A colour slide of a motor boat on the ocean for Operation Float. The caption says 'Bright sky and calm seas'. Operation Float was an event run by Melbourne Legacy to take Junior legatees on an outing. It could have been to naval boats such as HMAS Cerberus or to a Yacht club. It gave the junior legatees the opportunity to see a naval boat in action, spend time on the water or try sailing. Part of a set of slides that are printed on Ektachrome and discoloured to a pink tinge. The year is possibly 1961 as one slide has the date on it. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of outings being organised for children.Colour slide of cars collecting children in Kodak Ektachrome cardboard mount with yellow and blue print.Printed on front 'Made in USA' in blue ink. Embossed with slide number '20' in one corner. Handwritten in blue pen ' Operation Float 1961. Bright skies and calm seas'. Printed on reverse "Kodak Ektachrome Transparency / Processed by Kodak" in blue ink.operation float, junior legatee outings

A colour slide of two young men playing billiards in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men playing billiards in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '18' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

Two colour slides of two young men playing table tennis in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of two young men playing table tennis in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and Slide number '19' or '20' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

A colour slide of two young men ironing clothes in a laundry room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men ironing clothes in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '21' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

A colour slide of young men in the laundry of Blamey House, Burke Road Kew, in 1970. One slide shows a young man doing ironing. There are two washing machines visible. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide x 2 of the laundry room of Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '15' or '16' in black ink. Handwritten '8' or '9' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house

Slide photographs of two Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in 1959. The ball was held at the Melbourne Town Hall. Elizabeth Brown (on the right) was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta gown and was accompanied by a Legacy boy, Julian Hyde. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of of a Legacy girl being chosen to participate at an important event.Colour slide x 4 of two Stanhope ladies in ballgowns, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope

Slide photograph of the exterior of Harelands on a cloudy day from across Burke Road. Harelands was at 5 Willesmere Road on the corner with Burke Road. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Boys then moved to Blamey House and girls went to Stanhope. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Harelands.Colour slide of the exterior of Harelands, in a brown cardboard mount.Handwritten on front 'Harelands' in blue pen.residences, harelands

Slide photograph of the exterior of Harelands on a cloudy day from across Willesmere Road. Harelands was at 5 Willesmere Road on the corner with Burke Road. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Boys then moved to Blamey House and girls went to Stanhope. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Harelands.Colour slide of the exterior of Harelands, in a brown cardboard mount.Handwritten on front 'Harelands' in blue pen and 6 in pencil. Imprinted with 5 in black ink.residences, harelands

Slide photograph of the exterior of Harelands on a cloudy day from across Willesmere Road. Harelands was at 5 Willesmere Road on the corner with Burke Road. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Boys then moved to Blamey House and girls went to Stanhope. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Harelands.Colour slide of the exterior of Harelands, in a brown cardboard mount.Handwritten on front 'Harelands' in blue pen. Imprinted with 13 in black ink.residences, harelands

Slide photograph of three children at a desk in Harelands being helped with their homework by a legatee. The legatee is possibly Legatee Mellor who was involved with the Residences for many years. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of children being cared for at Harelands.Colour slide of the children in Harelands doing homework with a legatee, in a brown cardboard mount.residences, harelands, study

A speech by Colin Bannister about Legacy in 2007. It mentions Melbourne Legacy was helping 21,700 and 350 children and had spent $1.85m in 2006 on its beneficiaries. In Australia Legacy supported 126,000 widows and 1,800 children. It also recounts his background with Legacy. After he left the Regular Army after active service in Malayan Emergency and the Vietnam War. He joined Legacy in 1976. He was aware of Legacy due to his father and father-in-law were both impaired from their service in WW1. And a brother from WW2 and Vietnam was a member of Canberra Legacy. His son also became a member of Ballarat Legacy. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of Legacy's work in 2007 from a notable Legatee and past president.Two A4 pages of a speech by Legatee Colin Bannister about Legacy Week in 2007.speakers, legacy week, colin bannister

A document summarising the work of Legacy in 2006. It mentions how it was begun by a group of WW1 veterans. At the time there were 126,000 widows and 1,900 children and adults with a disability being helped by Legacy around Australia. There were approximately 6,700 Legatees in 49 Legacy Clubs. In Victoria there were 1,700 Legatees providing support to about 24,000 widows and 300 disabled dependents. There were 13 clubs in Victoria as well as 12 Groups, plus Branches. Some of the activities Legacy was involved with include a National Junior Public Speaking Award, Badge appeal, ALbert Park Lake Defence Attack, a golf classic event and the Torch society Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A summary of the work of Legacy in 2006.Print out x 2 pages about Legacy, its history and challenges.legatees, statistics

Two buttons that once belonged to J B McLean. He might have kept them as keepsakes of his time in the army in World War 1. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM). This is an example of mementos held by an ex soldier. These buttons would have been very familiar to many Legatees that served in WW1.Australian Military Forces button and a navy button collected by J B McLean.01121.1 Australian Military Forces on the front 01121.2 On reverse the makers 'Firmin and Sons Ld London'world war one, souvenir

A booklet by Jack Risden of song parodies. He has rewritten the songs; "They didn't believe me", "They call it Dixie Land" and "Samoa" for a concert during the first World War. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet x 4 pages of songs for soldiers in World War 1.world war one, songs

In the report on the work of Legacy in 1953 (see item 01491) it was mentioned that the education of Legatees was seen as something that needed to be addressed and a formal induction process with proper training would be necessary. A two page report was included as attachment 'C'. This is the report. It mentions the Board of Management decided to inaugurate a course of classes, over six Monday evenings. The topics covered: 1) The structure of Legacy and the nature of contact work. 2) Welfare Committee and Welfare assistance available from statutory sources. 3) Education and Employment Committee 4) Residences, Housing and Accommodation, Camp and Holidays Committees. 5) The Medical, Dental, Boys' and Girls' Group Committees. 6) Personnel and Comradeship. The notation H20 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A report covering the need to train Legatees and how it was proposed to be achieved by a course of lectures.White foolscap paper with black type x 2 pages of recommendations of training of new Legatees.Handwritten H20 in red pen. Handwritten 'C' in top right corner.history, organisation structure, rules

Part of a photo album (Cat.No. 01588), with a photo of Donovan Joynt and Queen Elizabeth II reading from a pamphlet he is holding. Another copy of this photo is marked as 17 March 1977, it is believed to when the Queen visited Royal Park. It is unknown who the veteran on the right is. Queen Elizabeth visited Melbourne as part of her Silver Jubilee tour of Australia and attended a children's rally in Royal Park wearing this outfit. A crowd of 18,000 people greeted her. Footage of the visit can be seen in National Film and Sound Archive of Australia (NSFA-ID 44325). The typed sheets were composed to mark Joynt's 88th birthday with a full account of the actions which won him the Victoria Cross, and was extracted from the book "1914-1918 - War Services of Old Melburnians".Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian.Black and white photo of Queen Elizabeth and L/ Joynt in 1977 and 2 typed sheets, black and white.Stamped on the back of the photograph "Copyright The Herald & Weekly Times Ltd., Melbourne Australia. Not to be reproduced or displayed without written permission."royal visit, donovan joynt

A booklet produced about the Shrine of Remembrance. This is the 4th edition from April 1939 was revised from the original published in 1934. Part of the booklet is called "An Interpretive Appreciation" by Ambrose Pratt. It describes the parts the Shrine and some of its history. The other half is called "Historical Record" by John Barnes. It contains the full programme of the Dedication of the Shrine by the Duke of Gloucester in 1934 and photos of key aspects of the Shrine. Item was with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01211, 01649, 01650).Details of the Shrine of Remembrance published for the public. It is important to note it mentions that Legacy had an important role in promoting the construction of the original design over alternate proposals (of a civic square or a hospital). There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01211, 01650).A 44 page of booklet describing for the Shrine, buff paper in a dark grey brown cover with black and white photos and black print.Handwritten on top right corner of the cover is S3 in red pen, part of an original numbering system.memorial, shrine of remembrance

Destination roll used at the MMTB Footscray depot. Has stencil words "STOP" on bottom, stencilled miniature destinations on rear to assist drivers to locate the destination. Roll has a short unpainted section at the bottom. Destinations in order from top are: ; RUSSELL ST; BALLARAT RD; SPECIAL; FOOTBALL GROUND; AMMUNITION FACTORY; PYROTECHNIC FACTORY; CITY VIA HAYMARKET; SPECIAL E. The roll is missing a top section, possibly (based on a Footscray roll held in the BTM Archives), DEPOT; WILLIAMSTOWN RD; RAILWAY STATION, SPECIAL E - for the Explosives Factory. Through running to City from May 1954 when track extended and connected to main system. Image 3 - Photo of Bob Wilson standing alongside taken 27/7/14 by Warren Doubleday, added 28/7/14.Demonstrates a tram destination roll used at Footscray Depotl. Destination roll - white lettering on black background. trams, tramways, mmtb, destination roll, footscray depot

MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration

Destination roll - white lettering on black background. Destination roll used at the TB Footscray depot. Has stencil words "STOP" on top and bottom, stencilled miniature destinations on rear to assist drivers to locate the destination. Letters are 146 high. Roll consists of a unpainted section, 520 long at top, 2280 long painted section and a 1500 long unpainted section at base. Has been rolled using a 16 diameter wooden dowel - 925 long. Destinations in order from top are: DEPOT; WILLIAMSTOWN RD; RAILWAY STATION; RUSSELL ST; BALLARAT RD; SPECIAL; FOOTBALL GROUND; EXPLOSIVES FACTORY; ORDANCE FTY; AUNITION FACTORY; PYROTECHNIC FACTORY; CITY VIA HAYMARKET. Image information: btm1746i1 - photo of roll showing bottom portion. btm 1746i2 - photo showing top portion btm 1746i3 - close up of stencilled destinations (SPECIAL and FOOTBALL GROUND) on rear or unpainted side. See Destination City - 5th edition Not to be used in a tramcar destination box - original to be kept in archives.tram, trams, mmtb, destination roll, footscray depot

"The hated Protector" tells for the first time the real story behind the extraordinary experiences of Charles Sievwright, Assistant Aboriginal Protector from 1839-42 in what was then part of the British colony of New South Wales, but is now the Western District of the Australian state of Victoria. Sievwright, an Edinburgh-born former British army officer, lived in the bush with his young family as he tried to save the Aborigines of the District from extinction. In doing so, he would isolate himself from the rest of his fellow whites. The hated Protector tells of this process. The book should appeal to anyone interested in British colonial and Australian history, particularly in the years of first contact between British settlers and the Aborigines. More broadly, it should also appeal to anyone interested a story of one man's battle against overwhelming odds, where the price of failure was numerous deaths. It is a story of hatred, prejudice, courage, determination, and hope. In telling Sievwright's story, Lindsey Arkley draws largely on original archival material, including official reports, journals and letters, found in Melbourne, Sydney, Hobart, Edinburgh and London. Most has never before been published. The archival material is supplemented by contemporary newspaper accounts, and some oral history. Full notes are given to all sources, and the book is indexed and lavishly illustrated with drawings by Joan Bognuda, as well as about 80 paintings and samples of documents. Contents: 1. In the bush 2. "Equal and indiscriminate justice" 3. "A few doses of lead" 4. "A curse to the land" 5. "The most unpopular man" 6. Retaliation 7. A hostage debate 8. Hallucinations 9. A mass escape 10. Possessors of the soil 11. Move to Keilambete 12. Bureaucratic 13. "A hideous pandemonium" 14. Divine visitations 15. Pay backs 16. Explanations 17. A squatter on trial 18. Claptrap and deceit 19. The black cap - 20. To Mt Rouse 21. "The impending evil" 22. In the balance 23. An arrest at Mt Rouse 24. A fair moral name 25. Roger's trial 16. Intensified evidence 27. A declaration of war 28. Mr Cold Morning 29. Holding ranks 30. To rags 31. Fightback 32. Return to London 33. The inquiry 34. Judgement 35. And what remains.maps, document reproductions, b&w photographs, colour photographs, b&w illustrationscharles wightman sievwright, racial policies, british colonial history, race relations, victorian history

Book with brown cover, title embossed in silver on front. Title, editor's surname and publisher's name embossed in silver on the spine.non-fictionA compilation of Florence Nightingale's essays and writings: Subsidiary notes as to the introduction of female nursing into military hospitals (1858), Notes on nursing: what it is and what it is not (1859), Notes on different systems of nursing; from notes on hospitals (a pamphlet 1863), Suggestions on a system of nursing for hospitals in India (1865), Suggestions on the subject of providing, training and organizing nurses for the sick poor in workhouse infirmaries (1867) On trained nurses for the sick poor (a pamphlet, 1876), Nurses, training of , and nursing the sick (1882), Sick-nursing and health-nursing (1893), Health teaching in towns and villages, rural hygiene (1894).florence nightingale, nurses-history, nursing-history

Illustrated book with red binding Title and authors surnames embossed on front cover along with gilt embossed logo of the Alfred Hospital. Title, authors surnames and publisher's name embossed in gilt on spine.non-fictionReference book to help facilitate standardisation of nursing procedures.nursing, nurses, nursing-study and teaching

Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, art prize, exhibitions, concerts, open house, seafaring life, shipping, sailors, seamen, sponsors, marketing, festival, flying angel, staff, chaplains, heritage, collection, archives, sue dight, 2022, maritime art prize, williamstown historical society, phillip cornish, amaga, victorian collections, vc day

