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Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED LONG SLEEVED LINEN NIGHTGOWN
Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S PINK FULL LENGTH NIGHTIE, 1950's
Clothing. Pink full length woman's nightie of fleecy lined rayon fabric. Curved insert at waistline (8cm) at front. Front opening from throat to waistband with placket. Fastened with four X 1cm white pearl coloured buttons.Front yoke covered with coffee coloured lace inserts. Front of bodice gathered into yoke and waistband. Rounded fold down collar covered with coffee coloured lace and trimmed with lace frill. Skirt gathered into waistband at front. Two ties (65cm X 2.5 cm) attached at each side of waistband. Long straight sleeves gathered into elasticized wrist with 10cm frill of lace covered fabric below the wrist, trimmed with lace edge.Tag inside neck, ''SNI'' ; SW'' ''RAYON FABRIC SW''.costume, female, woman's pink full length nightie -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, pre 1920
Black and white photograph of a Bendigo Single Truck straight sill tramcar (were numbers 1 to 12) prior to fitting windscreens (Destination Eaglehawk page 30 - says this occurred in 1920). Tram has "Dewar's imperial whisky" roof advertisement, "Bendigo Tramways" on the letterboard, on the front dash, advertisements for "O-T+ drink additive on either side of the headlight and "Silverline Soap" on the panel either side of the bumper bar. See Reg Item 1712 for side on view of this tram. Photograph appears to be a photo of another print, with black ink "18" in the bottom left hand corner on the newer print on copy 1 of the item only. Two copies held. See page 30 of Destination Eaglehawk trams, tramways, bendigo, esco -
Ballarat Tramway Museum
Slide - 35mm slide/s, Graham Evans, Sept. 1971
White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Ballarat Trams No. 17 and 30 at the intersection of Sturt and Lydiard St. North with the Town Hall in the background. The film strip notes (Reg. Item 2560), provided the following caption details: ""CITY" in Ballarat was at the intersection of Sturt St. and Lydiard St which included the Post Office and City Hall, seen here, on diagonally opposite corners. Single Trucker No.30 will soon round the curve to Lydiard St. Nth. whilst No. 17 will proceed straight ahead to Victoria Street. -.Sept. '71 (Graham Evans)" See image btm2561p.tif for high level scan of image. Stamped on base of slide "11769" and written in ink on top edge "17 & 30 Lydiard St. Ballarat"tramways, trams, are, film strip, sturt st, town hall, tram 17, tram 30 -
Ballarat Tramway Museum
Document - Engineering Standards, The Engineering Standards Committee, "British Standard - Tramway Rails and Fish Plates - Standard Sections and Specification - July 1903", 6/05/2006 12:00:00 AM
Book - 10 pages + 13 drawings sheets of rail cross sections contained within separate printed covers (colour fleck), titled "British Standard - Tramway Rails and Fish Plates - Standard Sections and Specification - July 1903". Side stapled and then bound with a green tape on left hand side. Gives details of the standards of the materials, rolling, payment, conformity, testing, marking holes for both rails and fishplates. Drawings for 13 different weight rails, straight and curves, 90lb/yard to 116 and a drawing of the BS tyre profile for tram car wheels and how it interfaces with a rail. On rear cover, both sides gives a list of standards and foreign translations up to March 1919.On top of first sheet in black ink "Ballarat Tramway Preservation Society Catalogue No 8."trams, tramways, british standards, standards, rails, fishplates -
Friends of Westgarthtown
Milk Separator
Nickel plated skim milk and cream separator. Splits into six pieces; some pieces are believed to be missing. Two pieces are cylindrical and have long spouts that curve downwards at the ends. Conical shaped piece which goes in centre and has hole through the middle (This piece has removable brass screw). Long straight rod with wooden handle and small, threaded section at other end. Rounded, circular rubber band, probably used as seal. Large round pot with thin flanged rim, seated on raised base edges. Tap with fitting on one side. Round piece with three evenly spaced legs. both sides slightly domed - fits into upper separator piece.On the brass nut of the conical shaped piece is engraved "unscrew" with an arrow adjacent. "10516-C" with another arrow and oval shaped trademark with lines inside. Embossed on the external casing of the conical piece is "2".food technology, dairying, milk, cream, dairy, separator, nickel, steel. -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Digital image, 1931
The Marion Boothby Ward in the 'MDNS After Care Home' opened in 1930 and was named in honour of Mrs Noel (Marion) Boothby, Life Governor and generous supporter of the Melbourne District Nursing Society who passed away in 1929. The photograph portrays a Trained nurse (Sister) holding a young child viewing the newly completed mural by Miss Jessie Traill. Two young children in a cane wicker trolley look on.Miss Jessie Traill 29/7/1881 - 15/5/1967 is today considered one of Australia's most remarkable printmakers. She studied painting and drawing at the National Gallery of Victoria. She spent over 3 years as a VAD nurse based in Rouen, France during World War 1. https://nga.gov.au/Traill/Chronology2.cfm The Melbourne District Nursing The Society (MDNS) were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed. The MDNS had purchased its first premises, 'Floriston' at 39 Victoria Parade, Collingwood in 1914 and were able to purchase land next to No. 39, where the Society built the After-Care Home, it became No. 45 Victoria Parade, for these patients, and for patients from Hospitals. It was opened in July 1926 and the name of the Society then became ‘Melbourne District Nursing Society and After-Care Home’ (‘Hospital’ from 1934), Many children were nursed there, some long term during the Polio epidemic and two School Teachers were employed. The Society now ran two divisions, the After-Care with its own Sisters and nurses, and the District division which only employed Sisters. Black and white digital image of a Trained nurse (Sister) and 3 children in the Marion Boothby Ward in the Melbourne District Nursing Society After Care Home. The photograph portrays a Sister in her white uniform and white veil over her short curled hair. She is holding a young boy who has short dark hair, in her arms. He has a blanket around him. They are viewing the newly completed mural on the wall by Miss Jessie Traill. Two young girls, one with dark straight hair and the other with lighter coloured curled hair are sitting up together in a cane wicker trolley look up at the mural. The mural depicts flowers and children.melbourne district nursing society, after-care home, mdns, mrs noel (marion) boothby, miss jessie traill -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, colour, c.1980
Sister McLean is attending a function in the RDNS Board room at 452 St. Kilda Road, Melbourne. She worked in RDNS Headquarters. The RDNS insignia on the upper left of her uniform tunic has the words "Royal District Nursing Service" written in white in the blue circle. Across the centre of the circle are two clasping hands depicted in yellow..From its founding in 1885 until 1891, the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS) worked from their own homes which were located in the vicinity of their areas (districts). Their Committee meetings were held at the Religious Tract Society Rooms, No 3 Queen's walk, off Swanston Street and later at the Library Room in the Melbourne Town Hall. The Annual General Meetings were held in the Town Hall. In November 1891 MDNS was able to rent a two story terraced house at 66 Cardigan Street, Carlton, at £65 a year, which contained accommodation for three Trained nurses (Nurse) and one pupil nurse as well as being used as their Headquarters. They left from their Nurses Home each morning and returned at the end of their shift to write up their book work before retiring for the day. Three years later they moved into a larger terraced house at 49 Drummond Street Carlton which was rented at ‘a very moderate rental’. There was a Board room, apartments for the Nurses and pupil nurses, a large dispensary which patients could attend each evening to have prescriptions signed and bottles refilled with ‘homely remedies’ and elixirs, which were administered for e.g. to Consumptive cases. Doctor’s prescriptions were filled at the Pharmacy. Cupboards containing donated blankets and bedclothes for needy patients were kept in this room, and it was here where the Nurses kept their nursing bags which were refilled at the end of each shift ready for any emergency and for the next day. A list of Doctors the Nurses could call was kept by the telephone. The home also had a kitchen where nourishing soup was made and distributed twice a week to the needy. Milk was also distributed when needed. In 1902 they moved into rented premises at 188 Leicester Street, Carlton and two years later, in 1904, to premises at 5 Royal Terrace, Nicholson Street, Fitzroy where they remained for ten years. In June 1914 at last the Society had sufficient funding to purchase their own terraced premises, ‘Floraston’ 39 Victoria Parade, Collingwood which was their Headquarters and Nurses Home. In 1926 the After-Care Home for recovering patients, (later called After-Care Hospital) was built by the Society next door, running from 41-47 Victoria Parade (became No. 45); the District nurses continued to live at No. 39. In November 1953 the District Nursing Division moved into their new Headquarters and Nurses Home at 452 St. Kilda Road, Melbourne but as the Service expanded into the suburbs Centres were opened and their Trained nurses (Sisters) worked from home, so the Nurses Home section of 452 was closed and turned into more administrative areas. In 1996 Headquarters were relocated to 31 Alma Road, St. Kilda.Coloured photograph of the upper view of Sister Kath McLean of the Royal District Nursing Service (RDNS) who has short straight dark hair and is smiling as she sits holding a cake on a white plate. She is wearing her RDNS winter uniform; a grey skivvie under a blue/grey herringbone woolen V neck tunic style frock with a central zip. On its upper left It has the RDNS insignia of a round blue circle with writing on it, surrounded on either side by white swept up feathers towards the central crown above the circle. Under this is her name plate and a gold coloured medal. A pen is clipped into the left hand V neck section of the frock. rdns, royal district nursing service, rdns winter uniform, rdns board room, rdns headquarters, kath mclean -
Mont De Lancey
Glass bottles, G.H. Bennett, Bottle no. 6) Between 1884 - 1916
Bottle no. 6) After having worked with Mr Lane at his Exelcior Brewery in Melbourne, George Henry Bennett established his aerated water business in 1884 at 236 Church Street Richmond, in Melbourne. He sold the business in 1916.Seven glass bottles. 1) 1 small clear oblong bottle with circular indentation on front face and a glass stopper. 2) 1 blue-tinged, oblong, glass "Tricopherous" bottle with circular indentation on base and no stopper. 3) 1 pale blue glass bottle with no stopper. 4) 1 squat, clear glass bottle with wide neck and no stopper. 5) 1 large green-tinged glass bottle with no stopper. There are straight and spiralling embossed patterns at the top and on the neck of the bottle. There is a circular indentation on the base. 6) 1 large green-tinged glass bottle with screw-in stopper of unknown material. 7) 1 multi-faceted (8) blue-tinged glass bottle with no stopper.1) None 2) "Tricopherous for the skin and hair" on front face of bottle and "Directions in the pamphlet" on the opposite face. "Barry's on one side panel and "New York" on the other. "C6" inscribed inside the circular indentation on the base and a diagonal glass join across the base of the bottle. 3) "Kruses prize medal magnesia" on front of bottle and "Felton Grimwade & Co. Melbourne" on the back. 4) " Commonwealth Trade Mark Jams & Jellies" surrounding the trader's mark, (a diagonally placed flag/pennant) around the main body of the bottle. "Made in Holland" appears around the base of the bottle. 5) "O.T. Registered. Refilling by others is illegal. This bottle is the property of O.T. Ltd. Australia & London" 6) 2 oval shapes on bottle with "G.H. Bennett Richmond" and two crosses around the outer border and "G.H.B" on the maker's mark (diagonally placed flag/pennant) inside the inner oval. "Please replace the stopper" appears on the other side of the bottle. 7) "A M Reiss" down the front side of the bottle.bottles, containers, beverage storage, food and beverages -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Lee A Ratten, c1948
Black and white photograph of 2 trams at Preston Workshops c1948 First tram 500 is a W2 class tram built by MMTB at Preston Workshops in 1928. It entered service 27/4/1928 and was withdrawn from service and sold in 1981. The tram's destination is shown as "Special". The tram has been fitted "T" lettered taillights. The second tram, 198, is a Q1 class single truck straight-sill combination tram built by the MMTB at Holden St Workshops. It entered service in 1923 and was reclassified as a Q class tram. It was converted to all night service in 1937 and operated until 1957. It was reclassified as a freight car and renumbered as W15 in 1958, before it was withdrawn from service in 1986.trams, tramways, w2 class, q class, preston workshops, lights, tram 500, tram 198 -
Ringwood and District Historical Society
Photograph, Ringwood Football Team at East Ringwood Oval, circa 1923
Typed below photograph, "Ringwood Football Team at East Ringwood Oval, circa 1923". Catalogue card reads, "1924 Football Team. Premiers - 19 winds straight at East Ringwood Oval. Back Row: L-R. W. Kennett, G. Dempster, M. Kiker, M. Sellers, H. Nelson, E. Aumann, B. Bowen, A. Cooper, F. Pickett (Trainer). Second Row: V. Crompton (Trainer), C. Pendlebury, J. Lawler, W. Rhodes, W. Allan (Capt.), B. Caldwell. Front Row: B. Webster, T. Tovey (Umpire), F. Corft, J. Pratt". -
Flagstaff Hill Maritime Museum and Village
Domestic object - Brush, 20th Century
A broom is a cleaning tool. It consists of stiff fibres attached to, and roughly parallel to, a cylindrical handle, the broomstick. In the context of witchcraft, "broomstick" is likely to refer to the broom as a whole. A smaller whisk broom or brush is sometimes called a duster. History of broom design Brooms have changed very much in their construction, since they developed from ad-hoc use of branches and bundles of several natural fibres. Originally, all brooms were round, a shape that is easy to construct but inefficient for actually sweeping. Brooms could be attached to a handle, either short for a whisk broom, or long for a broom used to sweep the floor or fireplace. The word for the tool was originally besom, broom simply being the material of which it was normally made. The fibres used in modern brooms are from broom corn. They are long, straight, durable, and bound together in the plant. The newest major change is the flat broom, invented by the Shakers in the 1800s, which has far more width for pushing dirt and nearly all brooms produced today are flat brooms. https://simple.wikipedia.org/wiki/BroomThis object is an example of how a simple material can be turned into a useful item.Brush of plaited green & orange coloured rope like material. Brush section is like taffeta, blonde.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brush, broom, rope -
Warrnambool and District Historical Society Inc.
