"Dear Friends, At your request, I'd like this recording of my voice, so that when I am no longer with you in person, the tones you are now hearing may remind you that love and remembrance are more a matter of the spirit than of the bodily contact and presence. As I have drifted or struggled along through life, I have gradually acquired many things. Always I have greatly desired to be happy and to spread the same infection around me. This wish has been amply fulfilled. First, in a joyous fashion after the manner of the young, and later in an atmosphere of hope and serenity which I trust may remain with me 'til the end. Achievement was another aim with me from the beginning, and whatever effects my life attainment may have upon others, there has been a fair amount of personal satisfaction in my victories over circumstance." Thus begins Tilly Aston's recording 'With Love to My Niece", going on to read her poem 'Song of Old Age'. This recording was converted from a 78 acetate record and was originally recorded on 15th July 1937.1 audio recording of Tilly Astontilly aston, audio books

Marion POPPLEWELL (1912-1998) Born Yorkshire Marion Popplewell visited relatives in Ballarat in the early 1940s. She loved Ballarat so much she decided to stay. She worked at a bank in Lydiard Street, opposite the Art Gallery of Ballarat, and lived in rooms above the Lydiard Street Shops. Marion enrolled in some evening classes at the Ballarat Technical Art School (a predecessor institution of Federation University Australia) conducted by Neville Bunning. He was nor overly happy with her small colourful jugs and vases, wanting her to handbuild pots, rather than wheel throw them. Marion Popplewell continued making her small wheel thrown pots with fine handles, and made glazes herself from materials imported from England. Attending classes in Ceramics up until the mid 1970s, she also took some classes in Woodwork and Needlework. Her 'Pink Glazed Jug' 1945 won a prize at the Royal Melbourne Show in the late 1940s. She died in Melbourne on 26 September 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, marrion popplewell, alumni, ceramics

Marion POPPLEWELL (1912-1998) Born Yorkshire Marion Popplewell visited relatives in Ballarat in the early 1940s. She loved Ballarat so much she decided to stay. She worked at a bank in Lydiard Street, opposite the Art Gallery of Ballarat, and lived in rooms above the Lydiard Street Shops. Marion enrolled in some evening classes at the Ballarat Technical Art School (a predecessor institution of Federation University Australia) conducted by Neville Bunning. He was nor overly happy with her small colourful jugs and vases, wanting her to handbuild pots, rather than wheel throw them. Marion Popplewell continued making her small wheel thrown pots with fine handles, and made glazes herself from materials imported from England. Attending classes in Ceramics up until the mid 1970s, she also took some classes in Woodwork and Needlework. Her 'Pink Glazed Jug' 1945 won a prize at the Royal Melbourne Show in the late 1940s. She died in Melbourne on 26 September 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, marion popplewell, ballarat technical art school, alumni, ceramics, ceramics available

From Museum Victoria: Made in about 1927 by Hecla Electrics Pty Ltd and sold under the model name 'Foot Warma'. The foot warmer was made from the late 1920s until the 1950s and did not change substantially in design during this time. The Hecla brand name and logo was registered in 1918 by Clarence Marriott. It was inspired by the recent eruption of Iceland's volcano Mt Heckla. Clarence and his father James were metal workers who had made Australia's first carbon filament electric radiators in 1899, and also built an early steam car. As electricity use exploded in the 1920s and 1930s, 'Hecla' became a household name in Melbourne. They made a wide range of appliances for the home, and supplied commercial appliances to cafés, hospitals and offices. In 1927, the company shifted from small premises in the city to a bigger, electric-powered factory in South Yarra. Hecla had no retail stores of its own - instead it sold products through wholesalers and retailers, including the State Electricity Commission (SEC). The company promoted its goods through advertisements in home magazines and displays in shop windows, home shows and the 1935 All-Electricity Exhibition. A popular advertising slogan in the 1930s was 'Hecla household helps make happy healthy housewives!'. Hecla ceased manufacturing in Melbourne in the 1980s.Documentation of how people lived and is an example of early domestic electrical appliances. From Museum Victoria: Hecla Electrics Pty Ltd were a significant Melbourne manufacturing company, who became a household name in the 1920s making small electric appliances such as heaters and kettles. They also made a variety of other electrical appliances for domestic, commercial and military use. The company manufactured electric appliances in Melbourne from about 1922 until the 1980s, although Clarence Marriott, who formed the company, had begun making radiators with his father James in 1899. The company had a reputation for quality products. The company also played an important role within the Australian domestic and commercial appliance industry, both as a leading innovator and through its role in training skilled staff, many of whom went on to work for competitors such as Kambrook, Electrolux and Sunbeam. This electric coffee percolator represents the typical small domestic appliance that the Hecla company was famous for. Along with other items in the Hecla Collection, it highlights the diversity of electric appliances that the company made. This object also highlights the legacy of high quality design and metal construction work that Clarence and James established for the company, stemming from their early work as talented art metal workers. It also represents the first major period of the take-up of electricity use in the home. This take-up began in the 1920s and 1930s with the use of small appliances, and by the 1950s electricity had become commonplace in the home, and large appliances such as refrigerators and stoves became standard.Square metal object. The top surface is heavy cast iron and patterned with floral motifs. In the centre is a circle with the words ' Hecla Foot Warma' inside. Under the top is a black metal base with two feet at either end which extend the length of the base. The back foot is higher than the front foot. There is a circular disk from which extends the electrical cord. The cord is brown and white checks. At the end of the cord is a plug on which is printed 250V AMP S.2 EARTH 5. The plug is brown and made from Bakelite. On the base is a rectangular label which has words printed - HECLA Australia.Top: HECLA/-FOOT-/WARMA Base: Volts / 230/250 / WATTS / 80 / HECLA / Australia / CAT. NO. F26domestic, city of portland, glenelg shire council, electrical, foot warmer, heating, hecla, manufacture

Pickwick Clubs were established around the world in the nineteenth and twentieth centuries, inspired by the first novel of Charles Dickens. A Kew branch was formed in 1897 and lasted until c.1912. Its membership was drawn from a number of notable Kew families. The club published two booklets, the first in 1904 and the second in 1912. In addition to holding meetings, club members performed in productions of Shakespearian plays in the Recreation Hall in Wellington Street Kew. Members of the club adopted pseudonyms based on characters in Dickens' novels.Literary publication of of artistic (literary) significance recording the social and cultural activities of a group of residents of Kew and its environs that operated from 1897 to c.1912. Copies of volume 1 are held by the State Libraries of Queensland and New South Wales.Contents of The Pickwick Portfolio, Vol.1, No.1 - Frontispiece [Illustration] Pickwick Portfolio / Mark Tapley (Alice Bale); Foreword / Mantalini (Mr A. Barlow); D. Copperfield (Mr H. Brown); Sonnet to celebrate Pickwick Club's birthday's eight and to congratulate it on its happy fate / John Jarndyce (Mr G. Bell); A new planet / Mikawber (Mr H. Mollard); The melancholy heart / Samuel Weller (Mr P. Vines); Time / Florence Dombey (Miss C. Turner); A day in Japan / Miss Moucher (Dr G. Halley); His yellow affability / Mark Tapley (Alice Bale); A tragedy / N. Nickleby (Mrs J.T. Dill, nee Miss Pullar); Bill Sykes [Illustration] / (Micawber (Mr H. Mollard); The norseman's song / Pickwick (Rev W. Slack); The maker of the soul / Squeers (Mr N. Brown); Glory / Jingle (Mr H.M. King); My first conquest / Agnes Wickfield (Miss A. Vines); The mosquito / D. Copperfield (Mr H. Brown); The blind baggage / Mantlini (Mr A. Barlow); The Pickwick Tree [Illustration] / Mark Tapley (Alice Bale); The freedom of life / Toots (Mr W. Shum)fictionthe pickwick club - kew, literary clubs, pickwick clubs, charles dickens