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Merri-bek City CouncilWork on paper - letterpress print, Commoners Press, Chatting with Locals - Sound Lines of the Red Wattlebird, 2022
My work is dedicated to the animal residents that cohabit with us in the suburbs. I focused on the Red Wattlebird, as it is always a welcome visitor across the gardens and parks of Merri-bek. The frayed edges of the page from my notebook are reminiscent of the act of note taking and how we remember and observe things in our daily lives. I am a local artist and writer living in Naarm with a studio in Coburg as part of Schoolhouse Studios.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City CouncilWork on paper - letterpress print, Commoners Press, Ancestral Bouquet, 2022
Ancestral Bouquet is a visual homage to the different plant species each migrant community brought with them to the lands of Merri-bek. It is a celebration of these plant communities and those (elderly migrants) who still know and practice traditional forms of food harvest and preparation. I was born and raised in unceded Wurundjeri Willum Country, in Coburg. My Father lived in the Southern Suburbs of Naarm as a refugee from Palestine, and eventually found Coburg as a place he could fit in as a migrant. My arts practice varies in modalities, and always comes back to the story of displaced cultures, my folklore, and my connection to Coburg and the Merri Creek.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City CouncilWork on paper - letterpress print, Commoners Press, Untitled, 2022
This image of Coburg Olympic Swimming Pool represents my connection to Merri-bek / Moreland. Being brought up around water, swimming has played a key role in my family and I feel a sense of the community when swimming in a public pool. The gum trees and the proximity of this pool to the river reminds me of my home town, Albury. For me, a public pool is a gathering place, a place of leisure and play, somewhere to learn and grow, spend time and let go.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Federation University Art CollectionPainting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Warrnambool and District Historical Society Inc.Leisure object - Sheet music, On the road to victory, 1941
This piece of music has been produced during World War Two (1941) as a propaganda and fund-raising piece for the people of Alexandria in Egypt. It has both Greek and British backing with the headings on the cover in both languages. The music is a march and the title suggests that victory is on the way so the emotions are being stirred to keep up the morale. Egypt in World War Two was still under British influence and Alexandria is a port in Egypt at the mouth of the Nile River. In 1941 British battleships were based in the Alexandria harbor and two of them were disabled by Italian Navy divers. Hence it is not clear why it was the Hellenic (Greek) Red Cross raising funds for Alexandria through the sale of this music which was produced in that city by the Moharrem Press (founded 1938) and composed by Lena Bonfiliou, probably a Greek person. It is not known if this piece of music was bought in Australia or brought back to Australia by an Australian military person during World War Two.This is an interesting piece of music. Its connection to Warrnambool is not known but it is an example of the type of music produced during World War Two to help the war effort. This is a four page piece of music, ‘On the Road to Victory’ (a march) with a front cover, a blank end page and two pages of musical notation. The latter pages have black printing on white pages. The front cover has both Greek and English printing and a colour image of four British and Greek flags resting on a gun carriage with armaments underneath and indications of an explosion. There is a red stamp on the cover (Hellenic Red Cross). The pages are in good condition. English printing: ‘On the Road to Victory, March, P12’ Stamp: ‘For the Hellenic Red Cross, Alexandria’ alexandria, hellenic red cross, warrnambool, on the road to victory music -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Newsletter, City of Moorabbin Historical Society No. 6 Vol. 2 September 1962, City of Moorabbin Historical Society Newsletter No. 6 Vol. 2 September 1962, 1962
This is Newsletter No. 6 Vol. 2 produced in September 1962 by Mr T. A. Sheehy President CMHS for members and visitors Topic ; Council Elect, Moorabbin1851 The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash Moorabbin City Council elections results are recorded. A description of Moorabbin c 1850 , the Gold Rush and installation of the Toll Gates in St Kilda Rd This is Newsletter No. 6 Vol. 2 of CMHS September 1962 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 Foolscap L34cm x W 21cm paper folded into 4 pagesCITY OF MOORABBIN HISTORICAL / SOCIETY / (Affiliated with the Royal Historical Society of Victoria ). President T.A.Sheehy …… Secretary Mrs L. Harvey……. NEWSLETTER No 6 Vol. 2 SEPTEMBER 1962 city of moorabbin historical society 1961, sheehy t.a., harvey l, cheltenham & district co-operative society limited, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, CMHS Moorabbin Mirror Issue 14 April 2018, CMHS Moorabbin Mirror Newsletter Issue 14 April 2018, 2018
This is Issue 14 of the Moorabbin Mirror produced by CMHS members Fran & Holger Bader , Geoffrey Paterson, April 2018 The Moorabbin Mirror reflects the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. Topics : ANZAC display, Alonzo Box, 1914 HMAT A20 HORORATA, B Company 6th Battalion 2nd Brigade; Box Cottage grounds flooded by leaking tank Bowls Club 26th Dec ; Barn repairs, Barn storage; Filing Cabinets Inventory; GECC International Women's Day Biographies of 3 local women; GECC Alnutt Park March 18th promotion BCM; Welcome new BCM Volunteer Guides; KCC Network HS meeting; KCC Award Dr G Whitehead; KCC farm machinery preservation; FAHS funding; CMHS meeting dates This is Issue 14 of the Moorabbin Mirror, Newsletter of CMHS April 2018A4 x 1 paper folded to A5 x 4pp printed both sides Moorabbin / Mirror / Newsletter City of Moorabbin Historical Society Inc. A0020543 (CMHS) / operating Box Cottage Museum (BCM) / April 2018 Issue 14moorabbin mirror, bader fran, bader holger, patterson geoffrey, box alonzo, 1914 hmat a20 hororata; b company 6th battalion; gallipoli landings 1915; glen eira historical society, glen eira city council, kingston city council, whitehead dr g. farm machinery, international women's day; -
Croatian-Australian Immigration MuseumFamily photograph, Vincent Gercovich family, c. 1889
Vincent Gercovich married Winifred Rebecca Bennett (English emigrant) on 13 February 1867 in St. Alipius church in Ballarat. They had a total of 12 children. Little is known about his life, but what is known that he was well disposed to several languages and due to his ability to communicate with immigrants worked at the entry gate to the city of Ballarat. He died at the age of 61. Vincent was one of these early Croatian immigrants who came to Victoria around 1850s. His surname Gercovich (probably Gerković or Jerković) came from the island of Hvar on Dalmatian coast. On his Australian citizenship documents, the place of birth was stated as Dalmatia, Austria. From research of collected documents it can be concluded that the first Croats arrived to this country some 150 years ago mainly because of gold discovery. Victoria had a few rich deposits of gold and for obvious reasons many came to join the great ‘Gold Rush’.A black and white family photograph features Gercovich family with 12 children photographed in a studio around 1889. Children ages on the photograph range from unborn to young adults.vincent and winifred gercovich, gercovich, early croatian immigrants, immigration, croatia, dalmatia, ballarat, gold rush -
City of KingstonPhotograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking out to the bay. Many small fishing and leisure craft are moored on either side of the banks of the creek. To the right hand side can be seen parklands, while the left hand side has a small inlet in which more small crafts are moored.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways -
City of KingstonPhotograph - Colour, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking inland.Small fishing and leisure boats are moored on either side of creek, with a view of the Mordialloc Bridge Hotel in the background.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking inland. Boats are moored on either side of the creek and the Bridge Hotel is visible in the background.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel -
City of KingstonPhotograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in backgroundmordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel, church -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in background.mordialloc, bunurong, traditional owners, boats, fishing -
Bacchus Marsh & District Historical SocietyPhotograph, Bullocks in paddock, near Bacchus Marsh 1883
Transportation of goods and material by bullock teams was a common feature of life in nineteenth century Australia. Bullock teams could comprise more than twenty bullocks to haul very large and heavy loads. They were the equivalent of large trucks on the roads of today. Many Australian country towns have very wide main streets to allow for large bullock teams to turn without having to unharness and reharness the animals. The bullock driver in this photo is thought to be of James Densley, aka Charlie (the ) Carter, who lived at Hopetoun, east of the township of Bacchus Marsh. He worked as a carrier with a bullock team in the later years of the nineteenth century. He had a reputation as a sober man who never used bad language. (Williams, W. A History of Bacchus Marsh and its Pioneers. 1836-1936. Reproduced 2015 BMDHS.p. 78.) James Densley died in 1905, supposed to be over the age of ninety.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of seven shorthorn bullocks in a paddock. Their yokes and a chain can be seen. Standing near them is a bearded man holding a bullock team leader's whip. He is dressed neatly and is wearing a very smart hat. On the hilltop stands a large hut, possibly with a bark shingle roof. A chimney is at the end of the dwelling. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bullocks, bullock teams -
Ballarat Tramway MuseumPamphlet, Warren Doubleday, "Welcome Aboard", Dec. 2019
Set of four Printed colour foreign language versions of BTM "Welcome Aboard" pamphlets for handing out to passengers on trams. Features photos of 26, 38, 1 & 14 and interior photo ex 26 and text describing "Your Trip", the trams, Ballarat Tramways, and the museum itself and has maps of the Ballarat system and the Gardens area. See Reg. items 712 and 1532 for details of earlier productions. Item folded as presented to a passenger or picked up at the depot. 250 each printed 12/2019 by Waller and Chester. .1 - Korean version .2 - Japanese version .3 - Indonesian version .4 - Chinese version Work by etranslate, Pamela Lee, March 2016. When checked 26/12/2019 - now part of Transperfect, with a Sydney office. Word and pdf versions of the items are stored on the website server - 8-1-2020. trams, tramways, btm, handouts, passengers, pamphlets, foreign language -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society No. 9 Vol. 3 October 1963, City of Moorabbin Historical Society Newsletter No. 9 Vol. 3 October 1963, 1963
Topics : CMHS AGM; Mr R Ashley Pres. ; new Mayor Cr Brian Stuart-Jones; Moorabbin News - Local newspaper; East Brighton Hall 1894; St Peter's Hall 1862; removal of 'South Brighton' signs replaced with 'Moorabbin" This is Newsletter No 9 Vol . 3 produced in October 1963 by Mr T. A. Sheehy CMHS for members and visitors The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. This is Newsletter No. 9 Vol. 3 of the CMHS October 1963 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 1 x Foolscap paper printed on 2 sides folded for 4 pages NEWSLETTER / City of Moorabbin Historical Society. / Vol. 3 No. 9 OCTOBER 1963city of moorabbin historical society 1961, sheehy t.a., newsletters, east brighton, south brighton, moorabbin, bentleigh, -
Federation University Art CollectionPainting, Gloria Petyarre, 'Bush Medicine' by Gloria Petyarre
Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia -
Victorian Aboriginal Corporation for LanguagesBook, Marguerita Stephens, The journal of William Thomas : assistant protector of the Aborigines of Port Phillip &? guardian of the Aborigines of Victoria 1839 - 1867 : volume one : 1839 to 1843, 2014
This series presents 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). Vol 4 provides a substantial collection of Thomas' records of Kulin language - some reworked from earlier transcriptions by Dr Stephen Morey. For nearly three decades William Thomas chronicled his life and work with Aboriginal Victorians through his daily journal entries. Now this four volume set, comprehensively indexed and extensively annotated, shines new light on the history of race relations in Australia. Thomas' detailed observations give a rare insight into the process of cultural continuity and collapse, and the agency of Victorian Aboriginal leaders in social and economic interactions with settlers and colonial administrations in a time of great social upheaval. This first-hand account repopulates Victorian history, paying respect to the work, play and lives of the Aboriginal men and women who emerge from the pages of Thomas' journal.document reproductions, b&w illustrationswurundjeri, woiwurrung, woi wurrung, yarra, waverong, wavarong, waborong, warwarong, warworong, waworong, wa woo rong, wouvarong, wavorong, port phillip, boon wurrung, mount macedon, bacchus marsh, backhouse marsh, boonurrong, boonurong, boonmerong, bonwarong, boomerong, boonvarong, boonerong, bunurong, boonrong, boonworng, boonurong, boonwrung, boonurgs, taungurung, goulbourn, tongorong, devils river tribe, wathaurong, wadawurrung, barrabool, barabool, wattowrong, william thomas, geelong, ballarat, mount buninyong, booningong, leigh river tribe, dja dja wurrung, avoca, loddon river, bangerang, pangerang, pangeran, pangarran, pangarans, parngarangs, ovens river tribe, broken river tribe, gunai kurnai, omeo, monaro -
Victorian Aboriginal Corporation for LanguagesBook, Marguerita Stephens, The journal of William Thomas : assistant protector of the Aborigines of Port Phillip &? guardian of the Aborigines of Victoria 1839 - 1867 : volume two: 1844 to 1853, 2014
This series presents 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). Vol 4 provides a substantial collection of Thomas' records of Kulin language - some reworked from earlier transcriptions by Dr Stephen Morey. For nearly three decades William Thomas chronicled his life and work with Aboriginal Victorians through his daily journal entries. Now this four volume set, comprehensively indexed and extensively annotated, shines new light on the history of race relations in Australia. Thomas' detailed observations give a rare insight into the process of cultural continuity and collapse, and the agency of Victorian Aboriginal leaders in social and economic interactions with settlers and colonial administrations in a time of great social upheaval. This first-hand account repopulates Victorian history, paying respect to the work, play and lives of the Aboriginal men and women who emerge from the pages of Thomas' journal.document reproductionswurundjeri, woiwurrung, woi wurrung, yarra, waverong, wavarong, waborong, warwarong, warworong, waworong, wa woo rong, wouvarong, wavorong, port phillip, boon wurrung, mount macedon, bacchus marsh, backhouse marsh, boonurrong, boonurong, boonmerong, bonwarong, boomerong, boonvarong, boonerong, bunurong, boonrong, boonworng, boonurong, boonwrung, boonurgs, taungurung, goulbourn, tongorong, devils river tribe, wathaurong, wadawurrung, barrabool, barabool, wattowrong, william thomas, geelong, ballarat, mount buninyong, booningong, leigh river tribe, dja dja wurrung, avoca, loddon river, bangerang, pangerang, pangeran, pangarran, pangarans, parngarangs, ovens river tribe, broken river tribe, gunai kurnai, omeo, monaro -
Victorian Aboriginal Corporation for LanguagesBook, Marguerita Stephens, The journal of William Thomas : assistant protector of the Aborigines of Port Phillip &? guardian of the Aborigines of Victoria 1839 - 1867 : volume three: 1854 to 1867, 2014
Annotation. This series presents 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). Vol 4 provides a substantial collection of Thomas' records of Kulin language - some reworked from earlier transcriptions by Dr Stephen Morey. For nearly three decades William Thomas chronicled his life and work with Aboriginal Victorians through his daily journal entries. Now this four volume set, comprehensively indexed and extensively annotated, shines new light on the history of race relations in Australia. Thomas' detailed observations give a rare insight into the process of cultural continuity and collapse, and the agency of Victorian Aboriginal leaders in social and economic interactions with settlers and colonial administrations in a time of great social upheaval. This first-hand account repopulates Victorian history, paying respect to the work, play and lives of the Aboriginal men and women who emerge from the pages of Thomas' journal.document reproductionswurundjeri, woiwurrung, woi wurrung, yarra, waverong, wavarong, waborong, warwarong, warworong, waworong, wa woo rong, wouvarong, wavorong, port phillip, boon wurrung, mount macedon, bacchus marsh, backhouse marsh, boonurrong, boonurong, boonmerong, bonwarong, boomerong, boonvarong, boonerong, bunurong, boonrong, boonworng, boonurong, boonwrung, boonurgs, taungurung, goulbourn, tongorong, devils river tribe, wathaurong, wadawurrung, barrabool, barabool, wattowrong, william thomas, geelong, ballarat, mount buninyong, booningong, leigh river tribe, dja dja wurrung, avoca, loddon river, bangerang, pangerang, pangeran, pangarran, pangarans, parngarangs, ovens river tribe, broken river tribe, gunai kurnai, omeo, monaro -
Bendigo Historical Society Inc.Ephemera - HOWARD AND VIOLET JOLLEY COLLECTION: DINNER MENU
Green cardboard dinner menu folded in half. Printed lettering in green coloured ink on front page reads, 'Dinner to Johnnie' commemorating Miss Amy Johnston and her solo flight from London to Australia., given by Messrs,CC Wakefield & Co. LTD, The De Havilland Aircraft Pty,Ltd., The Shell Coy, of Australia LTD, Wentworth Hotel, Sydney --- -- June 10th ,!930. Printed image of double wing aircraft within centre rectangle. Miss Amy Johnston scroll printed using red coloured ink in top left corner. Centre page headed Menu, is followed by various dinner course written in French language. Dancing at 9pm printed at page bottom. Countess Lamborice, Count Lamborice written in pencil top right corner. Back page captioned Autographs in red printed ink contains eighteen pencilled signatures including Howard Jolley and Violet Jolley.bendigo, history, aviation 1920s. -
Kew Historical Society IncDocument, Borough of Kew, Borough of Kew By-Law No.45 : Alexandra Gardens, 1908
The ‘Alexandra Gardens’ in Cotham Road were designed and laid out by George and Thomas Pockett. The Governor of Victoria officially opened them in 1908. A report of the opening stated that “…the gardens have been laid out in large sloping lawns, divided by wide graveled paths, and dotted with tastefully arranged flower beds, which are now bright with autumn bloom”. The massed beds of shrubs and flowers included beds of chrysanthemums, a specialty of George Pockett, the Garden’s first curator. A large rotunda was constructed in 1910 to mark the Jubilee of Kew. A plaque memorialising the contribution of George Pockett, was attached to the original rotunda after his death in 1922. By 1911, electric lighting was installed to allow the public to access the Gardens, and the concerts that were held within them on summer nights. The Gardens were later to include the Jubilee Fountain, moved from the front of the Kew Post Office in 1925. The Kew Council commissioned the substantial bluestone entrance gates in 1933.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. The By-laws are part of that donation and tell us lots about the social values of the period.The Mayor, Councillors and Burgesses of the Borough of Kew published By-Law No.45 in 1908 to regulate the “Conduct of Persons whilst at or Within the Gardens known as the Alexandra Gardens”. The By-Law also set a charge for “Persons Using or Entering in or upon the said Gardens”. The 17 by-laws included predictable prohibitions on expectorating, using indecent language, interfering with the floral displays, or indeed with the caretaker gardeners. Other acts prohibited included a warning that “Children under the age of ten years not being under the control of some competent person may be removed from said gardens”. The Alexandra Gardens were at one stage surrounded by a picket fence. This might explain the prohibition on climbing upon or getting through over or under any fence at or within the gardens. The financial penalty for breaching the By-Law was determined as “…not exceeding Ten pounds and not less than Five shillings”. This original copy of the By-Law was donated to the Kew Historical Society by the City of Kew.alexandra gardens (cotham road, kew), city of kew -
Montmorency/Eltham RSL Sub BranchPamphlet - German Propaganda Leaflet dropped on Crete, May 1941, World War 2. 1941
Leaflet dropped from German aircraft on to troops of the Royal army in Crete in May - June 1941 The propaganda leaflets were designed to lower moral of defending troops.Printed LeafletPrinted on leaflet “Soldiers of the ROYAL BRITISH ARMY, NAVY, AIR FORCE! There are MANY OF YOU STILL HIDING in the mountains, valleys and villages. You have to PRESENT yourself AT ONCE TO THE GERMAN TROOPS. Every opposition will be completely USELESS. Every ATTEMPT TO FLEE will be in vain. The COMING WINTER will force you to leave the mountains. Only soldiers, who present themselves AT ONCE will be sure of a HONOURABLE AND SOLDIERLIKE CAPTIVITY OF WAR. On the cntrary who is met in civil-clothes will be treated as a spy. THE COMMANDER OF CRETE On the reverse side of the leaflet is writing in the Greek language and also writing in English indicating that the leaflet was issued by the “GERMAN HIGH COMMAND OF CRETE”, MAY - JUNE 1941world war two, leaflet, propaganda, air drop -
Eltham District Historical Society IncFolder, Thomson, Donald
1. Book: N.T.S.R.U., 1941-1943 : Northern Territory Special Reconnaissance Unit / text and photographs from the report of Sqn Leader, Donald Thomson [Foreward: Michael Christie, Steve Fox, Nawunggurr, Yunupingu] Summary Work of the Yolngu reconnaissance patrol in the Northern Territory during Second World War as described in the report by Donald Thomson who trained and led them; list of names of members of the Unit; mention of Caledon Bay killings. Title N.T.S.R.U. : 1941 - 1943 / [text and photographs from the report of SQN Leader Donald Thomson : Michael Christie, Steve Fox, Nawunggurr, Yunupingu]. Author Thomson, Donald F. (Donald Fergusson), 1901-1970. Other Authors Christie, Michael. Fox, Steve. Yunupingu, Charles Nawunggurr. Published [Nhulunbuy]:Yirrkala Literature Production Centre , 1992. Carrier Types volume Physical Description 31 p.; ill., map, ports. Notes Cover subtitle; Northern Territory Special Reconnaissance Unit; Foreword in Yolngu text, parallel English translation. Language English Identifiers ISBN 0864093055Folder of information on Donald Thomsondonald thomson -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, CMHS Moorabbin Mirror Issue 9 February 2017, CMHS Moorabbin Mirror Issue 9 February 2017, 2017
This is Issue 9 of the Moorabbin Mirror produced by CMHS members Fran & Holger Bader , Geoffrey Paterson in February 2017 The Moorabbin Mirror reflects the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. Members are advised of the 2017 Open Day Dates, Membership Renewals, Committee Meeting Dates, and Pharmaceutical Bottle Display in February & March, the Charman Family Marigold Gardens. CMHS and GEHS coordinated a Display of Market Gardeners at Stanley's Menswear, East Bentleigh in January and February. Members attended the Re-opening of Bentleigh Station December 2016. Members attend City of Kingston Historical Network meetings. Scanning and preserving of the Original CMHS Newsletters compiled by Mr T.A.Sheehy, is proceeding with equipment purchased with the KCC Community Grant. Hedley Potts, Ceramist, exhibited at GECC Gallery November 2016. Update on the progress of the August Rietman Exhibition in October 2017 describes the 'Lone Digger' memorials in Victorian country towns. History of the establishment of Bentleigh Library. This is Issue 9 of the Moorabbin Mirror, Newsletter of CMHS February 2017A4 x 3 paper folded to A5 x 6pp with colour photographsMoorabbin / Mirror / February 2017 Issue 9moorabbin mirror, bader fran, bader holger, paterson,geoffrey, stanley's menswear east bentleigh, kingston city council, glen eira city council, bentleigh railway station, pharmaceutical bottles, pharmacy, medications, charman stephen, gettens mary anne, marigold farm, rietman august, ww1 lone digger memorials, box william, box elizabeth, brighton cemetery, potts hedley, sheehy t a, cmhs original newsletters, bentleigh library, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, CMHS Moorabbin Mirror Issue 13 February 2018, CMHS Moorabbin Mirror Newsletter Issue 13 February 2018, 2018
This is Issue 13 of the Moorabbin Mirror produced by CMHS members Fran & Holger Bader , Geoffrey Paterson, February 2018 The Moorabbin Mirror reflects the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. Topics: Vale Mr Laurie Lewis; Street Names Files; KCC Tribute for Dr G Whitehead 20years ; Local heritage 'What House is that?'; Sands & McDougal 1860-1974 digitized by State Library Vic.;Alan Clarke donated in 2016 handwritten S&M copies of residents ; 1818 1st Australia Day Gvnr. Lachlan Macquarie;1858 Foundation Stone St Patrick's Cathedral laid by Bishop J.A. Goold; 1882 Assassination attempt on A/Bishop Goold in Brighton; 1948 UN Declaration of Human Rights; Census Victoria 2016 results; Plateways by Phil Rickard Light Rail HS;Flooding at BCM Dec./Jan. ; August Rietman Exhibition Report & Photos; This is Issue 13 of the Moorabbin Mirror, Newsletter of CMHS February 2018A4 x 3 paper folded to A5 x 6pp printed both sides with colour photographs. Moorabbin / Mirror / Newsletter City of Moorabbin Historical Society Inc. A0020543 (CMHS) / operating Box Cottage Museum (BCM) / ISSUE 13 FEBRUARY 2018moorabbin mirror, bader fran, bader holger, patterson geoffrey, lewis laurie;street name files; whitehead dr g.; sands and mcdougal; clark a; archbishop gool j.a.; st. patrick's cathedral melbourne; governor macquarie l.; plateways; rickard phil.; ohm 2017; reitman august, rietman stefanie; rietman william; lone digger memorials wwi; -
Federation University Art CollectionPainting - Artwork, Troy Firebrace, 'A Galaxy Swirl' by Troy Firebrace, 2015
Troy FIREBRACE (c1994-) Country/Language: Yorta Yorta Troy is a Shepparton born Yorta Yorta man, whose career is on the rise after winning the prestigious Federation University Acquisitive Award for Work by a Victorian Regional Artist at the 10th Victorian Indigenous Art Awards. He completed Year Twelve at Shepparton Secondary College in 2010, and in 2015 Troy was studying Creative Arts at La Trobe University, Bendigo where he has pursued his interest in his Aboriginal identity and art. He is largely influenced by the art of his Uncle Chris Firebrace and he enjoys the design aspects of creating a painting. Usually Troyʼs works contain a narrative, or at least hint of a meaning that he would like to convey to people. Influenced by the imagery of his Aboriginal cultural background he works at bringing together references of landscape, environmental processes and concerns, looking at the way in which we as humans relate to the natural world. Troy seeks to find and demonstrate a connection between humanity and the environment, exploring the idea of harmonious co-existence. Artist's statement: "‘Stories are being told and shared like particles in the universe, a constant swirl of words filled with emotions creating a pattern — explosions — smashing into each other creating a layering effect — creating worlds, planets — well nourished and suited to sustain life, and from this life new stories will emerge, to be told, to be shared — a continuous galaxy swirl. I like the idea that we are a part of something bigger — yes, the earth is massive, but we are just a speck of something far beyond the Milky Way itself.” The work was inspired by the work of abstract expressionist painter Jackson Pollock, science and space. This work won the 2015 Victorian Indigenous Art Awards Federation University Acquisitive Award for work by a Victorian regional artist. His canvas 'A Galaxy Swirl' was described by judges as ‘‘a vibrant and dynamic painting that, as the artist explains, epitomises a bringing together of modernism and Aboriginal arts’’.victorian indigenous art awards, troy firebrace, artwork, artist, indigenous, aboriginal, painting, indigenous artist -
Ringwood and District Historical SocietyNewspaper - Clipping, Norwood High School, Ringwood, Victoria
November 1987 advertisement inviting enrolment enquiries for the following year.Norwood has been established for 29 years and offers an outstanding traditional and broad curriculum in a caring and academic environment. • Student population approximately 1,000 (including 150 Year 12). • Languages: French, Latin, Italian & Indonesian. • Orchestra and Instrumental Training. • Drama Productions. • Extensive Physical Education and Sporting Programme. • Wide Range of V.C.E. Group 1 and Group 11 subjects. • School Uniform. • International Exchange Students. • School Chaplain. • Prefects and S.R.C. • Country Property at Gooram in the Strathbogie Ranges. • Modern Facilities Currently being further upgraded. Advertisement invites Interested parents to visit the School and/or request a Prospectus, and includes contact details for the Principal on 870 5399 for more information. -
Victorian Aboriginal Corporation for LanguagesBook, Hetti Perkins, Crossing country : the alchemy of Western Arnhem Land art, 2004
Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs -
Ballarat Tramway MuseumPhotograph - Colour Photograph/s - set of 13, Lloyd Rogers, 30/04/1989 12:00:00 AM
Yields information about the appearance of the operation of BTPS tram No. 661 in Melbourne on a tour.Set of 13 colour prints of BTPS / BTM tram No. 661 in Melbourne on a BTPS tour 30-4-1989. All photos by Lloyd Rogers, on AGFA paper. All have a photo number on rear and captions - see images 14 to 19. .1 - At Sth Melbourne Beach terminus. .2 - MMTB Paying fares dated Dec. 1968 in four languages inside tram. .3 - 661 and 878 at Brunswick Depot .4 - Y612 partly derailed at Brunswick .5 - 661, 8789 and 612 at Brunswick .6 - 661 at Batman Avenue .7 - Batman Avenue .8 - from the window looking forwards - reserved track. .9 - at South Melbourne Beach terminus with Bleak House in the background and an Advert for Swan Premium beer. .10 - ditto with Vopas Centre building in the background and an advert advertising Volvo motor cars - Swedish Lifesavers. .11 - ditto .12 - interior view of tram .13 - At Batman Ave with the shop on the railway side in the view.See images i14 to i19 for rear of photos.trams, tramways, melbourne, batman ave, brunswick depot, south melbourne beach, tram 661, tram 612, tram 878
