers. These are surrounded by a red and white drawn thread and embroidered zig-zag pattern inside a plain white 4 cm. border.table linen., tableware.

This "sewing and darning" box was purchased before 1952 (the date that the Clark Brothers merged with J&P Coats). It was in an era where the production and alteration/modification to any household or personal clothing was carried out by a family member/s. This was at the period where self sufficiency in rural and especially remote areas was a requirement and not just a hobby. Clothing modifications and "hand me downs" was a way of life. The long and tiresome journey from home to millinery shops was a great force to ensure that home sewing was carried out in the majority of residential and farm areas.This sewing box was donated by a pioneer family in the Kiewa Valley. Its significance points to an era before the establishment of the Kiewa Hydro Electricity Scheme and the establishment of the Mount Beauty Township. It was a time when the rural industries of the Kiewa Valley was rich in production of beef, dairy products, tobacco leaf and before the mass of alpine adventurers that tourism sparked. It was a time rural enterprises out shone tourism.This wooden sewing box is covered with decorative paper. The lid is fastened to the bottom section with two small hinges each having four screws. Each side is fixed to the other by a mortise groove. At the front of the box is a small clasp for complete closure. The box contains needles, darrning thread, thimble, a glass vial with metal screwtop and a red plastic cylindrical container with a thimble screw on top(contains a small reel with three different cotton thread compartments).On outside lid "FROM A FRIEND. I DO NOT WISH THEE GRANDEUR, NOR YET A STORE OF WEALTH, I WISH THEE RICHER TREASURE, CONTENTMENT, PEACE & HEALTH", On inside lid "USE CLARK & CO ANCHOR COTTONS FOR HAND & MACHINE SEWING ANCHOR MILLS, PAISLEY" Each of the different sewing boxes from the Clark Bros. has a label with different "friend" passages.sewing box, hand stitching, domestic clothes alterations, haberdashery

This kit bag belonged to Keith Litchfield Arnel. Born in Kensington on 23 August 1910, and enlisting in Melbourne at the age of 33 on 14 July 1944, Keith Arnel served in the Royal Australian Air Force. At the time of his discharge, Keith Arnel had become a Flying Officer with the Air Force Headquarters Telecommunications Unit. Keith Arnel had two service numbers, VX68230 and 129880.Blue-grey kit bag, cylindrical in shape, constructed of one circlular piece at base with rectangular piece forming sides. Open at one end and fastened with a cream cord drawstring threaded through metal eyelets and fastened with a brass D shaped ring threaded through two eyelets. Inscriptions in cream-white paint on side of bag. One D ring attached to the circular base, possibly for the purpose of attaching a strap to form a duffle bag.Inscribed on side of bag “K.L.ARNEL/R.A.A.F./129880”kit bag, duffle, luggage

Textiles. Two doyleys, rectangular in shape, and made from net fabric. Outer edges are cut in a zig-zag shape - 2.5 cms long edges ^^. These edges are outlined by a double row of white corded thread. The doyleys are decorated with a large ''snow-flake'' shape in the centre-made with four rows of cording thread. This large ''snowflake'' has a smaller six pointed shape on each side, with a row of three smaller ''snowflakes'' at top and bottom of large snowflake.textiles, domestic, pair of embroidered net doyleys

Narrow fox fur collar. Pointed 1 cm wide 'skin' nose, which forms the upper part of the enclosed metal clip fasten the collar (squeeze lever on inside). Two glass eyes. A corded ''chain'' finished with a woven toggle, and a cord covered hook fasten the fur around the neckline or shoulders. Ruched ribbon trims both ends of the crepe type cotton(?) lining '' tail'' has fur threaded onto a linen thread.costume accessories, female, red fox fur collar