From the Title page. "Chivalry/ Stories of the Royal Australian Air Force".Soft cover book. Cover - cardboard, white colour print front and book. Illustrated front - colour photograph of aircraft with two men in uniform. Book montage of photgraphs - airmen on parade, half portrait of an aircraft woman, medals and ribbons. 56 pages - cut, plain, white colour paper. Illustrated colour and black and white photographs, maps and medals.publication, book, stories, raaf

This building was constructed in 1901 by surgeon Dr. William Cussen, a surgeon. His name is still visible in the leadlight above the front door. In 1998 Dr Cussens was an Honorary Medical Office with of the Ballarat Orphanage. In July 1920, the building was gifted to the citizens of Ballarat for the ongoing welfare of returned servicemen and women. Sir John Monash officially opened the building as the Ballarat War Memorial Building. In 1942 a voluntary organisation called The Comforts Fund took up residence in the building with the permission of the R.S.L to transform it into a hostel, providing beds, food and support for many service men and women during World War II. It is estimated that by the end of the war in 1945, one million meals had been served. The building was returned to the R.S.L in the later part of 1945. In 2013, 2 Lyons Street South was given new life as Ballarat Premier Apartments after extensive renovations and began operating as luxury accommodation.Double storey residence in Lyons Street South, Ballarat. 2 lyons street south, rsl, ballarat premier apartments, ballarat war memorial building, the comforts fund, william cussen, surgeon

index, ills, maps, p.324.non-fictionWith the expansion of railways in the colonies that made up Australia in the 1860s, the area that was to becme known as the Riverina was no different to other productive farming areas insofar as seeking reliable and cheap means of conveying produce to the estavlished populated cities. The story of railways and Deniliquin is two-fold, one of success and the other of disappointment.new south wales -- riverina -- history, riverina (n.s.w.) -- history

Calendarnon-fictionPictures of The Corner Store Emerald; Andersons Store; The Emerald Butcher; The Paper run Clematis Store; Emerald Motors; Nobelius Packing Shed; Couper's Store and Abattoir; Leggetts Dairy Cart; Emerald Country Club; George A'Vard's Bullock Team and Early Emerald streetscape.emerald (vic.), emerald businesses

Heidi Schoenheimer is a painter that captures everyday scenes from her day-to-day. Preston Market Flowers depicts a flower stand at the Preston Markets in 2023, capturing the market at a time that its future was uncertain. The market is an important community resource and gathering place with a rich history. Opened in 1970, the space was designed to be adaptable over time, and featured large open walkways and natural light. The flower stand features flowers typically sold in Melbourne, and reflects the brightness and diversity of Preston Market.

“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Artist Bio Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting

'Tropical Flesh (ii)' draws upon the slippery experience of identity to explore family connection. There are threads of dislocation and the thickness of tropical time. Silicone casts of tropical jackfruits are fused with a cast of the artists’ aunt’s foot, the cast of which was made upon her permanent return to Thailand. Together, the visibly-aged foot and a fruit that decays quite vividly, evokes a sense of time passing. The work is informed by the experience of witnessing members of family age in slices of time, across vast distances. The artist asks us to consider the work as a memento mori. Artist Bio Nathan Beard is a multidisciplinary artist whose work draws from his Australian-Thai heritage to unpack the porous and precarious influences of culture and memory. Through the incorporation of exchanges with his family and archives alongside broader cultural signifiers of ‘Thainess’, Beard playfully express the complexities surrounding authenticity and diasporic identity. Recent exhibitions include A Puzzlement, Perth Institute of Contemporary Arts (2022), Husk, FUTURES (2022), Low Yield Fruit, sweet pea (2022), White Gilt 2.0, Firstdraft (2020), A dense intimacy (with Lindy Lee), Bus Projects (2019) and WA Focus: Nathan Beard, Art Gallery of Western Australia (2017). In 2022 Beard completed an Australia Council residency at ACME Studios, London. He has been a finalist in the Ramsay Art Prize (2021) the Churchie emerging art prize (2020), and participated in the 4A Beijing Studio Program (2017), and the Gertrude Contemporary Studio Program (2023-2025).

A photocopy of an article from the Victorian National Trust magazine pertaining to the inclusion of Boongarry Avenue for landscape classification within the Blackburn Lake and Bell Bird Streets, Blackburn.non-fictionA photocopy of an article from the Victorian National Trust magazine pertaining to the inclusion of Boongarry Avenue for landscape classification within the Blackburn Lake and Bell Bird Streets, Blackburn.boongarry avenue blackburn, blackburn lake, national trust of australia victoria

In recognition that Dutch Forces helped defend Darwin and Northern Australia at the outbreak of the Pacific War in WW2.The flag is polyester fabric flag. Colours are; Top - Horizontal Bar is red. Middle - Horizontal Bar is white. Bottom - Horizontal bar is blue. There is a white strong binding on the spine. There is a small nylon cord loop at each end of the spine.flag, ww2, netherlands

x, 164 p.; 23 cmnon-fiction"After an astonishing astronomical discovery is made near Melbourne, two scientists jostle for possession of the world's largest iron meteorite. At a time of growing cultural awareness in Australia, brash colonials challenge hidebound imperial assumptions of ownership. At stake is a glittering prize, and a chance to gain an other-worldly talisman of local identity. Who will prevail?"--Back cover. cranbourne (vic.), meteorite

non-fictionA booklet distributed at the Ash Wednesday 40th Anniversary Commemorative Eventash wednesday bushfires 1983, anniversary

Uncle Jack Charles was a respected Aboriginal elder, a Bunerong, Boon Wurrung, Yorta Yorta, Palawa, Wurundjeri, Tungerong man, and an internationally acclaimed actor, mentor and activist. This inspirational, Indigenous gay man was part of the stolen generation and was taken from his family as a tiny baby. He survived the impact of this early childhood trauma by using drugs. Without support or housing, he was often homeless and imprisoned for long periods of time. True artistic recognition came only later in life. Often the most talented members of our community struggle with addiction and homelessness. This work asks us to take a closer look at the way the state criminalises human responses to trauma, which the state itself has often inflicted, willing us to face history more bravely and to treasure people sooner. Uncle Jack made profound and lasting change in legislation and public awareness on Aboriginality, criminality, and social justice in Australia. After his death there was an outpouring of grief across the country. Leonie worked closely with Uncle Jack over a decade developing this collection and now works with the Charles family to grow his legacy, which continues to positively impact the lives of thousands of people. Artist Bio Leonie Rhodes is an acquired and award-winning multidisciplinary artist from London, working in Brisbane (Meanjin) and Melbourne (Narm) on unceded Jagera, Turrbal, Wurundjeri, Woi Wurrung and Bunurong Boon Wurrung land. Leonie studied sculpture at Chelsea School of Art London, and figurative sculpture at the New York Studio School, NY. Influenced by the aesthetics of urban and digital counter-cultures, metropolitan space and the figurative history of art, Leonie is interested in modes of practice that engage the wider public in the outdoors and online. This socially engaged and skills-based practice is driven by the forging of relationships, community, and the work’s potential to provoke emotion and psychological insights which reinforce connections within and between people and their environment. Narrative and affect itself sit at the intersection of diverse modes of practice including abstract and figurative sculpture, DJing, digital art, mentoring, events, and large participatory installations. By using traditional hand-sculpting techniques, Leonie models a sense of life into clay, wax, and bronze. Working representationally, subtle abstractions take influence from the personality of each subject or the unique surroundings of the installation. Issues of identity, marginalisation and mental health in civic space are explored through relatable stories with thought provoking theoretical content, told via subjects close to the artist, on accessible public platforms.

Article by Rosie Bray and a collection of information on the Greensborough Bowling ClubCollection of Brochures and Article on the Greensborough Bowling Clubgreensborough bowling club, rosie bray, lawn bowls

42 p.; 30 cmnon-fictionA compilation of stories of people and their families buried at Dandenong Cemetery with connections to the Casey-Cardinia areadandenong (vic.), dandenong cemetery

260 p.; 23 cmnon-fictionAeneas Gunn achieved posthumous fame in 1908 as the Maluka, following the publication of Jeannie (Mrs Aeneas) Gunn's acclaimed novel, We of the Never-Never. The story of Aeneas James Gunn prior to and including his year managing a remote cattle station in the Northern Territory can now be told, thanks to the discovery of a large cache of his letters. Gunn's voice enriches the narrative with deeply personal, perceptive and often humorous glimpses into life in Australia during the last decades of colonisation. A proud and capable literary man, Gunn found his vulnerabilities exposed in unusual circumstances. His Anglocentric views would, in time, be tempered by the woman he loved and admired. aeneas gunn

With a glossy cover, this book details the history of Victorian Potteries illustrated by color photographs, maps, diagrams. non-fictionThis book covers the formative years of Victoria's porcelain industry from 1857 to the late 20th century.pottery, dahlke, crockery, hill gregory, springfield pottery, white brothers, commonwealth art pottery and insulator company, springfield road

Ringbound publication of 212 pagesnon-fictionBeverley Chatham ( daughter of Arthur Chatham) suggested that Commerlghip refers to Watering holes and underground springs found in the Little Woady Yallok and Mt Misery Creeks. Rokewood Junction was proclaimed a township in 1885, originally known as a gold-mining township called Paddy's Gully Diggings. rokewood, rokewood junction, chatham, kurus-a-ruc, henry pitman, elizabeth pitman, william henry pitman, rokewood junction state school, commeralghip, paddy's gully bridge, illabrook, conereyalk, woady yalloak creek, mt misery creek, paddy's gully diggings., dereel, pitfield, wadawurrung, william rutland, squatters, aborigines, aboriginal, charlotte walsh, maurice walsh, julie pitman, ben liston, sheep and wool, george hawkins, natthew wakeling, christopher moody, mt misery goldfield, john bower, mary bower, hyslop's hotel, cumberland store, jane hyslop, edward collyer, jospeh gladstone, lucas's bakery, henry batty, william young, ellen rigby, chinese, joseph anguey, eliza anguey, murder of thomas ulick burke, william achultze, william schiltze, nicholas grenfell, tomas bramley murder, emily malhoff, drowning, ah lin, eliza richards, luisa bupell, eleanor holmes, rachel holmes, joseph holloway, noah holloway, thomas faulkner, robert eli hearn, george todhunter briggs, john robinson fairweather, rokewood common, edward bussell, louisa bussell, irving rachinger, john chatham, doris chatham, peter chatham, jack chatham, imogen chatham, domenico rizzoli, mary rizzoli, rokewood junction railway line, illabrook football and netball club, cape clear, red cross, keith annear, fire brigade, rokewood junction post office, len aarons, dereel pre-emptive right, rokewood junction avenue of honour, arthur chatham

Guests at the West Riding Hall, Henry Petrie Community Centre, Montmorency on the occasion of a buffet dinner as part of the Shire of Eltham centenary celebrations. Left: Mr Higgins, Methodist Minister, Eltham and Mrs Higgins and Brian & Irene Robertson, both Captains in the Salvation Army. Reverend William ‘Bill’ Leslie Higgins (b. 15/1/1925, Renmark, Victoria, d. 18/10/1998) and Mrs Ella May Higgins (née Leersen b. 3/11/1921, Avoca, Victoria, d. 24/5/2003). William was ordained to the Methodist Church of Australia on September 1, 1959. Bill and Ella were involved with many communities throughout Bill’s full-time service until 1989. These parishes included Underbool, Wycheproof, Drysdale, Wonthaggi, South Yarra, Eltham, Nathalia, Murchison and Seymour. Bill and Ella touched many thousands lives during their ministry. Bill passed away in 1998 while assisting with a Sunday evening service near Drysdale, and Ella continued to dedicate her time to others until her death in 2003. Information received via Brian and Irene Robertson's son, Mark (15 Dec 2023), noted that in 1969 they lived in Prahran and by 1971 they would have been appointed to Briar Hill (now Greensborough). Brian Robertson's parents and at least one set of his grandparents were also Salvation Army officers (primarily from Victoria), whilst Irene was originally from Perth and she had 2 other sisters that became Salvation Army Officers as well. Irene also had 3rd sister and younger brother who were linked to the Salvos (as was Brian’s brother). After several years in church work, Brian and Irene transferred over to the Social Services branch of the Salvos and worked with homeless men, broken families, drug & alcohol dependent clients (similar to what Brendan Nottle does in Burke St), family stores and eventually seniors (nursing homes). Brian, known as Robbie passed away in 2013, and Irene is currently living in a retirement unit. [Dedc 2023]This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, henry petrie community centre, centenary celebrations, buffet dinner, higgins, rev. william (bill) higgins, ella may higgins (nee leersen), salvation army, brian robertson, irene robertson

One of three photos. Group of people including children associated with the Australian Natives Association at an outing at Eltham Lower Park. The first image was reproduced in EDHS Newsletter No. 163 July 2005 following a query from Nillumbik Historical society (Gwen Myers) seeking information about the location of the photo. It was suggested that it may be Eltham Lower Park, however the house in the background did not appear correct. There were simliar but mirror imaged. A more recent review of these photographs (2023) suggests that the photos were actually taken in Bremners flats (present-day Wingrove Park) looking towards the house near the intersection of Main and Mount Pleasant roads - Mrs Bremner's house. The topograpghy is also more in fitting with this location than that of Eltham Lower Park. A review of a 1945 aerial photo shows only one house of similar style present in this location. Further reviews of photos taken in the 1950s by Grace Mitchell looking back towards Bremner Flats shows two trees close by on a lean similar to that in the photos.Inkjet-printed copy of sepia photographaustralian natives association, bremners flats, recruitment, wingrove park

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This photo is significant because it captures an image of two pioneers of pioneers and active members of Falls Creek Village.A black and white image of George Shirling with two motorbikes on the bank of the West Kiewa River.george shirling, koki lodge

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This photo is significant because it captures an image of two pioneers of pioneers and active members of Falls Creek Village.A black and white image of George Shirling and Michael "Baldy" Blackwell on the Koki Skidoo,On the front of the skidoo: Koki Alpine Lodgegeorge shirling, koki lodge

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is connected to an iconic business established in Falls Creek, VictoriaA flyer produced to promote Koki Alpine Lodge for the Winter Season 1968, including tariffs and activities available. It is printed in black, sepia tones and small touches of blue and brown. Part of the text includes the quotation from Paul Gauguin featured on other Koki advertising:- "For I too am beginning to feel an immense need to become a savage and create a new world." PAUL GAUGUIN, 1887koki lodge, george shirling, phil nowell, "baldy" blackwell, sigi doerr

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it has clear links to an iconic business established in Falls Creek, VictoriaThese antlers were on display on the wall above the balcony at Koki Lodge.koki lodge, george shirling, falls creek businesses, sigi doerr

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This image is significant because it documents staff at a successful and popular establishment at Falls Creek, Victoria.A coloured photo of staff at Koki Lodge sitting on edge of balcony railkoki lodge, falls creek, george shirling, sigi doerr

Built in 1891 for Head Teacher John Brown. His predecessor and the school's first Head Teacher, John Clark, lived in his own house 'Shoestring' in Metery Road, adjacent to the school. At the time of this photograph, the building was being used for before and after school care. Its present-day (2023) use is for school administration offices. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p49 The former head teacher’s residence on 690 Main Road, was built in 1891 for the head teacher, John Brown. His predecessor David Clark lived in his own house known as Shoestring at Metery Road, possibly built in the late 1850s. With the school, Wingrove and Jarrold Cottages, it makes up the original Eltham township south of Dalton Street’s only group of 19th century buildings. The two Monterey Pines were popular vegetation in the late 19th and early 20th centuriesThis collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, dalton street, eltham, eltham primary school, headmaster's residence, main road, state school no. 209

Laughing Waters is the name for a stretch of the Yarra Valley Parklands consisting of river flats and hilly riparian bushland. With Birrarung (Yarra River) flowing through, Laughing Waters has been an important gathering place for thousands of years. For the Wurundjeri, ‘Garambi Baan’ (the name for Laughing Waters in Woi wurrung) is an important site for growing and harvesting food. Significantly, Wurundjeri iuk (eel) traps remain at Garambi Baan to this day. The Wurundjeri Woi Wurrung People take their name from the Woi wurrung language word ‘wurun’ meaning the Manna Gum (Eucalyptus viminalis) which is common along ‘Birrarung’ (Yarra River), and ‘djeri’, the grub which is found in or near the tree. Wurundjeri are the ‘Manna Gum People’ and their Ancestors have lived on this land for millennia. The site on the Yarra River near the former Morrison property Killeavey was given a language name in 2015 at the instigation of Wurundjeri Elder, Dave Wandin. Garambi Baan means “laughing waters” in the traditional language, Woi wurrung. The site at Warrandyte was rediscovered by Campbell Beardsell OAM in 2007 and is one of only a few known remaining iuk (eel) traps on Country once found the length of the Birrarung (Yarra) and the Maribyrnong. Original Indigenous aquacultural infrastructure was dismantled, taken away from sites and used to build houses, fords and roads by Europeans. The difficult and restricted access to this site is thought to be one of the reasons for its survival. The iuk trap is located within lands managed by Parks Victoria. The Narrap team in partnership with Parks Victoria and Acacia Land Management have been improving the native vegetation with a program of woody weed removal, exclusion fencing and revegetation. Importantly, the team have restored the trap’s infrastructure and have demonstrated its effectiveness.” References: Wurundjeri Woi Wurrung Cultural Heritage Aboriginal Corporation - Laughing Waters. (2023, September 3). Retrieved from https://inplace.org.au/laughing-waters/ GARAMBI BAAN LAUGHING WATERS RESIDENCY CENTRE 2020 2024 Strategic Plan, Nillumbik Shire Council (2023, September 3). Retrieved from https://www.nillumbik.vic.gov.au/files/assets/public/minutes-and-agendas/2020/09-sep/15-sep-cm/ocm.177-20-attachment-1-laughing-waters-arts-program_1.pdffay bridge collection, 2015-05-16, eel trap, laughing waters, yarra river, wurundjeri woi wurrung, garambi baan