A copy of an address given to a Legacy luncheon by Legatee Frank Doolan. He speaks of the 24th Battalion and their role at Gallipoli and in France. The story of the withdrawal from Gallipoli is interesting. Legatees Savige and HC Brinsmead were two of the three last lieutenants on the peninsula. Both were foundation members as was John Anderson who was also mentioned. He digresses to relate a story of an evening when he was with a 'VC mate' (assumed to be L/ Donovan Joynt) and they decided to speak to the editor of the Argus, Allan Spowers, about the newspaper's stance against the building of the Shrine of Remembrance. He related the paper published an article two days later in favour of the Shrine project and shortly after so did 'The Age'. The address also relates the return to war in 1939 and the formation of the 2/24th and it fighting in Tobruk. It was absorbed into the 9th division and later a new 2/24th was formed to wear the 'Red and White Diamond'. 'This unit consisted of younger men who had served with the CNF between the wars and included several sons of Legatees and several Junior Legatees. Our President Don, was attached for a short time.' (referring to L/ Don Simonson who was president in 1970). It went on to fight in New Guinea. Legatee Doolan's aim had been to link the 24th battalion with Legacy and suggests the book about the history of the 24th Battalion by Bob Serle was worth reading. He then introduced two other speakers, Squadron Leader Hicks, Conductor of the Royal Australian Air Force Band and Mr John Anderson of AWA. From the speakers record this event was in June 1970. The notation H27 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Legatee Frank Doolan was part of the archive project around the 1970s.A significant account of the withdrawal from Gallipoli and other experiences of the 24th Battalion retold at a Legacy luncheon. Speakers at Legacy luncheons were from very different walks of life and the subjects spoken on were many and varied. White foolscap paper with black type x 5 pages of a speech by Legatee Frank Doolan.Handwritten H27 in red pen.history, battalion, speakers, speech, gallipoli, frank doolan, 24th battalion

Keighley War Hospital at Morton Banks was originally The Morton Banks Fever Hospital and after local funds were raised, extra wards were built to turn it into a War Hospital. It opened in time to take some of the first casualties from the Battle of the Somme in July 1916 and continued until the end of the war. The War Hospital Register archived at Keighley Library contains 13,214 names of servicemen who were treated there. It also contains the names of German prisoners of war who were being held locally and required treatment from time to time, notably from the influenza epidemic. Morton Banks had 746 beds. The book records the details of the hospital between 1916-19 including staff, hospital layout and departments, the Auxiliary Hospitals, Discipline, Recreation, Education, Comforts Committee and Affiliated Associations.Document of Military Hospital in Keighley, U.K. during WW1. Contains significant information on staff and different departments at the hospital.Carboard and paper booklet of 48 pages. The cover is beige with green border with black and red writing. Silverfish have eaten top right corner of cover.On front cover is publisher Wadsworth & Company, Russell Street, Keighley, (also known as Rydal Press) title and cost of Sixpence. Inside first blank page is written 'With kind regards from Willie To Jack'. 'Jack' refers to J.L.McIntyreworld war 1, ww1, military hospital, army hospital, keighley war hospital, morton banks, morton banks fever hospital, keighley

With the centenary of World War 1, members of the Greensborough Historical Society researched the local lads who signed up to serve in the Great War. We have included Nurses from the area and those who served at Mont Park. The Greensborough and district soldiers listed in the World War I Project all had a connection with the area. Names have been taken from the Fallen Soldier’s Memorial, Greensborough Primary School Honour Board, the Greensborough District Honour Board housed at the RSL and by searching through Australian War Memorial and National Archives of Australia records. Some of our soldiers settled in and made great contributions to life in Greensborough after the War. Articles are also available on the GHS website. Descendants or relatives with further information are urged to contact the Society. Family stories and photographs would be appreciated. Suggestions for additions to the list are most welcome. Red plastic binder containing over 150 articles, printed text and images. Each article is filed in plastic pocket.world war 1 project, greensborough historical society

[from a contemporary report:] The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Eltham Railway Station) and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display. Originally contained in a 'magnetic' photo album believed to have been donated by Mr Eric Stephenson, Jingalong, 110 Ryans Road, Eltham, Vic. 3095; relocated to archival safe storage.Colour photograph1990, eltham festival, diamond street, diamond valley arts society, joh ebeli, parade, parade floats, walter withers, youth road

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). The Kew Idiot Ward/Asylum (1887-1929) was initially part of the Asylum. Later it was called Kew Children’s Cottages (1929-62), Kew Training Centre (1962-c.97), and Kew Residential Services (c.1997-2008). Most of the records relating to these former institutions are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of these two institutions in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked at these institutions.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture