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Orbost & District Historical Society
Coolgardie safe, first half 20th century
Without refrigeration, storage of meat was difficult. Flies were a problem, and it was important to keep meat cool and out of the way of pests. One way of doing this was to use a meat safe: a kind of cupboard designed to store meat and keep it fresh enough to eat. Meat safes are ventilated. They were sometimes made with sides of wire mesh or perforated metal, so that air could circulate around the meat while keeping flies and other animals out.The Coolgardie safe was invented in the late 1890s by Arthur Patrick McCormick, who used the same principle as explorers and travelers in the Outback used to cool their canvas water bags Originally they were handmade using materials to hand. In the early 20th century, Coolgardie Safes were manufactured commercially across Australia, and found their way into homes in both rural and urban areas. These safes incorporated shelving and a door, had metal or wooden frames and Hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (refs ABC-Home; Museum Victoria)The Coolgardie safe was an Australian invention used especially in country areas from the 1890s until the mid 20th century. It began to be replaced by ice chests from the turn of the twentieth century in cities and country towns which had ice works. This item is an example of a domestic appliance commonly used before electricity was widely available for domestic use.A cube-shaped metal Coolgardie safe painted blue. It has a triangular hook on the top for hanging or lifting. There are small feet at bottom . The sides are perforated in a Above the door; Inside a rhomboid shape "WILLOW"food-storage coolgardie-safe domestic -
Orbost & District Historical Society
Coolgardie safe, first half 20th century
Without refrigeration, storage of meat was difficult. Flies were a problem, and it was important to keep meat cool and out of the way of pests. One way of doing this was to use a meat safe: a kind of cupboard designed to store meat and keep it fresh enough to eat. Meat safes are ventilated. They were sometimes made with sides of wire mesh or perforated metal, so that air could circulate around the meat while keeping flies and other animals out.The Coolgardie safe was invented in the late 1890's by Arthur Patrick McCormick, who used the same principle as explorers and travelers in the Outback used to cool their canvas water bags Originally they were handmade using materials to hand. In the early 20th century, Coolgardie Safes were manufactured commercially across Australia, and found their way into homes in both rural and urban areas. These safes incorporated shelving and a door, had metal or wooden frames and Hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (refs ABC-Home; Museum Victoria)This item is an example of a common domestic appliance used before the widespread connection of electricity to homes and refrigeration. The Coolgardie meat safe is an Australian invention used widely in rural areas from the 1890's until the mid 20th century.A metal meat safe, painted white. It has a shelf inside. The door has two perforated rectangular sections metal framed in solid metal. The base is flat.storage domestic coolgardie-safe -
Eltham District Historical Society Inc
Negative - Photograph, Allwood, Hurstbridge, 1899
Allwood, Hurstbridge, 1899. Gray family in the garden in front of the Victorian style Allwood house with lace iron work on the verandah. Left to Right: - , - , William George Gray (3rd from left),. Frances Ellen Gray (nee Hurst) and William Hurst Gray (on lap). Carrie Sharp, Rob Sharp, Holmstrong. Frederick and Catherine Hurst relocated this Victorian style weatherboard home from an inner Melbourne suburb to its present site on their Allwood property. Mr Charles Verso, builder and farmer, reassembled and refurbished the home for the Hurst’s. In 1897 Frederick and Catherine’s daughter, Frances Ellen, married William (Bill) George Gray of Cottlesbridge and the newlyweds moved into the new house. Frederick and Catherine Hurst moved into a little cottage, ‘Mia Mia’, on the other side of the Diamond Creek. William and Frances Gray established Allwood Nursery and by 1900 most of the Allwood property was under orchard, largely apples, pears, cherry plums and peaches. They also developed an extensive nursery, growing seedling stock for supply to other local orchardists and the overseas market. Cross Ref: Sepp_1022 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, hurstbridge, allwood, carrie sharp, frances ellen gray (nee hurst), holmstrong, hurst family, rob sharp, william (bill) george gray, william hurst gray -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, Captain Cook's Cottage, c. 1934
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The featured image of Captain Cook's Cottage suggests that the doily was embroidered around the time of the transfer of the cottage in Melbourne. The cottage was constructed in 1755 in England and was brought to Australia in 1934 and installed in the Fitzroy Gardens, Melbourne. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of 1930's needlework.Doily, ovate in shape. White cotton embroidered with a cottage scene and named "Captain Cook's Cottage"; the image includes flowers, trees and a bird. The edge is crocheted. Part of the Chamberlain Dale Lees Collection. Embroidered on doily "Captain Cook's Cottage"flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, captain cook's cottage -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) SIGNIFICANCE This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, ovate cotton fabric with embroidered flowers of orange, blue, pink and red flowers with greenery and an orange circle with a white crocheted edge. From the Chamberlain Dale Lees Collection,flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery -
Ballarat and District Irish Association
Image, Lord Randolf Churchill, c1864, 1864
Lord Randolph Henry Spencer-Churchill was a British statesman. He was the third son of the 7th Duke of Marlborough, and his wife, Lady Frances Vane. He was the father of Winston Churchill, the future wartime Prime Minister, who wrote his father's first major biography. (wikipedia) Having served as unofficial private secretary to his father, lord lieutenant (viceroy) of Ireland from 1876 to 1880, Churchill was especially interested in the Irish problem. Though opposed to national Home Rule for Ireland, he favoured self-government on the local level and blamed shortsighted British officials for the Irish crisis of the 1880s. The majority of the Conservative Party agreed with the Liberal government’s coercion policy toward Ireland, but Lord Randolph allowed the Irish nationalists, led by Charles Stewart Parnell, to understand that the Conservatives would oppose coercion in return for Irish votes in the general election of 1885. It was said that the Liberals underwent a forced conversion to Home Rule to counteract that promise.(http://www.britannica.com/EBchecked/topic/117261/Lord-Randolph-Churchill, accessed 21 January 2014)Image of a moustached man known as Lord R. Churchill, M.P.ballarat irish, churchill, randolf churchill -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Beaumaris RSL, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. This gun stood in the grounds of the Beaumaris RSL, located on the highest hill in Beaumaris – more than 300 metres above sea level. The ‘25-pounder’ was one of the best field guns of its day and was used by British and Commonwealth armies during the Second World War. The original ten-acre property, which was the former holiday home of wealthy Toorak resident Langford-Jack, was sold to the Legacy Club in 1942 and operated as a holiday home for Legacy children. Renamed Blamey House in honour of Field-Marshall Sir Thomas Blamey, it was purchased by the RSL in 1955. The Beaumaris RSL Club closed its doors on Balcombe Road in 2016 after the property was sold in 2013.Annette Meikle, Beaumaris RSL 1977, ink and watercolour, 33.8 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, beaumaris rsl, 25-pounder, field gun, military weapon, langford-jack, blamey house, balcombe road, beaumaris -
Surrey Hills Historical Society Collection
Digital photo, 45 Wandsworth Road, Surrey Hills, 1956
According to the donor, the photo was taken before the driveway was constructed. The house was later extended at the rear and was re-roofed. The donor's grandparents Daniel Patrick Liddy and Beatrice Bridget Tyner (known as 'Beat') were married in at her parents' home in Glencoe, South Australia on 13 December 1908. They lived in the Carlton / North Melbourne area before moving to Surrey Hills. Electoral rolls list them at 92 Curtain Street, North Carlton in 1913. According to the donor, they rented several properties before purchasing 45 Wandsworth Road. They are listed at Albert Crescent in 1914 and 1919, but also lived in Zetland Road. They purchased 45 Wandsworth Road in c1923 and are listed in the electoral rolls there in 1924. The donor's mother Ellen Dorothy Liddy (known as Eileen) was born in 1909; her brother Daniel John Liddy was born in 1911, both in Carlton. Daniel Patrick Liddy died in 1955; his wife Beatrice died in 1959. They are buried in Box Hill Cemetery (RC183-0045). 45 Wandsworth Road was their home for over 30 years.This image is material evidence of a property that has been demolished.A black and white photo taken from the street looking up a path or narrow driveway. On the LHS is part of a weatherboard house, Edwardian in style. On the RHS is the boundary fence against which is a garden border separated from the driveway by a section of grass. In the background is a glasshouse.Rear along top edge in blue biro: "Aunty Eileens house / before she was married" - according to the donor, this is his cousin's writing. Aunty Eileen was Ellen Dorothy Liddy who married Hugh Turnbull in 1936. Along LH edge, perhaps in a different hand " 23-10-1956" Photo laboratory processing stamp in black ink " 2 48", stamped twice.wandsworth road, daniel patrick liddy, beatrice bridget tyner, beatrice bridget liddy, ellen dorothy liddy, daniel john liddy, box hill cemetery, gardens -
Surrey Hills Historical Society Collection
Photograph, Mary Sneddon
Mary was married to William Sneddon who was a postman in Surrey Hills for many years. His father James ran an estate agency in Surrey Hills which had been established by his father, also James, in the 1880s. William married Mary nee Bird in 1903 at his father's home. They lived at 'Cliburn' 14 Suffolk Road, named after Cliburn, Westmorland (later Cumbria) where Mary's mother, Mary Coulston came from. According to the donor, all their homes were given this name. WIlliam and Mary had the following children: Jim (James 3rd) b 1905, Balwyn Jack (John William) b. 1908, Camberwell Norman Alexander b 1910, Camberwell Alan Coulson b 1914, Surrey Hills Jean Isabel b 1916, Surrey Hills Douglas Haig b 1918, Surrey Hills. William and Mary are buried in Box Hill Cemetery: P-061-0033. The donor Robin da Costa-Adams is related to the Sneddon family through her first marriage. Formal sepia photo of Mary Sneddon seated in a studio or against a backdrop provided by a travelling photographer. "Mary Sneddon" - Robin da Costa-Adams' hand in grey lead pencil. "nee Bird) / (wife of Wm Sneddon" in black ink in Jocelyn Hall's hand.(miss) mary bird, (mrs) mary sneddon, william sneddon -
Port Fairy Historical Society Museum and Archives
Photograph
William and Emma Osmond with two small children arrived in Belfast in 1852 as assisted migrants assigned to R. H. Woodward . Two years later William was rated for a two room stone house in William street. By 1868 William Osmond was in business as a Butcher and was the holder of a Beer and Colonial wine license for his home which now numbered eight rooms. The license having been granted he opened the Volunteer Arms there, which he operated for two years whilst he had built, the two storied stone building next door, to take advantage of the fact that a livestock sale yards was operating on the opposite side of William street, hence the name Market Inn. William died in 1876 and his sons continued to run the hotel until 1916, when the building was sold and the license transferred to Harold Revell, a retired farmer. The license was revoked in 1918. and the building became a private dwelling . The building is still standing although the market for which it was named is long gone. It is now a private home and Art Gallery. Image of the building as it presents todayblack and white photograph of Two story bluestone market hotel with rendered front and checkered quoinshotel, building, william street, market, osmond, volunteer arms -
Port Fairy Historical Society Museum and Archives
Photograph, Market Inn
William and Emma Osmond with two small children arrived in Belfast in 1852 as assisted migrants assigned to R. H. Woodward . Two years later William was rated for a two room stone house in William street. By 1868 William Osmond was in business as a Butcher and was the holder of a Beer and Colonial wine license for his home which now numbered eight rooms. The license having been granted he opened the Volunteer Arms there, which he operated for two years whilst he had built, the two storied stone building next door, to take advantage of the fact that a livestock sale yards was operating on the opposite side of William street, hence the name Market Inn. William died in 1876 and his sons continued to run the hotel until 1916, when the building was sold and the license transferred to Harold Revell, a retired farmer. The license was revoked in 1918. and the building became a private dwelling . The building is still standing although the market for which it was named is long gone. It is now a private home and Art Gallery. Image of the hotel with its verandah intact and buildings to the rightBlack and white photographhotel, building, william street, osmond family, market, inn -
Port Fairy Historical Society Museum and Archives
Photograph
William and Emma Osmond with two small children arrived in Belfast in 1852 as assisted migrants assigned to R. H. Woodward . Two years later William was rated for a two room stone house in William street. By 1868 William Osmond was in business as a Butcher and was the holder of a Beer and Colonial wine license for his home which now numbered eight rooms. The license having been granted he opened the Volunteer Arms there, which he operated for two years whilst he had built, the two storied stone building next door, to take advantage of the fact that a livestock sale yards was operating on the opposite side of William street, hence the name Market Inn. William died in 1876 and his sons continued to run the hotel until 1916, when the building was sold and the license transferred to Harold Revell, a retired farmer. The license was revoked in 1918. and the building became a private dwelling . The building is still standing although the market for which it was named is long gone. It is now a private home and Art Gallery. the 4 people in the photograph are probably the Osmond sonsPhotograph of an earlier time when a verandah existed on the front and the butcher shop was attachedBlack and white photograph 2 photos exposed togetherhotel, osmond, william street, market -
Wodonga & District Historical Society Inc
Domestic object - Men's Pocket tool kit, c1940
This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. These tool kits were often carried by men so they were equipped to deal with minor repair jobs away from home. A variety of companies in Britain and Germany manufactured similar kits prior to WW2.A metal miniature tool kit including a screwdriver, an awl and 2 augers stored in a metal cylinder. The cylinder screws together in the centre. There is a central slot on each side of the cylinder sot that the end of each tool can be inserted. The cylinder then screws together to act as a handle.pocket tool kits, hand tools -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; 'DRUSILLA' MOUNT MACEDON
A catalogue titled 'Drusilla' Mount Macedon. 'Commencing Monday, 3rd December, 1945 Sale By Auction of Antiques, Furniture and Works of Art. In the Collection of the late Phelia Maude and E. Norton Grimwade. Baillieu Allard PTY. LTD. Auctioneers. 360 Collins Street, Melbourne. Telephone: M1001 (9 lines.)' Also included in the catalogue is a newspaper cutting dated 2/3/1946 and titled 'Charming Debutantes.' The two debutantes are Judith Barrett and Phelia Grimwade the daughters of Mrs. Russell Barrett and Mrs. Lionel Grimwade.buildings, house, drusilla, lydia chancellor collection, collection, 'drusilla, ' mount macedon, place, house, home, auction, antiques, furniture, art, artwork, auctioneers, debutantes, judith barrett, phelia grimwade, mrs. russell barrett, mrs lionel grimwade, history, heritage -
Orbost & District Historical Society
bottle
Glass milk bottles were used to store milk that was supplied by local vendors to houses in a region. The glass bottles would be reused continually until stolen or broken. Milk would be brought to individual houses where payment may be received on the day or as a larger payment at another time. After finishing the milk, the family would return the glass to a prearranged place outside their home where it would be collected and a new milk bottle returned in its place. A clear glass milk bottle used for 600ml. This would have had a foil lid.Pasteurised MILK 600ML Wash and return Milk Bottle Distributers PASTEURISED 600ml MILK Wash and Return Property of dairy milk bottle glass milk-bottle food container -
Warrnambool and District Historical Society Inc.
Document, Licence Motor boatman, 1918
This is a licence issued to Leslie Palmer in 1918. It gives him authority to operate a motor boat across the banks of the Hopkins River near the mouth and to carry passengers. As there is a bridge at the mouth of the river it is assumed that this motor boat was used to go across the river from a private house, making it more convenient than going by road to cross the bridge. It was, and still is, a common practice to use boats to cross the river from private homes built along the banks of the Hopkins River.This is a significant item as it is an original certificate and is interesting because the licence was a restricted one, for use only in crossing the Hopkins River. This is a paper licence issued by the Marine Board of Victoria in 1918. The certificate has printed material and entries written in black ink. It has the seal of the Marine Board and the signature of the SecretaryWritten material: ‘Leslie Alfred Palmer of Warrnambool, oil, on the Hopkins River within a line bearing east from Point Ritchie on the western side of the mouth of such river to the opposite shore, 6th December 1918’ motor boat licence 1918, warrnambool, leslie palmer, hopkins river -
Warrnambool and District Historical Society Inc.
Book, The Vagabond Papers, 1877
As the title states this book provides sketches of Melbourne life in light and shade. It was written in 1877 and published by George Robertson . It is one of a series and this edition covers the following: A night in the model lodging -House, A day in the Immigrants' Home, A morning at the Hospital, Three days in the Benevolent Asylum, Our Lunatic Asylums, Sixpenny restaurants and The Theatre Vestibules. Throughout all he comments on the social situations and dilemmas in which he finds himself and which others must endure.The Vagabond Papers provides a valuable record of life in Melbourne in the 1870's. It is not always the view of Melbourne as a prosperous and developing city which is presented but it is experienced first hand by the author to which he also imparts social commentary on the many difficult situations. Small faded hard covered book with black text. Contains 205 pages with advertisements on front and back covers.Reprinted from the Argus corrected and revised by the author. Dedicated to the Conductors of the Argus in recognition of many private and professional Kindnesses.melbourne 1877, social commentary melbourne 1870's, social life and customs -
Glen Eira Historical Society
Article - Glenfern
Two hand written one page letters from Brenda M. Niall, dated 11/05/1983 and 03/06/1983 respectively, to R. Ballantyne of the Caulfield Historical Society, requesting information on the property Glenfern. One page newspaper article entitled INSPIRING THE ARTS from THE AGE, dated 04/05/2002, regarding Glenfern and the Boyd family by Mary Ryllis Clark. Includes photographs of two paintings and one photograph of the home.niall brenda m., clark mary ryllis, boyd family, glenfern, st kilda east, boyd thomas, boyd john theodore, boyd william, boyd lucy, boyd emma minnie, inkerman road, inkerman street, boyd arthur merric, boyd lily, laing charles, terry leonard, architects, watson thomas, wesley college, colleges, à beckett emma, ostberg john, ostberg amy, cooke max, heathcote richard, ned kelly, ledger heath, griffiths rachel, films, labassa, rippon lea, boyd ethel, caulfield historical society, gothic style, architectural features, martin lucy, boyd merric, hotham street, boyd max -
Eltham District Historical Society Inc
Photograph, Eltham Performing Arts Centre, 1603 Main Road, Research, c.May 1988
The Eltham Performing Arts Centre is a mult-use community facility with a seating capacity of up to 200 in the theatre mode. The project budget of $675,000 was jointly funded by the Shire of Eltham, Eltham Little Theatre Inc. and the Bicentennial Authority. Building works commenced in May 1987 and the Centre officially opened on 26th January, 1988 (Australia Day). It was constructed on the site of the old Research Hall in Main Road, Research, which was the previous home of the "Eltham Little Theatre."35mm colour positive transparency (1 of 25) Mount - Kodak EktachromeProcess Date MAY 88Meltham little theatre, eltham performing arts centre, main road, research (vic.) -
Lara RSL Sub Branch
Magazine, WWII, 2005
Magazines depicting WWII Part 1 The Bomb Part 2 Battle of Britain Part 3 Pearl Harbour Part 4 Stalingrad Part 5 D-Day Part 6 Fall of Berlin Part 7 Australia's War Part 8 Home Front Part 9 Singapore and the POW's Part 10 El Alamein Part 11 Battle of Coral Sea Part 12 Kokoda and New Guinea Part 13 PeaceThe Magazine is made from paper and came in various colours and front pages.WWIIwwii, ww2, world war 2, atomic bomb, battle of britain, pearl harbour, stalingrad, d-day, fall of berlin, australia's war, home front, singapore, el alamein, battle of coral sea, kokoda, peace -
Mission to Seafarers Victoria
Letter - Correspondence, 10/12/1952
Allan writes of the severe fog which meant there were no buses of planes for three days. "I only heard or saw two cars over the weekend and each one had a man in front with a torch." When he and Alette attended the Royal Concert they found themselves sitting near Charlie Chaplin, Sir Laurence Olivier and Vivian Leigh. The Queen was there and Sir Malcolm Sargent conducted the orchestra and a choir of 500. Alette is going home to Norway for Christmas. Quinn CollectionA pale blue self-folding letter (0906.a1) headed 8 Gloucester Walk, London W 8 and dated 10/12/52. Letter is written in green ink. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. It is postmarked London. The return address is Allan Quinn, Australia House. letters-from-abroad, allan quinn, alette andersen, london 1952, royal concert, queen elizabeth ii, sir malcolm sargent, sir laurence olivier, vivian leigh, charles chaplin -
Eltham District Historical Society Inc
Photograph, "Pretty Hill", Kangaroo Ground. James Johnston's homestead
Kangaroo Ground pioneers James Johnston (died 1895) with his wife Elizabeth commenced building this stone house on his Pretty Hill property, Kangaroo Ground in 1842. It was one of the oldest homes in the district till 1938 when new owner Mr Percy Cope, a master builder demolished the old building and a new brick building was erected in its place. Pretty Hill is one of the highest spots in the district with splendid views of the surrounding country.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection'. It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kangaroo ground, pretty hill, stonen house, homestead, johnston family, james johnston -
Eltham District Historical Society Inc
Book, Earthbuild, Mud and Man: a history of earth buildings in Australia by Ted Howard, 1992
Includes references to local sites Bear's Castle, Yan Yean (City of Whitlesea), mud brick houses in Eltham, including at Montsalvat and Eltham Community Centre, Smith's Gully, Plenty Baptist Church and Warrandyte. Includes chapter on Alistair Knox. The author's own home appears in the book on page 100. It was situated at Batman Road, Eltham next to the manse and church opposite Stanley Avenue. It was demolished for unit development June 2004 after the author's death in 2003. A significant and oft cited history of the mud brick earth construction style of architecture which includes a number of examples within the Shire of Nillumbik, known to be a site of the environmental earth building movement following WW2.198 p. : ill. (some col.), maps ISBN 0646069624earth construction, mud bricks, pise, domestic architecture -
Warrnambool RSL Sub Branch
BOB: Map - 1:13,000, YPRES, Yperen, p.40, 'Baedeker's Belgium and Holland',1905,14th Edition (English), Leipzig: Karl Baedeker, Publisher, 1905
Bob Snape always included in his kit a few second hand Baedeker's guide books, as well as the 'Belgium and Holland' volume. Bob was a keen observer and commentator and used these guide books as any interested tourist. Bob's letters home often made reference to the history, culture and architecture of the countries he visited in the course of the war. Bob's English born father had lived and worked in France from 1878 to 1880 before his emigration to Australia.Two tone map in orange, grey and black. snape collection -
Alexandra Timber Tramway & Museum
Silk Handkerchief, Souvenirs of France 1914 - 1918, 1914 (estimated)
During the 1914-1918 war these souvenirs were sent by a soldier to his sweetheart, his fiancee. The handkerchiefs are made of pure silk. Sadly the soldier was killed on the battlefield and did not return home. His fiancee remained true to his love for the rest ofher life, laughing away the proposals of any other admirers. Her name was Ada. She is 97 years of age and now lives in Tasmania and was once a friend of Beannie Cummins (dec) of Alexandra.White silk handkerchief with a 1.5 cm drawn thread hem. In one corner is embroidered Souvenir de France in brown colour. The rest of the embroidery include two flagpoles, one with France's flag, one with a British flag. There is a red rose of France at the bottom of the flagpole scattered green leaves throughtout the embroidery. The embroidery takes up a quarter of the whole hankerchief."Souvenir de France" embroidered cornerof, embroidery, french, france, british, red, 1914 1918, souvenir, white, de, silk, leaves, handkerchief, flagpoles, flag, rose, green, drawn thread, hemming -
Tatura Irrigation & Wartime Camps Museum
Document, Nightingale M/S Jill, Wartime Art Murals Camp 13, 18 June 1972
The large twelve murals are caricatures mostly depicting Army personnel from various parts of the world. Painting high on the walls of the garrisons recreation hut by Von Gruenwaldt. The hut was later transported to Murchison and became the RSL Hall. M/s Diane McLeod, Shepparton Art Gallery insisted they be preserved as the RSL was to be demolished and Loel Thompson was unable to preserve the building as a museum. The murals have been preserved and decorate the community centre and D Jones Nursing Home.clear plastic cover with a red margin and back coverWartime Art Murals PG 40 - News Friday 18 June 1972camp 13 murals, rsl hall murchison, david jones nursing home murchison victoria, hans von gruenewaldt, jill nightingale -
Robin Boyd Foundation
Painting, Donald Laycock, Nights of Love, 1965
This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18 -
Nillumbik Shire Council
Painting - Trevor BARKER, Trevor Barker, Coming Together for Reconciliation, 2003
"This is a story of coming together. The honey ants represent food and move round the frame continuously. The outer circle represents different groups all coming together for reconciliation to work as one. The large camp in the middle is where they all come to meet with the paths leading away back to our homes and family after the big get together.” – Trevor. Trevor Barker was born in Melbourne and is a descendant of the Barkindji people, through his Father, from the Western region of NSW. -
National Wool Museum
Book, The Textile Tools of Colonial Homes
"The Textile Tools of Colonial Homes: from raw materials to finished garments before mass production in the factories" - Marion L. Channing, Massachusetts, USA, (first published in 1969) this edition 1971. Donated as part of the Zakrzewski Collection of spinning wheels which were given to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This book was owned by him.handicrafts - history wool processing flax, spinning, zakrzewski, mr wlodzimierz, handicrafts - history, wool processing, flax -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Pamphlet - Information Brochure
Nursing as a Career- Nursing is a challenging and rewarding profession to both the girls who take it up as a career. Prerequisites and training scheme - Age, Education, Health, Training, Examinations. Your future assured Graduation then what - After graduating some nurses choose to work outside the Hospital in related occupations- Train near home and your friends. The NDSN has been established to ensure student nurses in this region first class instruction under ideal conditions.Nursing as a Career- Training today for tomorrow. Brochure folded in three sections double sided. White background - Photo of Nurses in the Middle and Red and Gold insignia in middle at top with a red double cross. Internal Black and White photos of nursing/hospital environment.nursing education equipment, nurse training, nursing information