5 black and white photographs (a-e) of the set up of the Mitcham Art Show in either 1984 or '85. Both adult and children's work is on display. Art Show held outdoorsmitcham art show 1984 or 1985, art exhibitions

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

non-fictionAnnemieke Mein creates sculptured textiles of insects and flowers and her work is displayed in Sale.mein annemieke, textle art

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Pencil landscapearthur lindsay, landscape, drawing

Jean APPLETON (1911-2003) Jean Appleton was a painter and craftworker who studied at East Sydney Technical College and at the Westminster School, London. After seeing French sculptor Maillol's work 'The Cyclist' she was inspired to try sculpture and consequently studied under Eric Schilsky in London. With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. Resident in England from 1969 to 1981, she continued to teach intermittently into the late 1970s. After a difficult first marriage to artist Eric Wilson, who died, she married painter Tom Green and they settled in Moss Vale. Though her work is now represented in major state and regional collections, Appleton was like many women artists of her generation in that recognition of her work came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art. (https://www.portrait.gov.au/portraits/2013.92/self-portrait, accessed 15 September 2019) Jean Appleton won the inaugural Portia Geach Memorial Award in 1965 with this work. She dies in 2003.A sketched portrait of a man's head by Jean Apppleton. It may be Jean Appleton's first husband, Eric Wilson. drawing, portrait, jean appleton

Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea.Framed landscape.portrait, susan paterson, painting, landscape

Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea.Framed landscape.susan paterson, landscape

The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives

Richard Beck established a consultancy as an industrial designer in London in the 1930s, designing posters, booklets and advertisements for London Transport, Shell-Mex, Orient Line and the London GPO. His work was illustrated in Radio Times, Evening Standard and News Chronicle. His posters used montage and surrealist techniques, as in this example, reminiscent of E McKnight Kauffer who was prominent in commercial art in interwar England. The London Journal Art and Industry reproduced a number of Beck's posters for the Orient Line and London Transport and in 1938 Modern Publicity's annual round-up featured Beck's cover design and included a profile of his work.Brochure for London Transportgraphic design, mid-century modern, design

Max Robinson (1934-2018) designed this record sleeve for the World Record Club in 1961. Robinson studied for a year at the Melbourne Technical College (RMIT University), and in his early career worked for Peter Clemenger and the graphic designer, Max Forbes. He produced a number of striking record covers for the World Record Club in the late 1950s and early 1960s. Robinson’s work is familiar to many Australians – he designed the new $10 note in 1993, which featured Banjo Paterson and Dame Mary Gilmore. The World Record Club’s operated in Melbourne from 1957 until 1976; it was a mail order service, and its art director, Geoff Digby commissioned young designers and artist to design the record sleeves. It is regarded now as one of most representative collection of Australian designers’ work of its period, and highlights the years of transition from ‘commercial art’ to ‘graphic design’. The album cover was donated to the Archive by the World Record Club’s art director, Geoff Digby. Ann Carew, 2020This record sleeve is historically significant for its association with Max Robinson, who was inducted into the Australian Graphic Design Association’s (AGDA) Hall of Fame in recognition for his work as graphic artist, but also his tireless advocacy for graphic design in Australia. It is aesthetically significant as an early example of the design work of Max Robinson. It is historically significant for its association with the World Record Club, an organisation that produced a representative collection of Australian graphic designers’ work from 1957 until 1976. the Pines of Rome . Respighi / Roman Carnival overture . Berlioz / Herbert Von Karajan / the Philharmonia Orchestra / Les Preludes . Lisztworld record club, max robinson, rmit university, rmit design archives, geoff digby, record sleeve design, graphic design

In the days before television advertising and the WWW, commercial artists such as John Whittenbury designed posters, railway billboards and trade exhibitions advertising products and services to the masses. Whittenbury’s series of quirky Christmas mail posters for the Post Masters General Office, now known as Australia Post, were displayed in post offices across Australia. He had a wealth of experience in the field, having worked as an illustrator, graphic designer, cartoonist, and mechanical draftsman for the RAAF in Laverton and then Victoria Barracks, and also taking out a qualification in Advertising Art from RMIT in 1961, prior to joining the PMG. Ann Carew, 2017 australia post, christmas, rmit design archives

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

A4 page folded twice to create three column flyer. art exhibitions, historic site, women health professionals

Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School.A framed etching showing a farmer with a plough which is being pulled by a team of horses.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough

Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed etching showing cottage in Cornwall. A proof was exhibited in London at the Fine Art Society in 1923.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough, lime kiln cottage

Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed watercolour by Harold B. Herbert.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farm

Photograph of debutantes at Belgrave ball in 1951 or 1952. (FRONT ROW L to R) 1.?, 2.?, 3.?, 4.?, 5.?, 6. Isabel Haines (who later married Mr Connell who worked for the SEC). (MIDDLE ROW L to R) 1.?, 2.?, 3.?, 4.?, 5.?, 6. Ferntree Gully Shire councillor Violet Lambert, 7.?, 8.Glenda Reid, 9.?, 10. Barbara Haig. (BACK ROW, L to R) 1.?, 2.?, 3.?, 4.?, 5.?, 6. Geoff Beasley, 7. Royce Beasley, 8.?, 9. Eric Taylor, 10.?, 11.?, 12.?, 13.?. They are seated and standing in front of decorations of foliage. Behind the back row, part of a sign can be seen, advertising Art Franklin's Band and the phone number Belgrave 36. Also reverse of photo showing photographer's stamp, 'D. R. Pearce/Belgrave Studio/Phone 64'.

The Artist in Residence program enabled research of the Museum's collection of artefacts relating to 11th Battalion AIF. Access was provided to the behind the scenes storerooms of uniforms, banners, photographs, artefacts and diaries. Michele summarised her experience with the project as follows: "It was an interesting experience and a topic I would not probably have considered had I not been asked. The mixture of history and the people who lived through these times has been an absorbing and rewarding journey for my art practice."Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. The hand knitted sleeveless jumper in the Museum, made by Sergeant John Ellwood Rudd of the 48th Battalion was the inspiration behind this work. With great ingenuity John Rudd unwound the knitted socks sent by the women back home. Creating knitting needles fashioned from the barbed wire surrounding the POW camp he was incarcerated in, he knitted a jumper to help him through the freezing winters of Germany in the First World War. Original artefact was inspiration for this artistic interpretation.

The postcard has a poem that says "Manifestly, since love is the law of life, If men are to be won from hate to love, If those who doubt and deny are to be wooed to faith, If the Race is ever to be led and lifted into a life of Service, It must be by the Fine Art of COMRADESHIP. - J. Ford Newton" The hand written note says: "Dear Bill, Just to wish you all the best for 1943. Yours sincerely, Herb Greenway." There is no post mark, postage stamp or address on the card. Presumably this card was hand delivered as a New Years greeting in 1943. Herb Greenway worked on the gardens of the Legacy Hostel in Kew.The postcard has a sentiment about Comradeship.Colour postcard. Poem written on the front and a brief note written on the back. Front of postcard has a Comradeship poem. Rear of postcard has a brief note from Herb Greenway to Bill in black ink. comradeship, legatee

.1 - Folded A2 (into A4 sheets) printed on gloss paper, featuring headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983 .2 - three page A4 document - stapled in the top left hand side "Transporting Art - Impressions of the Painted Trams Project" - listing photographs and photographers. See pdf file. trams, tramways, transporting art, decorated trams, exhibitions

The MV Duntroon is of historical and social interest to Queenscliffe primarily due to its involvement in the collision and loss of all hands of HMAS Goorangai near the Rip. It also continued to work as an interstate sea liner up to the 1960s. Cups, plates and saucers with the crest of the Melbourne Steamship Co and an art deco edge patternCrest: Melbourne Steamship Co. Base: C Mc D Mann and Co. Ltd. Hanley Staffs and 101 Leadenhall St. London. Made in Englandmv duntroon, hmas goorangai, crockery, melbourne steamship co ltd

HAND MADE ALUMINIUM WORK BOX MADE BY AUSTRALIAN POW IN CHANGI 1942 A SOUVENIR TO "MOLLY" MAYBE WIFE OR GIRLFRIENDA UNIQUE PIECE OF HAND MADE AUSTRALIAN POW ART WORK FROM CHANGI SINGAPORE 1942Hand crafted aluminum presentation box with wooden base. Hinged lid. Small handle on either sideTop: Changi POW Feb 15th 1942. Front: Military Insignia. Malaya. Singapore. Left side: Elephant. Right side. Buildings, Jasin Johore. Back: Workbox Souvenir With Love To Molly

Four white photocopy examination cards laminated upon blue cardboard and printed, SS 1189 , Golden Square, years 1941-42. Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. B Rutherford and F Baggaley signatures. Written note states, 'Position; 3rd in class of 45. Excellent result. Elaine has done good work all the year. She seems to be very interested in her school work. Initialled FB.bendigo, institutions, golden square primary school

Ian Armstrong, Wedderburn landscape 1972, gouache on paper, 54 x 73.5 cm. Bayside City Council Art and Heritage Collectiongouache on paperwedderburn, landscape, ian armstrong, tree, vegetation, rural

wner could not obtain the necessary licence and it became a coaching House for Cobb & Co. The building was demolished in 1971.John C. Paul, Prince Albert Hotel c.1851 1973, watercolour, 28 x 40.9 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, prince albert hotel, historic building, john c paul, cobb & co.

John C. Paul, House designed by architect Charles Webb c.1865 1971, watercolour, 29 x 42.2 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, charles webb, historic house

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003.Annette Meikle, Sandringham Yacht Club 1977, ink and watercolour, 35.9 x 25.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, sandringham yacht club, yacht club, yacht, bay, port phillip bay