This general purpose Multi-meter was manufactured after 1950 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to measure very small voltages associated with the operation of the various Hydro Generators. The readings were able to be shown by the resistor in use in the current circuit. During this time period, high quality testing instruments were either sourced from Europe or England. This particular meter was manufactured in the Netherlands. This type of "old" analogue meter was replaced by digital meters whose electronic components are a fraction of the size of the older analogue ones.This analog General Purpose multi-meter is quite a large (for handheld mobile) apparatus which permits the easy monitoring of electrical variations within the large SEC Victoria Hydro Scheme's electrical generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This General Purpose Multimeter is an analogue meter i.e. it has a needle arm that moves across a scale of divisions. This is a large(hand held) device due to the mechanical movement system within and the large size of its electronic components of its circuitry.There are two black bake-lite push buttons operating the wire inserts Positive/negative leads at the top. The meter (protected with a glass window) has clearly marked graduations (top - volts, bottom amperes). Below this are two bake-lite dials (left "potentiometer the right one measuring range selector). Below this is a "dial" switch to input the desired resistance measuring range "V" Front "H&B ELIMA" and to the right Elavi 15n. 0n the front side is a label "STATE ELECTRICITY COMMISSION OF VICTORIA TRANSMISSION DEPT E.C.No." On the bottom of the base is a stenciled layout of the battery "layout" including the fuse . The information notice is presented in five languages starting with German, English,French, Italian, Spanish and Dutchsec vic kiewa hydro scheme, alternate energy supplies, alpine population growth

Newspaper advertisement: Diamond Valley Leader, 2 April 2008, Midway Arcade complex. Newspaper advertisement: Weekly Review, 6-12 June 2018, Miles real estate, 6/976 Main Road Eltham. Newspaper advertising feature: The Age, 22 December 2020, Traditional Italian goodness to cool off in summer, When gelato 'gluttony' comes in 36 flavours.main road, eltham, property, houses, shops, businesses, midway arcade eltham, eltham optical, miles real estate, augustus gelatery, paul vernuccio, joe molinaro

Italian grenade, one of a number slightly different, mostly aluminium and all called Mod 35. Outside components missing. Nicknamed Red Devils by the Allies. This one was souvenired by William Humphrey Robert Jeffers No VX52782, enlisted 5.4.1941. Served in the 2/24th Batt 9th Div and served in the Siege of Tobruk and Middle East Campaigns. He was discharged from the 2nd AIF on 19.10.1945.Main section two piece aluminium case/container; rectangular slot on sides of top half. Small knob, 7mm in diam. mounted on side of top section.Red case, empty.ordnance, weapons, red devil

Completed in December 1910 as a steam passenger ship she was requisitioned as a troop transport for the Australian Expeditionary Force (AEF) in 1914. She was returned to the owner in 1920 only to be requisitioned again in 1940 by the Admiralty for use as a troopship. After the war, the Ascanius brought Jewish emigrants from Marseilles to Haifa and was sold to Italy and renamed San Giovannino for Cia de Nav. Florencia (A. Motosi), Genoa in 1949. B Smythe An oil painting of the SS AscaniusAscaniusss ascanius, troop transport, aef, wwi, wwii, migrant ship

“My main aim is to develop a sense of understanding in the mystery of the human condition, both in the reality of life and the spirituality of death. My work uses figurative imagery, both painterly and sculptural in the ceramic medium.” (http://gallery.baag.com.au/?p=34)Giuseppe RANERI (1959- ) Born Italy Giuseppe Raneri completed a Bachelor of Arts in Ceramic Design in 1982, followed by a residency at the Meat Market Craft Centre before travelling extensively overseas. Upon his return to Australia he set up his own studio in Fitzroy from 1988-1997. His work includes colourful hand-painted tablewareCeramic candlestick with majolica decoration. ceramics, gippsland campus, giuseppi raneri, jan feder memorial ceramics collection

Relates to Kenneth Thomas Knight, No. 13026 RAAF. Enlisted 12/2/41 age 21 yrs 2 months. Various postings in Australia then embarked Egypt 1/9/41 serving in Malta, Cyprus and Italy before returning to Australia 27/9/45. Discharged 8/1/46 as a Corporal Armourer. Part of the collection of William (Bill) Thomason. Refer Cat No. 4136P.Green hard cover pay book. 25 pages with name and no. on front. Inside is cream colour paper containing instruction details, pay rates, payments, next of kin, medical history.Front, back and inside stamped cancelled and discharged on front written, name and no.raaf, armourer, kenneth thomas knight, collection of william (bill) thomason

This ship's pully sheave was part of the Antares rigging. A pulley sheave is a circle on a shaft that is manufactured to hold up movement and change of way of a cable or/and rope, or transfer of power between the shaft and cable or/and rope. A pulley is a unique mechanism that is used to leverage the lifting of heavy loads to required heights. The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roofing tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.The Antares is significant as it was a sail trader carrying an international inbound cargo during the early part of the 20th century. It is part of the Great Ocean Road Historic Shipwreck Trail and as such is registered as a protected wreck in the Victorian Heritage Database VHS S34.Pulley sheave; brass, with recesses full of concretion. The metal has some blue-green colouration due to exposure to sea water. Recovered from the wreak of the Antares. Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pulley sheave, antares, tall ship, peterborough, 1914 shipwreck, phillip le couteur, peter mathieson, constable stainsbury, sutlej, bay of islands, pully sheave, pulley, lifting equipment

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Victorian Bitter Ale being poured into the Melbourne Cup trophy and horses racing. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'A good thing for the Cup but better for the tonsils'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian). 'The photos were there when we were coming back from Western Libya sometime in March 1941, prior to the 6th Division going to Greece.' From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of the way Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Victorian Bitter Ale for the Melbourne Cup mural.tobruk, beer, victorian bitter ale, ale, horse racing, murals, world war 2

A continuation and conclusion of the story of Australian airmen who served in or beside the RAAF in the struggle against Germany and Italy. In general it covers a period when both in the Mediterranean and in Northern Europe Air superiority, the vital pre-requisite of successful air assault, had already been gained over the enemy. The emphasis is largely engagements or in the strategic bombing campaigns to the total achievement of allied air power in land and sea campaigns.Historical record of the Air power over Europe 1944-1945Australia in the War of 1939-1945 - Air Power Over Europe 1944-1945. AIR Maps, Illustrations, charts, photographsAustralian War Memorialinvasion of italy, long range missiles, oil, normandy, coastal command, ardennes offensive, battle of the bulge, evaders, prisoners, rhine, air force 1944-1945, wwii, 453 squadron, 646 squadron, spitfire, ground crew, no.3 squadron, 461 squadron, 466 squadron, 455 squadron

It is believed that the three stone cottages in the area were built c.1930 by Italian stonemasons. This cottage is a single room with open fireplace at one end. A hole was dug in the floor inside which a small drum was sunk and covered by a wooden lid. It served as a cool box for the storage of perishable food. It is not known when the cottage was last occupied but during the 1970s the drum was removed and the pit filled in for safety reasons. Photo shows 6 men standing in front of stone cottage at Heatherlie (Mt Difficult) quarry. Cottage made from sawnand off-cuts of stone with stone window frames and door lintel. Rough bush-pole awning at right hand end of cottage.houses, mt difficult quarry

Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Mercury is the messenger of the gods and is represented with a winged helmet and pouch.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with winged helmet and pouch.Mercurymercury

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The figure of Autumn is holding a bunch of grapes symbolic of the vintage.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a man holding a bunch of grapes Autumn by Angelo Bertozziautumn

These original columns are marble, made in 113AD. They come from Rome, Italy and are held in the Cast Courts at the Victoria & Albert Museum, London. The collection of casts at the museum is one of the most important in the world. Their original purpose was educational when it was not easy to trail and see original works. they thus provided an opportunity for students to study. The Cast Courts opened in 1873 and allowed the display of large monuments. These galleries are currently divided by nationality. Photograph of a cast of Trajan's Column at the Victoria & Albert Museum, London. The column has been displayed in two parts. he massive cast is a tremendous feat of both engineering and casting. Displayed in the Architectural Courts from the time of their opening in 1873, it provided the opportunity for students (and others not able to travel to Rome) to see this iconic monument of the classical world. The cast of the column is made up of sections of plaster reliefs that are attached to an inner chimney built of brick. Each section was individually numbered so that the column could easily be assembled like a giant jigsaw puzzle. (http://www.vam.ac.uk/content/articles/t/trajans-column/)trajan's column, roman forum, plaster casts

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Summer is portrayed with the handle of a sickle and holding a sheaf of grain, symbolising harvest time.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with handle of sickle and holding a sheaf of grain, symbolising harvest time.Summersummer, stoddart

Discusses 'Domus' (an Italian architecture and design magazine) as visually exciting and trend starter; compares recent international opinions on Australian architecture and culture (Charles Eames on Sydney Opera House, J. M. Richards on Australian architecture as primitive and vulgar). Boyd indicates international opinions of Australian architecture as important because many Australian buildings are being designed by overseas architects; argues for greater promotion of Australian architecture and architects.Typewritten (c copy), quarto, 5 pagesLast page: no image attached but this inscription "caption to illustration"; appears that Boyd wanted image of St James Building, AMP Tower and Shell House by Skidmore, Owings & Merrill attached.domus, sydney opera house, charles eames, jm richards, australian culture, globalisation, robin boyd, manuscript

The teacher at the Platrithia Primary School was Katina Lekatsas. Many of the school children in the photograph are dressed in the military style uniform of the National Youth Organization established in Greece during the years of the Metaxas (1936–1941) dictatorship. The youth movement disintegrated after the regime’s ending in April 1941. Despite the regime being a right wing dictatorship, Metaxas refusal to submit to imperialist and fascist Italy resulted in Greece entering WWII on the side of allies.Compulsory primary school education was established in Greece during the second half of the nineteenth century. This resulted in most Greeks from this time onwards were literate and numerate.A sepia photograph of school children with their teacher standing in front of a building. The photograph was taken in one of the Ithacan villages.

Description A writing pad showing, on the cover, the helmet of a suit of armour crowned with a laurel wreath and a shield containing the words 'Our Allies' Arms.' In a banner below are the words 'IN FREEDOM'S CAUSE'. Inside the cover is an attached sheet of blotting paper. Each sheet of notepaper in the pad has faintly ruled lines. Across the top and down the left margin, beneath a blue banner containing the words 'IN FREEDOM'S CAUSE', appear coloured representations of the coats of arms of Great Britain, France, Russia, Belgium, Italy, Japan, Servia, Roumania, Portugal and U.S. America. In pencil on cover - Alan Richardson Orbost

Postcards from “Patrick Joesph Frawley”. Enlisted No 563 on 6.4.1915 age 21 years in 13th Light Horse B Sqd, embarked for Eygpt 28.5.1915, record is unclear as states again embarked 5.9.1915 and then disembark Eygpt from Mudros early 1916, does not clearly state going to Gallipoli. Hospital 27.4.1916 (unclear) rejoin unit 28.4.1916, embark for France 2.6.1916, taken on strength of 1st Anzac Army Corps LH Regt 7.7.1916, hospital 4.10.1917 with “Boils, Debility”, from here he is diagnosed with Chronic Bronchitis and returns to Australia 21.4.1918, discharged Medically unfit 17.7.1918.1. White postcard. French writing and address on back. Front has silk embroidered material attached with a small card in pocket. Embroidered image of woman in dress with UK/Belgium/French flags on it. 2. Small card with picture of child holding presents, playing in the snow and message "A Loving Kiss" and message on back., 3. White postcard. On back a short message. On front silk embroidered pocket. Embroidered flags of UK, France, Belgium, Italy and one other. 4. Small folded card with French flag on front & 1916, and message inside.1. Address on back "Mrs. A.D. Norman, 52 Laity St, Richmond, Vict". 2. Message on back "From where I am Lila, Best Love xxxx". 3. Written on card, No, Division and short message. 4. Written on card "Greetings from France" and "P.J. Frawley - to my Love". postcards, france

''The true life story of this old Bendigo miner'' W (Bill) A Langley. Seven typewritten pages of reminiscences of various types of (labouring) work. As provided by author,21/4/1967, aged 82 years. Mention of breweries in Bendigo (Bruce; Pritchard; Chamberlin; Cohn Bros; Hunter Bros; Stewards (Eaglehawk); Italian contractor - G. Vanosio (Back Creek); George Edwards (skin buyer, Market Square); Hercules and Energetic mine; Hustlers Reef mine; Prices of various things purchased in late 1890s; costs of various entertainments at that time.W.A. Langleyperson, individual, w. a. langley, new chum railway mine, mr charles rowe, chinese camp at ironbark and bridge street, bob lewis, jim scobie, bob lewis, bruce brewery, pritchard and chamblin, cohn bros, hunter bros, illingsworth and stewards brewery, white hills cemetary, george edwards, harry hoy, g. svanosio, back creek, hercules mine, energetic mine, sea company mine, hustlers reef mine, jim mcdonald, bendigo pottery, beehive exchange.

The writing is unclear, but the name of the artist for this piece may be Bessi.Colourful porcelain figurine of a doctor holding a monkey. The doctorhas yellow hair and is wearing a white coat, with a white substance on their hands resembling gloves. They are wearing bright green and orange striped pants below the gown, and green high heeled shoes. The doctor is holding a monkey by its ankles in their left hand, and is holding the palm of his right hand on the monkey's bottom. The doctor is standing behind a small white crib, which is covered with a blue and white patterned blanket. The maker's name 'BESSI'(?) and the word 'ITALY' are hand painted on the underside of the crib.obstetrics

Set of three documents, relating to Antonio Giuseppe Lancuba, tram driver, conductor and Labourer. .1 - Laminated A4 document outlining his immigration from Italy to Melbourne and his tramway career. .2 - Laminated black and white photograph of Antonio in MMTB uniform, cap number 5118, c1970, photographed possibly at this home. by his gate. .3 - Print of email correspondence between depot and Ann Snell who arranged a 70th (surprise) function at the depot 26/4/14, prior to lunch on the Restaurant Tram. Ann arranged for items 1 and 2.trams, tramways, trammies, drivers, mmtb, conductors

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. In Greek mythology Leda was the wife of the king of Sparta who was seduced by Zeus in the guise of a swan.The artwork is of aesthetic and historic significance to the people of Ballarat White marble figure of a woman holding a swanLeda Presented by Thomas Stoddart 1884leda, stoddard, botanic gardens

Always known as Gus, he was actually George Gervasoni. Born to George Gervasoni and Annie Pedretti in 1909, Gus was a member of the Daylesford Fire Brigade and played Australian Rules Football for Dayelsford. George was the Australian born son of Italian Luigi Gervasoni and German Eliza Ritzau both of Yandoit Creet. Annie was the Australian born daughter of Swiss Martino Pedretti and Sarah Ind, the daughter of English exile George Ind, both of Dry Diggings. Black and white photograph of a young man, Gus Gervasoni, in an handknitted Daylesford Football Club guernsey..gus gervasoni, george gervasoni, daylesford football club, australian rules football

The image portrays the no longer used High Altar of the Ballarat Cathedral and one of Ballarat's major artworks installed in 1880. It was designed and executed by Leonardi of Carrara, Italy, recognised as one of the premier marble workers in the world at the time. This is the only example of Leonardi's work in Australia.The altar is constructed of inlays of precious stones and antique marbles and the bas-reliefs feature Christ's passion which is also reflected in the Bentley designed Clayton & Bell window behind it. signor leonardi, high altar, carrara, st patrick's cathedral ballarat.

This tin is Part of the collection for A.J. Roddy VX8007Small tin for carrying tobacco, belonging to A.J. Roddy. Inside Lid: Every tin of Genuine/State Express/ ready rubbed/ Emblem/ Ardith Fine Cut/has the name ARDITH/ printed on the paper lining./ Outside of tin has a list attached to it: Melbourne; Colombo /Elquatara,Palestine/ Egypt. North Africa / Greece. Yogoslavia / Austria. Italy / Emgland. Panama / Honolulu. New Zealand / Sydney. 1940-45.of, australia, ww11, war, middle, east, prisoner, roddy, vx8007, tobacco, europe, a j blue

These three souvenir handkerchiefs were brought back to Australia after World War Two by James Godfrey. Flight Lieutenant James John Godfrey enlisted in World War Two in the Australian Air Force from Bessiebelle in western Victoria. He was attached to the British 8th Army under General Montgomery in North Africa and then took part in the landing in Sicily and the subsequent campaign through Italy. Before returning to Australia he travelled to Israel and Austria. These handkerchiefs are retained, firstly as examples of souvenirs brought back to Australia from returning military personnel after World War Two and secondly as souvenirs belonging to James Godfrey who had connections with the Warrnambool district. .1 This is a small pink silk handkerchief with a fluted edge and with some embroidery in one corner with flowers and wording in green, yellow and orange. .2 This is a small aqua-coloured silk handkerchief with a stitched edge and some stitched wording in one corner. Much of the edge stitching has been lost. .3 This is a white silk handkerchief with a stitched edge and a stencilled image in one corner. .1 Till we meet again .2 Bethlehem .3 Souvenir of Egypt world war two, history of warrnambool, james john godfrey