Badge - Melbourne Olympic Souvenir 1956 Badges x 15, 1956
The Melbourne Olympic games were mainly conducted at the Melbourne Cricket Ground and were one of the most successful in terms of medals for Australia. Among the medal winners were Shirley Strickland, Betty Cuthbert in Athletics and Dawn Fraser and Murray rose in swimming. The games commenced in November 1956. The games were noted for the 19 Hungarian athletes who applied for asylum with their home country undergoing upheaval at the time. The Melbourne games also enjoyed the advent of television with the technology having recently been introduced to the country. These badges note ten of the many athletes who competed for Australia in 1956. These items are of social significance and interest. Among the names listed, Dawn Fraser and Shirley Strickland were two of Australia’s best known athletes.001042.1 Dawn Fraser Swimming 001042.2 Dawn Fraser Swimming 001042.3Gary Chapman Swimming 001042.4Gary Chapman Swimming 001042.5Gary Chapman Swimming 001042.6Jim Bailey Athletics 001042.7 Winsome Cripps Athletics 001042.8 Lionel Cox cycling 001042.9 Hector Hogan Athletics 001042.10 Kevin O’Halloran Swimming 001042.11 Shirley Strickland Athletics 001042.12 Merv Wood Sculling 001042.13 Jon Henricks Swimming Items 001042.1-001042.13 are white background with green wreath , black text on yellow background and have B & W photo of Olympian in centre. 001042.14 Melbourne Olympics Souvenir dark blue text, pale green with wattle 001042.15 Melbourne Olympic Games 1956 with red text Straight pin at the back. Patrick Pty Ltd on edge.1956 olympics, melbourne olympics, souvenir badges, dawn fraser, gary chapman, jim bailey, winsome cripps, lionel cox, kevin o'halloran, hector hogan, shirley strickland, jon hendricks, merv woods, melbourne olympic games -
J. Ward Museum Complex
Instrument - Microscope - Angular Pathology Model, Mid 1800's
Microscope were essential medical tools in diagnosing blood and tissue samples of patients. Microscopes were used at Ararat Mental Hospital from the time of its opening. The microscope is significant as an example of medical equipment used at the mental institution in the 1800's.This microscope sits in an flat tripod, much like the American style foot. It has an inclination joint. The mirror is on a double jointed arm, allowing oblique illumination and above stage illumination of opaque objects. The substage ring fitting can be removed to allow for extremely oblique lighting. Removing the ring is easy as it is fixed by a simple bayonet arrangement. Many microscopes had a bullseye condenser which attached to the stage, but this is lacking in this example, perhaps because the mirror can articulate above the stage. Coarse focus is by straight rack and pinion, fine by micrometer screw acting on the stem. There is an extendable drawtube which extends to allow optimal use of the objectives and a single objective and ocular are present. The microscope is missing pieces such as glass slides and two side braces.R & J Beck London Serial Number: 7925microscope, pathology, medical equipment, biospsy -
Federation University Historical Collection
Poster, Reward Poster for the Capture of Peter Lalor and Black (copy), c1987
After the Eureka Stockade the government offered a reward for the leaders of the rebellion. Peter Lalor's name is incorrectly spelt 'Lawlor' in the poster, which suggests the correct pronunciation of Lalor.A Eureka Stockade reward poster as reproduced in Withers 'History of Ballarat'. The poster is black on white and relates to a 400 pound reward offered for Peter Lalor and Black after the Eureka Stockade. Peter Lalor is described as 5 feet 11 inches in height, age 35, dark hair, whiskers dark brown and shaved under the chin, no moustache, long face, rather good looking, and is a well made man. Black is described as over 6 feet tall, straight figure, slight build, bright red hair worn in a general rather long and brushed backwards, red and large whiskers, meeting under the chine, blue eyes, large thin nose, ruddy complexion, and rather small mouth.ballarat, eureka stockade, peter lalor, lalor, lawlor, black, william haines, haines, ballarat reform league, reward poster -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1870s-1910s
This clear, green tinged, Half Whirley (or Whirly) salad oil bottle has been handmade by a glassblower from 1870s-1910s. A bottle with such elaborate decoration would have been sought after as there was no need to decant the sauce into another jug or bottle to make it acceptable for table service. It is possible that this bottle was recovered from the Loch Ard, wrecked in 1878. A diver found the bottle on a shipwreck in the coastal waters of Victoria about 100 years from when it was made. The diver who found this bottle has recovered objects from several different shipwrecks between the late 1950s and early 1970s. A sizeable proportion of those objects was from the wreck of the famous clipper ship Loch Ard. This salad oil bottle may very well have been amongst that ship’s cargo. It is part of the John Chance Collection. A paper titled ‘Glass Bottles from the Loch Ard Shipwreck (1878): A Preliminary Study’ by Iain Stuart, (published in Australian Historical Archaeology, 9, 1991) included a study of twelve salad oil bottles from the wreck of the Loch Ard. The bottles were of this same Half Whirley design (half meaning that it was Whirley on the upper half but not on the lower half of the body), as well as the same colour and size. A diagram of one of these twelve bottles matches the bottle in our collection. The paper mentions that eleven of the twelve bottles have a number on their base, just as this one has. It is estimated that foreign and salad oil bottles totalled four percent of all of the bottles carried as cargo on the ship. The Half Whirley bottle has side seams from below the lip to the base, indicating that the bottle was made in a two-piece mould that included the heel, body, shoulder and neck. The fancy ‘whirly’ twist pattern and panelled sides would have been cut into the mould’s inner surface. The uneven thickness of the ridge around the base comes from adding a separately moulded and embossed base after the bottle was removed from the mould. The applied finish (mouth and lip) was also added to the bottle. The elongated bubbles in the glass are evidence of the glass being mouth blown into the mould, thus forming the shape and pattern from the inside shape of the mould. The bottle probably had a glass stopper with a round top and wedge-shaped shank with a ground surface, allowing the bottle to be re-sealed. The ring between upper and lower lip allows the closure to be sealed and anchored. The embossed numbers are either “133” or “833” and may represent a particular bottle pattern, manufacturer or filler. Although the bottle is not currently linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 19th century. This whirley salad oil bottle is matches the whirley salad oil bottles recovered from the Loch Ard in the 1990s, adding depth of interpretation to the array of salvaged Loch Ard artefacts in Flagstaff Hill’s collection. The salad oil bottle is an example of the type of food condiment containers that were used in Victoria’s early days. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks, including the Loch Ard, have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; glass Half Whirley salad oil bottle, green-tinged, with some opalescence. Handmade, elaborately decorated bottle with round neck and base, and five-sided body. Applied double lip; straight upper, flared lower. The lower neck and shoulder have twisted spiral whirley patterns in the glass. The body tapers slightly inwards towards the base. It has five plain panels, one wider than the others. Side seams run from below the lip to the heel. The heel of the bottle is uneven in width, height and density where it joins the body of the bottle. The base is not level. Embossed characters on base. Glass has elongated bubbles towards the base and orange-brown sediment inside, on one side. Embossed "133" or “833” (the first character may be an “8”) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, 19th century bottle, collectable, bottle, green glass, tinged green, two piece mould, food bottle, oil bottle, salad oil bottle, whirley, whirly, half whirley, condiment bottle -
Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED COTTON NIGHTGOWN
Clothing. Women's cream coloured cotton nightgown with elbow length sleeves. High round neckline with 3 cm broderie lace frill. Bib section below neckline (34 cms X 27 cms) has pattern of vertical lace strips, pin tucks and dark pink and cream ribbon. Front skirt section gathered into bib section. Back skirt pleated at centre back into yoke across shoulders. Long straight sleeves finished at hem with pin tucks and broderie lace edging. "A'' shaped garment widening to hem. Front opening left of centre below neckline (21 cm) fastened with two 1 cm plastic buttons - one button hole and one cotton loop.costume, female, women's cream cotton nightgown. -
National Wool Museum
Textile - Quilt, Mrs Adolphina Noll, Wilmington Wagga, 1934
Made by Adolphina Noll in 1934 in Wilmington, South Australia as a wedding gift for Mr Joe and Mrs Ida (aka 'Ike') Fulwood. Mrs Noll was Ike's maternal grandmother and was 69 when she made the quilt. (It was used on a bed in a plain heavy woven calico cover which was secured with safety pins. The cover is not in existence.) It was given to Lois Densham in Adeleide from Ike, who was a close friend of Lois' sister, Doreen Saunders.Double bed sized quilt cover insert made from several items of clothing: men's frock coat (possibly from the 1900's), another men's coat (date unknown), a woman's coat with a fur trim on the pockets (possibly from the 1930's) and a woman's dress or skirt (circa 1920-30's). The clothing pieces have been arranged in an apparent haphazard way to create a shape with straight edges and corners to fit neatly into a cover onto a bed. Lining materials are apparent on the back of the woman's skirt/dress pieces which may also show that this item of clothing was either taken apart or never finished. Orange cotton lining material is also evident on some pieces of the men's coat.handicrafts, quilting, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), noll, mrs adolphina fulwood, mrs e. g. -
Bendigo Military Museum
Medal - SERVICE MEDALS, WW2
Relates to "Edmond (Tim) Grey Bates" RAAF 20841. Enlisted 30/5/41. Discharges 30/6/45. Cpl. 1 Wireless & Gunnery School. Pacific Star awarded for Service in WW2. War medal was for all who served in the armed services or Merchant Navy in WW2. Australian Service medal was specific to Australian Citizens.Four WW2 Service Medals. 1. 1939-45 Star. 6 pointed Star of yellow copper and zinc alloy with a dark blue, red and light blue ribbon. Attached to a ring at the top. 2. Pacific Star - 6 pointed star of copper and zinc alloy with a small ring at top and colours on ribbon of red, dark blue, green, yellow, cream, dark blue and red. 3. War Medal 1939-45. Round silver medal in copper nickel with fixed straight bar on top. Attached ribbon is a combination of red, dark blue and white. 4. Australian Service Medal - round silver color medal of nickel alloy with fixed star and bar on top and ribbon colours of light blue, red, white and dark blue. 1.& 2. A crown and "GRJ VI" on front. 3. King George VI one side and roaring lion on other. 4. King George VI on one side and Commonwealth Emblem on other.medals, raaf, edmond grey bates -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: CRIMPLENE COAT BY GINA OF MELBOURNE: PART OF ENSEMBLE WITH 11400.520, 1950s
A Line cream coloured knee length coat of crimplene fabric. Fabric has all over pattern of horizontal rows of looped knot pattern. Fabric also has silver thread woven into fabric. High round neck with stand-up collar - 4.3cm. Two press studs at top below collar, plus one hook and loop to close the collar. Full length front opening with 4.5cm band. Five 2cm fabric covered buttons – evenly spaced from neckline to below hip line. Front has two side darts at bust line. Two false pocket flaps (14cm x 5cm) set at 45° angle to side seams at hem line. Long straight set in sleeves slightly tapered to the wrist. Part of ensemble with 11400.520.Top inside back below neckline: Fashioned by Gina of Melbourne Registered TMS Crimplene. Made from terylene polyester fibre. Wash by hand or machine in warm water. Rinse thoroughly. Gently squeeze out surplus water. Drip dry.costume, female daywear, coat -
Bendigo Historical Society Inc.
Clothing - CHILD'S CREAM COLOURED WAISTED ORGANZA DRESS
Clothing. Child's cream coloured waisted organza dress. U shaped neckline with 1.5 cm lace trim with eyelet edge. Silk ribbon (1cm) threaded through eyelet lace. Organza fabric and bows. Large bow pattern of on centre front of bodice, on each sleeve and four bows around skirt connected with trailing ribbon pattern. Front bodice has decorative vertical pin tucks.Back bodice has vertical pin stripes and lace strip inserts. Centre back opening (35 cm) fastened with ribbon at neckline and five metal hooks with cotton loops. Two horizontal strips of lace around waistline. Long straight sleeves trimmed with 1.5 cm lace at wrist. Hem is trimmed with 1.5 cm lace. Dress is unlined.costume, children's, child's cream coloured linen petticoat -
Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED LONG SLEEVED LINEN NIGHTGOWN
Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1cm red and white lace with scalloped edge. Front bib section below neckline (44 cm X 35 cm) of vertical red and white ribbon strips and pin tucks. Lower edge of bib section has zig zag shape dipping to V shape at centre front. Bib section edged with red and white lace.Front opening left of centre (24 cm) fastened with 2 X 0ne cm plastic buttons and cotton loops. Long straight sleeves gathered into cuff of red and white ribbon strips, lace with red and white pleated lace frill. Fabric yoke across shoulders at back below fabric yoke. ''A'' shaped garment widening to hemcostume, female, women's long sleeved linen nightgown -
Bendigo Historical Society Inc.
