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Flagstaff Hill Maritime Museum and Village
Domestic object - Bottle, c. 1850's - 1900's
Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020 The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases etc before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s-1900s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. 1850's Pontiled Black Glass Stout/Porter/Ale Beer Bottle, solid colour brown glass,concave base with Pontil scar, tapering slightly wider towards shoulder then inwards towards neck; ring of glass just below opening cork and wire type.Label "c.1850's "Stubby ale" hand made in England flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, handmade beer bottle, handmade late 19th century bottle -
Flagstaff Hill Maritime Museum and Village
Tool - Sander, c. 1930-1955
This burgundy coloured, portable electric belt sander is stored in its own heavy duty cardboard box. It was made in England and, according to the label on the lid of the box, it is a Portrix Sander-Polisher, all-electric, portable, sands wood metal and polishes. Its uses include decorating, carpentry and polishing. It has a complete with electric unit with flex. The price of 75/- (75 shillings) is printed on the label of the box. The model and the brand of the sander have been removed from the manufacturer’s information embossed on the side of the sander. The sander is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker.This vintage Portrix sander-polisher represents tools used for the hobby and skill of ship model making that has been carried as a leisure activity out for generations. Ship model making was also a pastime for sailing crew, who often made a model of the ship in which they were sailing. This sander was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage.Belt sander, electric. Portable power tool, Portrix model Sander–Polisher, burgundy coloured body with swivelling, black electric cable, 250V 1 / 4 amp. For sanding wood and metal, and for polishing. (Stored in original box.) Made in England. Part of a collection of tools and accessories used by Mr. Jim Williams to build ship model of the “Sovereign of the Sea” and other models. c. 1930-1955. Moulded into body “ - - - SANDER –POLISHER / 1 / 4 amp. PRODUCT OF - - - MANUFACTURING CO. LTD. 50 CYCLES / MADE IN ENGLAND PAT. PEND. 200/250 volts A.C.” (the Brand and Manufacturer’s name have been removed)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, portrix sander-polisher, portrix power tool, portrix belt sander, woodworking equipment, ship modelling equipment, jim williams, james bernard williams, ship model, hobby, ship model tool, sovereign of the seas, english war ship -
Flagstaff Hill Maritime Museum and Village
Photograph - Building, Bank of Australasia Warrnambool, ca. 1860
This sepia coloured photograph show the image of the former Bank of Australasia in Warrnambool. The two-storey building was built for the bank on the corner of Timor and Kepler Streets and opened there for business in 1860. It is now one of the City's Historic Buildings. The Bank of Australasia was incorporated by Royal Charter of England in March 1834. It came to Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the Bank of Australasia in Sydney at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch of the Bank of Australasia opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street. Two huge mastiff dogs were kept in the backyard and let loose at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Back and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The photograph is significant historically for its connection with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The photograph has local historical significance for its association with the Warrnambool Bank of Australasia, which was established early in Warrnambool's history. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group of today. The Bank was an integral part of the growth of local commerce and the community.Black and white (or sepia) rectangular photograph, landscape orientation. Image of a two-storey building on a street corner. It is the former Bank of Australasia, Warrnambool, on the corner of Timor and Kepler Streets that was built in 1860. The reverse has a round, serrated-edged red label with an inscription, covered in opaque tape, plus four lines of handwritten text. There are several pin holes through the photograph.Label with: "AH2 2 / W.BOOL" Writing in pen: "D. K. Frew / --- / ---- / ----"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, commerce, banking, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, historic building, roberts & co., james cust, bank of australasia warrnambool -
Flagstaff Hill Maritime Museum and Village
Photograph, late 19th century
Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photograph of Thomas Pearce. Taken on July 22nd 1878 by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, thomas pearce, loch ard, photographic society of victoria -
Flagstaff Hill Maritime Museum and Village
Photograph, late 19th century
Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photoghrap of Thomas Pearce. Taken by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information and a white adhesive label with hand writing on it.Label has hand writing “F-Ph 55/2-74” Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photoghrap, thomas pearce, photographic society of victoria, loch ard shipwreck -
Flagstaff Hill Maritime Museum and Village
Domestic object - Kettle, T & C Clarke and Co Ltd, Late 19th to early 20th century
T. & C. Clark & Company Limited was based at Shakespeare Foundry in Wolverhampton England and was founded in 1795 by Thomas and Charles Clark. The company grew to be one of the largest iron foundries in Wolverhampton and were pioneering in the manufacture of enamelled cast iron cookware and sanitary wares. The company's product range included thousands of items, both domestic and industrial. T. & C. Clark were pioneers in the use of enamelled cast ironware, after taking out a patent in 1839 guaranteeing their products to be free of lead or arsenic. The company became the largest employer in Wolverhampton employing between 600 to 700 people.The item is significant as it was used as a domestic kitchen item to boil water safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had. Kettle metal has spiral wire piece on handle painted black T &n C Clarkflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, kettle, domestic item, cooking, kitchen ware, cast iron, t & c clark & co -
Phillip Island and District Historical Society Inc.
Photographs, The Speke, 1906
First photograph probably taken in February, 1906. The other two photographs appeared in The Weekly times, March 3rd, 1906, on page 10Three Black & White photographs of the wreck of the Speke. February 1906. 278-01. Photograph of Captain Tilston, master of the Speke, 2nd mate, Mr A Cooke - hero of the wreck (seated) two apprentices and the 1st mate (standing) 278-02. 2 x Photographs of broadside view of the Speke on rocks. This photo was given to John Jansson by Swedish seaman Gus Johanson in 1960's. He got the photo from Allan C Green who was a photographer for a Melbourne Newspaper. The 2nd photo is an upgrade of the 1st photo. Updated 10/3/2022. 278-03. Photograph of some of the crew of the Speke on rocks near the wreck.wreck of the speke, crew of the speke, cpt tilston, mr a cooke, jack jenner -
Phillip Island and District Historical Society Inc.
Photograph, Hobbs Chickory Kiln
Chicory was grown extensively on Phillip Island c. WW2 as a substitute for coffee.Black & white photo of the chicory kiln on the Hobbs farmNilphillip island, photographs, chicory kiln, hobbs family, farming -
Phillip Island and District Historical Society Inc.
Photograph, Speke Hall
The ship Speke, which was wrecked in 1906 near Kitty Miller Bay, was named after the town Speke in Liverpool, where Speke Hall is located. Source http://www.nationaltrustcollections.org.uk/place/speke-hall Speke Hall This half-timbered Tudor courtyard house acquired its present shape during the 16th century under the ownership of Sir William Norris and his grandson, also Sir William. It was completed, except for some minor additions, for Edward Norris by 1606. The predominant architectural message of Speke is the decorative potential of wood. The exterior, with its high proportion of timber to infill, is a riot of geometrical patterning, while many of the Tudor interiors are filled with carved and embellished panelling – including a genealogical overmantel from c.1560 – some probably imported from the Low Countries, where the Norrises had trading connections. After a period of neglect, Speke was restored and entirely refurnished in the mid-19th century by the Watt family. 2 x Large photos of Speke Hall - 1 Black & White, 1 coloured.Speke Hall, Gardens and Estatethe speke, sailing boats, shipwrecks, photographs, speke hall -
Phillip Island and District Historical Society Inc.
Photograph, 1915
Part of a group of photos from Bryant West Collection donated by Mary Carney.Black & White photograph of Thompson Avenue, Cowes. Two ladies, a dog and a man with a horse and buggy. Another person nearby.Sent as a postcard with letter on back to Miss Robb from Amie C Wragge?? Christmas and New Year Greetings.thompson avenue cowes phillip island, cowes phillip island, bryant west collection, mary karney -
Phillip Island and District Historical Society Inc.
Photograph, 1890
Donated by B C GraydenBlack & White photograph of Margaret Grayden sitting outside the door of house with Charles Grayden standing. Old wooden table with goods on top is next to Margaret and table with tin on top behind Charles.Letter on back - see photograph above.charles & margaret grayden, phillip island -
Phillip Island and District Historical Society Inc.
Photograph, 1959
... island phillip island jack jenner On Back: "Co-op Corner & C ...Donated by Jack JennerBlack & White photograph of Chapel Street Cowes with Catholic church and houses in background. Corner Co-Op site in foreground immediately before building. Glencoe Guest House next to Co-Op.On Back: "Co-op Corner & C. Church. 1960"phillp island co-op cowes, glencoe guest house, chapel street, cowes phillip island, phillip island, jack jenner -
Phillip Island and District Historical Society Inc.
Photograph, 01/01/1936
Donated by Stan McFee from Keith McIlwraith Collection.Black & White photograph of 17 members of the Phillip Island Band 1/1/1936.On back: Top L to R: - J. McLean, Bob Dixon, Frank Towns, C. Williams [Band master], Percy Double, Andy Morrison, Roy Richardson Middle Row L to R: - Keith McIwraith, Rue De La Haye, harry De La Haye, N. Cleeland, David Robb,. Bottom Row L to R:- Cess Leeson, Bryant West, Bill Bowers, Bill McLardy, Herb Watchorn . Names provided by Murray De La Haye November 2022the phillip island band, brass bands, stan mcfee, keith mcilwraith collection, phillip island -
Phillip Island and District Historical Society Inc.
Photograph, 1932
Donated by Stan McFee from the Keith McIlwraith Collection.Black & White photograph of 22 members of the Phillip Island Band posed in front of tree with instruments.On Back: "Phillip Island Band 1932" Left to Right: Front row: H. Watchorn. N. McLardy, R. Scott Pres., H. Warren (Band Master), D. Robb, Ray Richardson, A Bauer, Middle row: A. Murray, Noel Cleeland, J. McLardy, R. De La Haye, C. Leeson, A. Towns, Goerson, W. Little. Back row: P. Double, B. West, A. Morrison, C. Williams, F. Towns, H. De La Haye, Keith McIlwraith.phillip island band, brass bands, keith mcilwraith collection, stan mcfee, phillip island -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of photographs purchased by the Society from Jack Day of Mornington.Black & White postacrd of Marldon Guest House. Situated in an elevated position over looking bay in Thompson Avenue, Cowes. House has verandah with garden behind a fence and a pine tree providing shade in the street outside."Murray Views No. 21" "Marldon Guest House, Cowes, Phillip Island, Vic." On Back: "Dear Matre, We are having a nice time here. It is my birthday today and we had a cake with three candles and I got 2 ribbons and some sweeties and some hankies. Will see you on Sat. Love Lyn. Addressed to: Mrs C. Henderson,17 Woodmason Street, Malvern, Melbourne."marldon guest house, cowes, phillip island, jack day collection -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1910's
One of 17 photographs donated by Olive BlameyBlack & White postcard of breaking waves at The Nobbies. Letter from Fred at Cowes to Mrs Blamey C/- Miss G Evans Ascot Vale"The rush of the mighty Breaker. The Nobby. Phillip Is." 231the nobbies phillip island, phillip island, olive blamey -
Phillip Island and District Historical Society Inc.
Newspaper clippings, 18/11/1938
Letters to The Countryman newspaperLetter to newspaper by Richard A Grayden expressing gratitude for the promise of a bridge connecting San Remo and Phillip Island and expressing approval of the political party the V. C. P. and a letter from J O Edhouse expressing the same sentiments. The writers are the President and Secretary respectively of the Phillip Island Bridge League.local history, documents, newspapers, bridges, phillip island, black & white newspaper clipping, richard a grayden, j o edhouse, phillip island bridge league -
Phillip Island and District Historical Society Inc.
Photograph, Ventnor Football Team
One of a Jessie Smith Collection. Photograph of the Ventnor Football Team Back row: D Grayden, W J Jeffery, Garnet Dixon Third row: C Clarke, E W Dixon, J B Grayden, A Troutman, Rex Dixon, Rees Jones Second row: Les Jones, R T Harris, R Dixon, G Bruton, W Dixon, C Little, H V Jones. Front row: A Little, ? Johnson, H Justice E Skyles.local history, photography, ventnor football team, black & white photograph, sport, football, ventnor football club -
Greensborough Historical Society
Book, alan marshall, Pioneers & painters: one hundred years of Eltham and its Shire, 1971_
Hardback, 144 p. colour and black and white illustrations, dust jacketnon-fictioneltham, shire of eltham, artists -
Greensborough Historical Society
Map, Greensborough c 1980s, 1980s
Map of Greensborough and surrounds showing bus routes servicing Eltham College.Map of Greensborough and surrounds, black print with colour markings."Bundoora Retirement Village" marked in red pen at E20greensborough - maps, eltham college, bus routes, public transport -
Greensborough Historical Society
Booklet, Barbara Rielly, Viewbank Homestead 1837-c.1922: uncovering our past for the future, 1999
