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Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small portrait of a man seated on a chair beside a table with his left elbow resting on the table and his hand beside his face. He is wearing a three piece suit with a watch chain. He has a beard. Photographer's name and address printed on the front and back of the photo in purple. The front also has a purple border.N. White, Mitchell St., Sandhurst. Opposite St. Paul's Towerphotograph, portrait, male, portrait of a man, n white -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A BOY
Small portrait of a young boy. He is wearing knee length trousers, a jacket with a large front pocket, waistcoat, bowtie, long white socks and boots. He is standing beside a chair with his right hand resting on it. On the chair is a hat. The chair and part of the curtain have been coloured red and the floor red and green pattern. .photograph, portrait, boy, portrait of a boy -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1850s
Diggers & Mining. Diggers and miners. Walhalla - Gold Town. The township took it's name from one of the mining leases which was called Walhalla. In Scandinavian mythology, Valhalla was the last resting place of the heroes slain in battle. How suitable the name was for this beautiful remote valley! Markings: 14 995 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1855111
Diggers & Mining. Stores at the diggings. ''Store Drays Camped on the Road to Ballarat'', 1855. Slide: Store dray resting on side of road with un covered wagon racing past. STG. Store Drays Camped on roadside to Ballaarat. James - Blum----Dell. Melbourne 1885. Markings: 41 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Book - LA TROBE UNIVERSITY BENDIGO COLLECTION: 'LANCEWOOD' DIARY
(1) A black hard covered diary concerning the running of the male student hostel 'Lancewood' in 1952. Also included is a type written article on the hostel 'Comersdale' and an outline of the opening ceremony of 'Lancewood' in April 1952. (11) A type written article by J.C. Burnett titled ' In Touch with the Rest of the World' for the 'Embers' magazine 27/05/71.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo teachers' college, teaching, students, bendigo, education, hostel, ms. j.c. burnett, teachers -
Bendigo Historical Society Inc.
Photograph - PORTRAIT - 2 WOMEN
Photograph - black and white in a heavy glass frame. The photo is a postcard, looks like mother sitting on a cane (unusual) shape chair, daughter sitting on a stool with elbow rests. Both women tied their hair up in a bun, high neck frilled blouse. Frame is heavy, glass and maybe 'mother of pearl' on the 4 corners of frame.Kalina, 578 69, Pall Mall, Bendigo.person, family, mother and daughter, portrait 2 women. kalina bendigo. -
Robin Boyd Foundation
Book, Joseph Jones, Texas Quarterly: Image of Australia, 1962
After travelling to the United States to teach at MIT in 1956-7, Boyd became perhaps the best-known authority on Australian architecture to the rest of the world. In this 1962 issue of Texas Quarterly, Boyd contributes an overview of architecture in Australia.Softcover. Includes an article by Robin Boyd titled 'Architecture in Australia'.walsh st library -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
This photograph is taken in the home of the Mother and babe and shows a RDNS Sister who is visiting to give the mother and babe Post-natal care. Royal District Nursing Service (RDNS) had a Domiciliary Infant and Maternal Care (DIMC) service which gave Post-natal care to new born mothers and babes in their homes following their early discharge from hospital, or if required for other reasons. In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who was trained in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose before or after birth the patient was transferred to their care. Following birth, the Midwife gave Post-Natal care to both the mother and babe commencing with visits twice a day. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and a pioneering Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. In 1964 MDNS commenced a Post-Natal service with General and Midwifery trained MDNS Sisters working from a room on the ground floor at the Footscray Hospital Nurses quarters, and visiting early discharged Footscray Hospital maternity cases at home. Later, as Royal District Nursing Service (RDNS), this service was extended and renamed as Domiciliary Infant and Maternal Care, (DIMC) service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give Post-natal care to the mother and babe. Many of the RDNS Sisters who worked in DIMC also had their Infant Welfare Certificate, though Midwifery trained nurses also visited. Black and white photograph showing, to the left, a Royal District Nursing (RDNS) Domiciliary Postnatal Sister, with long hair drawn up, and wearing a white gown. She is attending to a new born baby in her wicker bassinet at the baby's home. The Sister is smiling and has her left hand by the shoulder of the wrapped babe, and her right hand is resting lower on the baby. The baby's mother, who has curly short dark hair, is dressed in a floral blouse and dark cardigan. She is standing to the right of the Sister and behind the bassinet, and is looking down at her babe and smiling. Her left hand is resting on the bassinet. The baby has dark hair and has her hand partly covering her mouth. Part of a picture is seen on the wall behind the mother.rdns, royal district nursing service, rdns domiciliary post natal service, rdns domiciary infant and maternal care, rdns dimc -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF SOLN S ALLSOP
Small, oval waist length portrait of Soln Small, oval waist length portrait of Soln S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886. S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886.Edward Johnson, Lower Hill House, Wisbechphotograph, portrait, male, portrait of soln s allsop, edward johnson -
Bendigo Historical Society Inc.
Photograph - BILL ASHMAN COLLECTION: TWO MEN OUTSIDE BUILDING WITH A SCALEBUOY
Black and white photo of two men outside a building with two piles of scale and a Scalebuoy Unit. One man standing beside the door is wearing a suit and the other man, sitting on a box, is wearing overalls and he is holding a six buoy unit. One pile of scale is pale and the other is black. Written in the photo is Shrensbury Dairy Co (N.J). Beside the black pile of scale is: Scale removed July 12-1933 and beside the pale heap is: Scale removed May 10-1933. At the bottom is: Electronic Buoys Installed Feb. 26-1933. Photo is pasted on an album page. On the back is another sepia photo of a very large scalebuoy unit which is resting on the ground. Behind it a large tank resting on two large concrete blocks.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, shrensbury dairy co (n.j) -
Tatura Irrigation & Wartime Camps Museum
Booklet, HMAS Sydney, 2000's
Commemorative booklet written about HMAS Sydney II from the time it was lauched, until it and the Kormoran were found on the 16 March 2008 and 12 March 2008 respectively. Australia's biggest wartime mystery was finally laid to rest.Brown/Grey lightweight cardboard with picture of HMAS Sydney II memorial and some crew on a ship on the front and picture of HMAS Sydney II on back.hmas sydney ii, geraldton, kormoran, camp 13, tatura, books, history, local -
Ballarat Ranger Military Museum
Photograph (copy), 8th Battalion Cairo
The 8th Battalion was raised from Ballarat & District in August 1914 and embarked for overseas service in October 1914. With the rest of the AIF the battalion trained in Egypt prior to landing at Gallipoli. This photograph was taken during a march from Ismailia to Cairo.One of few photographs of the 8th Battalion on a route march in Egypt 1914/5.Wooden framed photocopy of Postcard front and rearThe 8th Battalion with Col Bolton and Capt Possingham (Adjt) leading crossing the bridge at Cairo, coming back from Ismailia.8th battalion, aif, ww1, bolton, cairo -
Bendigo Military Museum
Souvenir - LABELS, KAWANA HOTEL
Kawana Hotel established 1928 south of Tokyo and was set up as a resort and still exists as such. used by BCOF for rest. Items in the collection of Richard William McGILVERY, RAAF. Refer Cat No 7287P for his service details, photos and awards.2 sheets Parallelogram shape with image of building, resort. Green in colour. Hotel name, orange and blue in colour. Some writing in top corner in Japanese. Includes picture of golf clubs and tennis racket.At bottom "120 Kawana Hotel Japan"kawana hotel, bcof, souvenirs -
Bendigo Military Museum
Pamphlet - SYLLABUS OF PARADES, Training Area 67B, C.1916
67B is part of the local Bendigo area Training Battalion. Both cards cover B Coy No 5 - 8 Platoons, C Coy covers 9 - 10 Pl's plus Technical school Pl's 11 - 12. Front covers have one name both "Capt Laidler C.O 67th Batt Senior Cadets", on rear .1) "R.M. Marks Capt Area Officer 67B". .2) has "R.H. Beers Area Officer 67B"..1) Syllabus of Training area 67B, blue colour, folds in half, all print in black type, covers Parade time for the quarter ending June 30th 1916, Senior cadet Training details types of Training and quotas by years and birth date, rear page has list of Instructions. .2) Same as .1) except light fawn colour and Parades ending September 30th 1916..1) Inside in pencil, "K Guiney 126 Sternberg St Bendigo", under is "C Coy No 10 Platoon", rest appears to be , "Rack No 674 Rifle No 30257". .2) Inside in pencil," K Guiney 126 Sternberg St Bendigo".syllabus, training 67b -
Eltham District Historical Society Inc
Photograph, J.H. Clark, Maria Street, Eltham, c.1910
William Jarrold's cottage on left was used by the Police 1858-1860. The Court house and Police precinct (upper right) were opened in 1859-1860 Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April 1957 (513/387) records his occupation as "X Photographer".Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows Telegraph poles show one wire No 1918 Avenue of Honour trees c.1907 Jarrolds house No shop at White Cloud on fence line Police Residence has extensions Chimney on wash house Office Brickwork on stables Lock-up, entry and window end Light lamp - cnr Dalton and Maria streets Surface damage to lower left cornermain road, eltham, maria street, dalton street, william jarrold, jarrold cottage, police residence, courthouse, j.h. clark photo -
Eltham District Historical Society Inc
Photograph, Russell Yeoman, 66 Susan Street, Eltham, c.1965, 1965c
Sibbel factory in Brisbane Street in centre background running across view. In 1965 the property was owned by the Shire of Eltham. 66 Susan Street was eventually developed into the Eltham Skate Park in the 1990s and the rest of the property is part of the Alistair Knox Park.Digital file only; created from original colour positive slide transparencyeltham, streets, houses, alistair knox park, eltham skate park, herman sibbel, martin sibbel, sibbel factory, susan street, brisbane street, russell yeoman collection -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Peter Simmenauer, Storm damage, Barclay Park 2021, 27/10/2021
Storm damage incurred on night of 27-28/10/2021 at Barclay Park, cnr. Mackenzie Street & Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photographDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Peter Simmenauer, Storm damage, Barclay Park 2021, 27/10/2021
Storm damage incurred on night of 27-28/10/2021 at Barclay Park, cnr. Mackenzie Street & Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photographDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Peter Simmenauer, Storm damage, Barclay Park 2021, 27/10/2021
Storm damage incurred on night of 27-28/10/2021 at Barclay Park, cnr. Mackenzie Street & Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photographDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage -
Federation University Historical Collection
Costume, R.W. Bredin & Son, Ballarat College University Academic gown, c1992
This gown was worn by Shirley Falkinder (nee Ogden). She was the principal nurse educator and lecturer at the Ballarat Base Hospital from 1973-1985 when nurse education was hospital based. She was seconded to prepare the Accreditation document for a three year "Diploma of Applied Nursing", which commenced at the Ballarat College of Advanced Education in 1986 and she retired in 1989. Shirley continued her interest in the education of nurses and became the Vice President of the Ballarat University College Council in 1990 and President in 1991.A black polyester and wood academic gown with a wide red (edged with white) silk lapel. Across the shoulders and below the back yoke there are padded pin tucks which form gathers. The long sleeves reach to within 8 cm of the hemline of the garment. They are slit below the armpit on the front side for the arm to go through and the rest of the sleeve falls open below.Makers woven patch - R.W. Bredin & Son, Melbourne Australia, Academic, Legal & Civic Robe Makersshirley falkinder, shirley ogden, academic gown, ballarat base hospital, ballarat university college, ballarat college of advanced education, costume, uniform, graduation, academic gown, textiles -
Kiewa Valley Historical Society
Lighter Lift Arm, circa early 1900s
This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Roller Beacon lift arm cigarette/pipe lighter has a chrome plated brass shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm(long roller lift arm) exposing the horizontal external flint tube, then scrape the flint wheel to create a spark (to light the wick) from the adjacent flint(resting on the brass ignition wheel).At the base to the left of the "filler" screw "PATENT No. 485037, 818155" underneath "REG. DES. N" on the filler screw "ROLLER REG" underneath "TRADE MARK". To the right of the "filler", "THE ROLLER BEACON MADE IN ENGLAND"early hand lighters, smoking in the 1930's, cigarette lighter, cigarette, tobacco -
Kiewa Valley Historical Society
Undergarment Child
part of a three item pantaloon set of a child at different ages of development. As no manufacturing details are affixed to the garment and taking into account of the relative isolation when the garnet was made it is reasonably to make an assumption that it was made by a local seemstress or by the motherHistorical significance of the type of garment places it Circa 1930s to 1940s and is fairly rare to find the garment as part of three detailing the physical growth and development of a young child cross reference to KVHS 0248 and KVHS 0240Garment has sleeveless top with 8mm straps.The top is attached at the waist to the pantaloons. Pantaloons are crutchless extending down the inside of each leg to 17cm from the bottom.The back of the top is fastened by three plastic(not original) buttons. "Ric Rack" has been hand stitched onto the bottom of each leg. The rest of the garment has been machine stitchedNo manufacturer's details are on the garment vest, undergarment, underwear, lingerie child -
Orbost & District Historical Society
bullock yoke
Yokes like this one were key components used to control bullock teams. These teams were very important in Australia during the 19th century, hauling heavy loaded wagons of goods to remote settlements and rural produce to cities and ports over rough unmade roads. The bullocks were yoked together in pairs. Chains joined the yoked pairs. A heavy wooden bullock yoke with only one metal collar. One is missing. The fittings are iron. There is a small leather patch tacked on to one end. The yoke is made from a length of wood of roughly rectangular cross-section. It has been shaped to form curved depressions that allow it to rest across the necks of two bullocks and yoke them together. bullock-yokes transport -
Warrnambool RSL Sub Branch
Artefact, Trench Art- Model Bi-plane WW1, C1915- 1918
Trench art was typically made by soldiers from pieces of shell and shrapnel, which would have been collected and refashioned into many different objects ,some being of a functional type such as containers and holders while others such as this are more decorative. The maker of this art piece was Stanley Morgan 6383 who was born at Mepunga which is East of Warrnambool.This item has significance being a typical example of trench art which has survived over 100 years. Being linked to one of the largest conflicts in which Australia has engaged it has strong historical significance.This model is constructed of metal and wood. It has a propeller mount on either side of the cockpit with propellers front and back. It has two German crosses on the back and one on either wing.The body of the plane rests on four wheels which sit under the wings with two smaller wheels at the front.There is a gold coloured plaque mounted at the front. It stands on a modern wooden mount,On small plaque at front of mount,”Crafted by Trumpeter Stan Morgan France WW1. On the base of the mount on a small sticker,”Mr Lloyd Morgan 19 Mountfield Ave Malvern East Vic 3145warrnambool, trench art, stanley morgan 6383, morgan mepunga -
Parliament of Victoria
Portrait of Queen Victoria, Winterhalter, Franz Xaver (After), Queen Victoria, after Winterhalter, c.1859
Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria -
Tennis Australia
Racquet, Circa 1965
An unstrung and gripless Universal Top Notch tennis racquet, with ribbon whipping around shoulders and shaft. Model name features across base of head. Universal Racket Co. trademark features on throat, comprising of a globe resting on a triangular base, and flanked by crests and crowned with a star device. Materials: Wood, Ink, Glue, Lacquer, Metal, Ribbon, Enamel, Leathertennis -
Kew Historical Society Inc
Photograph - Grace Tabulo at 'Fairyland', c.1960
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence.The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction.Large, original black and white print positive of the owner of 'Fairyland' Grace Tabulo, with two visiting children who watch a pet myna bird take food from Mrs Tabulo's mouth. The room, like the rest of the house (and garden) includes numerous mementos and decorative items. While there is no marking to the reverse, it may be that this photo was professionally taken by a press photographer.Nilgrace tabulo, fairyland, 57 malmsbury street -
Halls Gap & Grampians Historical Society
Photograph - Photocopy
large waterfall. In the front foreground on the left are three people, two men and a woman. One man rests against the rocks. A woman stands beside him looking towards the waterfall whilst the third man is kneeling, looking over the edge of the ledge on which they are standing, down towards the falling water. On the right hand side many ferns are growingscenery, waterfalls -
The Ed Muirhead Physics Museum
Galvanometer, after 1904
Rectangular frame with coiled metal wires on two opposite sides. Symmetrical placement of screws with connecting wires and terminals between the two sides. Removable cylindrical pin through center of top plate. Four smaller coils of wire secured to underside of top plate. Object rests on ends of three screw feet, two forward and one rear.Engraved at center of top plate: ' H. TINSLEY & CO. LONDON S. E.' Engraved at lower centre of top plate: 'NO 16949' Engraved on top of cylinder pin: 'NO 19908' Front side of top plate engraved with: 'DEFLECTING COILS' Engrave on center base of front side: '10 / VOLTS' Left side of top plate label: 'NAT. PHIL. LAB. / NO 65 / UNIV. OF MELB.' Associated label separate to object also has inscription on recto: 'Schering & / Schmidt / Galvanometer' and upside down on verso: 'A. C / [r] [e] [...] Gold[l]ing / p.p. 245' (writing unclear)galvanometer, tinsley & co, schering & schmidt, electrical instruments, ammeters -
Geoffrey Kaye Museum of Anaesthetic History
Medal, Dean, c. 1986
Robin William Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness. Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. The Orton Medal was awarded posthumously.Gold coloured oval shaped medal with the Faculty of Anaesthetists coat of arms on the obverse in relief. The owner's name has been engraved into the reverse. There is a thick, ribbed, navy blue ribbon connected to the medal by a circular ring at the top. The medal and ribbon are encased in a black velvet box with white satin lining on the inside of the lid and a red velvet cushion resting in the base.Engraved on reverse of medal: R.W. SMALLWOOD / 1986 - 1987