Slide, Allan Budge Collection: house, King Street. An unusual frieze in timber.house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: house, Queen Street. Verandah Friezes In Timber. Frieze in wood - note the 'Sun' inserts. The eave brackets are distinctive.house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: house Eaglehawk. Verandah Friezes in Timber. Fretted design on frieze.house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: house, Queen Street. Verandah Friezes In Timber. Heavy decoration on verandah frieze. Note the tile inserts in the gable end.house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: house, Pyke Street. Verandah Friezes In Timber. Turnery used to good effect.house, public, allan budge collection:, allan budge collection:

A Pictorial page from the Bendigo Advertiser showing photographs of Fred Trewarne taken during some of his performances with Bendigo Theatre Group along with tributes & Eulogy, under glass in thin black timber frame, Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, fred trewarne

Coloured photograph of John (Jack) and Jean Cannon in a Gold Moulded Timber Frame with a brief summary of their work with the Bendigo Theatre Co on back, Donated by Mr Atkinson related to Mary ReibyBarry Searle Photographyperson, family, personal portrait, jack & jean cannon, bendigo theatre co

Photograph & description of Margaret Brennan taken from ''Who's Who Australia'' 1989 also showing presentations made to her grandfather in 1871, under glass in thin black & gold timber frame, Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, margaret brennan

Page from 'Special Issue of The Spectator (6/2/1903) - Bendigo Businesses in block of advertisements on reverse side. Seven Bendigo businesses: J & T Watts, Grocers; Bendigo Timber and Iron Yards; H Lorenz, Tailor; T Sayer, Furnishing Undertaker; W H Reed, Caterers & Confectioner; Milburn's Coffee Palace; W J .McQuillan, Plumber. Scanned in: Mosaic Scans @ Terrys Scans: 1207.58a & 1207.68organization, business, bendigo businesses

Beaufort House was used as student accomodation for Ballarat Teachers' College and later University of Ballarat StudentsColour photograph of a bluestone building with timber shingle roof. It is the stables at Beaufort House, Ballarat.alfredton, student residence, ballarat teachers' college, university of ballarat

This Victorian cottage was probably once used as a guest house during the tourist boom to the mineral water resort at Hepburn Springs or Daylesford. "This elegant double-fronted Victorian residence c1900 will be a Mecca for lovers of Victorian heritage and ornate styling. Period features, pressed ceilings, fret displays, high ceilings and magnificent original timber walls. With 3 bedrooms, 2 living areas, the home offers any keen Renovator or Investor many opportunities, renovate or lease it out immediately (the property has been a permanent rental for many years) " (http://www.stockdaleleggo.com.au/daylesford/details.asp?internetid=271641&OFFICE_ID=57, accessed 24/12/2013)A weatherboard cottage at 21 Duke Street, Daylesford. It is thought this house was once a boarding house for visitors to Daylesford.daylesford, duke street, guest house, weatherboard, cottage

Coach builder's wooden tool box, constructed from pine, unpainted internally; with four steel casters for movabliity. Rope handles on shortest ends, through timber connections. Body of the box painted light green, with the lid painted dark brown. Box has two lidded boxes made to fit the longer width of the box, and half the depth. Box: 930 w x 850 d x 680 h Two internal boxes: 860 w x 200 d x 80/100 h, painted black.

Pittock collection: timber tradesman's tool box, rustic pine construction, unvarnished or painted Tool box: 300 mm W x165 mm D x 205 mm H Item stored in coach builder's box, reference 13000.1.

Pittock leather maker's collection * 15 leather maker's awls (120-150mm long), * four chisels (200-245mm long), * one wooden mallet 285mm long. * three timber straight edge marker and plumb line * one bird ornament Items stored in coach builder's box, reference 13000.1.

A small black and white photograph of a timber home. On the back are the words 'Muriel (requires verification) and 'old home.' Date and source unknown.buildings, house, lydia chancellor collection, collection, buildings, home, house, place, site, history

Model of miners' cage with safety brake system, mounted on wooden stand to simulate a mine shaft. Cage section is painted red, timber support and base aqua. Cage is suspended from wooden support by thin wire attached to top section of cage to demonstrate its position in a mineshaft and the operation of the safety brake system. Small metal crutch levers on side of cage gripping wooden guides. When tension ceases in rope a pair of crutch levers grab strongly onto the wooden guide strips which run down the sides of a vertical shaft. Safety cages were discussed in "Safety Mining Cages. Report of the Board of Enquiry on Safety Cages 1878-9; together with proceedings of the Board and Appendices". https://www.parliament.vic.gov.au/papers/govpub/VPARL1879-80No31.pdfgold mines

This gown was worn by Ellen Harvey Cundy (1857--1939) on her marriage to Thomas Davenport Wood on January 23, 1878. It was the first marriage at St. Paul's Church of England, Clyde Street, Myrtleford. The gown was made by the bride's mother, Marrianne CundyThis is the first bridal gown to grace the former timber church building. Both the Cundy and Wood families were prominent locally, having settled at Waterloo/Barwidgee Creek/Myrtleford area in the 1860s. Marianne Cundy was a teacher at Myrtleford State School 955 from 1870-76, where the gown is now housed.Hand-made cream patterned wedding gown, circa1878, long-sleeved and complete with bustle.wedding gown, cundy, wood,

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

Painting colour in Gold/Brown timber frame depicting Mekong River Delta Village..Acrylic / canvas Village life -Houses, Boats and People.Min H Vietnam.mekong river delta villiage, framed painting

Photograph of an early family, the Sheppards, by their early industrial building, the brewery, in Buninyong, c1870.Significant example of early Buninyong industry, original bluestone building.Mounted B/W photograph of Buninyong Brewery c1870. Bluestone block, brick and timber building with tall round brick chimney nearby. Sheppard family in front of brewery, depicted M,M,M,F,M, with good clothing detail.buninyong brewery, brewery, buninyong, industry, building

Representatives from all Edmund Rice Colleges across Australia come together each year at a different College. This plaque was presented to St Patrick's College from a fellow Edmund Rice school, Rostrevor College, Adelaide.A timber plaque with a brass shield, 'Palma Merenti', and below the shield is a brass engraved plate with inscription.Inscription reads: Rostrevor College Adelaide / Presented to / St Patrick's College / 26th April 1990.

The Republic of Vietnam Cross of Gallantry with Palm Unit Citation was conferred by General Cao Van Vien, Chief of the Joint General Staff, Armed Forces of the Republic of Vietnam on 24 October 1970, and officially presented to the 8th Battalion Royal Australian Regiment by Lieutenant General Do Cao Tri, Commander of II Corps and Military Region 3 Vietnam on 29th October 1970. The citation was awarded for "always displaying high morale while co-operating and assisting the Vietnamese people in their struggle against Communism and to defend peace and freedom .. in Military Region III ... Though fighting under the most difficult conditions, the members of the 8th Battalion, 1st Australian Task Force still fought bravely and determinedly and had many glorious victories. Their most remarkable military operations took place in the area of the Long Hai hills... (They also participated ) ... in the civic action programme to assist the local population ( in Military Region 3) to reconstruct their houses, roads, bridges, markets and schools etc. ... thereby bringing great credit to the Royal Australian Armed Forces."2 X paper documents, one in English the other in Vietnamese (mounted with white matt in timber frame). Each has been printed with a decorative blue border, main text in black, official stamp in bottom right corner is red. A blue medal with red and yellow ribbon is printed in centre top of both documents.Republic of Vietnam/ Gallantry Cross/Chief of the General Staff? Armed Forces of the Republic of Vietnam/ Army Meritorious Commendation/ The 8th Battalion, 1st Australian Task Force/ For the gallantry they displayed under enemy fire./ This Meritorious Commendation ((GALLANTRY CROSS)) is added with (a) palm (leaf)./KBC day 24 month 10 Year 19708rar, koo, arthur koo, citation, gallantry cross, gallantry cross with palm

Born: Kyneton, Victoria, Australia 1860; Died: Surrey Hills, New South Wales, Australia 1940 Heidelberg SchoolLedger Gift, 1984Rural landscape and rustic house surrounded by trees. Gold painted timber frame.Recto: Signed "C. Southern" in brown paint l.r.c of composition; Not dated; Not titledlandscape, rural, house, trees, australian art

Born Morges, Vaud, Switzerland 1814; Arrived Australia: 1865; Died: Victoria 1888ColonialLedger Gift, 1986Sailing boat on river in middle of landscape and sheep are grazing. Gold painted timber frame.Recto: Signed " L Buvelot/ 1870" in brown paint l.r.c of composition; Not titledwaterscape, boat, river, animals, house, colonial, landscape, australian art

Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884-1933; Died: Melbourne, Victoria, Australia 1947ModernismLedger Gift, 1977Open rural landscape with large bare hill, building, trees and fences under a grey sky. Gold brushed timber frame.Recto: Signed "RB" in square in black oil in l.r.c of composition; Not dated; Not titledpainting, landscape, hills, house, trees, clouds

Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon

Born: Isleworth, Middlesex, England 1831; Arrived: Melbourne, Victoria, Australia 1870; Died: Melbourne, Victoria, Australia 1897VictorianGift of Mrs E.E. Ledger, 1982Rural landscape with house, fences, trees hills, a creek and a small figure carrying a fishing line. Thin, dark blue grey brushed timber frame.Recto: Signed "PARSONS" in black watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, tree, mountains, animals, cows, figures, fence, creek, colonial, buildings

Born: South Yarra, Victoria, Australia 1869; Died: Mornington, Victoria, Australia 1930VictorianLedger Gift, 1985Sunlit rural landscape with buildings, figures, wagon, trees, water, reflections and a hill. Gold brushed ornate timber frame.Recto: Signed and dated "C. S. BENNETT / 1891" in brown watercolour in l.r.c; Not titledwatercolour, landscape, riverscape, house, trees, water, reflection

Born: Darlinghurst, New South Wales, Australia 1858; Lived and worked: England, Spain, France, Italy, New Zealand 1881-1923; Died: Randwick, New South Wales, Australia 1930ImpressionismLedger Gift, 1985Expressive brightly coloured brushstrokes of rural farm houses and trees. Gold brushed timber frame.Recto: Not signed, not dated, not titledwatercolour, buildings, chimney, impressionist

Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902RomanticismGift of Mrs E.E. Ledger, 1985View from rustic house with two figures overlooking lake surrounded by mountains and trees. Grey brushed stained timber.Recto: Signed and dated "N.Chevalier. / 1886" in brown watercolour in l.l.c of composition; Not titledwatercolour, landscape, waterscape, building, trees, mountains, water, cabin, sunset