Tool - PITTOCK COLLECTION: THREE WOOD SPOKEHAVES
Pittock collection: three wood spokeshaves, metal construction * one straight spokeshave, marked 64, 230 mm L x 40 mm W * one rounded spokeshave, marked B, 250 mm L x 60 mm W * one specialised marking/shaping tool, wide guide, marked Stanley No. 66 Pat'd Feb 9.86, 300 mm L x 50 mm W x 55 mm D * variety of shaping tool blades for Stanley tool, 60 mm x 15 mm blades. Stored in Havelock Flake Cut Pure Virginia Tobacco tin, 80 mm L x 55 mm W x 15 mm D Items stored in Pittock coach builder's box, reference 13000.1. -
Geoffrey Kaye Museum of Anaesthetic History
Laryngoscope, Magill, c 1900
Magill's laryngoscope with open straight blade and flat round speculum and a detachable light bulb connector, the bulb is missing. This laryngoscope is a previous version of the battery use ones conceived around 1920 therefore circa 1900. The design of the handle is similar to the Shipway laryngoscopes with a curved and pointed end and anatomical handle grip. The blade attachment place seems to be an adaptation to this kind of blade which differs from original models. The piece has several scratches and deep hit marks, as well as oxidation spots mostly around the internal canal of the blade. There is presence of resin residues on some surfaces. A visible different kind of metal was used at the blade base attachment place and for the light bulb connector. Engraved on handle its model type and in the arm of the handle a possible manufacturer name (illegible) and the place where it was made.Engraved at the handle, MAGILL'S LARYNGOSCOPE. Stamped at the arm of the handle back side, STAINLESS STEEL Stamped at the arm of the handle front side, A[not understandable text might be Allen & Hanburys Ltd.] / LONDON / JZmagill, ivan, laryngoscope, 1900, resin, shipway, light bulb, magill laryngoscope -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
The RDNS Sisters are wearing the uniform of the day which was a short sleeve white blouse under a royal blue V neck tunic style frock with the RDNS insignia on the left upper area. Sister Pelosi is being transferred by another RDNS staff member from a bed via a hoist into a wheelchair as a demonstration during an Education session.From the founding of the Melbourne District Nursing Society (MDNS), in 1885, known as the Royal District Nursing Service (RDNS) from 1966, equipment was loaned and demonstrated to patients, and their family members, to enable them to care for the person in their home. In the 1970s RDNS employed a Physiotherapist who taught RDNS staff correct transferring techniques, including the use of a hoist when this became available. RDNS staff taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS nursing staff and family members.Black and white photograph of a Sister of the Royal District Nursing Service (RDNS), demonstrating the transferring of Sister Helen Pelosi into a wheelchair using a Hydraulic Hoist. The Sister standing behind the wheelchair has short dark hair and is wearing the RDNS summer uniform of a white short sleeve blouse under a dark V neck tunic style frock. She has her hands extended supporting Sr, Pelosi, who has short straight hair; is wearing a white gown over her uniform and is suspended in a sling which is hanging from the cross bar of the metal hoist, and is just above the seat of the wheelchair. The upright pole and hydraulics, with bar 'pumping handle', is in front of Sr. Pelosi in the right foreground of the photograph. To its right is a bed with dark bedhead and white coverings.rdns, royal district nursing service, rdns education, rdns equipment, sister helen pelosi -
Vision Australia
Equipment - Object, Braille wooden board and Braille text book
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. This donation includes the signature of Miss B Yoxon, who was a student that transcribed braille around the 1920's for the Victorian Association of Braille Writers, and the owner of this board and textbook. Some originals of her work and a translated letter from her friend James Grubb accompany the frame. 1 wooden board and Braille paper, with 1 Braille text bookbraille equipment, victorian association of braille writers -
Vision Australia
Equipment - Object, Braille hand frame
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. Sometimes the board was labelled with organisational labels. In this example, the Rules of Membership for the Victorian Association of Braille Writers was attached, which included the costs of being a transcribing member and the length of the loan period. It is signed by Millicent Ritchie (Hon. Secretary) and Minnie H Crabb (Asst Sec and Librarian) at the base of the sheet.Brown rectangular wooden board with hinged paper clamp and metal hinged guideFree Lending Library for the Blind label is attached to boardbraille equipment, victorian association of braille writers -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Car Templates", c1920 onwards
