Post World War 11 settlers in the newly opened estates of Ormond, Bentleigh, Cheltenham, Highett made their own clothes using the new fabrics and new sewing machines in the 1950s This pink silk nightdress, with an appliqued lace yoke, lace shoulder straps and waist ties is typical of the style c1950 in the City of Moorabbin Clothing, Nightdress, pink silk lace top clothing, nighdress, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, dressmaking, machined lace,

These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents . Gladys Reed was a member of the Ormond Choral Society c 1950 that performed plays and musicals in the the City of Moorabbin These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents 1 pair x Finely hand knitted cream silk baby socks . Sole of foot is plain with decorative stitches on upper foot and leg. clothing, craftwork, silk, baby wear, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This simple white silk, full length, v-neck nightdress with lace insert and capped sleeves and waist ties, is an example of the style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 Gladys Reed was a member of the Ormond Choral Society c 1950. and this simple white silk nightdress is an example of her dressmaking skill A white silk, full length, v-neck nightdress with lace insert , capped sleeves with lace edging and waist ties clothing, dressmaking, lacework, nightdress, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C Phrenology is a process that involves observing and/or feeling the skull to determine an individual's psychological attributes. Franz Joseph Gall believed that the brain was made up of 27 individual organs that determined personality, the first 19 of these 'organs' he believed to exist in other animal species. Rev. Brown acknowledges that this printed delineation for self assessment is only approximate and proper analysis would cost time and money for personal consultation.After Charles Darwin, 1809 - 1882, English naturalist whose scientific theory of evolution by natural selection became the foundation of modern evolutionary studies. His nonreligious biology appealed to the rising class of professional scientists and the general public. Phrenology became a popular interest.A paper booklet with diagrams, charts and photos explaining Phrenology in 54 pages by Rev. J.J. Brown Coloured front and back covers have a drawing of a model of the human skull divided into 36 sections Front Cover ; SEVENTEENTH EDITION/ PHYSIOLOGICAL AND PHRENOLOGICAL / CHART / ( IN BOOK FORM) /BY / REV. J.J. BROWN/ Illustrated with 70 Engravingson Wood by S. Calvertgall franz joseph, phrenology, darwin charles, naturalists, jewellers, ezard & clark company moorabbin, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers,housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, draftsman, architect,

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. Both men had formed their businesses using the spinning mule developed by Samuel Crompton. They mainly produced yarns for commercial knitting machines. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia. The company branched out into various related lines of business, and the development of new products such as nylon and Terylene. In 1961, the company was merged with J & P Coats Ltd. The Patons trademark is still in use today.The yarn production facility at Alloa was closed in 1999 and the large factory in Launceston, Tasmania, Australia,closed in 1997. In 1952 J. & P. Coats and the Clark Thread Co. merged.and in 1961 a merger with Patons and Baldwins created Coats Patons. In 2015 the business returned to the market as "Coats Group".Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1950A printed paper booklet with 64 pages of knitting and crochet patterns, instructions, photographs bound by 2 metal staplesFront Cover ; UNIVERSAL/ KNITTING BOOK / SIXTH / ED / ITION / PRICE / NINE / PENCE / Photo of lady knitting / Trade Mark / JOHN PATON, SON & CO. / BRANCH OF PATONS & BALDWINS LTD. / ALLOA / LONDON, MANCHESTER / MELBOURNE / MONTREAL Written top right ; G Reed Back Cover ; Trade Mark / Registered / THIS TRADE MARK / IS YOUR GUARANTEE / WHEN BUYING / PATONS' ALLOA / KNITTING WOOLS knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia.Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1940A printed black and white booklet with 31 pages of knitting instructions and photographs c 1940Front Cover ; Patons / Knitting Book / No. 182 / 'Rhumba' See page 14 'Swing" See page 15 / 6d ( decimal = 5cents) Back Cover ; Patons / No. 182 / Knitting Book / 'Fandango ' /See page 17 / 'Tarantella' /See page 18knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Ill, p.153.non-fictionThis unique collection of stories describes the tragedy and drama of incidents that occurred on Australia's doorstep - and in many cases on our shores.world war 1939-1945 - aerial operations - australia, royal australian air force - airmen - biographies

Index, bibliography, notes, ill, maps, p.548.non-fictionPearl Harbour. Kokoda. The fall of Singapore. Curtin's fight with Churchill. The bombing of Darwin. The Battle of Midway. POWs. Kamikaze. Hiroshima. These words alone are enough to convey the terror, courage and drama of the Pacific War, when the balance of power stood on a knife-edge and when the future of Australia herself was on the brink - threatened by Japanese aggression on one hand and British apathy on the other. Until now the history of the Pacific War has largely been written from the American perspective. Now, for the first time, Peter Thompson places Australian voices and action at the heart of a struggle that took an unimaginable number of lives and only ended with the unleashing of the most powerful weapon the world had ever seen. Pearl Harbor; The fall of Singapore; Curtin's fights with Churchill; The bombing of Darwin; POW camps; The battle of Midway; Kokoda; Buna; Kamikaze pilots; Hiroshima. These words alone are enough to convey the terror, courage and drama of the Pacific War, when the balance of power stood on a knife-edge and when the future of Australia was on the brink - threatened by Japanese aggression on the one hand and British deception on the other. After a conflict that took an unimaginable number of lives and ended with the unleashing of the most powerful weapon the world had ever seen, the Allies emerged victorious. Australia, however, was criticised by Churchill and his generals for showing cowardice in the face of the enemy and for not caring about the fate of other nations. The endorsement of these claims by several military historians today shows that the smear has not gone away. Until nowworld war 1939 – 1945 – campaigns – pacific, world war 1939 – 1945 – australia

Index, ill (b/w plates), p.362.non-fictionAt 11:28 a.m. on Saturday, August 12, 2000, high in the Arctic Circle under the roiling surface of the unforgiving Barents Sea, Captain Gennady Lyachin was taking the Kursk, the pride of Russia's elite Northern Fleet, through the last steps of firing a practice torpedo, part of an elaborate naval exercise. Suddenly, the torpedo exploded in a massive fireball, instantly incinerating all seven men in the submarine's forward compartment. The horror, however, was just beginning. The full, gripping story of the remarkable drama inside the Kursk and of the desperate rescue efforts has never been told - until now.russian submarine kursk explosion, submarine disasters - russia

Index, ill, maps, p.332.non-fictionThis is the first time that those in direct command of Delta Company have shared their memories of the most significant battle fought by Australians in Vietnam, the Battle of Long Tan. Each of the commanders shares the experiences that brought them to Vietnam, and describes how the company commander, Harry Smith, drove Delta Company to become one of the most outstanding units in the Australian forces. Delta's superb military discipline, and its commanders' ability to think outside the square were decisive in holding a vastly superior number of enemies at bay. Each platoon played a crucial role in Delta Company's survival. The artillery's commitment in providing an unbroken wall of metal through which the enemy had to advance is told from the perspectives of both the forward controller and the gun positions. We fly with the RAAF helicopter pilots whose ammunition resupply was the turning point of the battle, and experience the carnage of the battlefield through the eyes of those in the relieving APCs. Delta Company's trauma on returning to the battlefield to claim their fallen was lightened only by the miraculous survival of two of their wounded. The trauma of the battle did not end with the action, however, as politics began to play their part in the drama. The valour of those directly involved in the battle has never been duly recognised - in some cases it has been belittled, in others denied. The ongoing efforts of the Long Tan commanders to right the many wrongs perpetrated in the wake of the battle, and their own journeys from the events of August 1966 draw the reader into a compelling dialogue on the aftermath of Vietnam. Collapse summary vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – battles – long tan

Index, p.218.non-fictionThis book unfolds the human side of the American civil war - the flesh and blood drama of men and women to whom the war was an intimate, emotional experience.american civil war 1861-1865, united states - history

Index, bibliography, ill, maps, p.335.non-fictionn 1900, Germany was one of modernity's great success stories: The most progressive and dynamic nation in Europe, it was the only country whose rapid economic growth and innovation rivaled that of the United States. Its political culture was far less authoritarian than Russia's and less anti-Semitic than France's. Representative institutions thrived, and competing political parties and elections were a central part of life. How, then, could it be that in little more than a generation this stable modern country would fall into the hands of Adolf Hitler and the violent, racist, extremist political movement he led, a movement that would lead Germany and then all of Europe into utter moral, physical, and cultural ruin?" "There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. Its citizens were angry and embittered by military defeat and economic ruin, and its young democracy undermined by a civil service, an army, and a law enforcement system deeply alienated from the new order. The electorate was beset by growing extremism and panic about communism; and the small but successful Jewish community was subject to wide-spread suspicion and resentment. In the end, though nothing about what happened was preordained, Germany proved to be fertile ground for Nazism's ideology of hatred.germany - politics and government 1933-1939, germany - nazi party

Index, bibliography, notes,maps, ill, p.334.non-fictionIn 1939 Marsden Hordern's mother refused to sign the paper allowing her seventeen-year-old son to fight overseas with the Royal Australian Air Force. 'I did not rear you to be killed in an airplane,' she said. 'Join the navy.' He took her advice and in doing so determined his future. In small patrol boats, Fairmiles and a Harbour Defence Motor Launch, he patrolled the shores of Japanese-held territory, assisted beleaguered commandos in Timor, and was finally caught up in the drama of rounding up Japanese prisoners of war and guarding them in New Guinea.world war 1939-1945 - naval operations - australia, royal australian navy

Ill, p.190.non-fictionMore than 450 photographs present a superb visual record of World War Two - the great convoy battles fought between aircraft, U-boats and escorts; the battles with the German raiders; desperate struggles in the icy seas of the Arctic; great naval-air battles in the Pacific; the vast amphibious operations that brought the Allies to grips with the enemy on land; and much more. For the six years between 1939 and 1945, naval action was seen on every ocean of the world. This sea war was on a unique scale - it had never been seen before, has not been experienced since and surely will never be witnessed again. This pictorial history brings together images from international archives and personal collections to demonstrate the diversity and drama of these years, to portray the atmosphere experienced by the mariners in this most unforgiving battlefield of all, and to provide an unprecedented visual record of this most event filled period of naval history.world war 1939 – 1945 –naval operations, world war 1939-1945 - naval operations - pictorial works

Index, ill, maps, p.660.non-fictionField Marshall William Slim stands alongside Montgomery as the outstanding British Field commander of the Second World War. "Defeat into victory" is his classic account of the Burma campaign : a story of retreat, attrition and a final hard fought victory over the Japanese. Told by a commander always at the centre of events, this is a narrative that captures both the high drama and the harsh reality of war.world war 1939-1945 - campaigns - burma, viscount sir william slim 1891-1970

The Vietnam Reader is a groundbreaking collections of the finest fiction, nonfiction, poetry, drama, film, still photographs, and popular song lyrics depicting the American War in Vietnam.vietnamese conflict, 1961-1975 - personal narratives, america

2 sepia photographs mounted on paper using photo corners depicting WHS boys about to board plane and on Perth trip.See JPG for annotations.williamstown high school, 1948, drama tours, perth

Boyd comments on Australian television being largely occupied with and influenced by American television. He stresses the importance of fostering Australian creativity and writing to create television shows that are genuinely and characteristically Australian.Typewritten (c copy), pencil additions and edits, foolscap, 6 pagesVictorian Fabian Society, George Johnson, Eric Westbrook, Steven Murray-Smith, Fred Ledgar, South Eastern Freeway, Lyndon Johnson, robin boyd, manuscripttelevision, american television, british dramas, hollywood, robin boyd, manuscript

First season held at Athenaeum Theatre by Melbourne Theatre CompanyProgram includes an article by John Sumner about the reasons why company moved to the Melbourne Athenaeum Theatre, noting that the Athenaeum is more suited than larger theatres to the intimate playing of straight drama.Program for a play; coloured cover - green; 16 p. includes articles about the play and the authorDraft copy of the program ( as pictured) and the final program with amendments as used for the production.athenaeum theatre, program, programme, melbourne theatre company, the school for scandal, r b sheridan, the university of melbourne, ray lawler

Paper program ; good conditionthe maid's tragedy, athenaeum theatre, program, melbourne theatre company, francis beaumont, john fletcher, jacobean drama

Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols

Performance by the Drama GroupInvitation to the Cultural performance on Boxing Day in 1960, organised by the Slovenian Club Melbourne. The venue: St Brigid's Hall, 378 Nicholson Street, North Fitzroy, Melbourne.Hand drawn symbolic presentationinvitation, cultural performance

Black T-shirt with white and violet text reading ROCKENSTEIN. This shirt was used in the 2001 school production Rockenstein. Grey T-shirt with white writing reading DOCTOR LOVE, Love Doctor overlaying a red stethoscope and heart. This shirt was used in the 1997 school production Doctor Love; Love Doctor.