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Uniting Church Archives - Synod of VictoriaPhotograph
Oamaru NZ origin 1923 Essendon (St. John's) from July 1929 admittedSepia studio portrait of Rev S F Hunter mounted on brown card. The Rev Hunter is posed sitting holding a piece of paper with his arm resting on a table. He is dressed in his clerical clothing. The mount has been cut on the left hand side. Handwritten on the back: "Rev. S. F. Hunter MA. D." "July 1923 - 1929" "c/o Mrs S. F. Hunter Brighton St Highgate Hill Sth Brisbane"presbyterian ministers, rev s f hunter, st john's presbyterian church essendon -
Uniting Church Archives - Synod of VictoriaPhotograph, Mendelssohn & Co, 1901
John Meikeljohn was born in 1841 in Glasgow. He was educated at Glasgow University and U. P. Theological Hall and ordained at the Glasgow City Mission in 1872. His ministries included: 1874 Kirkmairhill U. O. Lankashire; 1888 south Melbourne Dorcas St.. In 1901 he became the first Moderator General for the Assembly of Australia and was the first Principal Emmnauel College Brisbane. The Rev Dr Meikelijohn died on 28/09/1915.Sepia toned studio portrait tipped on to textured beige coloured cardboard of Rev. Dr. John Meikeljohn who dressed in his formal attire of a moderator general. He is sitting in a chair with his legs crossed with his hands resting on the arms of the chair.Printed on the front: "Mendelssohn & Co" "SALON PANEL" "80 SWANSTON ST. MELBOURNE"emmanuel college brisbane, rev. dr. john meikeljohn, presbyterian moderator general -
University of Melbourne, Burnley Campus ArchivesAlbum - Glass slides, W. H. Cooper, Glass Lantern Slides Full Collection, 1900s-1950s
Sandra Pullman visited the Melbourne City Council Exhibition, 'Melbourne Parks and Gardens Through the Magic Lantern' in November 2012. Lex Nieboer, former Burnley student graduating in 1975, found a large number of glass lantern slides in a store room and took them home as he was concerned they would be thrown out. His family has a long tradition of being involved in photography, so he understood the value of the slides. He donated the ones that were of Melbourne City Parks and Gardens to the Council and they used them in their exhibition. Sandra contacted Lex and arranged with Jane Wilson (Archivist) to visit Lex on 12 April, 2013 at Wilson Botanic Park, Berwick where he works. After Lex showed them the slides, he, very generously, donated approximately 300 slides back to the Burnley Archives. There was already a collection of almost 100 glass slides in the Archives. They were in a wooden box containing glass lantern slides with label on outside, "Slides of Horticultural Objects and Views." Inside lid is handwritten, "Mr Bailey Botanic Gardens Adelaide." (John Frederick Bailey, Director Adelaide Botanic Gardens 1917-1932.) and, "Mr Isaac 9 pla? 2 ficifolia." (Probably Mr Isaacs Mayor of Adelaide 1917.) Also, "Purchased from Estate of Reeves Late Malvern Gardens, AWJ." (F.L. Reeves, Malvern Council's Park Curator in the 1920's died in 1933. AWJ, A.W. Jessep, Principal Burnley Horticultural College 1926-1941.) These were numbers 61-85 "History of the Rose." Geoff Olive, former Staff member, remembered taking a number of glass slides to a photographic processor to have 35mm slides made from them. 60 of these are also in this collection. Also see B10.0057 for Melbourne City Council collection and, 11.0039, 12.0033 for photograph prints of lantern slides lost to the collection.Collection of approximately 400 glass lantern slides used for teaching at Burnley Horticultural College during the first half of the twentieth century. Some were made specifically for Burnley. Some images would not upload. The images include: overseas views of gardens, historical sites and geographical features (some hand coloured from Japan); a series of hand coloured images of roses with notes for teaching the history of the rose; school gardens of the early 1900's; fruit and vegetables; miscellaneous horticulltural; Australian native plants; cells; 'Living Races'; plants, trees and grasses; parasites, organisms and fungal diseases; miscellaneous horticultural scenes; parks; cattle; agricultural data.sandra pullman, lex nieboer, melbourne city council exhibition through the magic lantern, john frederick bailey, mr isaacs, f l reeves, a w jessep, history of the rose, plants, trees, diseases -
