Norma Bull is an Australian painter who is most famous for her paintings and sketches made during World War II in Britain as an official war artist. Bull was a finalist in the Archibald prize twice, in 1952 and 1953. Her work is featured in collections around the world including the Royal Collection, the Imperial War Museum, the National Gallery of Australia, and the Bright Art Gallery.traditionalRural City of Wangaratta Collection. Donated by Associate Professor Leslie E Bolitho AM.A windy seascape painted in oil using blues, browns, greens, yellows, and whites.Obverse: Norma Bull/ (bottom left)wangaratta art gallery, norma bull, seascape, painting

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994.

Two letters dating from 1943 from the Anama Pastoral Co. Ltd, Central Bungaree, Brinkworth, South Australia, to W.R. Lang re: wool testing and measuring service.wool - testing world war ii, anama pastoral co., ltd, lang, dr w. roy, wool - testing, world war ii

Letter from the Australian Mercantile, Land and Finance Company Limited, 1944 on behalf of their clients W.H. Treweeke and Sons of Umbercollie, Goondiwindi, Qld requesing a wool sample evaluation from W.R. Lang.wool - testing world war ii, australian mercantile land and finance company ltd, lang, dr w. roy, wool - testing, world war ii

"Wool wanted in Australia" c1945, possibly written by Mr Bryan Wardle."Wool wanted in Australia" c1945, possibly written by Mr Bryan Wardle.B Wardlewool sales world war ii, spinning, spinning machinery, wool sales, world war ii

"Australian agriculture in 1941" and an accompanying letter from the Dept of Agriculture, University of Melbourne 1942. The letter deals with the report and questions the continuance of the "group" on Primary Industries in the wartime situation.wool industry world war ii, university of melbourne, lang, dr w. roy, wool industry, world war ii

Letter from E H B Lefroy to W R Lang c1942, discussing the wool industrywool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr a l b, cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

Letter from E H B Lefroy to W R Lang 16th November 1941, discussing wool characteristics and research.wool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr e. h.b., cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

Letter from E H B Lefroy to W R Lang 1st December 1941, discussing wool samples for testing.wool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr e. h.b. kelley, mr r. b., cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

Produced as a souvenir from two Japanese Midget submarines sunk during attacks on Sydney Harbour in WWII. This souvenir was produced to raise funds for the RAN relief fund and King George's Fund For Sailors. It was sold as a souvenir as part of a touring exhibition around the country accompanying a composite midget submarine constructed of the two sunken vessels raised from Sydney Harbour.The souvenir submarine has tangible connections to the Japanese Midget Submarines sunk during attacks on Sydney Harbour in 1942. It is historically significant for its links to defending Australia and for its connections to tourism and fund raising relating to war time efforts.A cut square fragment of metal with possibly some Japanese characters etched on it. Attached to a paper label by a piece of cloth.A Guaranteed Souvenier/ from the Japanese Midget Submarine/ Sunk in Sydney Harbour/ Sunday, May 31st 1942/ G.C. Muirhead - Gould/ Proceeds to Rear Admiral in Charge, Sydney/ RAN Relief Fund and King George's Fund for Sailors.japanese midget submarine, world war ii, sydney harbour, ran relief fund, geelong naval and maritime museum, king george's fund for sailors

John Nesbeit Preston was born on 5 October 1897 in Gisbourne, New Zealand. He served in the RAN from 1919 to 1942. He served on the Stuart (Vendetta) from 1941 - 1943.This diary is a significant primary source detailing the daily life of J.N. Preston's service for the RAN on the HMAS Vendetta and other vessels during World War II. It represents a detailed account of his travels and experience of war.A small diary with a navy cover. Hand written entries begin 9th January 1941. Describes J. N. Preston's daily life, routine and experiences during his service from 1941 during World War II. "Diary" stamped on front cover. Made in Australia. "L.A. Reynolds/ For Music/ Records/ Instruments/ Allan's Pianos/ Murray St, Colac. CAR 14150j. n. preston, hmas vendetta, world war ii, geelong naval and maritime museum

Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.This document is significant as a tangible link to a former crew aboard the RMS Remuera. The card also notes that this crew formed part of Australia's first war contingent for active service for WWII. A number of servicemen who signed this card did not return from service. It represents the vital role of these men had in defending Australia. It also represents a tradition of Crossing the Line in RAN culture and has social value.Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.Hereunder are names of men who left Australia to join HMAS Perth on West Indies Station, forming Australia's first war contingent for active service. Mason, F. ... Henry (Printer), M. M. S.... (Printer's Devil), A.G.H. Foley A.B., L. H. Hughes E.R.A, M.G. Packer E.R.A, G.J. McKenzie, W.R. Birbich, R.A.A Shaw, R.de M. Baker O.D; J.N Taylor Ord Serv; R.W. Wilkinson ....; G.E Jones O.D; G.F. Bli... Ord Sea; E.E. Bird Ord Sea; V.L. Watson A.B; A.W. Newman; A.W. Graham O.D; L.P. Woolbrough; G.G. Kummins; H.W. Durham Sto II; R. McBryde Sto II; M. Gordon A.B.; F. Milner O.D; N.D. Coleman O.D; F. Norris ERA; M.J. O'Brien; E.R. Phillps Stok II; D.J. McPherson S.A; ....Liddell; L.E. Head A.B.; V.B. McGovern ERA; N. Leitch L/Sea; K.G. Stockbridge A.B.; F.W. Robinson (Master); C.H.G. John "Speed" Sto II; C.E. Ingram A.B. 64; E.V.W. Pockley Surg Lt RANR; George Christie A.B.; I.C. McLean.rms remuera, i.c. mclean, hmas perth, geelong naval and maritime museum, wwii, crossing the line wwii

This book was presented to Master R. Goldsworthy June 7 1888, at an exhibition at Stawell School of the Art. This Book belonged to Mary Goldsmiths Fathe r-in-Law - R.M. Goldsworthy II. Mary's husband Norman received an award for his contribution to science teaching in Australia in 1962. At The Presentation ceremony, he said that this book had parked his interest in science. Red Cover in reasonable condition, first few pages missingInscription in front: Master R Goldsworthystawell education, stawell school of arts

Linocut print on paper. Printer's Proof.'P/P' below printed section bottom left, 'Iian Mask II' under printed section centre, signed along bottom right edge of print. linocut, symbolism, pattern, line

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed area, '...AND THEY FLEW FROM THE AIRFIELD AT NGURUPAI II' centred under printed area, signed along bottom right edge of printlinocut, cultural reference, pattern, symbolism, aircraft

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. It also includes a number of patterns for convalescent and hospital coverings, including a splint coverKnitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 104, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 104, WWII.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 104 / 6D. / COMFORTS FOR / LAND, SEA, / AIR, AND / HOSPITAL USEknitting world war ii, patons and baldwins (australia) ltd, knitting, world war ii

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments.Knitting book, front cover of "Patons and Baldwins' Specialty Knitting Book no. 111", WWII.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 111 / 6D.knitting world war ii, patons and baldwins (australia) ltd, knitting, world war ii

Photos depict the staff members of Denny Lascelles Ltd. who were on active service in World War II (a '+' denotes those who were killed in action). Those depicted are: Sgt. J.A. GANLY, 159 AUST. L.A.A. BTY., A.I.F., +Driver R.H.B. COLLETT, C.A.M.T.C., A.I.F., L.S.A. E.R. McKINNON, R.A.N.R., S/Sgt. K.O. DAVIS, 2/2 A.A. REGT., A.I.F., F/O W.E.S. HOLTHAM, 7 SQUADRON, R.A.A.F., Tpr. J. Mc. K. MOODIE, 2/1 AUST. ARMD. RECCE. SQN., A.I.F., W.O.I. G.R. MATHISON, H.Q. 1 AUST. CORPS, A.I.F., Cpl. K.J. DOODRELL, 3 WATER TRANSPORT GP., A.I.F., W/O J.R.M. McWILLIAM, 463 SQUADRON, R.A.A.F., A/B R.A. HOBSON, R.A.N.R., W.O.II A.J. WILKS, 4 AUST. RECOVERY SECT., A.I.F., F/O D.N. McKENZIE (R.A.A.F.), 34 SQUADRON, R.A.F., +Cpl. A. BEATTIE, 2/21 BTN., A.I.F., Pte. A.R. YOULDEN, 4 AUST. INF. BDE., A.I.F., Cpl. A.J.E. GOSBELL, H.Q. 2 AUST. ARMD. BDE., A.I.F., Sgt. J. DENTON, 2 CON. DEPOT, A.I.F., Sgt. D. CLERY, B.C.A.F. H.Q., R.A.A.F., Lieut. D.C.P. URQUHART, 2/23 BTN., A.I.F., S/Sgt. R.C. SEARGEANT, 2 FIELD TRAINING REG., C.M.F., L/Cpl. K.P. LANYON, INF. TRG. BTN., A.I.F., Sgt. A.J. TONKIN, N.T. PRESS UNIT, A.I.F., A/B D.M. CHALMERS, R.A.N.R. ["H.M.A.S. LONSDALE" on hat], Lieut. L.H. BATTEN, 2/2 AUST. A.A. REGT., A.I.F., F/Sgt. B.J. McINTYRE, H.Q. WESTERN AREA, R.A.A.F., Sapper P.R. PIPER, 41 LANDING CRAFT COY., A.I.F., LAC. E.A. STEVENS, 2 R.I.M.U., R.A.A.F., +F/Lieut. J.S. AUSTIN, D.F.C., 490 SQUADRON, R.A.A.F., Sgt. T.E. DENDLE, 13 SURVEY & DESIGN, R.A.A.F., F/Sgt. J.C. BONE, 4 AIR OBSERVERS SCHOOL, R.A.A.F., Cpl. R.H. REEVES, 4 AUST. INF. REIN. BTN., A.I.F., Sgt. N.J. COUPER, A.A.P.C., A.I.F., +F/Lieut. J.D.R.B. CARRUTHERS, (R.A.A.F.), 18 SQUADRON, R.A.F., LAC. J.R. NEWLAND, 481 MAINTENANCE SQDN., R.A.A.F., Lieut. R.G. CRITTEN, 2/6 AUST. INF. BTN., A.I.F., F/O. D.J. ASTBURY, 83 SQUADRON, R.A.A.F., F/Sgt. J.J. ROBINSON, 21 SQUADRON, R.A.A.F., Gnr. G.G. STANBROOK, 2/3 FLASH SPOTTING BTY., A.I.F., Cpl. P.B. WILKINSON, 67 AUST. MOB. SEARCHLIGHT BTY., A.I.F., +P/O D.V. HIGGINS, 73 SQUADRON, R.A.A.F., Lieut.-Col. W.R. DEXTER, D.S.O., 2/6 AUST. INF. BTN., A.I.F., C.O. 61 AUST. INF. BTN., A.M.F., F/Sgt. E.T. ORCHARD, 1 OP. TRAINING UNIT (CANADA), R.A.A.F., +L/Sgt. H.T. LEWIS, 2/21 BTN., A.I.F., LAC. D.N. PESCOTT, 21 WIRELESS TEL. UNIT, R.A.A.F., Bdr. L.G. COMMONS, 2/14 AUST. FIELD REGT., A.I.F., Sig. C.K. MORRIS, "B" AUST. CORPS SIGS., A.I.F., F/Lieut. P.N.M. FISHER, 30 SQUADRON, R.A.A.F. The photographs have been taken by several different photographers, namely: The Lockwood Studios, Geelong (Lewis & Austin), Boxmount, Nhill (Morris & Moodie), Robert Pockley, Geelong (Ganly, Collett, Mathison, Wilks, Seargeant, Tonkin, Dendle, Reeves, Wilkinson, Orchard, Pescott, Critten), and Watt Telfer, Geelong (Higgins).Photograph, "Members of the Staff of Dennys Lascelles Limited who served in the Armed Forces of Australia during the War - 1939-1945". Contains 46 portraits. Photograph, "Members of the Staff of Dennys Lascelles Limited who served in the Armed Forces of Australia during the War - 1939-1945". Contains 46 portraits.world war ii, dennys, lascelles limited

This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter. It was produced during World War II and contains both service and civilian patterns, including a pattern for an amputation cover for either an arm or leg.Front cover of Patons and Baldwins Specialty Knitting Book no. 132. Contains WWII patterns. Back cover of Patons and Baldwins Specialty Knitting Book no. 132. Contains WWII patterns.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 132 / 6 1/2D.handicrafts - history knitting world war ii, patons and baldwins (australia) ltd, handicrafts - history, knitting, world war ii

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens garments. Several of these patterns could be knitted for use by the Armed Forces, including a balaclava and a splint cover for a Bohler Walking Iron (a type of splint used where the foot must not touch the ground or bear any weight, eg. in cases of ulceration). The back cover illustration depicts a man wearing a knitted cardigan, posed with an Australian Army slouch hat and standing in front of an encampment.Knitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 122, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 122, WWII.No. 122 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Bookworld war ii handicrafts - history knitting, patons and baldwins (australia) ltd, world war ii, handicrafts - history, knitting