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Flagstaff Hill Maritime Museum and Village
Tool - Chisel, 1930-1955's
This Screw brand chisel was made by Charles Taylors (Sheffield Tools) Ltd of England. It was used in the making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This chisel is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This chisel was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Small chisel, 7cm at cutting surface, made of cast steel with wooden handle. Brand is ‘Screw’, made by Charles Taylors (Sheffield Tools) Ltd. of England. This chisel is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. "Screw" Brand Superior Quality. Charles Taylors (Sheffield Tools) Ltd. England” and “Cast Steel England”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, chisel, hand tool, screw brand chisel, charles taylors (sheffield tools) ltd of england, woodworking tool, carpentry tool, sovereign of the sea, ship model, hobby, ship model tool, tool -
Kiewa Valley Historical Society
Iron - Electric
This iron was used when electricity became available. It was possibly used for smaller items that didn't require a lot of time. Residents of the Kiewa Valley used irons for pressing the family's clothes and linen - usually by the women as it was considered to be part of their domestic duties.A small electric iron, for heating only. "Hot Point" brand with a steel body and a black plastic (or could be Bakelite) upper body that is chromed. The electric cord is detachable and not with the iron.Hotpoint Cat No. 6266 G7 Watts 575 - Volts 240. Ps 7 Made in Australiairon, laundry, domestic, pressing clothes, household, electric -
Glen Eira Historical Society
Photograph, Dalny Road, 11, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house with decorative brickwork. Other features include tiled roof, enclosed porch with an arched entrance and black metal lantern and open window on the left side , garden, drive and a low slightly damaged unpainted brick fence with cast iron work railing in the foreground with a cast iron work letterbox on top.11murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, arches, cast iron work, letterboxes, brick walls -
Bendigo Historical Society Inc.
Tool - MCCOLL,RANKIN,STANISTREET COLLECTION: COMPANY SEAL
Collection McColl,Rankin,Stanistreet. Cast iron handpress company seal for the New Monument Gold Mining Company, used to seal all official documents pertaining to the New Monument Gold Mining Company. Black enamelled cast iron base and handle with Brass seal. Scratched into enamel New Mon & written in white paint New Monument.commerce, office equipment, company seal -
Hume City Civic Collection
Photograph, late 1990s
The bridge constructed from bluestone, brick and iron over the Jacksons Creek at Sunbury is an important structure on the Melbourne-Echuca rail line. The foundation stone for the bridge was laid on 13 January 1859 and the bridge opened in July 1861. It is of state significance.A coloured photograph of the bluestone and iron railway bridge which is ove the Jacksons Creek. The bridge has 3 bluestone pylons and three iron pylons with 3 sections of the iron spans visible across the top.transport, bridges, rail transport, darbyshire, g. c., jacksons creek, george evans collection -
Friends of Westgarthtown
Sewing machine, Wertheim, Frankfurt
Hand sewing machine on stand with storage compartments. Ironwork frame, very decorative casting. Large wheel on right as part of sewing machine. Two wooden boxes on each side, with brass pull rings. Wooden box also for covering sewing machine. Decorative border around sewing mechanism. Frame is on wheels.Wertheim' cast in iron in centre of frame, and on both sides. 'Wertheim Francfort' on brass plaque nailed onto sewing machine, along with Wertheim symbol of man with pick.domestic items, sewing, machine, wertheim, francfort, domestic -
Flagstaff Hill Maritime Museum and Village
Container - Try pot, c.20th century
This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 200 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel -
Flagstaff Hill Maritime Museum and Village
Container - Try pot, c. 20th century
This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 180 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel -
Kiewa Valley Historical Society
Weights
Weight was used on platform type scale to weigh farm produceImperial weights were used prior to 1966 when decimal currency was introduced. Weights were used in stores selling farm produce prior to packaging.Cast iron weight with a solid base the upper side curved to form two ends which are joined by a cylindrical handle. The ends are embossed on the top.W & T Avery 14 lbweights. scale. farms produce. w & t avery. -
Montmorency/Eltham RSL Sub Branch
Weapon - Mortar Bomb M362A1, 81mm
In 1970 the US M29 81mm mortar replaced the British 3-inch mortar which had been used by Australian forces since WW2 .The Australian designation is F2 81mm Mortar. It remains in use today. Maximum range is approx. 3,600m with the 4.27kg M362A1 projectile. Effective bursting area is approx. 34m in diameter.81mm Mortar bomb of steel and cast-iron construction with 6 tail vanes. The example shown here is a High Explosive bomb with a dummy fuse.Dummy Fuse A66 81mm 362A1 N63(4 H.E.S 1-HX-7-L&S/V- 66-M141mortar -
Glen Eira Historical Society
Photograph, Beauville Avenue, 9, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. See also 2104A11 and 2104A-13.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a porthole style window with a decorative cast iron circle grid on a white rendered house. A wall lantern light is near the window. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, porthole windows, lights, cast iron work -
Flagstaff Hill Maritime Museum and Village
Weight
Black cast iron pear shaped weight for scales. Has ring for attaching to scales. Weighs approx 6lb 10onz. Possibly for Steelyard Scales.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Tool - MCCOLL,RANKIN,STANISTREET COLLECTION: COMPANY SEAL
Collection McColl,Rankin,Stanistreet. Cast iron hand press company seal for a gold mining company. Signs of red and gold painted decoration.commerce, office equipment, company seal -
Port Melbourne Historical & Preservation Society
Functional object - Verandah brace from Faram Bros, Bay Street, Port Melbourne, 1920
The Faram Bros purchased the building at 405 Bay St Port Melbourne in 1919 and added the verandah by 1920. This was an original casting kept by Judy Faram and donated to PMH&PS when PMHPS member Greg Byrne was seeking a mouldCast of lacework brace from verandah of Faram Bros hardware store; includes Port Melbourne coat of arms . Iron and painted pale grey.built environment - commercial, business and traders, faram brothers hardware, judy faram -
Bendigo Historical Society Inc.
Tool - TOBACCO CUTTER
Cast iron Tobacco Guillotine style cutter with black enamelled handle mounted on a wooden base with name M A Turnbull stamped in black on sides.A.McMillanpersonal effects, smoking accessories, tobacco cutter -
Puffing Billy Railway
Victorian Railways Coat of Arms Crest, 1900's
Official Victorian Railways crest. Victorian Railways Crest Reproduction / copy of what was possibly used on the head offices in the 1900s. Victorian Railways, Emblem featuring a kangaroo atop of a shield depicting the Southern Cross. Historic - Official Victorian Railways crest.Victorian Railways Coat of Arms Crest Victorian Railways, Emblem featuring a kangaroo atop of a shield depicting the Southern cross. Made of cast ironVictorian Railways with coat of arms.puffing billy, victorian railways, victorian railways crest. -
Nillumbik Shire Council
Ceramic (plate): Joan Armfield & David Armfield, David Armfield, Platter with dolomite glaze and Grevillia decoration, c.1975
David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield. -
Bendigo Historical Society Inc.
Document - Cast Iron Photo List
A two-page list of Photographs by A. Doney of cast iron lacework in the Bendigo area. Items listed from number one to number twenty six.alan doney, bendigo, wrought iron -
Kew Historical Society Inc
Photograph - Victorian era cottage, Derby Street [Kew], c. 1965
The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "House in Derby St., next to Kew Baths (Demolished?)"dorothy rogers, derby street (kew), victorian houses -- kew (vic.) -
Kew Historical Society Inc
Photograph - Victorian era cottage, Gladstone Street [Kew], c. 1965
This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Gladstone Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "Mr Williams cottage in Gladstone St, Kew. He was Miss Louisa Henty's coachman. Hailed from West Indies. Built about 1900."dorothy rogers, victorian houses -- kew (vic.), houses -- gladstone street (kew), louisa henty, gardeners -- kew (vic.) -
Kew Historical Society Inc
Photograph - Victorian era cottage, Derby Street [Kew], c. 1965
The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.dorothy rogers, derby street (kew), victorian houses -- kew (vic.) -
Vision Australia
Machine - Object, Minnie Crabbe, Braille printing press, 1934
In 1934, the Victorian Association of Braille Writers annual report advised that it had acquired a Crabb-Hulme Braille Printing Press. Two years in development, the Press was invented by Miss Minnie Crabbe (the librarian) and built to her specifications by Mr Hulme. Designed to produce ephemeral material quickly, such as programs, catalogues and newsletters, and provided more opportunities for information to be quickly sent out to Braille readers.Steel and cast iron printing press with two wheels on left hand side and two foot levers to operate a wheel on the right hand side.victorian association of braille writers, minnie crabbe, braille equipment -
Port Fairy Historical Society Museum and Archives
Functional object - Bell
Said to have been used on the S.S. Casino but no proven. research continues.Brass hand bell with cast iron striker on a metal arm. Two cracks on the bell, one 6cm and one 2.5cm long. Wooden handle.s.s.casino - bksn co, bell, brass bell, port fairy -
Canterbury History Group
Photograph - Hazeldene
Black and white photograph of "Hazeldene" 8 Balwyn Road, Canterbury. Exterior view of the front of the house showing the cast iron trim on the front verandahcanterbury, balwyn road, hazeldene, danks family, gardens, cast iron work, verandahs -
Mont De Lancey
Knife Cleaner
Round wooden barrel with metal and wood handle for turning barrel, which also had brass fittings All placed on a cast iron base."Snye & Co Manufacturing London" written on a brass plaque, on front of the barrel.knife cleaners -
Mont De Lancey
Knife Cleaner, Circa 1910
Red painted, 5 1/2" diameter, hand cranked cast iron rotary disc knife cleaner. With a wooden handle and a metal screw."Beatrice Knife Cleaner Made in England Regd Trade Mark No 224159"knife cleaners -
Mont De Lancey
Knife Cleaner, Circa 1910
"Vono' 7 1/2'diameter, hand-cranked, cast iron, rotary disc knife cleaner, painted green, with a wooden knob on the handle."The Vono Knife Cleaner - Trade Mark"knife cleaners -
Flagstaff Hill Maritime Museum and Village
Tool - Coopers Flagging Iron, Prior to 1950
A cooper would use a flagging iron to insert reeds around the head of a barrel to tighten the head and stop any leaks. First the cooper removes the full and quarter metal hoops around the barrel, this loosens the staves and insert reeds around the head, prying the stave apart from the head with a flagging iron. Then he replaces the hoops to tighten the staves against the head and the inserted reeds to form a leakproof seal.An age old tool used for many hundreds of years in the making and repairing of wooden barrels and an essential tool in a coopers tool kit.Coopers small Flagging iron metal painted black Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagging iron, coopers tools, barrel making, repairing barrel leaks, barrel head tightening -
Flagstaff Hill Maritime Museum and Village
Tool - Hook, Mid-20th century
A cast iron hook was made for lifting heavy loads in a marine or warehouse environment. The hook would be attached to the end of a chain or rope around a heavy load such as a pallet or container. The other end may have been joined to a pulley or crane for lifting and moving it around. The inscription on the hook shows the SWL or Safe Working Load as 3 Ton. The SWL was used in the industry for many years to rate safe loads but it is no longer used to identify the maximum capacity of equipment. In 2002 the Australian Standard AS 1418 for Cranes, Hoists and Winches changed, and the term Safe Work Load was changed to Rated Capacity, which was defined differently.The hook represents the equipment needed on a ship or at a port, railyard, transport depot or warehouse in the 19th and 20th centuries to move cargo and loads. The inscription of SWL on the hook is significant for its use as a guide for many years to work out the weight of the load the hook could safely hold. However, time and experience have led to a change in Australian Standards and the load is now measured by another formula that gives the load's Rated Capacity.Hook; large iron hook with a ring formed in the top. Inscription stamped into the metal and indicates that the Safe Working Load (SWL) for the hook to lift is 3 Ton.Marked "ani" "SWL 3TON"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, lifting hook, maritime equipment, lifting equipment, warehousing, cargo, loads, rigging, marine technology, swl, safe working load, 3 ton, rated capacity, load limit -
Clunes Museum
Medal
GERMAN IRON CROSS MEDALL PRESENTED TO SUTCLIFFE CONNECTION WITH LUFF FAMILY.WORLD WAR 1 GERMAN IRON CROSS 2nd CLASS MEDAL IN BOXPW W 1813 1914local history, numismatic, military, military