Boyd explores the evolution of Australia's architecture and the constant search for an 'Australian' style of architecture. Influences includes the isolation of Australia, natural resources that would require experimentation in order to make it buildable, and most importantly the imports and exports of foreign material that increased the building boom. Comparisons of Australian's architecture landscape to USA and Sweden in his commentary aims to reflect Australia's dilemma to search for an architectural identity.Original manuscript published as 'Architecture in Australia’ in Texas Quarterly Vol. 5, No 2, Summer 1962, pp 61-76.Typewritten (p/copy), quarto, 11 (+title page) pagesrobert haddon, harold desbrowe annear, 'antipodean isolation', sweden, california, housing, australian architecture, natural resources, building boom, american architecture, robin boyd, manuscript

In this handwritten text of a speech to the Victorian Fabian Society, Boyd addresses the question: Is Australia Ugly? He argues that the issue with Australian cities is primarily in the realm of urban design rather than architecture. Boyd outlines the types of ugliness in the urban domain, comparing attitudes to Australian cities to those elsewhere, particularly the United States.Speech to Victorian Fabian SocietyHandwritten, quarto, 15 pages, missing pages 11-16.victorian fabian society, george johnson, eric westbrook, steven murray-smith, fred ledgar, south eastern freeway, lyndon johnson, robin boyd, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as item D186, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D186 is the draft version.Typewritten, foolscap, 11 pages, (compared to D186, 16 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript, ohm2022, ohm2022_30

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30

7133: Barbara Bullock. 7133A Elenor Mearia Dallman, Frances Croft & Miryam Scott. 7133B: John Wynd. 7133c: John Wynd, Unknown. 7133D: Helena Nicholson, John Wynd. 7133E: Ron Baily, John Wynd. 7133F: Doug Hately, 7133G: Andrew Cunningham. 7133H: Unknown. 7133I: Exterior with people. 7133J: Dorothy Wyd, Shane Wegener, Tracy Eagles, Coral Eagles.11 Colour Photographs Showing Assorted club Members in 2009.biarri

Sheet of 11 Slide showing various scenes of the Stawell Gift

This audio tape consists of sound effects used in the over 25 exhibit boxes which were attached to the Space Tube designed by Robin Boyd for the Australian Pavilion at Expo '70 in Osaka. The sound effects included are wind, fire, orchestra, scientific instruments, kettle whistling, transport, thunder, pop music, jazz, abc theme music, crowds talking, singing in the shower, racing car, laughing and applause.Reel tape (175mm) with labels. Duration: 11:18 minutesexpo 70, robin boyd, ohm2022, ohm2022_31

7.62 mm (3 - one added 11/5/17)ammunition, vietnam, army

Bridge Street Damaged 450 mm. - 24/11/1989Polaroidorganisation, industry, gas and fuel

11 slides demonstrating cabling in trees Aug?. I of a tree.Labelled "Cabling"tree cabling, demonstration, arboriculture, students

uad 11 slides of the/a Nursery. Nov 85. 12. Quad planting.nursery, plants, 1985, quad, greenhouse

Bridge Street Damaged 450 mm. - 24/11/1989Polaroidorganisation, industry, gas and fuel

Newspaper cutting about Joyce Barry with a photo of Joyce in a tram cab. Written by Janet Blair, details Joyce's tramway career. driving trams and experiences.Yields information about Joyce Barry and her work with the Tramways.Newspaper cutting from The Melbourne Times - 6/11/1991tramways, joyce barry, tram drivers

EDHS Newsletter No. 272 October 2023 Our next meeting will be a special evening, if not a little unusual. On pages 3 and 4 in this newsletter edition there are articles about Eltham Films, with particular reference to the film ‘The Prize’, made by Tim Burstall in 1958/59. As Burstall had strong connections with Eltham it would have been an easy decision for him and his associates to use the local area as the setting for his first film. Following this film Burstall went on to make many more. He became a key figure in Australian postwar cinema and was instrumental in helping to rebuild the Australian film industry, at a time when it had been effectively dead for years. At this EDHS meeting we will view this film, or should we say review this film, stopping at times to attempt to identify the main actors and where certain scenes were filmed around Eltham. Some locations may be more obvious than others. The actors are mainly children playing the characters in the film. So this will be an exercise in identifying people and places, whilst enjoying the rare opportunity to view a valued example of early Eltham film history.1:12:11 duration Digital MP3 file; 24.7MBaudio recording, eltham district historical society, meeting, society meeting, eltham, eltham films, guest speaker, the prize (film), tim burstall

On 21 November 1959 yet another special train was run, this time on a G41 engine showing the sign "Puffing Billy Preservation Society, Beech Forest, 25-11-59", with eight NBH excursion carriages and a guard's van. The train stopped at Beech Forest where people removed themselves and wandered around the station. Mixed goods wagons loaded with wood and louvred van rest in the background. Note the delta or 'scissors' crossover between lines in the centre of the picture.B/W. Beech Forest Railway Station with a G41 locomotive, showing the sign "Puffing Billy Preservation Society, Beech Forest, 25-11-59" on track number one, mixed goods trucks on track number three, passengers throughout, and the delta or scissors crossover line, at 21 November 1959.beech forest; railways;

In value the penny was the second smallest denominator in the old imperial currency in Australia in the mid 20th century (halfpenny was the smallest). Decimal currency was introduced in 1966 and the two cent coin was the second lowest in value. It was withdrawn from circulation in 1992 but it is still legal tender in some circumstances. This coin was minted in the first year of decimal currency in Australia. The dollar note was introduced in 1966 and it in turn was replaced in 1984 by the dollar coin. These coins are kept as mementoes of notes and coins no longer in use and are therefore of historical interest. 000496.1 Australian decimal currency bank note: $1 note 000496.2 Australian decimal currency coin: 2c 000496.3 Australian pre-decimal currency coin: 1 penny The one dollar notes are orange, yellow, black and white in colour. They have images of Queen Elizabeth 11 and the Australian Coat of Arms on one side and aboriginal motifs on the other side. The metal two cent coin has the Queen’s head on one side and an image of a frilled lizard on the other. The metal penny has the Queen’s head on one side and a kangaroo image on the other.One dollar note- numbers CJA 061539 and CEU 647543 Two cent coin: Elizabeth 11, Australia 1966 One penny: Australia, Penny, 1962 australian currency, australian decimal currency, pre-decimal currency in australia

Black and white photograph of a shop window display by Allan and Stark, Brisbane of Hanro underwear and slumberwear. The prices displayed are : Slips 37/6 , Scanties 16/11 , Briefs 12/11David R. Jones 97 Hardgrave Rd. West End Brisbaneorganization, business, hanro, hanro, clothing display, shop window display, smartex, slips, scanties, briefs

All the photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history.(.1) Sepia tone photo with 2 soldiers standing. The taller on the right is F.W.(Dinky) Dean as a young soldier. (.2) Sepia tone photo with 5 soldiers in a street. F Dean is 2nd man from the right. (.3) Sepia tone photo with a shield showing a scroll at the top and bottom relating to “HQ Coy 65 Aust INF BN”. (.4) B & W photo showing a soldier standing besides a military vehicle, F Dean. (.5) B & W photo with a “U” shaped building in gardens being the “Lavarack Club” . (.6) B & W photo with 2 soldiers sitting on a concrete wall, F Dean with camera. (.7) B & W photo showing 3 soldiers, 2 at rear, 1 in front being F Dean. (.8) B & W photo with 2 soldiers sitting on boxes, soldier on the right is F Dean. (.9) B & W photo with 2 soldiers standing and one seated against a sign “WO’s and Sgt’s Mess”. (.10) B & W photo showing 4 soldiers sitting around a table having a drink, 2nd from the right is F Dean. (.11) B & W photo with 2 soldiers in shorts standing in front of a Jeep. (.12) Sepia tone photo showing a large group of soldiers in Battle Dress 4 rows deep, building and a hill in the background. (.11) On rear in pen, “Dad Kelly and remember Harry Woodward, taken 1945 at Morotai”photography, military, bcof

School Group 1954 Form 2A: Boys standing (L-R): 1. David Reese, 2. Robert Gruar, 3. Ray Cornell, 4. Ken Tuppen, 5.Eric Brooks, 6. John Allsop, 7. David Lyall, 8. Ray Horsey, 9. Robert Finnis, 10. John Murnane, 11. Victor Greenham, 12. David Storrar, 13. Andrew Sprogis, 14. Volkar Sawatsky. Girls standing: 1. ?, 2. Norma Traverton, 3. Leslie Gibson, 4. Valerie Noble, 5. Margaret Rankin, 6. Merle Kneebone, 7. Noelene D'Hurville?, 8. Dorothy Hancock, 9. Lorraine Smith, 10. Shirley Dobson, 11. Iris Allen, 12. Janice Garrett, 13. Heather Anderson. Girls seated: 1. Wendy Hatfield, 2. Ruth Beveridge, 3. Glenda Hall, 4. Dawn Simpson, 5. Jeanette Melville, 6. Margaret Buck, 7. Anne McDowell, 8. Jennifer Pickford, 9. Judith Nott, 10. Lilian Thompson, 11. Margaret Denis. Boys seated: 1. Barry Ring, 2. Ashley Barker, 3. Louis Stevenson, 4. Terry Drummy, 5. Ian Chambers, 6. Ian Morris.Written on back of photograph, "Form 2A". No date. List in sleeve reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 2A. Reading from Left to Right. Back row boys: no.1. ??, 2. ??, 3. ??, 4.??, 5.??, 6. John Allsop, 7.??, 8. ??, 9. ??, 10. John Murnane, 11. Victor Greenham, 12. ??, 13. ??, 14. ??. Boys sitting front: 1. ??, 2. ??, 3. ??, 4. ??, 5. ??, 6. ? Morris".Girls standing: 1. ?, 2. Norma Traverton, 3. ?, 4. Valerie Noble, 5. ?, 6. ?, 7. ?, 8. Dorothy Hancock, 9. ?, 10. ?, 11. Iris Allen, 12. ?, 13. ? Anderson.Girls seated: 1. ?, 2. Ruth ?, 3. ?, 4. ?, 5. ?, 6. Margaret Buck, 7. Anne McDowell, 8. Jennifer Pickford, 9. Judith Nott, 10. Lilian Thompson, 11. ?.

Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring.

Mavis Covett at the wheel of the family Singer 11 at the Colac Gardensblack and white photograph good conditionI located this picture when sorting papers and must include it in my SCRAPBOOK� Memories of a wonderful journey with Dad, mother and Mavis� just over 600miles through Ballarat, Horsham, Mt Gambier, Portland, Camperdown, Warrnambool, Geelong back to Melbourne. Easter 1936. Mavis and I took turns at the wheel.. cost was unbelievable abour 7 pounds plus a few meals (bed and breakfast was 5/- only) petrol about //1/3d 1/2er gallon. Mavis Covett at wheel of our Singer 11 car. Mother is in back seat. Colac gardens.

Sweet Trip won the Bendigo Pacing Cup on the 11 January 1966, followed by Fosmar and Macaree. Sweet Trip owned by I & K McLean, was trained and driven by BK Coram. Sweet Trip raced from 1963 (3YO) through to 1967 then raced in US from 1968 until 1969 (9YO). Career: 18 wins 34 seconds 19 thirds 140 starts.Two colour photographs, one small one large in a white frame. At the top: Bendigo Trotting Club 11-1-66/ Pacing Cup At the bottom: Left corner: Distance 2600 metres/ Mile rate 2.7-1/5 / Greg Matthews Photo Centre: Sweet Trip (Ribands - Graceful Spring) / Fosmar 2nd / Macaree 3rd Right corner: Owned by- I & K McLean/ Trained and driven by - BK Corambendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, sweet trip, bk coram, i & k mclean, 1966, fosmar, macaree, bruce coram

1105 - Newspaper cutting from The Courier, Ballarat, Monday 9/11/1992 about the launch and operation of Horse Tram No. 1 on the previous Saturday. Item written by Kim Norbury and appears on the Front page of The Courier. Item quotes Richard Gilbert about the reconstruction of the tram and the opening of the Museum Display area by Professor Weston Bate. Picture by Herman Ruyg. 1105.1 - 2nd copy added 7/08/2004. - has been trimmed from the front page to the cutting only. See Reg Item 3838 for a print of the photograph used in the newspaper clipping. Image of whole newspaper cover added 28/3/2011 - see image i11105 - Near top right hand corner, a cross formed from blue ink. 1105.1 - "9-11-02" in ink above caption.trams, tramways, horse trams, btm, launch of horse tram, museum

The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.05.1 - E3112.05.2: Three card certificates with the emblem of the Methodist Order of Knights. The certificate has light blue edging. The card has the code G.C. 11.methodist order of knights