black and white photo, group of mixed aged males and females. Seated and standing on lawn amongst trees. C.E. picnic at Botanical Gardens, Bendigo 1930, on reverse. Also names of figures written on back in pencil. Back row: Vern Carroll - - Ray Carroll - - - - - Daisy Hinkson, Mrs W. Potter. Middle Row: Bob Wilkinson - Stella Dunston, Daisy Thorogood, Vim Wilkinson, Edith Dingfelder. Front Row : Wes Harry, Wally Beaton, Moira Draper, Bill Baxter, Olly Williams, Lil Potter, Arthur Lewis, Harry Potter. Stamp at bottom, Wesley C. Harry.,Wesley C. Har-y Stamp on backperson, group, c.e. picnic at botanical gardens

Sepia photograph on grey mount of P Rohs Bone Mills, artificial manures, flock mills. Timber building, with large brick chimney stack. Dray loaded with bags of manure pulled by white horse. Female and male figures on platform in front of building. Two children and group of five males and one female on ground. Inscriptions: in image - 'P Rohs, Bendigo Bone Mills, Artificial manures, flock mills'. On cart in image - 'Bendigo Bone Mills', On front TR corner 'MP115'. On back - 'Peter Rohs Fertilizer Factory, Rohs Road, Bendigo c1880'. Handwritten on back in ball point pen.buildings, commercial, p rohs bone mills

Collection of State Income Tax and Land Tax Assessment notices (S A Bush, Bairnsdale): a. Year commencing 1/7/1919; b. 1/7/1920; c. Land Tax Notice for year 1921; d. Memorandum to Taxpayer (assessment of income for 1919-1920); e. Handwritten single-page note relating to figures for various income tax and rates (& other) dated 10/8/1921. On reverse of note is Thanksgiving Service (United Peace) held at the Rotunda, Bairnsdale Tuesday 12 Nov. 1918 - Order of Service. Union Lodge of North Gippsland invitations (2) to ordinary meetings of the Lodge. 1930.person, individual, bush collection - personal, bendigo, bush collection, collection, business, commerce, retail

4 pages from the 'Mining and Geological Journal', July 1938. Front page is an index to figures in the graptolite collection. 'Numbers in brackets are taken from the Fossils Register of the Mines Department Museum, Melbourne, and refer to the specimens in the Museum.' Lancefieldian, Bendigonian, Chewtonian, Castlemainian, Yapeenian, Middle Ordovician, Upper Ordovician, Gisbornian, Estonian and Bolindian categories are described. The numbers on the BHS fossil collection relate to the numbers/names on the page. Two following pages illustrate the fossil types within the major categories. Small sign with pages ' 'Fossils, Bendigo & /surrounding Districts' was with the fossil display in a glass display cabinet, ex Museum of Mines Museum, Bendigo.

Yields information about the passenger traffic in Ballarat during Feb. 1962, Yields information about the passenger traffic in Ballarat during Feb. 1962Memorandum and Report to the Engineer & Manager from the Ballarat Manager - all with rounded corners. .1 - Memorandum dated 16/3/1962 forwarded detailed traffic figures referred to in a letter of 5/3/1962 .2 - detailed analysis of average passengers per trip including scholars for each route by hour - was dated Feb. 1962, but has been crossed out. .3 - Passenger density and direction per hour for each route - Saturday - was dated Feb. 1962 - but has been crossed out and August 1963 written in. .4 - as for .3 - for Sundays. See Reg Item 7931 for similar reports and 8030 for another version.trams, tramways, reports, passengers, ballarat

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict ‘Africa’. The article records that: ‘Notwithstanding the large size of the drawings they are often marked by delicate touches, and a minuteness of detail in evident sympathy with nature. The figures have grace, life and animation and the skillful shading of the colours used — chiefly amber, gold, light blue, green, light fawn and brown – is in harmony with the quiet tone of the general furnishing of the rooms.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. All cards have titles on the front printed in red. The majority of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Proudfoots Boat House – Proudfoot’s Boathouse is at 2 Simpson Street Warrnambool, on the banks of the Hopkins River. In the 1880s it was a venue for hiring boats for rowing, fishing, sailing and picnics. It was a popular destination for tourists coming from Melbourne for a day or weekend outing. The beautiful historic Victorian period building was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Proudfoot's Boathouse is of historical significance for is connection with Proudfood’s Boathouse. Proudfoot’s Boathouse is an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of boathouses were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Postcard, one of nine, landscape orientation. Coloured photograph print within an oval border and mauve-toned shading. Cameo Image of figures in three rowing boats on still water beside a building with three gable roofs and decorative verandas. Other boats are moored at the landing in front of the building. The roofs each have a tall pole at the front. There is a park right of the building that also has a landing. In the background is a grassed slope and the sea. Reverse has printed inscriptions and an outline for a postage stamp. There is no correspondence written on the card. The card is one of the Jordan Series by Joseph Jordan, printed in Great Britain in the early 1900s. Front, in red: “PROUDFOOT’S BOAT HOUSE / HOPKINS RIVER, WARRNAMBOOL” Reverse in black: “Jordan Series Warrnambool” “POST CARD” “Printed in Great Britain” “This space may be used for Communication” “The Address to be written here” Within the stamp outline: “3 / BRITISH / MANUFACTURE"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, proudfoots boat house, boat house, proudfoots, hopkins river, boats for hire, row boats, recreation

The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia

Local artist Graeme Drendel often depicts isolated individuals against stark Australian landscapes. Even when portrayed in group settings, Drendel’s figures exude solitude and introspection. Their expressions and attire hint at larger, obscured narratives, which the viewer is left to unravel or imagine. His paintings seamlessly blend the ordinary with the surreal, which creates a sense of uneasiness or forboding. Viewers grapple with the challenge of deciphering these compositions.

Domestic ornamentsStored in archival tissue with other artifactsFive Victorian fairings -two suited, rotund men with a towel each, one of a pig with a cart, one with a vase and a turkey, one is a boy with a vase in the shape of a shoe. victorian fairings, vintage household ornaments, warrnambool, fairingsvictorian fairings, vintage household ornaments, warrnambool, fairings

"Waiting to meet the Boat". Cowes Post Office, corner Main Street and The Esplanade. A brick building with corrugated iron roof, two brick chimneys, a porch extending across front verandah, wooden posts, awning roof striped. Fencing across with free access above four steps. Ten figures on verandah and in front with hats, bags and jackets. Women with long skirts and dresses. In foreground a small fenced area.Post Office, crn Esplanade and Main Street, Coweslocal history, photographs, buildings - historic, post office, black & white photograph, mary robb

This dressing gown was made from a patchwork quilt begun around the 1880s or 1890s by the daughters of William and Polly Hodgens, owners of the Adelphi Hotel near Montague Station, South Melbourne. The quilt became a communal project, added to over many years by the Hodgens children, relatives, friends and guests. Together, they filled the colourful patchwork with images and figures from their everyday lives, giving us a unique glimpse into the world of early Melbourne.Crazy patchwork dressing gown made from a patchwork bedspread. Made from irregular pieces of silk, satin, velvet and brocades and embellished with embroidered and painted motifs. Fully lined with maroon silk. Neckline trimmed with thick silk cord. Right over left fastening with two large metal press studs. One of the pieces on the back has an inscription dated 11/7/94 (1894).dressing gown, patchwork, embroidery, hand painted

Set of two sheets of tickets for the Sandringham - Beaumaris tramway. The tramway operated from 1926 to 1931 when it was cut back to Black Rock. Tickets are printed for the various available sections and by each division for various fares, but without actual ticket numbers. See reference pages 129 - 130 for details and various figures for examples. The second sheet shows tickets that came into operation following a fare rise on 1/2/1928.Yields information about the paper tickets used on the Sandringham to Beaumaris Tramway.Set of two foolscap sheets with 21 paper tickets glued to them along with pencil or ink notes.tickets, vr, vr trams, victorian railways, sandringham to black rock, beaumaris

Black and white text on these slides features terminology relevant to design such as Contrast, Intensity, Hue, Value, Visual texture, Figure-ground relationship, Form, and Composition. An accompanying group of full colour artworks and photographs, featuring male figures with clasped hands, probably aim to demonstrate the above terms. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 12 mounted 35mm black and white text slides (numbered 1 to 12). 9 full colour slides (numbered 16-28, incomplete)."DESIGN" "Lecture" and "1" handwritten on first slideuniversity of ballarat, teaching aid, graphic design, lecture slides

The style suggests that it may have been part of the fittings of the newly opened 1937 George V memorial building at Port Melbourne. Possibly hung in the Dining hall.Religious artSolid heavy wood panel carved in relief depicting 12 bearded figures, robed and seated around a table covered with a cloth. The table is laid with seven dishes, a loaf of bread, a wine cup in front of the central figure and a dish below the table on the floor at left, and a wine or oil jar at right. The sculptor has carved the wood in a style reminiscent of the medieval or early renaissance craftsmen. There are three modern steel screw attachments for hanging attached at verso on sides and centre top edge. The subject is the Last Supper of Jesus and his twelve disciples, with Judas at left end of the table seeming to cover with his hand a bag, perhaps the 30 pieces of silver.the last supper, jesus, disciples, carving, sculpture

Hughy Pippin. Refer 1502 medals, 1513.4 documents..1 Medallion, brass, star shaped with circular floral arrangement. Centre is shield with what appears to be "HP" with floral arrangement. Rear is engraved, top has small ring for a chain. .2 Small box, hinged, rectangular shape. Felt lined and held .1. .3 Colour patch, oval shaped, purple over red, 38th Btn AIF. .4 RSL membership badge, large version with 2 central figures. Stamped number on rear, 2 lugs on rear tor attaching to clothing. .5 badge, bronze, circular with crown atop and rising sun in centre. Underneath rising sun is a scroll with "Australian Military Forces" and underneath "AIF".1 "Presented to No 1895 Lance Corporal Hugh Pippin 38th Battalion AIF by the Euston Reception committee for returned soldiers 2.5.19" .4 "Returned Sailors & Soldiers Imperial League Australia 63256" .5 "Returned from Active Service 262541"numismatics-medallions, badges, uniforms-army, badges, containers-commercial, metalcraft-brassware, bronzeware, service clubs

The Ship's Report Inward contains entries from 1877 to 1917. It is a record of vessels that visited the Port of Warrnambool during that time and was filled in by the Harbour Master on behalf of the Warrnambool Harbour Board. The book has also been used as football scrapbook for both the Australian and Victorian Leagues, with articles and photographs from the early 20th century events and photos of players in 1953. A child has also used the book for drawing and writing.It appears that this historic ledger was once regarded as insignificant and used for other purposes such as a scrapbook and spare paper for drawing. However, the ledger is now considered to be of important locall significant for its accurate reports of all vessels inward bound to the Port of Warrnambool, giving a summary of activities during the forty year period from 1877 to 1917. It is also a reference to early Australian and Victorian football media.Ledger of the Warrnambool Harbour Board, containing the handwritten Ships Report Inwards for the Port of Warrnambool. First entry 1877. Last entry 1917. The book has also been used for a football scrapbook and contains newspaper cuttings of early 20th century AFL (Australian Football League) and VFL (Victorian Football League) events and photographs. There are several lose clippings between the pages throughout the book. The cover's spine has a gold embossed title and a pasted title, and the pasted front cover has figures relate to the scrapbook. There are also child's writing and drawings in pencil on some pages. A white label inside the back cover has a blue pen inscription. Embossed title "SHIPS' / REPORT / INWARDS" Pasted title "LEAGUE / GAMES" Label inside back cover: "R 759"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, warrnambool harbour board, ships' report inward, port of warrnambool, warrnambool harbour, harbour master, afl, vfl, australian football league, victorian football league, early 20th century, newspaper cuttings, maritime record, maritime history, 1877-1917, 1953

Pocket size - folded - public transport map of Melbourne, printed in colours showing the bus, train and tram routes around Melbourne. Has a cover price of 10c. No printing date shown, but c1970 as distances are still in imperial, the West gate bridge is shown, though so is the Williamstown Ferry. Gives telephone numbers in 6 digit figures. Lists route numbers for trams, tramways board bus services and private services. Gives various telephone numbers for further information. Notes the map is a combined effort of the Tramways Board, Victorian Railways, Bus Proprietors' Association and the Transport Regulation Board. Single sheet of paper folded in 9 x 3 folds.trams, tramways, melbourne, map, public transport, routes

This photo is probably the oldest known photographic record of the Balliang Football Club, an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in two rows with two men reclining in front. Fifteen men are wearing horizontally striped football guernseys, one wearing a guernsey which is vertically striped. Two men wear white guernseys with a diagonal sash, one man in the back row is dressed formally in suit, collar and tie. One man, identified as the umpire, is in a white polo-necked sweater and is holding a football. The photo is taken in a clearing in an outdoor setting. It is possible to see the figures of three women in the background, two looking on from under a tree, one walking along a footpath.Above the photo in red ink:"Balliang Football Team 1912." Beneath the photo in red ink with one alteration in blue ink the names: "J.Davie, C. Bissell, F. Dodemaide (these two names showing a reversal of position), J.Turnbull, G.Dodemaide, A. Phalp, A. Bissell, A. Cashmore, J.Sharkey. R.McArthur, J.Cashmore., W. Loats, C. Smith. Elliott (ump), B.Phalp. W.Cashmore, L. Beggs. Because the number of names given does not tally with the number of men in the photo, it is not possible to accurately ascribe a name to any individual player. Underneath the hand-written names, there is a circular professional stamp of the photographer, reading: PHOTO ARTIST BACCHUS MARSH. A.BESELERballiang football team, australian rules football

Radio transcript - 11 foolscap sheets, typed, titled "Draft Wireless Report 28th May 1926" of a talk possibly by the Manager Mr. Murdoch as it mentions the Assistant Manager Mr. Young. Document is a draft with pencil alterations and figures or numbers outstanding, some have been written in. Provides notes on running control, tickets, employment, training of both cable and electric drivers, driver training, Hawthorn school, braking, conversion from cable to electric driving, conductor training, monitoring of the services, rosters preparation, fare collection, speed of services, tram stops, passenger behaviour, issues with motor vehicles, collisions, accidents, safety and costs of extensions.In blue pencil in top right hand corner appears to be "Assist Mgr"trams, tramways, traffic staff, operations, training, radio stations, drivers, conductors, rosters, tickets, behaviour, accidents, safety

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

A framed certificate given to Melbourne Legacy from the Returned and Services League of Australia (RSL) as a gesture of appreciation, for research into the Australian Spirit project in 1990. Both Legacy and the Returned and Services League (RSL) often combine together on projects of mutual interest.Glass surrounded by metal frame, colour gold. Grey background, changing from light grey at top to dark grey at bottom. Top left hand corner, globe featuring the Australian continent in yellow. Centre left, Legacy symbol. Centre right R.S.L badge. Bottom, in yellow, adults and children portrayed with arms upraised. One adult waving the Australian flag. Printing in white, black and yellow.Top:- in yellow print, The Australian Spirit. White globe, yellow continent of Australia. In white .Our Country . Our Achievments . Our Pride Centre :- Presented to Melbourne Legacy Club with appreciation for your generous support December 1990 Legacy symbol Signature of Chairman Legacy Co-Ordinating Council Signature National President, Returned Services League RSL symbol. In black type. Bottom:- Adult and child figures in yellow. One adult waving Australian Flag A Reseach Project into Australian Achievments, in white print. rsl, recognition

Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite three-dimensional object consisting of a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. The Shakyamuni Buddha thangka embodies the historical Buddha, Siddhartha Gautama, whose journey to enlightenment and then teaching forms the cornerstone of Buddhist philosophy.A Tibetan thangka depicting Shakyamuni Buddha.buddhist art, tibetan buddhism, holy objects

1897 G P G THE BENDIGONIAN Black and white newspaper cutting pasted onto cardboard. ' Captains and Secretaries of the local cycling clubs' 8 male figures with bicycle lying in front of photo. Names of men printed around photo:; Rear: J. Porter, Secretary, Rovers CC. C.E.H. Swyer, Secretary Bendigo CC., J.H,. Marwick Captain Ramblers CC., Centre : G.W. ---- Captain Rovers CC, H.M. Bickerton Secretary proterm Rambers CC, C. Jeffrey, Captain Eaglehawk CC, C. Ward Captain Bendigo CC. , H. Lay Secretary Eaglehawk. G P G Bottom R.H.Side On back in blue biro: Mr. Ward, 72 Lily Street.organization, club/society, cycling clubs

Young Workers Patriotic Guild printed in large letters upon cardboard certification issued in 1917 to Frank Robbins a pupil of Leichardt School No 1317. Colour illustrations show figures of Justice and Peace above two kneeling students. Signed by H W Lawson Minister, F Tate Director and John J Bell Headmaster. Reverse has ink handwritten note signed F R 2/8/1968, stating, 'This is how the children won . The First World War. Each child received a certificate which was in a frame . 'The first world war began 4/8/1914. 54 years.' Frank Robbins taught at Bendigo High School for many years 1940-50s.bendigo, education, young workers patriotic guild

Event, Bendigo Y.M.C.A., Y's Workbox, Sunday, October 26th,1986, at the Y.M.C.A. Stadium, Mundy Street, Bendigo, 10am - 5pm. Admission: Adults $2.50, Children 50c, Devonshire Teas $1.20. Crafts include; Fantasy Figures, Woodcarving, Bread Dough Jewellery, Various Embroidery Techniques, Sand Pictures, Irish Crochet, Slipcast Ceramics, Herbal Products, Lead Lighting, Tatting, Ribbon Flowers, Porcelain Dolls, Applique, Polished Natural Timbers, Dried Floral Art, Knitted Lace, Natural Material Baskets, Marzipan Fruits, Bobbin Lace, Christmas Novelties, Papermaking, Embroidery Thru the Ages, Childen's Display & Parade, Display of Knitted & Crochet Rugs. C.MarroneC.Marrone.event, exhibition, bendigo y.m.c.a.

A report produced by Maroondah Presbytery of the Uniting Church examining the state of the church in the Nunawading and Blackburn regions. Churches included are Mount Pleasant, Mountview, Nunawading, Parkmore, St Ninian's, The Avenue, and Vermont Uniting churches and the Nunawading District Young Adult Ministry. Statistical membership figures are given and compared with demographics of the district. Ministerial and other leadership resources are listed. Property details are listed as are community resources provided. Information on Strathdon Community is given. An appendix relates the amalgamation of the Mitcham Methodist and Presbyterian Churches to form Mountview Uniting Church. Another appendix relates a parable: 'Lying Offshore' by William Jones. A map shows the location of all local Uniting Churches. 20 pages.A report produced by Maroondah Presbytery of the Uniting Church mount pleasant uniting church, mountview uniting church, mitcham, nunawading uniting church, parkmore uniting church, forest hill, st ninians uniting church, blackburn south, vermont uniting church, uniting church. young adult ministry, nunawading district, strathdon community

.1 - Book - 52 pages + light grey cover, issued by the British Engineering Standards Association, titled Limits and Fits for Engineering - British Standard 1916 - Part 1 - 1953, with amendments to July 1969. Has a table of contents, with definitions, specification and tables. BS 1916 .2 - Book - 52 pages + light grey cover, issued by the British Engineering Standards Association, titled Guide to selection of Fits - British Standard 1916 - Part 1 - 1953, has a table of contents with specification, figures, examples and tables. Both copies have an Standards Association of Australia paste over sheet on the front cover, referencing the document without amendment as AS B132, dated Feb. 1956.See History of object for stamps. part 1 has "T. Baker" in ink on the top of the first page. trams, tramways, engineers, manufacturing, workshops, machining