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Brighton Historical Society
Clothing - Dressing gown, circa 1894
This dressing gown belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield, where they hosted lavish receptions for Melbourne's elite. Clara was known as a stylish hostess who wore elegant imported fashions. This dressing gown is believed to have been manufactured by Japanese silk merchant Shiino Shōbei. Following the opening of the port of Yokohama to foreign trade in 1859, Shōbei began producing western-style silk garments, initially selling them to foreigners living in Japan and later exporting them around the world, even exhibiting at the Melbourne International Exhibition of 1880. His popular exports included quilted 'at-home' gowns or dressing gowns similar to this one. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A hand stitched purple pink silk quilted dressing gown with pale pink embroidery from circa 1894. The dressing gown is embroidered from the collar and shoulders though the centre front body to just above the hemline, on the cuffs and remaining pocket in a pale pink Perle thread embroidery featuring leaves and flowers. The entire gown is hand quilted with vertical parallel lines. The gown's neckline features a flat collar and the sleeve head fits on the neat shoulder line. The sleeve head is gathered and full tapering to a loose flat cuff at the wrist. The front of the garment is currently secured by fourteen decorative frogs of two different styles, none of which appear to be original. There is also evidence of a fifteenth toggle that has been removed from the base. The gown's original left hand pocket has been removed and attached to an area around the right breast presumably to patch a hole or obscure some damage. It is unknown when these modifications have been made. The back of the gown features a gathered pink and black concertina pleated silk insert panel from the neck through to the base of the garment. The garment is lined with a very fine pale pink silk over the woollen batting.clara miller, woolbrook, septimus miller, cantala, gwendoline miller, caulfield, brighton general cemetery, shiino shobei, s. shobey -
Brighton Historical Society
Clothing - Dress, Day dress, Circa 1850
A dress believed to have belonged to a family member of Mrs. Jessie Somerville Singer (nee Watson), 1849-1935. As the dress dates from circa 1850, it could have belonged to someone from one generation previous, possibly her mother Elizabeth Watson. Jessie Somerville Singer was the second wife of Mr. Edward Singer (1829 – 1904) of 'Somerville', New Street, Brighton Beach. Edward's first wife, Maria, died in 1861; their son William died approximately 12 months later. In the 1861 census of North Bradley England, Edward was recorded as a carpenter journeyman. After these tragedies Edward, then aged 30, left England to start a new life in Australia. He emigrated as an unassisted passenger on the steamship 'Great Britain', departing from Liverpool and arriving in Melbourne in April 1863. Edward worked as a joiner and overseer for a timber merchant in Franklin Street, Melbourne. In December 1869 he bought a property at 1115 Hoddle Street, East Melbourne, between Hotham and George Streets. At some stage he also acquired 1117 Hoddle Street. He also owned another property in Rushall Crescent, North Fitzroy. On 10 July 1873 Edward married Jessie Somerville Watson, the daughter of William Watson and Elizabeth Martin. They lived at Hoddle Street for some years, later moving to Rushall Crescent, North Fitzroy before in the 1880s settling in what was then the semi-rural suburb of Brighton. Edward is recorded as working there as a joiner. The house 'Somerville' was built by the Singers in circa 1880 at 100 (now 78) New Street, Brighton. The family moved there upon Edward's early retirement and lived there until 1941. 'Somerville' was sold, the house demolished and the land subdivided in the 1930s. Edward and Jessie appear to have lived comfortably. Edward died on 30 July 1909. Jessie died on 11 November 1935. Many members of the Singer family have lived in and around Brighton since Edward and Jessie first made their home there. The donor, Mrs Dorothy Constance Cook, was Jessie's granddaughter.A silver and brown striped silk taffeta dress comprising separate bodice (.1) and skirt (.2). The dress features a high round neckline fastening down the centre front with concealed hook and eye closures with ten (two missing) decorative brown silk velvet buttons. The front and back feature a briown silk velvet ribbon that forms a v shape from the shoulder to the centre front just below the bust and centre back below the shoulder blades. From the ribbon falls a brown and silver silk fringe approx seven cms deep. The bodice is shaped and boned into the waist and finishes in a deep v over the stomach. At the back the bodice is shaped to the body finishing in a smaller curved v over the small of the back. The sleeve attaches to the bodice at the true shoulder and falls in a pagoda sleeve to the mid forearm. The sleeve is also trimmed with brown silk velvet ribbon near the base of the sleeve. The full skirt is pleated at the waist, falling to the floor, longer at the back to accommodate the crinoline.somerville, new street brighton, jessie somerville singer, edward singer, elizabeth martin, brighton, 1850s -
Brighton Historical Society
Coat, Dustcoat, c.1948
Dust coat worn by Mr Frederick Alister Jennings when he managed a family grocery store circa 1948 at 510 Point Nepean Road, East Brighton. Frederick was born at Nagambie, Victoria in 1909 and died in Brighton in 1979. He was the son of Hugh Edwin Jennings and Alice Constance Warren. He married Margaret Jean Hughes in 1934 and served in the Second World War. He lived at 1 Valda Grove Brighton. Frederick was a commercial traveller as well as his time spent managing the store in Point Nepean Road. It is believed this coat dates from his time at the store c1948 - 1955. The store was owned for many years by his father-in-law W. G. Hughes and was one of a group of shops near the corner of Centre Road. In 1944-45 the group of shops included Fletcher’s fuel merchants, a haberdasher, butcher, fruiterer, grocer, Brighton East post office, a ladies’ hairdresser and Hughes’ grocer. In 1950 Hughes’ grocery store was between a service station and the Commercial Bank on what had been renamed Nepean Highway. The business was sold to G. S. Maynard, grocer, sometime before 1960.Unlined dustcoat of beige cotton. Fastens centre front with three brown plastic buttons. Two large patch pockets. Separate cloth belt with metal buckle. Signs of wear and mending. .1 - coat .2 -beltGarment label reads: APEX (RLG.) Dust Coat DEPT. MYER STORE for MEN. MELBOURNE & ADELAIDEdustcoat, occupational dress, grocer, hughes grocery store, brighton, frederick alister jennings -
Federation University Art Collection
Painting - Calligraphy, 'Dance' by Hou Bing, 1987
The artist, Hou Bing, was nine years old when he completed this work. The translation of the calligraphy is 'Dancer'. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Gift of Mr Qian Shu-bo, President of the Nanjing College of Education, c1987.art, artwork, dance, hou bing, qian shu-bo, nanjing college of education, available -
Federation University Art Collection
Painting, Neville Bunning, 'Whiskey Distillery at Warrenheip via Dunnstown' by Neville Bunning
Neville BUNNING The whisky distillert was at te foot of Mt Warrenheip. Situated at tje site of a water spring, it later bacame Cottonwood Springs. The Warrenheip breweries near the spring were well established when Mr Henry Brind, opened Brind’s Distillery in 1864. At that tome they claimed to be the first of its kind in Australia, and “the only place where pot stilled whisky was manufactured in the colony.” This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting of an old distillery at Dunnstown.art, artwork, dunnstown, distillery, brinds, available, mt warrenheip, neville bunning -
Vision Australia
Painting - Artwork, Portrait of John Moule, 2003
Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule -
Vision Australia
Photograph - Image, Tom Marks having tea in the garden, circa 1900
Tom Marks sits at a table with four others, holding a cup of tea and dressed in a day suit with tie. The woman to his right looks straight at the camera whilst she pours tea from a teapot into her cup, and is dressed in a black dress with a white flounce. Opposite Tom Marks sits a teenaged girl wearing a pinafore over her dark dress with lace collar, and an older woman in a dark coloured dress with dark ruffled edging. The only other person to look towards the photographer is the gentleman to Mr Marks's left, in a suit and vest, white shirt and tie, balancing his cup on a saucer. The group sit in a backyard garden, around the turn of the century based upon their clothing.B/W photograph of group having tea in gardenthomas marks, association for the advancement of the blind -
Vision Australia
Painting - Artwork, Portrait of Malcolm Daubney, 2003
Framed portrait of Malcolm Daubney who was President of Vision Australia Foundation 1999-2002. It is part of a series of paintings commissioned by the AFB/VAF Board to commemorate the work of past presidents of the organisation. Mr Daubney wears a navy suit, pale blue shirt and navy blue Kiwi tie. Mr Malcolm Daubney has worked closely with blind and vision impaired people for many years. In the 1980s Mr Daubney was “volunteered” by John Wicking to the Vision Australia’s Kooyong Committee. Shortly after his appointment he was posted to Singapore for business, where he served on the committee of the Singapore Association for the Blind for five years. Upon his return he rejoined the Kooyong Branch Committee. Later he was appointed to the Vision Australia Board of which he was President from 1999 to 2002, and then Chief Executive Officer from 2002-2005.1 art original in old gold frameThe plaque at the base of the painting reads 'Mr Malcolm Daubney / President 1999-2002 / Vision Australia Foundation'.vision australia, malcolm daubney -
Vision Australia
Painting - Artwork, Portrait of John Wicking, 1980
Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Wicking wears a navy suit, white shirt and navy blue Kiwi tie. John Wicking served as President of Vision Australia from 1973 to 1984 and as Vice President in 1990. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. Mr Wicking was also involved in the incorporation of Vision Australia under the Companies Act in 1990. After his retirement as President Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, vision australia, john wicking -
Port Fairy Historical Society Museum and Archives
Photograph, 1950
Rosebrook bridge opening - 1950PhotographOpening of Rosebrook Bridge Princes Highway, by the chairman of the C.R.B. Mr D.V. Davison? om thursday the 15th of June 1950 Bluestone abuttments of old bridge washed away by floods in 1946 in the foregroundnew rosebrook bridge - opening, 1950, bridge, opening -
University of Melbourne, Burnley Campus Archives
Plan, Plan of Gardens, c. 1940?
... Victoria, with illustration of old Pavilion. On reverse, "Mr Kneen..., with illustration of old Pavilion. On reverse, "Mr Kneen, Principal School ...Hand drawn plan of Gardens with some colour, on reverse of unused Certificate. Shows paths and beds in Ornamental Garden with grids drawn in pencil for planting lists. 2 photocopies of enlarged portion.Plan is drawn on verso of unused Diploma certificate from Royal Horticultural School Burnley, Department of Agriculture Victoria, with illustration of old Pavilion. On reverse, "Mr Kneen, Principal School of Horticulture Burnley," handwritten in pencil.ornamental gardens -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Administration Building Under Construction, 1946-1947
Note by T.H. Kneen 20 February 1991, "View of new building under construction 1946/47. Building on left is Contractor's hut (Anderson of Ivanhoe) (Mr. Tom(?) Floyd foreman.) Road leads up to old point of entry to the gardens which enclosed the Pavilion, partially demolished at this stage."Black and white photograph. View of new building under constructiontom floyd, pavilion, anderson of ivanhoe, administration building, builder -
University of Melbourne, Burnley Campus Archives
Slide, Alan L. Mitchell, 1965
Entrance to Old Building (1936) figure A. Mitchell. Portrait Mr. E. Prescott (Elder) Principal House.alan l. mitchell, burnley gardens -
University of Melbourne, Burnley Campus Archives
Slide, Alan L. Mitchell, 1936
Entrance to Old Building (1936) figure A. Mitchell. Portrait Mr. E. Prescott (Elder) Principal House.alan l. mitchell, burnley gardens, e. prescott, principal house -
University of Melbourne, Burnley Campus Archives
Slide, Alan L. Mitchell, 1965
(A) Herbaceous Border next to Orchard. (B) The old Tool & Potting Shed in Mr. Geo Russ time. 1965.alan l. mitchell, burnley gardens, herbaceous border, orchard, tool shed, potting shed, george russ -
Vision Australia
Administrative record - Text, Twelfth Annual Report of the Association for the Advancement of the Blind 1907, 1907
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including attaining 210 members, a talk by Tilly Aston and another by Mr Lowe on cooperation were held, the Annual Picnic was held at the Caulfield Racecourse on the King's Birthday and included a band, some trials of skills and an impromptu concert at the end of the day, 50 pounds has been put aside for the Sick Benevolent Fund however this cannot be established until 200 pounds has been raised, and an approach has been made to the government for securing an Old Age pension for those who are blind however nothing definite has been granted.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Public Record Office Victoria
Letter (item) - Mr Cleal’s Letter to the Chief Commissioner of Police
In October 1901, Mr B. Cleal wrote to the Chief Commissioner of Police complaining about the large number of effeminate young men using ‘various conveniences’ for ‘an evil of the most terrible description’. Mr Cleal’s letter is part of a remarkable collection of documents held by Public Record Office Victoria that are valuable to LGBTIQ+ history and heritage in providing unparalleled insight into where and how beats operated in and around the city at that time. By ‘conveniences’ Cleal meant public toilets, and he listed the busiest of them: the corner of Rathdowne and Victoria streets; Lansdowne Street, East Melbourne; under the viaduct opposite the Customs House in Flinders Street; at the rear of the old City Court in Little Collins Street; and under the viaduct at the foot of King Street. Cleal described in detail how these beats worked: ‘One cannot enter but two or three of the above fellows rush in and on pretence of using same will pass some disgusting remark concerning one’s person etc’. The Chief Commissioner despatched one of his officers, Sergeant Canty, to investigate. Canty’s report provides further detail and description of who he encountered at the public toilets. He reported that men ‘known by the term “Pufters” [sic], are generally well dressed, sober, quiet in their manner and some of them very well connected’. Canty further noted about these men: 'it is often very difficult for the police to catch them offending, and if they do at any time make filthy or indecent overtures to any man, they believe him to be similarly inclined, but should they make a mistake the man insulted never thinks of giving any of them in charge [complaining to the police], but sometimes gives the offender a well-deserved blow or kick instead, of which the recipient never complains.' Sergeant Canty admitted that the problem had existed for some time. But, he added, ‘I don’t think the evil complained of is as great as said in attached [Cleal’s letter]’. In reviewing the file, Canty’s supervisor noted that Cleal, ‘appears to have given these resorts considerable attention’. Much of the evidence for same-sex activity in Melbourne in the early twentieth century comes from court cases and sensationalist news reports. With their eyewitness accounts of the use of local beats, these documents in the collection of Public Record Office Victoria provide a more detailed, understated account, making them some of the more unusual and historically significant records in Melbourne’s queer history. Quoted from "A History of LGBTIQ+ Victoria in 100 Places and Objects" by Graham Willett, Angela Bailey, Timothy W. Jones and Sarah Rood. -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints, Students and Staff, 1960-1970
Photograph envelope containing collection of miscellaneous photographs, most labelled. (1) "Mr. K. Hasler." (Staff 1962-1965.) (2) "Mr. Hasler." (cut out of a wedding photograph.) (3) Principal's Residence with man on tractor clearing between front of house and Californian Redwood. "And we will have vistas...Beautiful Vistas." (4) "Lucy Pruis." (1966). (5-7) Unidentified students. (8) Group of male students on Oak Lawn. "Part of the Old Brigade." (9, (a) "Quadrangular Basketball Team." (10, 10a) "Student Representatives." Names and graduation dates (1965-1967.) (11) Male student standing on top of a wall.k. hasler, staff, principal's residence, tractor, californian redwood, students, oak lawn, basketball team, student representatives -
University of Melbourne, Burnley Campus Archives
Booklet - Catalogue, Charles Potter, Government Printer, Catalogue, Botanic Gardens, Sydney, 1895
... Some handwritten annotations beside plantn?old", "B06.2565... handwritten annotations beside plantn?old", "B06.2565 Mr Frame ...Some handwritten annotations beside plantn?old", "B06.2565 Mr Frame" on cover, "J. P. Leathe", "1895" inside cover. names. "J.Stoplants, botanic gardens, lists -
University of Melbourne, Burnley Campus Archives
Photograph - Plan of Burnley Gardens
"This plan is a copy of a copy of the survey made by Mr. Turner in 1926. The original plan and field notes are missing _ file Rs 3529" Signed by _signature unreadable_ -
Falls Creek Historical Society
Journal - Ski-Horizon Vol. 2 No 10, June 1951
Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The original member clubs were Albury Ski Club, Alpine Club of Victoria, Australian Postal Institute Ski Club, Australian Women's Ski Club (Victoria), Beechworth Ski Club, Bogong Ski Club, Bull Lodge Ski Club, Chamois Ski Club, C.S.I.R. Ski Club, Edelweiss Ski Club, Howqua Ski Club, Lazy Eight Ski Club, Melbourne University Ski Club, Melbourne Walking Club, Monsanto Ski Club, Moose Ski Club, Myrtleford Ski Club, Rongbuk Ski Club, Tallangatta and District Ski Club, Tanjil Ski Club, Telemark Ski Club, University Ski Club, Victorian Rover Scouts (B.S.A.), Wangaratta Ski Club, Youth Hostel Association, Yurredla Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation. The journal features stories and events chronicling developments in Victoria and internationally.Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this publication include:- Page 2: Albury Ski Club is set for a positive year. Present membership of the club is 130 and officials. recently elected are: -President, Mr. Fred Griffith; Vice-President and Booking Officer, Bob Howe; Secretary. Nell Newton; Asst. Sec., Angela Bowler; Treasurer. Sam Roxburgh; Social, Bruce Colquhoun: Trips, June Watson; Bus, Len Egan; Building. John Perger; Equipment, Peter Hadow. Page 3 Toni St. Elmo is planning the monster party the Bogong Ski Club will give at their Falls Creek Lodge on 4th August to the visiting N.Z. team. Page 8 - 9 Article - The Old Order Passes on the Bogong High Plains - an extensive response to the State Development Committee's Report "The Alpine Regions of Victoria; Skiing and Tourist Resorts" and suggestions for the construction of roads, ski tows and other facilities. A sketch map of Falls Creek Village is included.ski history victoria, federation of victorian ski clubs, development of falls creek -
City of Greater Geelong
'Old Spice' Contraband, c1980
... Museum Pipe Mr Watto Cell 24 Paraphernalia Old Spice Small ...Prisoner made smoking pipe confiscated from prisoner "Mr Watto" cell 24, who was the boiler Stocker in the laundry. Circa 1980's. See Senior Prison Office Jack Glenoble (oral history database - Object number (COH-0001) for more details.See Senior Prison Office Jack Glenoble (oral history database - Object number (COH-0001) for more details.Small improvised smoking pipe made from an after shave balm bottle and possibly a pen casing.Old Spicegeelong, gaol, museum, pipe, mr watto, cell 24, paraphernalia -
City of Greater Geelong
Acrylic on Canvas, Big Day Out, 2010-2011
Rohan Robinson is an artist born in Geelong, and attended “the Mill” part of Deakin University in 1980-82, studying Fine Art. In 2010-11, he was the manager of Kayili Artists Aboriginal Corporation, at Patjarr in the Gibson Desert W.A., where he oversaw the development and marketing of artworks of the corporation’s members. The community is the remotest in Australia and averaged 25 people, mostly consisting of elderly people and part of the Ngaanyatjarra region, with some members not having any consistent contact with white fellas up to the mid 1960’s. During his time it was common for all the community members to go out hunting and having a visit to important areas, where members would get some tucker of rabbits and lizards and honey ants and perhaps some “meow meow” and have a nice sleep in the shade on the warm sand. Robinson would often take his painting gear along and do some work on unstretched linen on the desert ground, he would paint for a while and then perhaps lie around with the elders or follow one of the expert hunters and observe from a distance [several meters] the skills of elderly women casually walking through some recently burned spinifex knocking cowering bunnies on the head with a steel rod. It was on one of these occasions, when this particular painting was being conceived, that after returning from the hunting mission, he was informed by some of the mob, that an elder had been spending time looking at this work in it’s infantile stage...”You know the old fella over there, he been looking at that painting of yours” It was later in the day, when returning to Patjarr, that the elder Arthur Robertson approached Robinson, and demanded/asked that Robinson paint his stories for him. Mr Robertson was suffering from Parkinson’s disease, and was having trouble painting, but had been doing some brilliant work with Posca markers. It was with a certain reluctance that Robinson agreed, as he felt this to be a “political hot potato in some quarters” but also respected a relationship between artists beyond the cultural divide. Mr Robertson demanded that they start immediately and armed with pencil and paper they created the notes for several paintings under Mr Robertson’s direction. The painting that you are viewing is signifcant in that it was the catalyst for this relationship between the two artists. Mr Arthur Robertson died later that year 2011.Gold framed blue and earth tone painting. Painting depicting four circles with mountain and sky in the background. -
Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, Cherry picking in Wonga Park in 1930’s. Mr. and Mrs. Van der Sluys, Mr. W. Heims and sons on property. Cherries were taken to the Victoria Market on the T-Model Ford, 1930s
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, Mr. A.J. Upton picking Jonathon apples in 1931 from a 30-year-old tree planted by the late Mr. Launder, c 1931
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, The Honour Roll to Wonga Park residents who served and or died in the First World War. This was donated by the first Mr. Stocks, and hangs in the Wonga Park Hall today, Not known
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, A view towards Lilydale from Wonga Park in about 1933. Young Harry Heims with his dog. Mr. Stephenson’s home is in the background, c1933
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, Mr. Ken Heims with a baby calf in early 1930’s, early 1930s
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, The remains of the Ammunition Store on Stane Brae, 1984. During World War II soldiers were trained here. Mr. Fred Renton on left, c1984
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Wonga Park Community Cottage History Group
Photograph (sub-item) - Black and White, On the road to Wonga Park, Mr. J.E. Hooper’s house and orchard, 1931, as seen from Jumping Creek Road, now the site of Hooper’s Road, c1931