Creswick Campus Historical Collection - University of MelbourneArtwork, other - Lithograph, Eucalyptus Leucoxylon Artist Rosa Fiveash (c1880), Eucalyptus Leucoxylon, 1882-1890
Eucalyptus Leucoxylon. Eucalyptus Leucoxylon var. pauperita (Mueller). The Scrubby Blue Gum C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Creswick Campus Historical Collection - University of Melbourne
Artwork, other - Lithograph, Acacia Longifolia (c1880) Artist, Rosa Fiveash, Acacia Longifolia, 1882-1890
Acacia Longifolia (Willdenow) (Labillardiere). The Maritime long-leaved Wattle C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order(second. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Hume City Civic CollectionContainer - Bottle, wine, 1985
The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s -
Sunshine and District Historical Society IncorporatedBook, Barry Rayner, Seek Light - SUNSHINE HIGH SCHOOL 1955-1991, 1991
In December 1954 the Parents Association was formed and met at the Sunshine State School. In February 1955 classes commenced with First and Second Form students accommodated in several local Halls. In May 1955 the students transferred to the new building. Over the years many children with overseas background attended the school. The school ceased to exist in its own right in 1991, and amalgamated with five other local secondary schools to form the multi campus Sunshine College in 1992. The former Sunshine High School buildings on Ballarat Road are now part of the Sunshine Campus of Victoria University. The book contains photographs and written articles from the school years as well as photographs of those attending the 1991 reunion. The history of the school is covered in this book under the headings: (1) Beginnings, (2) The Sixties, (3) The Seventies, (4) The Final Years, and (5) Vale. The major historical feature of this book is however the 17 pages of Staff and Student names, and the years they were at the school.This book is of historic and research significance. As well as providing some of the history of the school, the book has a comprehensive list of the staff and students that were at the school. Researchers will be able to determine the numbers of students commencing each year, the ethnic backgrounds of staff and students, and especially in the early years determine the spelling of the Surnames and Christian names of many students with overseas backgrounds. In the 1950's some Primary School teachers had the habit of changing students European Christian names to the English versions, and so the new names may have carried on to High School enrolment. For example some students named Ryszard were enrolled as Richard. Many students however were enrolled with correct ethnic spelling of their names. Although the list of students names appears to be comprehensive until about 1985, it appears to fail after that. It is known that some students names are missing in the final years.Front cover has a maroon coloured background with a pair of diagrammatic light blue hands reaching towards an orange and yellow source of light. The words SEEK LIGHT and SUNSHINE HIGH SCHOOL 1955-1991 are also on the front cover. The rear cover is plain white coloured. The book contains 68 pages plus the covers.Inside the front cover is an acknowledgement by John Scott to the work of the 1991 Reunion Committee for the production of the book, with eight people and their roles specifically named. The secondary title of the book as written inside on page 1 appears to be "Sunshine High Reflections 1954 - 91"seek light, sunshine high school, 1991 reunion, 1955, 1954, list of students, list of staff -
Nillumbik Historical Society IncorporatedBook - Hardcover book, Agnes Giberne, Nurse Seagrave's Story
... Inside front cover in two different hands and inks - "St... different hands and inks - "St John's Church of England Sunday ...Red board cover with an etching of floral design in black on the cover and back - 128 pagesfiction -
Clunes Museum
Painting, WILL LONGSTAFF, MENIN GATE AT MIDNIGHT, 1927
COPY OF MENIN GATE HELD AT CLUNES R.S.L. MENIN GATE WAS UNVEILED ON SUNDAY JULY 24th 1927. A MEMORIAL TO THE ARMIES OF BRITISH EMPIRE WHO STOOD THERE 1914 - 1918. AND TO THOSE OF THEIR DEAD WHO HAVE KNOWN NO GRAVE. WILL LONGSTAFF WAS SO MOVED HE MADE THE PAINTING WHICH WAS UNVEILED JULY 27th THE PAINTING IS NOW HANGING IN AUSTRALIAN WAR MEMORIAL IN CANBERRA.BOROUGH OF TALBOT AND CLUNES.1 FRAMED COPY OF PAINTING "MENIN GATE AT MIDNIGHT" .2 DOCUMENT ENTITLED "THE GHOSTS OF MENIN GATE - THE STORY OF CAPTAIN WILL LONGSTAFF'S GREAT ALLEGORICAL PAINTING" 3. FRAMED COPY OF PAINTING "MENIN GATE" BY WILL LONGSTAFF.3 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED -"MENIN GATE AT MIDNIGHT, COPYRIGHT, RESERVED BY WILL LONGSTAFFWPRESENTED TO THE COMMONWEALTH OF AUSTRALIA BY LORD WOOLLAVINGTON A SECOND BRASS PLATE IS ATTACHED TO THE FRAME AT THE RIGHT HAND SIDE INSCRIBED "PRESENTED TO THE MAYOR CR N. C. FOULKES AND COUNCILLORS OF THE BOROUGH OF CLUNES JULY 1929 .1 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED "MENIN GATE AT MIDNIGHT"local history, illustration, copy, longstaff, sir john -
Clunes MuseumPhotograph - PHOTOGRAPH HOSPITAL, 1948
THE NEW CLUNES HOSPITAL WAS BUILT ON BALLARAT ROAD AFTER THE PREVIOUS HOSPITAL ON CRESWICK ROAD WAS DESTROYED BY FIRE IN 1944. THE NEW HOSPITAL WAS OPENED IN MARCH 1948 BY THE HONOURABLE JOHN CAIN M.L.A.BLACK AND WHITE SMALL PHOTOGRAPH OF CLUNES NEW HOSPITAL. TELEGRAPH POLE IN FRONT - PART OF ELM TREE ON LEFT HAND SIDE.DISTRICT HOSPITAL CLUNESlocal history, photography, photographs, hospital -
Clunes Museum
Programme - EXHIBITION CATALOGUE, BIGG PRINTING SERVICE, SHEPPARTON, LONGSTAFF, 1975
CATALOGUE OF WORKS OF JOHN LONGSTAFF FOR AN EXHIBITION AT SHEPPARTON ART GALLERY MAY 1 - JUNE 30,1975.CREAM COLOURE CATALOGUE WITH A COLOURED IMAGE OF A WOMAN SITTING UNDER TREES IN A NATURAL SETTING.FOR AN EXHIBITION OF SIR JOHN LONGSTAFF'S PAINTINGS AT SHEPPARTON ART GALLERY MAY 1 - JUNE30,1975. CATALOGUE WRITTEN BY PETER TIMMS.non-fictionCATALOGUE OF WORKS OF JOHN LONGSTAFF FOR AN EXHIBITION AT SHEPPARTON ART GALLERY MAY 1 - JUNE 30,1975. local history, catalogues, longstaff -
Stawell Historical Society IncPhotograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ken German David Read Motors Graeme Healy Family Ann French Doug Cross Family Vikki & John Holcombe Family Kaye Ellen Family Jenkins Hand Heather Slorach & Rod Reading Pencker Family Pigeons Ian Bryant Linda Clarke & Hank Woldhuis Philip West Aerial Photos Mrs L Fielding 80th Show 1980 Lindsay Flowers Harrisons Wedding Cake Debbie Martin & Bob McGregor Rene Hall 80th Pool Game 1980 Mrs Coates 100th Ann Watson & Mike Farrell Glenda Smith & Geoff Lewin Nell Stewart & Liam Pickering SAAC 1980 Dadswells Stawell Brass Band Shuttleworth Dogs Helen Grace Cat Tina Walters Queens Scout Peel Family Trudy Harrison Grange Golf Slaughter House Suzanne Gercovitch & Gary Isbel Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
Wangaratta Art GalleryTextile, John Parkes, Conflagration, 2017
John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes -
Duldig Studio museum + sculpture gardenSculpture, Karl Duldig, Moses by Karl Duldig 1956 (Bronze Cast 1979), 1956 / 1979
This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. -
Nillumbik Shire CouncilCeramic (bowl): Alexandra COPELAND, Alexandra Copeland, Vanity, 1/9/1994
This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette -
Nillumbik Shire CouncilPrint (Lithograph): John Olsen (b.1928 NSW), John Olsen, Tropical Rain Shower from The Bodford Terrace Suite, 1978
A typical Olsen painting combines an implied aerial view with an ambiguous and seemingly unpremeditated figuration. His characteristically quizzical line and irregular squiggles and dots deftly render countless organisms, large and minute. Their environment is conjured through loosely brushed and stained expanses of colour (on canvas or hardboard) and lines which sometimes read as geological mappings. In Olsen's work there is no foreground/ middle ground/ background, nor any sign of European landscape's concern with "human scale." Instead he employs simultaneously the contrary vantages of naturalist and geographer. 'Tropical Rain Shower' by John Olsen forms one of the eight artworks represented in the Bodford Terrace Suite. Eight of Australia's finest artists were brought together to create a folio of lithographic prints to celebrate the restoration of historic Bodford Terrace. Printed at the Druckma Press by John Robinson under the supervision of master printer Jock Abbott. The folio edition was limited to 300 signed and numbered folios. The lithographs were printed on special heavy weight french Arche's paper in accordance with the tradition of this artistic medium. Lithographic print on paper.Signed John Olsen '78, lower right hand corner. Edition 179/300bodfford terrace collection, john olsen, tropical rain shower -