Set of 14 tram car templates contained within Reg Item 356, cut from card board to indicate the over all dimensions of the various type of tramcars. Would have been used in the drawing office for checking clearances on buildings, trackwork, junctions. Cut with holes in the centre to enable this to be done. Scale 1/2" = 1 foot. .1 - Marked "A" - for a combination car - 30' 11.25" long, 7'6" wheelbase .2 - "B" - for a combination car - 32' long, 6'6" wheel base to drawing R489 and summer or straight sill car to drawing R820. .3 - "C" - Straight Sill combination car - 33' long, 7'6" wheelbase. .4 - "D" - Combination car, length 31'11", 7'6" wheelbase .5 - "E" - Combination car, length 35', 7' wheelbase .6 - "F" - DC Bogie car, to Drawing 112, length - 44' 3.5", truck centres 22 '4" .7 - "G" - ditto length 44' 5.5", truck centres 23' 7.5" .8 - "H" - ditto length 44' 5.5", truck centres 24' 7.5" .9 - "J" - four motor bogie, to drawing 854, length 45' 6", truck centres 24'6" .10 - "K" - Combination car, length 35', 12' Radiax truck. .11 - Bogie tramcar, W class length 48', truck centres 26' 6" .12 - ditto, W2 534, length 48', truck centres 26' 0" .13 - W4 class tram, .14 - W5 730, length 46' 6', truck centres 28'trams, tramways, mmtb, plans, drawings, templates -
Greensborough Historical Society
Oral History Transcript, Myrtle Barnett 19/02/1996, 19/2/1996
Oral history Myrtle Barnett ( 1915- ); fostered daughter of Caroline & Ferdinand Barnett; Lower Plenty. Interviewed on 19 Feb 1996 by Peter Blackbourn. "We lived at Grace Park and could walk straight down the road and over the bridge to the Montmorency State School. The school was in Rattray Rd about half way up the hill. The King family lived next door to the school. One day the students were all taken on a walk to choose the site of the new school (which was built in 1924). In addition to the above story; Myrtle said at either the Lower Plenty School or the Montmorency School there was a teacher they didn’t like so they swapped schools. My Grandmother Jean Barnett; started at Greensborough Primary in 1919 and stayed 3 months. When I told her about this; she told me off and said she never went there! She must have then gone to Montmorency and when there was a call to start a school at Lower Plenty; took the opportunity to get away from the teacher they didn’t like. I’m not sure of the time line for the above events; or which school they swapped to but I thought it gave a little insight into the 1920’s and how Lower Plenty; Montmorency and Greensborough were connected."Transcript of Oral History. barnett family, myrtle barnett -
Flagstaff Hill Maritime Museum and Village
Tool - Draw knife, C Johnson (Christopher Johnson), 1855-1879
A draw knife is a hand tool that has a long straight blade between two handles. As implied by its name. it is drawn like a knife across the wood. It is used to prepare the timber for the next step of the process, removing loose wood and bark and giving a start to making the wood into a round or cylindrical shape. Then a finer smoother finish is given with a spokeshave, which has a shorter, curved blade. A draw knife could be used for the wooden spokes for cart, wagon and carriage wheels as well as for ladder staves and ship wheels. Features of a good draw knife include tight handles, a blade with plenty of metal to it and a blade length of 20 to 24 centimetres. This draw knife was likely made at least 150 years ago by C Johnson of Sheffield, who used the Trade Mark “C.J.” within a flag. Christopher Johnson began work as a cutler, making knives, pocket knives and tableware in his works at Howard Street in Sheffield. In the book ‘Hand-Saw Makers of Britain by Schaeffer and McConnel, Johnson is listed in 1855 as a saw maker. A later reference has the business name of Johnson & Company, Sheffield in 1879-1882. Australia was one of the company’s markets. The company continued until its closure in 1955.This draw knife is significant for being made in Sheffield, a location famous for steel and silver manufacturers. It is significant because of its age, being made no later than 1879, which is the time period of our maritime Village. It is a tool most suitable for the blacksmith's or a ship' smith's workshop for making spokes for the wheels of wagons and carts, and for making ship's wheels.. It is also significant for being made by C Johnson, who was well known for his good workmanship. Draw knife; flat cast steel fixed blade with rotating wooden handles each end. Round bulbous handles have two parallel scored lines around the end furthest from the blade and a brass collar between the handle and blade. A logo and inscription are cast into the centre front of the blade. Made by C Johnson. of Sheffield.Cast into steel blade: Sideways Image “C.J.” within {flag}, “JOHNSON / CAST STEEL”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, spokes, wagon maker, blacksmith, cart maker, cart wheel maker, blacksmith tool, wagon wheel, c johnson, sheffield, wheelright, craftsman, woodwork, carriage wheel, ship wheels, shipwright, wooden spokes, ladder staves, draw knife