Contains biographical notes on James and Isabella Williamson, first purchasers of the site about 1840, with newspaper clippings and photographs9p. booklet, text, black and white and colour photographs. 3 copiesviewbank homestead, williamson family -
Greensborough Historical Society
Equipment - Camera, Eastman Kodak Co, Brownie camera, 1924c
Popular mass market manual camera. Made by the Eastman Kodak Co. of Rochester N. Y.Black box camera, hinged rear panel; with exposed 116 film and "Picture taking with the Nos. 2 and 2A Brownie cameras" bookletNo. 2A Brownie/Model C/Use Film No. 116/Eastman Kodak Co./Rochester N. Y.cameras, brownie camera, photography -
Greensborough Historical Society
Domestic object - Kettle, T & C Clark & Co. Ltd, 1920c
Cast iron kettle, with steel lid, painted black, for boiling water, usually over a fuel stove or open fireplace.Cast iron kettle, with steel lid, painted blackT & C CLARKE & Co. Ltd ENGLAND Rd 665875 3.0 QUARTS FIRST QUALITYkettles -
Greensborough Historical Society
Book, Nicholas Martin, Dysons - moving with the times: the first 50 years of L. C' Dyson's Bus Services Pty Ltd, 2002
112 p., black and white photographs, with gold dust jacketnon-fictiondyson's bus services pty ltd, public transport victoria -
Greensborough Historical Society
Legal record - Letter, C. J. McDonald, C.J. McDonald to Trevor Partington 1958, 26/03/1958
A solicitor's letter to Trevor [and Gary] Partington in preparation for a land transaction from vendor "Martin". The location of the land is not clear. It is possible that this land was purchased by Alan Partington in his adult children's names.Part of many land deals made by the Partington family in the sale of the original Greensborough farmland. Solicitor's letter, black text on white paperHand drawn plan of property.alan partington, william alan partington, partington family, land deals greensborough -
Greensborough Historical Society
Photograph - Digital image, Greensborough District Cricket Club 1967-68, 1968_
Group photograph of Greensborough District Cricket Club 'A' Grade 1967-68. Premiers E.D.C.A 1967-68 Season. Caption: Standing: Mr C. Simmons (Treas.), K. Lehman, R. Prior, J. Fry, I. Adamson, R. Cleary, G. Coventry, Mr E. Moss, Mr T. Tobin, Mr A. Webb, Mr R. Burns. Seated: R. James, B. Lambert, A. James (V.C.), L. Adamson (Capt.), E. Barclay (Pres.) R. Burrows, S. Lee.Digital copy of black and white photo with caption and signatures on back.greensborough cricket club, greensborough district cricket club -
Mission to Seafarers Victoria
Painting, C V Wright, RMS Queen Mary, 1971
RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright -
Mission to Seafarers Victoria
Letter - Correspondence, Britt (Swedish correspondent), 1948
Indicates a friendship at that dateQuinn CollectionTwo and a half sheets of lined, buff-coloured paper, folded in book form, written as seven pages (0383.a1, a2). Letter dated 27/07/48, written in Swedish by Britt Johansson/Johausson (spelling tbc) . Buff coloured envelope (0383.b) with one green and one purple Swedish stamp. One small black and white photo (0383.c) of a woman and two children enclosed in letter. quinn, letter from sweden -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, kodak, Mission to Seamen, Melbourne, St Peter's, Mariner's Church, 1951
The Chapel attached to the 1917 Mission Building has been known variously over the years as: Memorial Chapel ( WWI Merchant seamen) ; St Peter Mariner's Chapel and St Peter's, Mariner's Church. In current day usage due to modest size it is referred to as Chapel. This postcard provides a sample record of the appreciation of volunteers by committee members at the Mission in the 20th C. and forwarded on their behalf to the donor's Grandfather Mr Arthur Ware countersigned by Padre Oliver ( Chaplain 1930-1960)A black and white photographic postcard of the interior of St Peter's Chapel, Mission to Seafarers, 717 Flinders St Melbourne. Image has a 5cm white border.On the back is a message from Padre Oliver on behalf of the Christmas Committee to Mr Ware and dated 14-12-51. "Thanking Mr Ware for ... all your kindness..."photograph, josephine atkinson, arthur ware, padre oliver, st peter chapel, flinders street, mission to seafarers, mission to seamen, seamen's mission, donors, supporters, frank leslie oliver, 1951 -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Sepia, S.S. Tasmania's Football Team, 1922
This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships