In 1936, a plate commemorating Adam Lindsay Gordon's service as a soldier of the Queen was installed in the Wilson Memorial Hall— formerly known as the Brighton Drill Hall— recording that the poet was sworn in there as a member of the Brighton Artillery Corps in 1869. Gordon lived in Brighton for only 14 months, but took an active interest in the Artillery Corps. In addition to the memorial plate, two photographs of the Brighton Artillery corps, were unveiled by Mr A. C. Wilson, a son of the Councillor Thomas Wilson before whom the poet took the oath of allegiance to the Queen. This photograph shows a group of the corps, with Gordon in uniform.brighton artillery corps, soldier, adam lindsay gordon, a.c. wilson, cr. t. wilson, poet

In 1936, a plate commemorating Adam Lindsay Gordon's service as a soldier of the Queen was installed in the Wilson Memorial Hall— formerly known as the Brighton Drill Hall— recording that the poet was sworn in there as a member of the Brighton Artillery Corps in 1869. Gordon lived in Brighton for only 14 months, but took an active interest in the Artillery Corps. In addition to the memorial plate, two photographs of the Brighton Artillery corps, were unveiled by Mr A. C. Wilson, a son of the Councillor Thomas Wilson before whom the poet took the oath of allegiance to the Queen. This photograph shows a group of the corps.brighton artillery corps, soldier, adam lindsay gordon, a.c. wilson, cr. t. wilson, poet

The Gordon - Account Book Ledger - Suitable of Students and Commercial Use. Green Cover with Dark Blue writing and Blue pattern insert in middle. Plain back cover. Australian Red Cross Kangaroo Flat Branch - Account Book June 1940 to June 1944. Summary of Receipts and Disbursements from 13th Nov to 30th June 1940receipts, payments, auditors report

The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched Drinking Glass to commemorate Victorian Gold Jubilee Exhibition Bendigo 1901-2 Decorated with a scene of Bendigo and fern fronds.Victorian Gold Jubilee Exhibition Bendigo 1901-2 Jack Gordonvictorian gold jubilee exhibition bendigo, 1901-2, jack gordon, bendigo

Royal Blind Entertainers, Town Hall, Bendigo Wednesday and Thursday 3rd-4th, 1938. The Royal Victorian Institute for the Blind presents a programme from the following: The Famous Royal Blind Orchestra. Jack Stewart, Ern Pike, Gordon Girdwood, Harry Keegan, Jack Byrns, J. H. Croker, Will Rule, Terry Scanlon, F. Sutcliffe.entertainment, theatre, town hall

Three pages typewritten document titled: The search for the Crown & Jack and the mystery of the Happy Jack by Gordon and Shirley Roberts. Detailed research on the two Lockwood hotels. Also a copy of a coloured photo of the Happy Jack.bendigo, hotel, happy jack

Artist - Gordon Thurling, BTV6 graphic artist at the time. Understood that he also worked for Myer in Ballarat, has since passed away. See item 6422 for another example.Strong association with the artist Gordon Thurling and demonstrates in a pen and ink drawing the last tram in Sturt St at the time of the closure of the SEC system.Coloured photocopy of a drawing by Gordon Thurling titled "The last tram Sturt Street Ballarat 19 September 1971". Originally a Black and white drawing of tram 39, with destination "Sebastopol" with Ballarat Town Hall in background, which has been coloured with green, grey and yellow watercolours.ballarat, trams, tramways, closure, drawings, last day, town hall, tram 39, gordon thurling

Geoffrey (Geoff) Brooke was newspaper columnist, radio commentator, magazine writer and television broadcaster. He wrote a regular column for The Argus titled 'Your night out'. He opened his own restaurant, Geoff Brookes Steak Cave, in 1965. Later in his life he was a resident of Wellington Street, Kew. He died in 2003, aged 86. The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Sheet music for the song Be Anything (But Mine), featuring a cover photograph of the Australian 'radio star' Geoff Brooke. Brooke, a resident of Wellington Street (Kew), was a close friend of the singer Robin Vanser (aka Robin Kelly The item forms part of the Vandersluys-Kelly Collection of performance memorabilia donated by her to the Kew Historical Society in 2018.geoffrey (geoff) brooke, performing arts - 20th century

W.D. Vaughan in 'Kew's Civic Century' (1960) has a chapter (XXII, pp.103-105) on the Kew Swimming Pool (aka Kew Baths). In the chapter he recounts debate in Council from 1912 about the need for a swimming pool. The first concrete step toward achieving this occurred in 1914 when Council purchased the Tramways Sheds on the corner of High and Disraeli Streets in 1914. Further adjoining land in High Street was compulsorily acquired in 1923. The final plans were accepted in 1925 and following public tender, Messrs. Weavill and Keast were appointed to construct the pool at a cost of 5,418/9/-. The baths were formally opened on 18 November 1925 by George Ramsay, Mayor of Kew. (The Kew Swimming Club was founded in the same year.) Vaughan notes that "mixed bathing was not permitted at the Kew Baths until January, 1928, when it was allowed every evening (except Sundays) and Friday afternoons. A few years later these restrictions were removed altogether".Five black and white photographs of Kew in the 1960s donated by Kerstin Fraser. The photographs include 3 pictures of the Mayor of Kew, Gordon Greer at the Kew Baths and two photographs of the Carmelite Monastery in Stevenson Street, Kew.kew baths - kew (vic), carmelite monastery - stevenson street - kew (vic), cr leo hawkins, swimming

One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

The National Bank of Australasia was formed in 1857. It began commercial operations in Queen Street, Melbourne in 1858. The Bank’s first branch in Kew opened at 87 High Street in 1885. A second building, on the corner of Walpole and Brougham Streets, designed by Inskip & Robertson, replaced the first branch in 1888. The second building remains, albeit in a somewhat altered state. In 1977, the President of the Kew Historical Society received two historic ‘Signature Books’ from the Kew branch of the National Bank of Australia.Important and unique record of names, occupations, addresses and signatures of customers of the branch. A number of signatures belong to individuals of statewide significance. Other information such as customer occupations may be unique.Ledger containing information about customers of the National Bank of Australasia's Kew Branch for the years 1884-1894. The ledger (L8091) was purchased on 29/5/84 from Sands & McDougall, Manufacturing Stationers, 46&48 Collins Street West, Melbourne. The pages of the ledger have printed columns including: No. | Date | Name and Description (to be clearly written off by a member of the bank) | Signature | Initials of Bank Officer. As used, the pages are organised alphabetically by customer name. On each page, sequential numbering extends across the years 1884-1894. Additional pieces of advice from customers are clipped through the page over the customer's signature. Spine - "SIGNATURE BOOK" Inside front cover: Stationers labelnational bank of australasia -- kew (vic.), signature books, banks -- kew (vic.), gordon greer, mr bendixon, marshall slattery, manuscripts, financial records, bank records, national bank of australia

The National Bank of Australasia was formed in 1857. It began commercial operations in Queen Street, Melbourne in 1858. The Bank’s first branch in Kew opened at 87 High Street in 1885. A second building, on the corner of Walpole and Brougham Streets, designed by Inskip & Robertson, replaced the first branch in 1888. The second building remains, albeit in a somewhat altered state. In 1977, the President of the Kew Historical Society received two historic ‘Signature Books’ from the Kew branch of the National Bank of Australia.Important and unique record of names, occupations, addresses and signatures of customers of the branch. A number of signatures belong to individuals of statewide significance. Other information such as customer occupations may be unique.Ledger containing information about customers of the National Bank of Australasia's Kew Branch for the years 1894-1922. The ledger (N9457) was purchased on 9/12/85 from Sands & McDougall, Manufacturing Stationers, 46&48 Collins Street West, Melbourne. The front pages of the ledger have lines and lists of names and customer numbers. Subsequent sections are organised alphabetically by customer name. Columns on these pages include data arranged by: No. | Date | Name and Description (to be clearly written off by a member of the bank) | Signature | Initials of Bank Officer. On each page, sequential numbering extends across the years 1894-1922. Additional pieces of advice from customers are clipped through the page over the customer's signature. Spine - "SIGNATURE BOOK / N.B.OF A." Inside front cover: Stationers labelnational bank of australasia -- kew (vic.), signature books, banks -- kew (vic.), gordon greer, mr bendixon, marshall slattery, manuscripts, financial records, bank records, national bank of australia

Kennedy and sons, Roselea Dairy operated in Kew (<1930-1945>). In 1945 Thomas Kennedy, Michael Kennedy and Patrick John Kennedy traded as Kennedy and sons, Roselea Dairy at 80 Pakington St, Kew. (Victorian Government, 07 December 1945). Tom Kennedy, Jnr, and his wife, Lucy, lived at 109 Pakington St Kew. Tom Kennedy Jnr. died 02 November 1963. Lucy Kennedy died 28 November 1987. "CONTEMPT OF COURT. MILK-CARTER GUILTY. Breach of an Injunction. A Supreme Court writ has been issued by Thomas Kennedy, sen., Thomas Kennedy, jun., Patrick John Kennedy, and Michael Kennedy, trading as Kennedy and Sons, Rose Lea Dairy, against Gordon Allberry Shepherdly, of Barnard street, North Kew, milk-carter, claiming an injunction and damages. Plaintiffs carry on business at Pakington street. Kew, and Melville street, Hawthorn, and they claim In their writ an injunction restraining the defendant from soliciting or endeavouring to obtain the custom of people who were customers of plaintiffs when Shepherdly was employed by them under an agreement dated March 13 1928. Plaintiffs also claim damages. Mr Read (instructed by Messrs. Moule, Hamilton, and Derham) appeared for plaintiffs before Mr. Justice Macfarlan in the Practice Court yesterday, to ask for an order for the committal of Shepherdly to prison, or alternatively, for an order that plaintiffs be at liberty to Issue a writ of attachment against him for contempt of court in soliciting or endeavouring to obtain the custom of plaintiffs' customers. The affidavits set out that Shepherdly was employed by plaintiffs from March I3, 1928. until June 6. 1930. An Interlocutory injunction had been granted pending trial of the action for a permanent injunction. Shepherdly, who appeared in person yesterday, said that he had a sick wife and two children. He had not served any of the customers referred to since the granting of the injunction. He had passed them over to another man for whom he was working. Mr Justice Macfarlan - In doing that you have committed a breach of the injunction, and I have no alternative but to order that you be sent to gaol. I will make an order that you be committed to prison until further order of the Court. I will direct, however, that the order be not executed until Tuesday next. If you can then satisfy the Court that you have ceased to serve, or take any part in serving, the customers of Kennedy and Sons, the order will not be executed. (The Argus, 11 July 1930) Rare, if damaged milk bottle from an historic Kew dairyMilk bottle produced for and retailed by Kennedy & Sons Kew. The dairy operated under various names, and at one stage was described as the Rose Lea Dairy. The dairy was situated on the corner of Eglinton and Pakington Streets, Kew. "Kennedy & Sons / Kew / Nursery Milk / This bottle is the property of T.Kennedy & Sons, Kew/ and cannot be legally used by others."kennedy's dairy, kennedy and sons, dairies - kew (vic), milk bottles - kew - melbourne - victoria, thomas kennedy, michael kennedy

A picture of the original Gordon Lodge lodge-room of 1886 - room currently in use by the Lodge's artist-in-residence. Below is a newspaper article from the North Melbourne Advertiser (Vic: 1873 - 1894) for Friday 22 April 1887 that describes the architecture of the building at the time of its completion. From some of the details included in the article it is obvious that the journalist who wrote the article was a Freemason. THE MASONIC HALL ASCOT VALE North Melbourne Advertiser (Vic. : 1873 - 1894) Friday 22 April 1887 THE MASONIC HALL ASCOT VALE The now Masonic Hall, Ascot Vale, the foundation stone of which was laid by the Worshipful Master of the Gordon Lodge (Bro, W. F. Lamonby) in October last has just been completed, and will be formally opened: with grand Masonic ball on the 13th prox. The hall stands on a fine block of land having a frontage of 50ft to the Maribyrnong road by a depth of 130 ft., and is built of brick and cement on a most substantial foundation of bluestone. The Tuscan style of architecture has been adopted with the most successful result, and the front design which is especially handsome, includes four massive pilasters with frieze architrave and enriched cornice, forming the entablature of the order,- and giving a most imposing appearance. The front door, over which are the masonic emblems, is seven feet wide, and two escape doors made to open outwards in compliance with the Central Board of Health regulations are also provided, in case of emergency. In the vestibule is a very fine elliptic arch with keystone enriched with fruit, and the whole floor, 9ft. 6in. wide, is laid with Cawkwell's encaustic tyles. On the right, of tile vestibule is a commodious committee room 22ft. by 12ft 6in with side entrance for members, so that in case the main hall is engaged no inconvenience need be caused. On the left is the Secretary's room, and off this again is a staircase cellar. The vestibule is well lighted with two exceedingly pretty chandeliers, which have a very pleasing effect and give it a nice bright appearance ascending a handsome staircase leading from the vestibule the upper storey is reached, and here everything is splendidly arranged, especially 'the Lodge Room, which is a model of neatness and of comfort. The dimensions are 28ft. x 22ft 6in. with an elevation of 17ft. 6in. to the beautiful cove ceiling, which is quite a work of art. At the east end of the room on a raised dais is the master's chair with the masonic emblems, and neat forms of polished kauri are placed at the sides for members, about 150 of whom can be accommodated. The lighting and ventilation have both been well attended to and all is very complete. The main hall is 75ft. by 35 ft. with a stage 15ft. deep, leaving the auditorium 60ft. x 35ft. with a seating capacity about 600. Round the walls up to 6ft 6in. is a handsome dado in Portland cement and above it are panelled Tuscan pilasters to the entablature, architrave enriched frieze and medallion cornice forming the main cornice to the hall. Immediately inside the cornice is a sunken panel all-round the ceiling relieved with ornamental outlet ventilators. There are twelve large windows, six on each aide, and the sashes, skirting boards, and doors throughout the building are beautifully painted in imitation of grained cedar. Two enormous gas reflectors, each for 50 lights are suspended from the ceiling and besides these, four elegant hanging chandeliers for lighting up the proscenium, and back of the stage, under which is a storeroom for seats, &c, when the hall is required for a ball. The floor is made of kauri, secretly nailed, and is beautifully finished off. At the back of the stage are two lavatories and ladies and gentlemen's dressing rooms, between which are a connecting passage for a call boy. Outside is a capital asphalted yard, and the other usual conveniences on an improved plan. There is a right-of-way asphalted on each side of the building, and a large lamp is to be placed opposite the main entrance to light up the front. Everything that forethought and ability could suggest to make the hall comfortable and popular has been done, and it now only remains for the public to avail themselves of the advantages offered them by the enterprising Company. The cost of the building and furniture, including a magnificent piano, was £2,500, and the land £300. Mr J. C. M. Cowan, of Ascot Vale, is the architect, and Messrs Parker and Pater, of South Melbourne, the contractors. The plastering was done by Mr I Nicholas, of Murray Street, Moonee Ponds, who is also entitled to great praise for his splendid workmanship. Mr Cowan has been most assiduous and particular in seeing that his instructions were carried out to his satisfaction, and the result must be exceedingly gratifying to him and to the directors. The Masonic hall is only one of the many buildings erected by Mr Cowan in this district, among the others being the well known residences of Meessrs. J. Levy, Mooneo Street; W. Murphy, Eglington street; G. Groube, Maribyrnong street; C. A. Arvier, Moonee Ponds ; and F. Paul, Mount Alexander road. It may also be mentioned that Mr Cowan generously presented the plans for the now local fire brigade tower which is acknowledged to be one of the strongest and most graceful around Melbourne, The new Masonic Hall does infinite credit to the borough, and in accommodation, design, and comfort it is not surpassed by any similar building of the kind outside the city.

Whilst the foundation stone for the Ascot Vale Masonic Hall was laid in 1886 Gordon Lodge was not able to meet in their new lodge-room until 1887. In the meantime whilst the Ascot Vale Masonic Hall was being build subsequent meetings were held in the Essendon Council Chambers however this was not a satisfactory arrangement Consequently at the June 1886 meeting a motion was passed that the Gordon Lodge hold its meeting, “…at the Melbourne Masonic Hall, Collins Street East, until such time as the Ascot Vale Masonic Hall is ready for occupancy…” (Due to a ball in full progress) So for the next 6 months the Lodge met at the Masonic Hall at 25 Collins Street.

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded. This particular slide is of 'Fairholme' on the corner of Barry and Fellows Street. The building is listed by the National Trust (Victoria). The citation on the Historic Buildings Register states: 'Fairholme is of State architectural significance as a distinctive free Romanesque Revival residence. Built in two stages, 1889 for solicitor Edward Smart and early this century for importer, J K Meritt, the singular architectural character of Fairholme is achieved by combining window bays and groups of windows with a two-storey gabled porch. The deliberate and distinctively asymmetrical composition is emphasised by Art Nouveau pressed cement detailing (coprosma) on a bowed balcony and the two-storey timber verandah, which is typical of the Edwardian period. The architects were Reed, Henderson & Smart (1889) and C Gordon McCrae (c 1900-1). Internally a grand entry hall with inglenook, staircase and gallery follow the Arts and Crafts quality of the exterior. Classified: 17/03/1993'The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) of 'Fairholme' (1889) on the north-east corner of the intersection of Fellows and Barry Streets, Kew. The photo was developed in May 1979.barry street -- kew (vic.), fellows street -- kew (vic.), historic houses -- kew (vic.), architects -- reed henderson & smart, architectural styles -- romanesque revival, j k merritt

Stawell Grammar School as residence of Mr Gordon. 1928stawell education

Victorian Rangers Orderly Room “A” Company. Victoria Ranges 1898. Taken probably in front of Wimmera Street Rooms. Includes three Akins boys. Charles Henry "Harry" Akins Back row in front of window beside Bass Drummer. Charles Alfred Akins front row fifth from right. Bugler Donald Gordon Akins front row third from right.stawell

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens Loris was born and grew up in Williamstown. She lived across the street from the Gardens at 122 Osborne Street with her parents and siblings. A primary source of information on memories of the Gardens from the 1950s until the time of the interview.CD and transcript of interview with Loris Wood about her memories of Williamstown Botanic Gardenswilliamstown botanic gardens, hobsons bay city council, fish pond, cannons, aviary, adam lindsay gordon, pinetum, fearon reserve, band platform, clarke statue, ernie anderson, osborne street, weddings, horses, gardeners cottage, curators lodge

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Shelley Wood. Shelley was born in Williamstown, as was her mother Margaret McLean. Shelley recalls her mother telling her about spending many hours in the Gardens when she was young with her friend Chic, who was the daughter of the Curator Ernie Anderson. Shelley, who was the first female gardener appointed in the western region, served her apprenticeship at Gardens and is currently the Curator. shelley wood, margaret mclean, tom wood, chic anderson, ernie anderson, 1979, apprentice, fish pond, pinetum, barry heath, golden elm, palms, brian turner, dean splatt, robert anderson, 1988, bicentennial funding, 1987, angela altair, helen page, mary klestadt, mike hirst, john hawker, landscape advisory group, williamstown technical school, gates, buffalo lawn, ian brown, storytime, adam lindsay gordon, statue, archie matthews, aviary, williamstown botanic gardens, hobsons bay city council