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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Regan, Des and Press, Kate, How to trace the History of your House, 1990
Step by step instruction for researching the history of Australian dwellings. Illustrated with sketches of house styles. Explains land maps, titles, transfers, terminology. Indexed.buildings -
Inglewood & District Historical Society
Past Chief Ranger Certificate, John Ashworth / Charles F. Shepherd, 22/11/1927
"Ancient Order of Foresters" certifying the enrollment of Past Chief RangerCertificate mounted in a dark stained wood frame, gold mount board, pale blue certificate showing persons on a agricultural/forest style backgroundCertifying that "Puckey. D.M. (Mr) is duly enrolled a Past Chief Ranger of Court No 3985 -
Whitehorse Historical Society Inc.
Clothing - Stockings
For the wedding of Dorothy Williams in 1958'Schiaparelli' stockings in red box with pink tissue paper around inside the box. Style 'Magnifique', Colour 'Blossom'. Size 10 1/2Schiaparelli 'Magnifique', 'Blossom'. 10 1/2costume accessories, footwear accessories -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: ON STAGE
Colour photograph. Emu Creek Bush Band. 3 men at microphone. Mrs Corry at keyboard. Inside marquee wooden stage style flooring.entertainment, music, emu creek bush band -
Bendigo Historical Society Inc.
Souvenir - SOUVENIR GLASS NORTH EASTERB HISTORICAL SOC WANGARATTA
Souvenir glass for North Eastern Historical Soc Wangaratta, squat tumbler style with gold rim, gold lettering and crossed pick & shovel in gold.organization, society, wangaratta historical -
Bendigo Historical Society Inc.
Souvenir - SOUVENIR GLASS HUNTLY SHIRE COUNCIL, 1991
Souvenir glass commemorating 125th Anniversary Huntly Shire Council 1866 - 1991, tumbler style with dimpled bottom, gold rim and gold lettering.organization, government, huntly shire -
Bendigo Historical Society Inc.
Souvenir - SOUVENIR GLASS GRAVEL HILL STATE SCHOOL, 1975
Souvenir glass commemorating the centenary of Gravel Hill State School 1566 1875 - 1975, squat tumbler style with gold rim and gold lettering.school, centenary, gravel hill -
Kew Historical Society Inc
Clothing - White Cotton Dress, Malika, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.A 1920s style short sleeve white cotton dress. The dress is gathered below the waist to allow for a two layered flared skirt with scalloped borders.Label: Malikamalika, australian fashion - 1980s, women's clothing, day dresses -
Surrey Hills Historical Society Collection
Photo, 'Spenceycroft', Canterbury Road
The photo is of ‘Spenceycroft’ at 654 Canterbury Road, Surrey Hills. For many years this home was hidden behind a large fence sheltering it from the noise of traffic along Canterbury Road, however it dates back to the very early days of settlement in the Surrey Hills area. Canterbury Road was then known as Delany’s Road. ‘Spenceycroft’ is thought to incorporate part of the original farmhouse built on the site by George Klepper, who planted a vineyard in the area. George’s family was one of a number of German families who settled in Surrey Hills during the later part of the 19th century. Later, the land associated with ‘Spenceycroft’ was worked as a dairy farm by James and Elizabeth Rayment. In recent years 'Spenceycroft' has been sold several times and has become increasingly derelict. Sold again in 2015 when it had become quite derelict, it was demolished and re-developed.A black & white photo of double-fronted Victorian style home with a fountain centre front and low foliage in front of the veranda. A woman is sitting by the fountain. 'spenceycroft', canterbury road, james rayment, elizabeth rayment, george klepper -
Surrey Hills Historical Society Collection
Photograph, 16 Zetland Road, Surrey Hills
Built c1920 - Home of Mr and Mrs William James Donaldson. William James Donaldson married Kate Amelia Larard in 1901. He died in 1933 and the property passed to his wife and thereafter to their only son Allan Larard Donaldson, born 1917. The house was known as "Goodwood". Kate Amelia Donaldson was a music teacher. It is almost certain that it is William Donaldson and son Allan in the photo. Donor: Mrs Betty Margaret Donaldson, wife of Allan Larard Donaldson. William and Kate Donaldson are buried in Box Hill Cemetery.A black and white photograph of a Californian Bungalow attic style brick house with a man and a young boy sitting at the front steps. The garden is well established.califorian bungalow, house styles, zetland road, surrey hills, house names, "goodwood", mr william james donaldson, miss kate amelia larard, mrs kate amelia donaldson, mr allan larard donaldson, mrs betty margaret donaldson, box hill cemetery -
Surrey Hills Historical Society Collection
Photograph, Merthyr - 64 Windsor Crescent, Surrey Hills, 1988
Ref: Alan Holt records - This property was part of Lot 25 in the Windsor Park Estate which was subdivided in 1883. The house of 12 squares was built in 1888 for John Abernethy, an engineer. He also built 62 Windsor Crescent as a coachhouse and cottage. 1888-1891: Owners = John & Sarah Abernethy. John Abernethy died while on a trip to Hong Kong in 1891. 1891-1909: Owner = Mrs Sarah Abernethy 1910-1917: Owner = H Jenkinson The properties at 62 and 64 Windsor Crescent were separated during WW1 (by H Jenkinson). See Alan Holt records for other short term owners. 1970-1975 = Plymouth Bretheren Meeting Hall In 1976 it became a private home again.This is one of the earliest surviving houses in Surrey Hills.A colour photo taken from the street at the rear of a Victorian-style house with rendered walls and a slate roof. The house sits behind a timber fence.victorian style, windsor park estate, merthyr, plymouth bretheren meeting hall, mr john abernethy, mrs sarah abernethy, mr h jenkinson, surrey hills -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Akubra Hat, Akubra, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat -
City of Greater Bendigo - Civic Collection
Artwork, other - Label, Harry Tulloch, Glover & Runting, c 1910
In an era when drinking beer was considered safer than drinking water, pubs were prolific and the centre of social and commercial life in Bendigo. (Bridgfoot,J. Taverns to Temperance: Pubs in Bendigo). While the Cohn Brothers and their 'tied hotels' and were one of the most successful brewers in the district, many smaller brewers also existed and the industry was a major source of employment. C.J. Glover or Charles Runting appear to have been in one of those.Oval beer bottle label. Multi coloured print featuring images of hops, a glass of ail, the Bendigo Coat of Arms and various font styles.Glover & Runting / Tonic Ale / Manufacturers / Chapel St / Bendigo / Vic Australiamaking a nation, city of bendigo commerce -
Canterbury History Group
Photograph - 15 Margaret Street Canterbury, Kelly, Robin, 2009
Coloured photograph of the front of the Victorian style house at 15 Margaret Street Canterbury in process of restoration. Has notes on the back and includes a smaller photographcanterbury, margaret street, victorian style, chimneys, entrances -
Mont De Lancey
Dress, 1890
A tea gown or tea-gown is a woman's dress for informal entertaining at home. These dresses, which became popular around the mid-19th century, are characterized by unstructured lines and light fabrics. Belonged to Louisa Hoadley, (Mrs. Thomas Carlyle Adamson) - daughter of Abel Hoadley. Black two piece satin ensemble - Tea gown. Long skirt with short fitted style jacket, with black lace trim on skirt and bodice.tea gowns, dresses -
Surrey Hills Historical Society Collection
Book, Geoff Hocking, Australian Houses of the Twenties & Thirties, 1993
Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939 -
Kiewa Valley Historical Society
Photographs- 1 old black and white photograph of a wooden bridge over a river possibly Ryders Bridge in Tawonga. 2 –Enlargement of the original photograph showing the gentleman leaning on the bridge. Taken off the original photo
The bridge is not definitively identified, but is of similar construction style to other bridges built in rural areas around this time. Circa 1930”s and may be Ryders Bridge (Old Tawonga Bridge) which crosses the Kiewa River on Mountain Creek Rd Tawonga The first Tawonga bridge was built in 1884- destroyed by floods in 1916. New bridge constructed 1923 and destroyed in 1953. Present concrete bridge constructed in 1986 and named Ryders Bridge These wooden bridges were the only method for transporting stock and produce to market, transporting timber to the mills, sending and receiving mail and for local people to cross the many rivers in the area to go about their daily business. 1- Black and white photograph is glued onto heavy cardboard, which is yellowing with age. Top right hand corner has a tear in the cardboard. Photograph depicts a wooden bridge on wooden piles with 2 white wooden railings along the length of both sides. 2- Original photo has been digitally enlarged to show a gentleman in a light coloured suite and wearing riding boots leaning on the rails of the bridge. The bridge is not definitively identified, but is of similar construction style to other bridges built in rural areas around this time. Circa 1930”s may be Ryders Bridge (Old Tawonga Bridge) which crosses the Kiewa River on Mountain Creek Rd Tawonga bridge; tawonga bridge; kiewa valley -
Kiewa Valley Historical Society
Pipe Tobacco Smoking, mid to late 1990s
Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the cherrywood style, would have suited the young professional of the mid and late 1900s. It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking, these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit more bulky in shape its wooden barrel blends into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the readily supply from "off the fields", of tobacco leaves.This pipe has a bent stem and its style is cherrywood. The pipe has a permanent filter and a narrow tin band. The bowl is well pronounced (curved both top and bottom). The stem screws into the bowl , mid way up the bowl (similar to KVHS 0423 and KVHS.0425 and the stem is also made from bakelite (dark brown in colour). This stem is the same length as KVHS 0425 but the bit (mouth piece) has a gentler curve.tobacco, pipe smoking, smoking accessories -
