1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers,

Date unknown: Mrs Caroll and children. In 'Moorabbin A Pictorial History 1862 - 1994 ' by John Cribbin, The Carroll family migrated from Ireland and purchased land in the East Brighton ( now Bentleigh ) area of Henry Dendy's Special Survey 1841. Edward, J.W. & Daniel are shown in the Rate Book 1862 as owner occupiers and owner of property in Tuckers Road, Bryants Road and Centre Road.Photograph is black and white. There are three women in this photograph, a mother and her two children. The mother is sitting down on a chair to the left and her daughter sitting next to her, on the right (they are both holding hands), and her other daughter (child) right in between her mother and sister, with he arm around the mother's shoulder. All three of them are wearing their best dresses that have lace collars. As the clothes are similar to MAV Cat No. 00519 the photo may have been taken c 1910Front of Mount : Yeoman Co 287 Chapel St. Prahran, Victoria.children, chapel st, 287, prahran, carroll edward, carroll, j.w., carroll daniel, ireland, brighton, henry dendy's special survey 1841, market gardeners, pioneers, early settlers, dairy farmers, poultry farmers, bentleigh, mckinnon, ormond, prahran, yeoman photographers co.

Circa Early 1900's: Band in the Park. Photograph is black and white. A music band in a park. There are five rows of musicians. Towards the left side of the rows, there is a drummer and four saxophone players. In total, there are fourteen saxophone players. The rest of the men in this photograph play other instruments. There are 3 men with boater hats, 3 with bowler hats, 6 with stetson hats and three men in soldiers uniforms with white helmets. On the right side of the photograph, there are two boys dressed in white suits, one was taller and the other was little. There was an older man dressed in white in the fifth row, right in the middle. Front base of Mount : Frazer & Vallary (unknown word), Salisbury B (Unknown words) band, park, 1900's, early

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Australian Rules Football history see MAV 00517 1909: Football Team. Only player named is Paddy Green. Since the player guernseys are almost the same and the photographer is the same we presume this is the same team as shown in MAV 00517 named as the Moorabbin Football Team Moorabbin Football Club, nicknamed the Kangaroos, was the name of two distinct Australian rules football clubs which played in the Victorian Football Association (VFA). The first club, founded in the early 20th century, joined the VFA in 1951 and played there until 1963 with great success; they played home matches at Moorabbin Oval and wore royal blue and white hooped jerseys. The second club played in the VFA from 1983 to 1987. Moorabbin played initially in the Federal Football League, making their debut in 1909 and competing until 1950. During this time the club won 12 premierships, including winning all six premierships staged over the nine years between 1940 and 1948 (the competition was in recess from 1942 until 1944). The club entered the VFA in 1951. Its Federal League home ground, the Dane Road Reserve, was not up to VFA standards; so, in 1951 the club played at Cheltenham, and in 1952 moved into the Moorabbin Oval, which the Moorabbin Council had developed during 1951. The Kangaroos made the 1954 and 1955 finals series without success but in 1957 they helped eliminate premiership favourite Williamstown after defeating them by two points in the Semi Final. Moorabbin, who were coached by Bill Faul, took on Port Melbourne in the Grand Final, whom they had not once beaten since joining the league. In another upset, Moorabbin won comfortably to claim their maiden VFA premiership. In the early 1960s, the Moorabbin Council was very keen to bring a Victorian Football League team to Moorabbin Oval. 1964, the Moorabbin City Council secured a deal with St Kilda, who moved to Moorabbin Oval starting in 1965. The club originally intended to seek readmission for the 1965 season, but in July the club committee decided to withdraw permanently from the Association,and disbanded. Photograph is Black and White. Three row of football boys. Some are wearing striped jumpers, either the stripes are going horizontal or parallel. There are twelve men wearing a suits, four in the third row, four in the second row and four in the first row. One of the boys wearing a suit in the front row, has a hat in his hand. The boys in the front row are kneeling, the second row are standing on the ground and the third row are standing on benches. Only player named is Paddy Green. Phillip Jones may also be in the photo Row 2 4th from left Front of Mount : 1909 Back of Mount : written Paddy Green , stamp HEWITT 92 Regent Street North Richmondfootball team, 1909, paddy green, moorabbin, moorabbin football club, 1903, 1908, 1909, philip jones, james jones, paddy green, early settlers, market gardeners, pioneers, herron john, australian rules foorball, victorian footbal league, victorian football association, moorabbin city council, moorabbin shire, city of moorabbin, st kilda football club,

2 x black and white photographs of the children attending Ormond State School in August 19302 x black and white photographs of school children in Grades 1-3 and 3-8 at Ormond State School in August 1930(a) Written on back : Ormond State School Aug 1930 / Grade 1-3 (b) Written on back: Ormond State School Aug 1930 / Grade 3-8state school, grade 1-3, grade 3-8, 1930, ormond state school, education, ormond, moorabbin, bentleigh, mckinnon, market gardeners, dairy farmers, early settlers, moorabbin shire

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.The Curtis family were early settlers in Moorabbin Shire c1880 and used sad ironsA small, curved, flat iron, with attached handle, used for cuffs, collars and frillsSILVESTER'S/ PATENT/ SALTERS / No 3 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves

First marketed in 1910, this early version Singer No 20 was sold as both a toy and adult miniature. The design underwent several improvements and cosmetic changes in the years that followed. By the mid 1900s, many companies had cloned the machine, with most showing the same uncertainties as to the intended market.A miniature 'Singer' Sewing machine ,Model 20, with hand crankSinger Pty Ltd early settlers, craftwork, toys, sewing machines, pioneers, moorabbin, bentleigh, ormond, cheltenham, market gardeners, dressmaking

A Bi-Centennial Dress Pattern 0001 made by Lindie Ward for Power House Museum . It is a copy of a dress belonging to Isobel Hovell, the wife of the explorer William Hovell. Isobel died 1837. The original dress was made from yellow, satin -striped, cotton voile, printed with sprigs of flowers in lilac and greenThis Dress Pattern was made for the Bi-Centennial Celebrations at Power House Museum, Sydney in 1988c1988 A large paper envelope with printed design of dress c1837. Dressmaking tissue pattern pieces for dress are enclosed and a measurement scale is on the backFront of packet : BICENTENNIAL DRESS PATTERN / POWERHOUSE / 0001dressmaking, craft equipment, dress patterns, craftwork, sewing, hovell isobel, hovell william, ward lindie, bi-centennial celebrations, melbourne, moorabbin, victoria, new south wales, market gardneres, power house museum

Early settlers in Moorabbin Shire had to be self reliant and made their own clothes and tools. Knitting was a necessary task for the women of the families of these pioneers.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the these families A pair of long wooden knitting needlesearly settlers, craftwork, knitting, pioneers, moorabbin, bentleigh, ormond, cheltenham, market gardeners

This brown leather school bag / satchel was used by Carol Poole (nee Smith) whilst attending Ormond State Primary School 3074 c 1952. Most school children used these bags to carry their exercise books, readers, pens and pencils and lunch to and from daily Classes The bag had 2 shoulder straps that enabled it to be carried on the child’s back Mrs Carol Poole , a member of CMHS, grew up in McKinnon and attended the Ormond State Primary School c1952.A brown leather school bag/ satchel with 2 fastening straps and metal buckles, but minus shoulder straps No 13schools, pupils, ormond state primary school, moorabbin, ormond, mckinnon, bentleigh, satchels, schoolbags

This evening bag was purchased in Hong KongA lady's pale blue, satin, evening handbag, with a drawstring, hand-made in Hong Kong. It is lined in darker blue satin and has appliquéd silver sequins and light blue crystal-like beads and rows of tiny, pearl-like beads made in Hong Kongcraftwork, sewing, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, handbags, evening wear, hong kong, chinese

This pair of gloves was made in France and purchased by a Moorabbin residentA pair of cream, chamois leather lady's gloves with stitch detailing on back . Size 7 Made in France Size 7craftwork, sewing, gloves, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, evening wear

Plastic Hair decorations became very popular during 20thC because they were cheap and plentiful.2 plastic-like tortoiseshell, decorative hair combstoiletries, market gardeners, early settlers, moorabbin, bentleigh ormond, cheltenham, hairdressing

A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners

This type of sewing equipment was widely used in many homes, in an era when hand-made clothes were the “norm.”, and clothes and hosiery were mended, darned or ‘re-made’ into another garment.. These cotton and silk threads are examples of those used for dressmaking, crochet and needlework by the women of the early settler families who made, mended or darned the clothes and hosiery in Moorabbin Shire c1900A tin with lid, containing various packets of sewing threads and needlesPackets ; CLARKE’S Fine Filosheen Grist / 20 yards 3076 Squirrel / No 40 : PRESTIGE ; NEWEY’S Spring ; PARAMOUNT Linen Finish THREAD ; Embassy rustless needles ; sewing, prestige cotton, needles, threads, moorabbin, bentleigh, ormond, craftwork, dressmaking, early settlers, market gardeners

Opera glasses, also known as theatre binoculars are compact, low-power optical magnification devices, usually used at performance events, whose name is derived from traditional use at opera performances. A pair of opera glasses with a leather caseearly settlers, market gardeners, theatre groups, operas

Curling irons, also known as curling tongs, create waves or curls in the hair. Clipless wands have no clamp, and the user simply wraps hair around a rod and squeezes the two parts together. The metal curling irons were heated on the fire or the stove and then the hair could be clamped between these 2 rods to create a curl in the hair . A pair of steel, hair curling tongsEveready Englandtoiletries, hairdressing, curling tongs, moorabbin, bentleigh, cheltenham, early settlers, marcel waves, market gardeners

A lady's, grey, evening bag with a drawstring and decorated with beads and sequins.presonal effects, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, ormond, dressmaking, craftwork,

Hair curling tongs were used by women 1800 - 1950 to create appealing curls and ringlets in their hair. To achieve ringlets, the tongs were heated on a gas ring, stove top or flame and then thick weft of hair was wound around one side of the tongs. The tongs were then 'crimped' together and upon release a long ringlet of hair resulted . If the tongs were overheated the hair was singed producing a lingering malodour. A pair of lady’s steel tongs, with no clamp, for hair curling. toiletries, hairdressing, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, marcel waves

This type of sewing equipment was widely used in many homes, in an era when hand-made clothes were the “norm.”, and clothes were mended, or ‘re-made’ into another garment.. A red velvet covered and lined container with sewing needle, button hook, file and probesewing equipment, prestige cotton, needles, threads, moorabbin, bentleigh, ormond, craftwork, dressmaking, early settlers, market gardeners

The Elgin National Watch Company, most commonly known as just the Elgin Watch Company, was a major US watch maker from 1867 until its closure in 1968. The company sold watches under the names, Elgin, Lord Elgin, and Lady Elgin. They began in Chicago, Illinois, USA A gold pocket watch C1920'ELGIN'jewellery, gold watches, market gardeners, early settlers, moorabbin, cheltenham, ormond, elgin watch company, pocket watches

It is thought that natural pearls form under a set of accidental conditions when a microscopic intruder or parasite enters a bivalve mollusc and settles inside the shell. The mollusc, irritated by the intruder, forms a pearl sac of external mantle tissue cells and secretes the calcium carbonate and conchiolin to cover the irritant. This secretion process is repeated many times, thus producing a pearl. Natural pearls come in many shapes, with perfectly round ones being comparatively rare. In general, cultured pearls are less valuable than natural pearls, whereas imitation pearls have almost no value. Cultured freshwater pearls can often be confused for natural pearls Cultured pearls are the response of the shell to a tissue implant. A tiny piece of mantle tissue (called a graft) from a donor shell is transplanted into a recipient shell, causing a pearl sac to form into which the tissue precipitates calcium carbonate. Some imitation pearls (also called shell pearls) are simply made of mother-of-pearl, coral or conch shell A strand of pearls called a princess length, 43 to 48 cm in length, comes down to or just below the collarbone. A graduated strand of pearls most often has at least 3 mm of differentiation from the ends to the centre of the necklace. A lady's pearl necklace and 1 earring in a hinged, lined, cream Bakelite case .jewellery, necklace, earring, pearls, market gardners, early settlers, moorabbin, bentleigh, cheltenham, ormond

The American Bible Union was formed in 1850 by Baptist members of the American Bible Society (ABS) who wanted the Society to produce translations that, in their view, more accurately reflected the original text. One place where they ran into conflict with other members of the ABS was over the translation of the Greek word baptize. Most English translations (including the Authorized or King James Version) simply transliterate the word rather than translate it as “immerse.” Between 1852 and 1861, they published a series of quarto edition that contained proposed revisions for most of the New Testament. A complete New Testament was published beginning in 1862 with a Second Revision published in 1865. A series of Old Testament volumes was also published between 1856 and 1884. In 1883 the American Bible Union ceased operation and turned over their activities to the American Baptists. The American Baptists continued their work and published an Improved Edition of the New Testament in about 1891 (this was published in two version – in one baptize is translated as immerse and in the other it is left as baptize.) They also published a complete Bible in 1912.A small Prayer Book Cover 'AMERICAN BIBLE UNION' Inside front page 'AMERICAN PRAYER BOOK'baptist church, early settlers, pioneers, brighton, moorabbin, bentleigh, market gardeners, bibles, prayerbooks, american bible union, american bible society

A Victorian Railways Suburban train monthly ticket use by Mr Marriott in July 1921 to travel between Moorabbin and Mentone.The Marriott family were early settler, market gardeners in Moorabbin Shire.A Victorian Railway Monthly ticket 1st class Moorabbin and Mentone July 1921Front Not Transferable / VICTORIAN RAILWAYS/ MONTHLY TICKET / MOORABBIN / AND / MENTONE / (HALF ) / FIRST CLASS / ( Not available for Smoking Compt.) /JULY '21 / (For conditions see / other side / Back MOORABBIN / AND / MENTONE / Issued to and accepted by / Sr. Marriott / JULY '21 / 000 / subject to the provisions of the Rail / way Act ................Commissioners / ....... / Albert J.Mullett Govt. Printerrailways, moorabbin, highett, mordialloc, mentone, cheltenham, bentleigh, marriott geoff, market gardeners, early settlers, pioneers, train tickets, melbourne

A button hook is a tool used for the closing of shoes, gloves or other apparel that uses buttons as fasteners. It consists of a steel hook fixed to a handle that may be simple or decorative. The hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening.The family of May Curtis were early settlers in Moorabbin ShireA metal button hook for shoes and gaiters with an 'Ivorine' handleclothing, footwear, gaiters, boots, craftwork, ivorine, moorabbin, brighton, early settlers, pioneers, cheltenham, curtis may

A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham

Pince-nez spectacles are in a style popular in the 19th century, which are supported without earpieces, by pinching the bridge of the nose.A pair of Pince-nez eye glasses in a leather case, with a soft cleaning cloth.cleaning cloth - 'With Compliments / John Browning Pty. Ltd. / 113 Collins Street / MELBOURNE / PHONE MF 3221/ MF 3222optometrists, spectacles. eyeglasses, moorabbin, brighton, early settlers, pioneers, cheltenham

A lady's brown soft leather wallet with 3 sections and a brass clasp A.C.I ENNIS WITH COMPLIMENTS FROM / JAMES LYONS LTD / SAWMILLERS & TIMBER MERCHANTS / CAIRNS N.Q.moorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses

A man's dark brown leather wallet with a leather strap buttonA.F ENNISmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses