The woman is Mrs. Ron Groves, formerly Dulcie Stevenson, Cheltenham.The photo shows a woman standing in front of road signs at a road junction. The visible signs read "17 Stawell" and "163 Melbourne" to the left and "Halls Gap 1" and "Dunkeld 49" to the right.people, tourists

Royal Australian Navy 1911-1961 Golden jubilee. Royal Australian Navy Jubilee Souvenir. Highlights from the past, an account of the present, a glimpse of the future. The book has 49 pages.books, military, navy

Negative of tram 685 in Elizabeth St, north of Lonsdale St. Tram has destination Essendon... and Route No. 49 Has an advert for Dents of Essendon for Austin motor cars and Rivella wines.Paper folder that contained the negative had "NR11A" written in red ink, "M12" written in pencil, "11A" written in blue ink, and date stamped as 29 Nov 1959.trams, tramways, w5 class, elizabeth st, tram 685, route 49

Servicemen allocated beer ticket for ration of beer and to return empty bottles. Issued by Dai Nipon Brewery. Item in the collection of Richard William McGILVERY, RAAF. Refer Cat No. 7287P for his service details, photos and awards.Small ticket on white paper with black writing. Instructions on one side. Blank on the other side and punch holes in shape of a letter 'U' and letter 'T' through ticket. Some writing is in Japanese and brewery identified.Titled "Beer for use of Allied Forces only". beer ration, bcof

Refer Cat No 4783Document Form U.3 certificate of Enrolment, off white colour rectangular shape all print in black typing in black, hand signed in black by two people, stamped in purple on bottom RH corner.“Exemption has been recommended Area 18B, Oliver Foster, Tree Lopper Rosedale Rd St Ives, Hornsby 4 Mar 43”documents, certificates, enrolments

Photograph - Men in bike race On Rear: Courtney dean (BGO) (Twin brother to Trenton Dean) He came second, his brother Trenton came first in the U-17 C Grade Scratch racerecreations, sports, cycling, bendigo advertiser

Clothing. Orange silk full length petticoat. Shallow inverted U shape across top with decorative spoke stitching 2 cm below edge. 1.3 cm shoulder straps. Unshaped at bust line.costume, female underwear, orange silk full length petticoat

Part of Old Lintonian collection ; No. 49Sepia photograph of a man with moustache wearing suit with fob watch and chain, standing with left arm resting on furniture, right arm by his side."Hans Thiesen Steinhold".hans thiesen steinhold, old lintonian collection

This autograph record was compiled by Darren Pittard who boarded at Ballarat College as a junior 1948-49. Most entries originate from 1948-49 but the book also has entries from later years. Black cloth-covered commercial autograph book with coloured pagesSignatures and handwritten inscriptions through bookbruce rogers, ditty, humour

The sod for the Mount Helen Campus was turned in 1967, and students first studied on campus in 1970. In 1973 the Union Building (Building 'U' now the Albert Coates Centre) was completedSix black and white photographs showing external views of the recently completed Union Building (Coates Centre) on the Mount Helen Campus of Federation University Australia. .1) Union Building north entrance, part of library on right, 'S' building in back. .2) Union Building north west corner, residences in background, two males. .3) Union Building north west corner, student residences in background .4) Union Building north west corner, view towards library .5) Union Building north entrance, part of library on right, 'S' building in back. Shows earthworks for the Electrical engineering building ('E' building)federation university, federation university australia, feduni, university of ballarat, ballarat college of advanced education, albert coates, albert coates centre, union building

TEAM MEMBERS FROM LEFT TO RIGHT : - V HUTCHINS, E HARRIS, F JONES, V FAWCETT, C HUTCHINS, J FAWCETT, N DAWSON, U SPARKSPHOTOCOPY OF CLUNES BASKETBALL TEAM C 1939local history, photography, photographs, sport, basketball

Reproduction of an illustration of a cable tram set in Lonsdale St Melbourne with the Melbourne Hospital in the background. Set has the lettering of "North Carlton and St Kilda", trailer number 49. Subsidiary destination of Rathdowne St and Brighton Road. Three copies held. .1 - Black and white photograph of above from the Colin Jones Collection added 18/3/2021. See image htd5200i2 The "blob" above the trailer is not shown on the illustration.Yields information about cable set with trailer 49 and the Melbourne Hospital in Swanston St.Series of black and white reproduction photographs, one with extensive notes on rear.1 - Has TMSV Sales, 332 Flinders St on rear. 2 - On the rear of the print ex Colin Jones, "Mitchell" crop marks for printing and various sizing notes. 3 - handwritten in fading ink by Alf Twentyman - "Cable trailer 49 ran to Brighton Road until Dec. 1897, later ran between Queensberry St and St Kilda Esp, after Swanston St, put on North Carlton route as car 299, now at Deepdene 1968-69"trams, tramways, rathdowne st, brighton road, cable trams, north carlton, st kilda, hospital, tram 49

Blue cardboard cover foolscap size book with vinyl binding. Typed Minutes of the Bendigo Castlemaine Public Service Association dating from 11/4/49 to May 17th 1954 enclosed.bendigo, institutions, public service association

Some 241 black and white photographs of trams in Sydney and Newcastle. Includes works cars, horse trams, some depots and location and coloured postcards. Contains a newspaper clipping titled "Tram Dive in Harbor: Four hurt", from the Sydney Sun newspaper dated 21/7/1952. Almost all of the photographs have been obtained from his correspondents. For details of each photograph and layouts see - WJ Sydney Electrtic part 1.pdf Has a strong association with Wal Jack and his collecting of tramway history / developments until 1964.Black loose folders holding some 49 black coloured sheets of light card on which photos have been mounted using photo corners of various types, captions in white ink. trams, tramways, sydney, newcastle, tramcars, wal jack

Cheltenham Bowling Club officially opened on October 10, 1908 in the presence of over two hundred district residents. Black and white image of members of the Cheltenham Bowling Club outside their clubroom at the corner of Centre Dandenong Road, and Wilson Street, Cheltenham. This image marks the official opening of green for season 1948-49

Buff coloured envelope (used) addressed to Messrs U. S. Constructions, Nicholson St. Footscray Vic. Picture of windmill as trademark. Sent from Old Windmill Joinery, 8-10 Whitehorse Road, Ringwood, Vic.

Iron and wooden brace for drilling holes. The U-shaped crank has a wooden spindle on it and along with the top spindle is allowed to freely turn under the hands without producing wear and tear on the hands. A drill bit is in the chuck.brace and bit

This paper roll holder would have been used in a retail premises. Large brown paper rolls were able to be cut to any length for wrapping goods.Two wooden bevelled pieces, narrow piece on top wider piece on bottom with steel support ends and moveable centre piece screwed to wood pieces. Steel ends have "U" shaped holder in inside at centre.Steel ends have two raised diamond patterns. "24in CLARENCE 24in"shops, george evans collection

The photronic cell used in electrical experiments to demonstrate control of currents and lighting.Black bakelite circular case with two socket pins. Circular open top with tiny copper pins around the edge. Box Black and whiteName of maker and item: WESTON PHOTRONIC CELL MODEL 594 PAT PEND NEWARK N J U S Aweston, photronic cell, socket pins, copper pins, bakelite, experimental, electrical currents, lighting

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white paper. 104 pages.Front Cover: 6 / 0 / 0 / 2 / n / a / i / n / o / t / y / u / R / R /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

'Kew, Kew East, Balwyn & Balwyn North are located approximately 7km north east of Melbourne. Four main stormwater drains service the area flowing from south to north. Three of the drains: Deepdene Drain; Balwyn Drain & Glass Creek converge in Kew East just west of Burke Road at Kew High School before discharging into the Yarra River. The fourth drain, Kew Main Drain connects directly with the Yarra River to the West of Glass Creek.' The Kew Main Drain is a barrel drain that was created in the 1930s, and follows the route of the former Connor's Creek from the vicinity of Genazzano FCJ College to the Yarra River in East KewImportant and verifiable evidence of the construction methods used by the Melbourne & Metropolitan Board of Works in building the Kew Main Drain, before its reconstruction in c.1985.Original print colour positive photograph of the Kew Main Drain, provided on 14/12.84 to the Chief Engineer of the City of Kew, Ian Poulter, by the Supervising Engineer (Works), Southern and Eastern Drainage, Melbourne & Metropolitan Board of Works. The record includes an image of the reverse as well as the donation document from the MMBW."A84/1855-10 / 750mm council drain looking U/S [up stream] from Parkhill Road, Kew."kew main drain, stormwater drains -- kew (vic.), connor's creek -- kew (vic.)

The objects are a sample of medium caliber lead shot raised by Flagstaff Hill divers from the Loch Ard shipwreck site in 1976. Included in the vessel’s cargo manifest were 22 tonnes of lead shot, packed into her holds in cloth bags and wooden casks. These 49 pieces of 7 mm diameter lead shot are identical in size and smoothness. Each one also bears the same slightly raised square of residual metal left behind by the process of pouring molten lead into individual but identical moulds through a small (square) opening. These pieces of shot can be compared with contrast pieces in the Maritime Village collection, which are examples of shot tower pellet production; an industrial technique more suited to the creation of uniformly spherical balls that do not need subsequent trimming. In conventional shot tower production, lead is heated in a cauldron at the top of a 150-160 feet tower, and poured through a copper lattice that divides the metal into falling droplets. As these droplets fall, they spin into small spheres and gradually cool, before finishing in a pool of water at the bottom of the tower. However the maximum size of lead shot, and the economic efficiency of shot tower production, is limited by the practical height of the drop. Larger diameter lead shot must fall further in order to cool evenly and sufficiently to avoid shape distortion on hitting the water at the base. This sample of larger 7 mm lead shot, although mass produced, appears to have been manufactured under the traditional and more labour intensive mould system. They are therefore distinct from the other samples of smaller gauged and shot tower produced lead shot that were being imported on the Loch Ard . In terms of metallurgical technology these 7 mm shot are more closely related to an artifact in our Collection (No. 5241) — a forged set of pincers or pliers with two facing cups at the end. When the pincers are closed, the cups join to form a single mould. Molten lead is poured through a small (circular) opening left at the top of the mould. When cooled the pincers are opened, breaking the mould and releasing the lead shot. The excess metal left over from the pouring operation at the top of the ball is then trimmed off using the scissor like cutting edges on the inner side of the pliers handles. In this manner, individual shooters were able to make their own ammunition for their shotguns. History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register Ref S 417. Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. A quantity of forty-nine (49) loose round lead shot of 7 mm diameter retrieved from the wreck of the Loch Ard. All are smooth round spheres with the same small raised square of excess lead on one face.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, shipwreck artefact, shot, lead shot, shot towers, shot mould, colonial imports, practical metallurgy

Black and white photograph showing the Spare Freight car, former U class, No. 206 at Preston Workshops. Has the destination of "Freight Car". Photo by Ken Winney May 1947.Yields information about the trams used as Freight cars in 1947Photograph with typed details on the rear.Typed "MMTB Freight car spare, No. 206 at rear of Preston Workshops, May 1947 " and the K J Magor stamp with "K Winney" typed in. trams, tramways, tram 206, u class, freight car, preston workshops

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the stern of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of work being donw on the stern of the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph showsa new plate being fitted to the Fenris.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a new plate being fitted on the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the front of the M/S Fenris in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is an indecipherable mark in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949