Kiewa Valley Historical Society
Pipe Tobacco Smoking, Circa 1900s
Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the cherrywood style, would have suited the young professional of the mid and late 1900s. It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.his type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit more bulky in shape its wooden barrel blends into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the ready supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.. This pipe has a bent stem and its style is cherrywood. The pipe has a permanent filter and a narrow tin band. The bowl is well pronounced (curved both top and bottom). The stem screws into the bowl , mid way up the bowl (similar to KVHS 0423 and KVHS.0424) and the stem is also made from bakelite (dark brown in colour). This stem is the same length as KVHS 0055.001 but the bit (mouth piece) has a gentler curve.tobacco, pipe smoking, smoking accessories -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, c.1980
The photograph is taken in the RDNS Education Department at 448 St. Kilda Road, Melbourne. Mrs. Gerardi and Mr. J. Psaros are Telephone interpreters. Sr. E. Comb is learning, by role play, how best to communicate with people who have limited understanding of English. The other Sisters are observing the role play. One Sister is wearing the RDNS winter uniform of a dark blue cardigan over a light blue/grey skivvie and V neck tunic style frock made of blue/grey herringbone winter material. Sr. Perillo is wearing the RDNS summer uniform of a short sleeve white blouse under a royal blue V neck tunic style frock. The RDNS logo is seen on the upper left of the frock. The other uniforms are a royal blue dress with white piping around collars.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. The RDNS Trained nurses (Sisters) visited patients from many different cultural backgrounds, and Education was given to their Sisters to assist them when speaking with the patients and giving them care. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.In the left foreground of this black and white photograph is a side-on view of Mrs. G, Gerardi, who is wearing glasses; has dark curly hair, and is wearing a black and grey vertically striped dress. She is sitting on a chair in front of a group of RDNS Sisters sitting at small rectangular tables which are butted together. Slightly to her left rear sits Mr. J. Psaros, who has short thick dark hair; is wearing a black leather type jacket, black trousers, white shirt and dark tie. He is looking at Mrs. Gerardi. To his left sits Sister (Sr.) E. Comb, who has short dark hair and is wearing a uniform dark cardigan over a dark dress with white piping on the collar. She is facing the group and looking at Mrs. Gerardi. In the centre of the photograph is the first of the seven RDNS Sisters at tables, five in the front, and two partly hidden in the row behind; they are also looking at Mrs. Gerardi. This Sister has curly dark hair and is wearing day clothes of dark slacks and a dark top, with white circle logo, over a white blouse the peaks of which are seen. The Sister. to her right has short straight dark hair and is wearing a dark cardigan over a light grey skivvie and V neck tunic style frock. The name on a card in front of her is indistinguishable, but 'Footscray' is seen. The next, Sr. Arrisa Perillo, has short curly dark hair and is wearing a short sleeve white blouse under a dark V neck tunic style dress. Her name and the word 'Footscray' is on a card in front of her. The next Sr. has short blonde curly hair and is wearing a dark cardigan over a dark dress with white piping around the peaks of the collar. The next the Sister is partly hidden. Her name is written on a card in front of her, this is indistinguishable except for the word 'Caulfield'. A large dark handbag with light colour motif on it, sits on the light colour carpet under the front section of Sr. Perillo's table. In the background are five windows with open Venetian blinds. Barry Sutton. Quote LJ60rdns education, royal district nursing service, rdns, telephone interpreters, mrs g. gerardi, mr j. psaros, sister e. comb, sister perillo -
Mount Evelyn History Group
Photo (framed) L Morrison, Seated portrait of Mrs Louisa Morrison nee Haag (?), c. 1940