Nillumbik Shire CouncilPainting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Panton Hill, c.1980
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill -
Stawell Historical Society Inc
Realia, Hand Made Mud Brick from 5 Ellen Street
Handmade mud brick house built by William John Russell around 1935 See Attached sheetLarge heavy clay brickhouse -
Aquinas College RingwoodBooklet, Aquinas Girls College Graduation Dinner 1977, December 1977
Signed on the night of the Graduation Dinner of Aquinas Girls College 1977.One signature reads "To Mandy" so this may have been originally intended for one person. Signature of John Mahon, former Principal of Aquinas College on front cover. Signatures make this item unique.Green A4 card folded to A5 size, printed both sides. Hand signed by attendees.Aquinas logo on front cover. Signatures of attendees on front and back cover, including signature of John Mahon former principal of Aquinas College.graduation dinner, aquinas girls college, john mahon -
Stawell Historical Society IncPhotograph, Diamond House
Diamond House Stawell. This unique house was built by John Hearne between 1866-1868 using white quartz stone gathered on Church Hill opposite. Mr. Hearne showed considerable skill and patience in construction as the stones had to be carefully cut & fitted into uniformity which has lasted 130 years. Its is said not a nail was used. It became the Diamond house restaurant in 1932. The photo was taken in 1903.Two Black & white photograph of Diamond House including neighboring houses. There is a light post on the left hand side and what appears to be a dirt road in front of the houses. Photo taken in 1903.stawell -
Stawell Historical Society IncBook, Hugh McGrae, Georgiana’s Journal as edited by Hugh Mc Crae, 1934
This Journal written by Georgina Mc Crae Melbourne 1841 - 1865. The Painting on the cover is a self Portrait. A very Interesting account of Victoria's early History.A white coverd paperback - Top in white print in black background Imprint Classics. Georgina's Journal in Pink Print. In Central cover In an oval inset a Colored Portrait of Georgina Mc Crae. Below Portrait Melbourne 1841 - 1865. Edited By Hugh Mc Crae.Inscription on Fly Leaf: Hand written. To The Stawell Historical Society - To Honor the memory of John McClure. REfer Pages 87 - 154. 178. 192. 198.234. Note John Mc Clure is Intered Deep Lead Cemetery 1859.stawell education -
Stawell Historical Society IncPhotograph, C Hewitt Manager, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
From the Chapman family photograph albumPhoto on card backing. Studio portrait of couple, in front of photographers drape background. Gentleman has a moustache and is in a three piece suite with large tie, corsage. Woman is in white dress and collar with puff sleeves, waist with white tie. Woman is resting her hand on husband from behind. Her other arm is resting on table with fern. Uncle John and Auntie Clara Henderson. Stawell Photographic Co. Close Railway Station, C Herbert. -
Koorie Heritage Trust
Book, Bonwick, James, The Last of the Tasmanians : or The Black War of Van Diemen's Land, 1870
Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.400 p., 15 leaves of ports. : ill., fold-out map ; 23 cm.Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian. aboriginal tasmanians. | tasmania -- history -- to 1803. | tasmania -- history -- 1803-1900. -
National Wool MuseumArchive - Wool sample card, Onkaparinga Woollen Mill Company, 1950s
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Salesman's Wool sample card containing samples of wool at different stages of processingJohn Taylor/With Compliments from Onkaparinga/Woollen Co.Ltd/Adelaide, Sth Aust. Mills Lobethal and Thebarton, S.A/Always insist on Onkaparinga Rugs.Blankets.Worsteds.Melanges.Woollens and Flannelswool, blanket fever, advertisement, onkaparinga, sample -
Koorie Heritage Trust
Book, Bonwick, James, Port Phillip settlement, 1883
Contents: Discovery; Mr. Grimes round the Bay, 1803; Settlement of 1803; The settlement of 1826; Hume and Hovell's overland journey; The Western Port settlement; Captain Sturt on the Murray; Portland Bay settlement in 1834; Major Mitchell's discoveries in Australia Felix; Life of John Batman; Batman's journal and report; The wild white man; The surveyor's note-book and report; Life of Mr. Fawkner before 1835; Fawkner on the Yarra Yarra; Official correspondence; The Port Phillip Association; Official recognition of trespassers; First Government of Port Phillip; Mr Gellibrand lost in the bush; The Governor's visit to the Yarra; Melbourne and its land sale; The stock question; Mr Mackillop's narrative; Progress of the settlement; The early Melbourne press; Discovery of Gipps Land; The Black Question; Narratives of Old Hands; Causes of emigration in 1835; An Overland journeyx, 537 pages, [36] leaves of plates (some folded.) illustrations (1 colour), facsimiles, portraits ; 23 cm.Contents: Discovery; Mr. Grimes round the Bay, 1803; Settlement of 1803; The settlement of 1826; Hume and Hovell's overland journey; The Western Port settlement; Captain Sturt on the Murray; Portland Bay settlement in 1834; Major Mitchell's discoveries in Australia Felix; Life of John Batman; Batman's journal and report; The wild white man; The surveyor's note-book and report; Life of Mr. Fawkner before 1835; Fawkner on the Yarra Yarra; Official correspondence; The Port Phillip Association; Official recognition of trespassers; First Government of Port Phillip; Mr Gellibrand lost in the bush; The Governor's visit to the Yarra; Melbourne and its land sale; The stock question; Mr Mackillop's narrative; Progress of the settlement; The early Melbourne press; Discovery of Gipps Land; The Black Question; Narratives of Old Hands; Causes of emigration in 1835; An Overland journeymelbourne (vic.) -- history -- to 1834. | melbourne (vic.) -- history -- 1834-1851. | port phillip bay region (vic.) -- history. -
National Wool MuseumLid
Lid for shearing hand piece.Lid for shearing hand piece.WOLSELEY 3shearing machinery, wolseley sheep shearing machine co. ltd, de josselin, mr john -
Whitehorse Historical Society Inc.Award - Trophy
See Ref. No. 4362Tall trophy - reddish/brown wooden structure with two brass plaques on each side and a Lady Toastmaster at Rostrum also in brass colour plastic. The right hand side has 'Toastmasters emblem' and left side names of winners:1989 - John Story 1990 - Jo School 1991 - Elizabeth Cronin 1992 - Elizabeth YoungThe Toastmasters Trophy - Blackburn East Primary School Speech Contest winnertrophies & awards, education -
Whitehorse Historical Society Inc.
Article, 'Clothes Line' open for business, 1992
Mitcham Rotary Club have opened a 3rd Opportunity Shop in Mitcham due to a demand for second hand furniture and clothing and are asking for donations.Mitcham Rotary Club have opened a 3rd Opportunity Shop in Mitcham due to a demand for second hand furniture and clothing and are asking for donations.Mitcham Rotary Club have opened a 3rd Opportunity Shop in Mitcham due to a demand for second hand furniture and clothing and are asking for donations.rotary club of mitcham, varley, john, van de kuyp, pat, opportunity shops -
Whitehorse Historical Society Inc.
Document, Roman Catholic Church - St John's , Mitcham, 20/08/1871
Material handed to the Diocesan Historical Commission - John Quinlan's notebook. Quinlan was the first secretary of the committee set up in 1871 to put up a chapel. Includes regulations of the burying ground at Aird Hill (Mitcham). (Typewritten summary)st johns catholic church, mitcham, quinlan, john, kranewitter, aloysius, fr -
Whitehorse Historical Society Inc.
Document, Land Subdivision, cnr Springvale and Burwood Roads, n.d
... Burrell Charles Donaldson John Hand drawn document of land ...Hand drawn document of land subdivision,Hand drawn document of land subdivision, Springvale Road & Burwood Road, together with notes of various sales from 1857 to 1957.Hand drawn document of land subdivision, burwood road, vermont south, springvale road, vermont south, stanley road, vermont south, vermont south, mayne, alexander, mayne, james alexander, craig, silas gordon, fankhauser, frederick william, fankhauser, mervyn william, burrell, charles, donaldson, john
