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Frankston RSL Sub Branch
Medal Set, Framed
Framed collection of service medals presented by family of James Robert Clancy VX44669 including 1939-1945 Star, Pacific Star, Defence Medal, War medal 1939-1945 and Australian Service medal 1939-1945. A small photograph of Clancy in uniform and identification tag is included. See also items 00456, 00456.2, 00456.3 and 00456.4. -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
Bendigo Military Museum
Album - ALBUM, PHOTOGRAPH, Photo Album of graves and important sites of 38 Bn men WW1
38 Bn was raised 1 Mar 1916 in Bendigo during WW1. it was initially about 500 men.This photo album has a light gray surface resembling animal fur. The word photographs is embossed in gold on the front. It is bound with a cord (broken) thru 2 holes. Under each photo is a tag showing deceased soldier's name. The album has about 20 pages. The B & W photos are size 7.2 x 5.0 cms.passchendaele barracks trust, ww1, 38th bn -
Flagstaff Hill Maritime Museum and Village
Decorative object - Wood carving, David Hay, circa 1847
This wood carving is handmade and comes from the Schooner Enterprise. The inscription on the rear of the carving was added at a later date. The statement that the vessel "was the first boat up the river Yarra with Fawkner" is incorrect, confusing this Warrnambool wreck "Enterprise" with Fawkner's vessel "Enterprize" (sometimes written "Enterprise"). THE “ENTERPRISE” 1847-1850 The wooden, two-masted schooner Enterprise was built in New Zealand in 1847 and registered in Melbourne, Australia. The Enterprise carried cargos of agricultural produce and other commodities for trade between the ports of the Colony. On September 14, 1850, the Enterprise was at anchor in Lady Bay under its Master, James Gardiner Caughtt, loaded with a cargo of wheat and potatoes. A strong south-easterly wind caused the vessel to drag on its only anchor and the rudder was lost. The gale-force wind blew it sideways and it became grounded. A local indigenous man, Buckawall, braved the rough sea to take a line from the shore to the Enterprise. All five members of the crew were able to make it safely to land. The Enterprise was wrecked. The Enterprise wreck was in an area called Tramway Jetty in Lady Bay. Since then the area became the location of the Lady Bay Hotel and now, in 2019, it is in the grounds of the Deep Blue Apartments. In fact, with the constantly changing coastline through built-up sand, the wreck site is now apparently under the No 2 Caravan Park on Pertobe Road, perhaps 150 metres from the high tide. Its location was found by Ian McKiggan (leader of the various searches in the 1980s for the legendary Mahogany Ship). DIFFERENTIATING the New Zealand Schooner “Enterprise” from John Fawkner’s “Enterprize“ Dr Murray Johns, Melbourne, says in his article The Mahogany Ship Story “… As I documented in 1985, the Warrnambool wreck was of an entirely different ship, also called Enterprize [with the spelling ‘Enterprise’], but built in New Zealand in 1847. Fawkner’s ship had already been sold to Captain Sullivan in 1845 and was wrecked on the Richmond Pier in northern New South Wales early in 1847. “ - (further details are in NOTES: and FHMV documents) The wood carving is significant for its association wreck of the Victorian Heritage Listed schooner Enterprise, VHR S238, being a New Zealand-built but Australian-owned coastal trader. The wreck was also significant for its association with indigenous hero Buckawall who saved the lives of the five crew on board.Wood carving; a handmade, carved wooden board from the vessel "Enterprise", 1847-1850. The board is made from several pieces of wood. It is concave, with engraved border and motifs, and has decorative scrolls on the sides. The inscription, added to the carving at a later date, is on the rear of the board and inscribed in blue ink script. A paper tag marked 'Swinburne' was with the board."Swinburne", "from the vessel Enterprise" Handwritten in blue ink script "Made from / wreck of / "Enterprise" first boat / up river Yarra with / Fawkner later wrecked / at Warrnambool Vic"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood carving, carving, carving craft, 1850 wreck, john watson, james gardiner caught, tramway jetty, lady bay, rescue line, ian mckiggan, vhr s238, relic, buckawall, schooner, enterprise, coastal trader, new zealand, indigenous rescue, indigenous hero -
Montmorency/Eltham RSL Sub Branch
Headwear - Hat, Khaki, Fur Felt, WW2 (Womens), 1943
Women's service hat worn by Corporal Kathleen Phyllis Gill from Toorak Hill, Casterton. Army No. VF345716 Unit LHQ (Mil. Sec)Women's khaki felt service hat with brim. Tan band around the hat. Australian Military Forces badge at the center front on the band. Red over black unit patch attached to the right side of the band. Tag attached inside the hat stating - V.306 1943 Made in Australia. Size 6 1/2 kathleen gill, women's service hat, felt -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Ammo/Magazine holder
Heavy khaki ammunition and magazine holder with a metal insert in front with black metal fastener. 2 Khaki webbing loops on either side 2 metal clips on back. Webbing loop with dog tag fastener on end. Has canvas top which can be fastened to front metal fastener (possibly belonged to Peter Raymond Young)ammunition, pouch, young, peter raymond -
Bendigo Historical Society Inc.
Archive - MCCOLL, RANKIN AND STANISTREET COLLECTION: DEBORAH EXTENDED GMC N L - MINING BOX, 1940s
Mining box. Metal box, painted dark blue, formerly box number 476 - Now Deborah Extended Mining Box 20. Tag affixed to front 'box 476' Printed on door in white paint 'Deborah Extended'. Box contains various documents relating to Deborah Extended Mine. Documents are individually catalogued within box.mining, business, mining box 20, mccoll, rankin & stanistreet, deborah extended gmc n l, gold mining, mining box -
Bendigo Historical Society Inc.
Archive - MCCOLL, RANKIN AND STANISTREET COLLECTION COLLECTION: CENTRAL NAPOLEON
Mining Box: metal box, painted dark blue, formerly box number 472 - Now Central Napoleon Mining Box 3. Tag affixed to front ' box 472' Printed on door in white paint ' Central Napoleon'. Box contains various documents relating to Central Napoleon Mine. Documents are individually catalogued within box.mining, parish map, mccoll, rankin & stanistreet, mccoll rankin & stanistreet, mining, gold mining, central napoleon -
Bendigo Historical Society Inc.
Archive - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL DEBORAH MINING BOX
Mining Box: metal box, painted dark blue, formerly box number 481 - Now Central Deborah Mining Box 1. Tag affixed to front ' Box 481' Printed on door in white paint ' Central Deborah'. Box contains various documents relating to Central Deborah Mine. Documents are individually catalogued within box.Central Deborah - printed on doormining, parish map, central deborah gold mine, mccoll, rankin and stanistreet, mining, goldmining, central deborah gold mine. -
Bendigo Historical Society Inc.
Archive - MCCOLL, RANKIN AND STANISTREET COLLECTION: NORTH DEBORAH MINING BOX
Mining Box: metal box, painted dark blue, formerly box number 482 - Now North Deborah Mining Box 7. Tag affixed to front ' box 482' Printed on door in white paint ' North Deborah'. Box contains various documents relating to North Deborah Mine. Documents are individually catalogued within box.mining, parish map, mccoll rankin & stanistreet, mining, gold mining, north deborah -
Bendigo Historical Society Inc.
Archive - MCCOLL, RANKIN AND STANISTREET COLLECTION: NAPOLEON REEF MINING BOX
Mining Box: metal box, painted dark blue, formerly box number 489 - Now Napoleon Reef Mining Box 5. Tag affixed to front ' box 489' Printed on door in white paint ' Napoleon Reef'. Box contains various documents relating to Napoleon Reef Mine. Documents are individually catalogued within box.mining, parish map, mccoll, rankin & stanistreet, mccoll rankin & stanistreet, mining, gold mining, napoleon reef -
Werribee RSL Sub Branch
Termial - battery, World War Two
This battery treminal was removed from one of the Japanese Midget Submarines sunk in Sydney Harbour during the night attack on Sunday 31st May 1942 and sold publicly as a souvenir to raise money for the RAN relief funds for sailors. Metal plate - two round black metal lugs on top of a flat grey lead plate with four Japanese characters stamped on the base off the top of a battery from a Midget Submarine, with a cardboard souvenir card.Metal Plate - four Japanese characters. Cardboard tag - "A Guaranteed Souvenir / from the / Japanese Midget Submarine / Sunk in Sydney Harbour,/ Sunday May 31st, 1942" / sign by "Rear-Admiral in Charge, Sydney /July 30, 1942 Proceeds to RAN Relief Fund & King George's Fund for Sailors". Back of Tag - "27th November 1942 on show in the Gardens in Melbourne"souvenenir, japanese midget submarine -
Woodend RSL
Service Dress Jacket
Associated with the service of Lieutenant H. Dixon, circa 1943. Worn by people who served on the Home Front in this Corps during the Second World War.This item is significant because Australian Army khaki woollen service dress jacket with red embroidered circular Unit Colour Patch on the top of each sleeves consistent with markings of Australia's home guard – the Volunteer Defence Corps (VDC). Four button down closure. The jacket is fully lined with a lightweight fabric, either natural or synthetic. A self fabric belt passes around the waist and fastens with a buckle at the front. Button down epaulettes with two pips denoting lieutenant ranking. 'Rising Sun' collar badges on each lapel. Pleated breast pockets with triple pointed flaps with exposed buttons. A pair of pockets over each hip with straight flaps each fastened with one visiable button. Pockets over hips have one Four front pockets are fastened with one visible buttton. These 8 buttons are domed metal showing a raised emblem of Australia surmounted by the King's Crown: also see Tudor Crown or Imperial Crown. The back of these buttons have a loop shank, secured with cotton. Surrounding is a stamp K. C. LUKE PTY LTD. MELB. There is a small pocket on the inside of the jacket corresponding to the right breast pocket.Small, white, rectangular manufactures tag stiched with khaki coloured cotton within the small pocket on the inside of the jacket corresponding to the right breast pocket. Approximately H 24mm x W 44m The MYER STORE for MEN MELBOURNE & ADELAIDE Typed in red ink on the bottom section of the manufacturers tag. Lt. H. Dixon W. 7290. 10/12/43.heraldry, uniform, volunteer defence corps -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, RAN, Identity Disc, 1968 (Approximate)
A red round coin with text "CR Thompson 64535 RC" tight with a small robe"CR Thompson 64535 RC" Identity Disc Royal Australian Navy c1968 An asbestos identity disc or 'dog tag', of the type issued only to Navy personnel who worked in such hot spaces as the ship's engine room, to prevent burning which could occur with metal dog tags. Donated by Christopher R Thompson HMAS Vampire (1966) and HMAS Parramatta (1968)ran, dog tags, hmas vampire, hmas parramatta -
The Ed Muirhead Physics Museum
Thermopile
Circular metal frame and dials with mixed internal components, on a hinged, hollow cylindrical base.Partially removed label on circular frame: 'NAT. PH[...] [...] / NO. [...]' Partially removed label on base: 'J. H 4' Attached handwritten tag: 'Optical bench / A / Thermopile' thermopile, scientific equipment -
Melbourne Legacy
Flag, Legacy 100. 1923 -2023, 2023
An Australian flag given to students at the annual "Anzac Commemoration Ceremony for Students". In 2023 it was the 100th Anniversary of Legacy and special flags were printed with one side showing the Legacy logo and 100th anniversary logo. The service was held on 5th April and was the 91st time it was held. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. Students are also given sprigs of rosemary with a miniature Australian flag and a Legacy tag attachedA record celebrating Legacy's 100th anniversary during the student commemoration service by Legacy to inform school students about Anzac Day.Colour paper flag on a white plastic stick printed for the 2023 Anzac Commemoration.anzac commemoration for students, wreath laying ceremony, flag, 100th anniversary -
Melbourne Legacy
Photograph - Junior legatee outing, Government House Christmas Party, 1963
A photo of children at a Government House Christmas Party. They are watching the entertainment and eating ice cream. Melbourne Legacy would hold Christmas parties for junior Legatees at Government House for many years due to the Governor of Victoria being patron of Legacy. The children are wearing Legacy tags. The year is 1963. One of the photos appeared in a newspaper article about Legacy in 1965 (see item 01237). The boy in the first photo is Will Gaff, brother of Legatee Keith Gaff who advised that the year was 1963.A record of relationship of Legacy with the Governor of Victoria and the parties that Legacy provided for the children in their care.Black and white photo x 3 of children at a Government House Christmas party.junior legatee outing, christmas, government house party -
Melbourne Legacy
Photograph - Junior legatee outing, Government House Christmas Party, 1963
A photo of children at a Government House Christmas Party. They are watching the entertainment and eating ice cream. Melbourne Legacy would hold Christmas parties for junior Legatees at Government House for many years due to the Governor of Victoria being patron of Legacy. The children are wearing Legacy tags. The year is 1963. One of the photos appeared in a newspaper article about Legacy in 1965 (see item 01237). The boy on the far right is Will Gaff, brother of Legatee Keith Gaff who advised that the year was 1963.A record of relationship of Legacy with the Governor of Victoria and the parties that Legacy provided for the children in their care.Black and white photo of children at a Government House Christmas party.junior legatee outing, christmas, government house party -
Frankston RSL Sub Branch
Pennant, Greetings from Australia
World War 2Triangular pennant made from wool felt. Maroon with blue strip on short side, wirh two blue tags. Greetings from Australia in gold lettering, with gold scroll containing the word Australia. 1943 in red lettering with an eagle in gold holding a rifle and bayonet in its tallons and a green kangaroo wearing a tin helmet and holding a rifle and bayonet.1943. Greetings from Australia. Eagle and kangaroo. -
The Beechworth Burke Museum
Animal specimen - Squirrel, Trustees of the Australian Museum, 1860-1880
The Grey Squirrel is a small to medium sized member of the rodent family Sciuridae. This species is commonly located in England, Wales and central Scotland. They are known for their agility and ability to climb trees. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen has silver-grey fur with a pale cream coloured underside. The tale stands tall along the back of the specimen and is bushy. The specimen is of a smaller size and has no tuffs on its ears. It stands on a wooden platform and has two paper tags tied to its hands. One hand is stylized in a raised position while the other remains downward.A.4483 / 39. Ash-coloured / Squirrel / Catalogue. page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel -
The Beechworth Burke Museum
Animal specimen - White-Browed Babbler, Trustees of the Australian Museum, 1860-1880
The white-browed babbler is a a very active bird and is often found in noisy social groups. It lays two nests: one to lay its eggs in, and a separate nest to roost in. The Babbler is located in dry sclerophyll woodlands throughout mainland Australia. The diet of this species is varied: including insects, spiders and other invertebrates, small amphibians, crustaceans and reptiles. These birds will also eat fruits and seeds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The White-browed Babbler is a small bird with dark brown/grey plumage. It has a white throat, a white tipped tail and a long, pointed curved bill. This species have a distinct white brow and dark eye stripe which inspired its name. The specimen stands upon a wooden mount and has an identification tag tied around its leg.Label: 68a. / White-[illegible] Pomatostomus superciliosus /See Catalogue, page 20 /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, white browed babbler -
The Beechworth Burke Museum
Animal specimen - Eastern Spinebill, Trustees of the Australian Museum, 1860-1880
The Eastern Spinebill is found along the eastern coast of Australia, from Queensland to South Australia. It lives in wooded areas. It is an insectivore and also eats nectar, which is why its beak is a long slender shape. Females and males have slight aesthetic differences; the males have more distinct markings on the head. The female birds build nests and incubate eggs, but both parent birds will feed the young. The Eastern Spinebill has a bright rust coloured belly and throat, with black wings, crown and tail. Its back is light brown. There is a white stripe on its chest which stretches up underneath its eyes. The eyes are red. This taxidermy specimen is not a good representation of the live bird because it is considerably faded and their feathers are very ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are two birds on a wooden stand. One has its beak in the air and the catalogue tag attached to its foot (main bird). It has some minor pest damage around its eye. The opposite bird looks straight ahead. The birds are placed next to each other, facing opposite directions. They are faded and have some ruffled feathers. 60a/ Spine Bill / See catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern spinebill -
The Beechworth Burke Museum
Animal specimen - Kookaburra, Trustees of the Australian Museum, 1860-1880
The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra -
The Beechworth Burke Museum
Animal specimen - Barking Owl (Male), Trustees of the Australian Museum, 1860-1880
The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology -
The Beechworth Burke Museum
Animal specimen - Noisy Friarbird, Trustees of the Australian Museum, 1860-1880
The Noisy Friarbird are conspicuous and active Honey-eaters mainly seen in small groups and often active in flowering plants, especially eucalyptus trees. Noisy Friarbirds are found along the east coast of Australia, from north-eastern Queensland to north-eastern Victoria. They often feed in noisy flocks, alongside other Honey-eaters such as the Red Wattlebird. This specimen has been mounted in an accurate, yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Friarbird has a characteristically black head which lacks plumage and has a prominent casque (bump) on the base of its strong bill. The specimen has an off-white underbody and neck, a light brown back and tail with a white tip at the end of the tail. This specimen stands upon a wooden platform and has an identification tag tied around its leg.59a / Friarbird / See Catalogue Page 18 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, noisy friarbird, friarbird, australian birds, oz animals, wattlebird -
The Beechworth Burke Museum
Animal specimen - Yellow Billed Spoonbill, Trustees of the Australian Museum, 1860-1880
The Yellow-billed Spoonbill is a waterbird which can be commonly seen wading through shallow waters. This particular variety of Spoonbill is found across Australia, mostly in the northern and well-watered inland areas. It resides in freshwater wetlands, dams, lagoons and swamps. The species feeds on mainly aquatic insects and larvae. The bill has vibration detectors called papillae inside the spoon which enables the bird to feel the vibrations of its prey in murky water. These birds nest in the colonies of other birds like the Ibises and Royal Spoonbills. They live in high forks of trees over water or in reed beds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow-billed Spoonbill specimen is a large taxidermy of mainly white colouring. The bill is a large and unique spoon shape and is yellow. The long gangly legs and the skin on the face are also yellow. The eyes are made from a black and yellow glass and the bird is stylized standing on a square wooden platform. A paper identification tag is tied to the bird's upper left leg.6c. / [illegible] / Spoonbill / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, spoonbill, yellow-billed spoonbill, yellow billed spoonbill, waterbird -
Tennis Australia
Racquet, Circa 1925
'Tournament' model wood tennis racquet. Made by A.J.Reach Company, Philadelphia, USA. Leather strip around butt. String whipping around shoulders. Squaed wooden handle with grooved surface. Swing tag indicates purchased for $5 from Wagga Antique Centre, Fitzmaurice St, Wagga. Purchase date unknown. Materials: Wood, Gut, Paint, Leathertennis -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Akubra Hat, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8135.1 - Straw Akubra style hat with Australian native floral printed band. The left hand side has a small hat pin that features the Australian flag with the Olympic rings underneath. 8135.2 - Straw Akubra style hat with Australian native floral printed band. Around the printed band on the right side of the hat is a tag with the hats details.8135.1 - on the inside - Akubra Olympian Made in Australia 8135.2 - on the inside - Akubra Olympian Made in Australia1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Bendigo Military Museum
Memorabilia - MONTAGE, FRAMED MEMORABILIA, Post 2000
Robert George Lunn VX76842 enlisted on 27.2.1942 age 35 years, 5.3 1942 transfer to Engineer Training Echuca, 12.4.1942 transfer to 2nd Field Sqd, 27.6.1942 transfer to No 4 Bomb Disposal Coy, 3.9.1942 transfer to No 2 Bomb Disposal Coy, 18.2.1943 transfer to Engineer Training Centre RAE, 18.8.1943 transfer to 5th Aust Advance Reinforcements Depot Townsville, 11.11.1943 embark for Pt Moresby, 19.11.1943 taken on strength 2/9th Field Coy, 4.6.1944 embark from Lae to Brisbane, 11.8.1944 hospital with Malaria28.8.1944 rejoin unit, 20.9.1944 hospital (unclear), 27.9.1944 rejoin unit, 23.5.1945 embark for Morotai, 7.8.1945 promoted to Cpl, 12.8.1945 fly from Balikpapan to Aust to attend a Junior leaders school Aust Army, 22.8.1945 arrive Vic and attend school, 29.8.1945 attend RAE Training Centre NSW, 31.10.1945 Move to Vic for discharge, 7.11.1945 discharged from the 2nd AIF.Wood framed item with photo, ID tags, medals x 4, RAS badge, RSL badge, all items are set in panels within the frame, panel with text at bottom. Medals. 1. 1939 - 45 Star. 2. Pacific Star. 3. British War medal 1939 - 45. 4. Australian Service Medal 1939 - 45."VX76842 Lance Corporal Robert George Lunn, 2/9 Australian Field Company Australian Imperial Force, 27 February 1942 - 7 November 1945"framed, memorabilia, ww2, medals, lunn -
City of Greater Bendigo - Civic Collection
Equipment - Gold Scales, Late 19th / early 20th century
This type of balance scales allows precise measurements to be achieved by ensuring that the balance's fulcrum is essentially friction-free by attaching a pointer to the beam which amplifies any deviation from a balance position; and finally by using the lever principle, which allows fractional masses to be applied by movement of a small mass along the measuring arm of the beam. The standardization of the weights used – and ensuring traders used the correct weights – was a considerable preoccupation of governments throughout this time and inspections were held regularly. When the Weights and Measures Act was passed in Victoria in 1862 local inspectors were established throughout the colony to ensure accuracy particularly in the weighing of gold. By the 1870's each local council had a set of standards that were used to test the scales, weights and measures of local merchants and businesses.Set of small scales possibly from a travelling boxed set due to their small size, similar to those used in an apothecary and weighing gold. Scales have two round brass pans with a cross bar and chains and pointer central on the lever arm. At top of lever arm above pointer is a small leather tag from which to hold up the scales. city of greater bendigo commerce, making a nation exhibition, city of greater bendigo mining