This item was donated as a photograph of Louisa Morrison. Louisa (or Luisa) Rosanna Morrison nee Haag came from an early settler family in the farming community of Wandin. The woman photographed is in her old age. If this is indeed Louisa Morrison, the photograph would date from the early 1940s, since she died in 1946 at the age of 70. However the costume and the style of the photo suggest an earlier date, possibly the early 1900s. This could be Louisa's mother, Emma Martha Haynes, or mother-in-law Margaret (McNeil) Morrison. The woman is shown in a garden, probably because the family were farmers/orchardists. Louisa married Daniel McNeil Morrison, who was nine years her senior , in 1900. They had four children and farmed Morrisons' Orchard in Old Hereford Road, Mt Evelyn. The Morrison home was to become the important community house in Mt Evelyn, Morrison House. Morrison Reserve is part of their land, as was Yarra Hills Secondary College, Mt Evelyn Special Developmental School and the Reserve and Athletics facilities, including a tennis club. In 1981 the land title was changed to the Shire of Lillydale, who purchased the land and established the Morrison House Community House from 1976 (ie before they legally owned the land).This picture is of social significance as it is the only reputed picture of Louisa Morrison nee Haag.Brown round cornered frame with gold colour on inner frame. Painted plaster on frame chipped on top right. Coloured (painted) photograph of seated woman in upholstered chair with large brown cushion behind her. Garden setting. Black floor length dress, high necked, long sleeved. White cap on head. White cloth showing at neck.Bottom right hand corner, signature "F. RAPHAEL". Reverse: four inscriptions, one on each straight side, stamped in ink. Top: "MADE IN / AUSTRALIA". Right side: "THIS MOUNTING IS SPECIALLY DESIGNED AND / SELECTED WORKMANSHIP AND MATERIALS / GUARANTEED". Bottom: Table, 1 row, 2 columns. 1st cell: "STYLE / 1". 2ND CELL: "PRICE / 3 GNS". Left: box with 2 columns, 1 row. Left most column is divided horizontally into two, as is the 2nd column, but at a lower level. This creates four cells. Top left: "STYLE 1". Bottom left "PRICE 2 GNS". Top right: "TO BE SOLD AT PRICE MARKED OPPOSITE ONLY ON CONDITION THAT SAME IS MOUNTED ON ONE OF OUR SAMPLE STUDIES". Bottom left: "EMPIRE ART COMPANY LIMITED".louisa, morrison, haag, morrison house, farming, orchard, mt evelyn, photograph, wandin -
Melbourne Tram Museum
Ephemera - Ticket/s, The Met, Set of Daily 60 plus Scratch tickets, c1990
Set of Daily 60 plus Scratch tickets - purple printing on white printed card and areas where a person could scratch out the month and day of the month areas to validate the ticket. Has the number on the base of the ticket. Shows three different styles of printing ticketing numbers and background styles - all Daily 60 plus. Ticket numbers SS31180. SS273517, W007309654.trams, tramways, tickets, scratch tickets, the met -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from an unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, Tall slim gallon style. Applied double collar lip; upper is straight, lower is flared. Lip has bumps around the top. Neck has slight taper towards shoulder, which has a shoulder seam from the mould. Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Orbost & District Historical Society
model ornament
An unpainted clay model of a hut with an outside toilet. It is a rustic style and is similar to the Slab Hut. The colours are natural browns and greys. The hut is 1911.1 and the toilet is 1911.2.model hut clay slab-hut -
Ringwood and District Historical Society
Newsletter, J.N. Webster, Town Clerk, City of Ringwood News Sheet - February 1970, 1970
Newspaper-style 1970 community information newsletter for Ringwood residents covering local council news, activities, and outline of funds received and expended in 1968-69.rinx -
Bendigo Military Museum
Booklet, The British Council, This is Britain, C 1935 - 1945
On the rear is a statement . The booklet is only for sale to men and women in uniforms of the Commonwealth, United States and other Allied Forces. This is due to the paper shortage Small booklet, cardboard cover. Front cover shows a church spire and old tudor style buildings in black and white. Cost 1/6 NET great britain, souvenir ww2 -
Flagstaff Hill Maritime Museum and Village
Book, The Styles of Ornament
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Styles of Ornament From Prehistoric times to the Middle of the XIXth Century Author: Alexander Speltz. Edited by Phene Spiers Publisher: BT Batsford Date: 1910Label on spine cover with typed text PAT 740 SPE Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the styles of ornament, alexander speltz, phene spiers -
Glenelg Shire Council Cultural Collection
Clothing - Apron - Portland 150th Anniversary, c. 1984
In November 1984 Portland marked the 150th anniversary of European settlement and the foundation of the City of Portland. Various events happened in and around Portland, many community led.Apron, white cotton, frill around hem, sides and armholes, tie each side of apron, child's period style, made for Portland's 150th celebrations.portland 150th anniversary, costume, portland high school -
Glenelg Shire Council Cultural Collection
Accessory - Hair comb, n.d
Tortoiseshell hair comb, translucent, light and dark gold colourings. Five teeth, cob shaped like sunray's, 'stepped' border, art deco style.