Showing 1781 items
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Melbourne Legacy
Postcard, Penny Royal Gunpowder Mills Postcard
The place shown on the photo still has an important relevance for the local history in Launcestown Tasmania. This place represents one of the most relevant touristic places of Tasmania and brings to the local government a very good amount of income for local developments and self management of the place. The date of this postcard is unknown but probably around 1980 as this place apparently was opened by 1979. The connection to Legacy is unknown but other postcards were sent to the Comradeship Committee when Legatees travelled.Comradeship Committee often received postcards from Legatees when they were away on holidays.Glossy postcard, with serrated edges, showing a photo of the Penny Royal Gunpowder Mills.Handwritten text: 'They have the small cannons on the boat - noisy and scared Alison but quite effective really. The whole complex is build in an old quarry', in black pen. Back side: Printed in paper, PENNY ROYAL GUNPOWDER MILLS / The 10 Gun Sloop-of-War 'Sandpiper' sails to prove its gun and powder in battle against those on Fort Island. / Douglas Souvenir Distributors [Logo] / DS 118, Colour Photography and Copyright by Robert Schorn. Printed in Australia. / I LIKE TO BE SEEN - PLEASE don't send me in an ENVELOPE. / Published by Douglas Souvenir Distributors - Tasmania (004) 312806tasmania, souvenir -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, 1934
This is a photograph of the twin daughters of Mrs Trixie Mason - Marion and May,. They had a brother Alec Mason. The Mason Twins are the granddaughters of George and Agnes Thomas from Newmerella . The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of two small twin Aboriginal girls in a large pumpkin floating on water. There is a Union Jack at each end with "HMAS CENTENARY 1934" on the side.pumpkins-orbost warren-helena-photographer mason-marion mason-may aboriginal-children -
Federation University Historical Collection
Book, Mechanics' Magazine vol. 3, 1825 (exact)
Hardcovered book, half leather bound with marbled paper. Formerly book number 4040 from the Ballaarat East Public Library. Contents include: new pit-saw, self-moving carriage (car), Lord Worcestor's steam engine, extinction of fires, Cameron's Soda Water Apparatus, Newton's Lectures on Astronomy, coining at the Royal Mint, mechanical geometry, lifting ships by steam, voltaic-mechanic agent, steam navigation, portable hand-mill, Brown's pneumatic engine, Bell's invention for saving lives from shipwreck, triple pump, cycloidal chuck, potato-washer, sand clock, Galvanic electricity, perpetual motion, Hadley's Quadrent, Wollaston's Night-Bolt, rope bridges, boring machinery, locomotive steam-engines, new London Bridge, naval architecture, steam and water wheel, Spencer's Patent Forge, boat with wings, ivory profile portraits, Jenning's Gas burner, Ramage's Telescope, washing machine, tallow lamp, iron masts, self regulating pendulum, prismatic compass, simple blowpipe. Includes image of Henry Brougham, and many drawings of inventions.non-fictioncar, newton, fire, shipwreck, bell, naval architecture, locomotive, ballaarat east public library, ballarat east public library, ballarat east library, henry brougham, potassium, meridian lines, pit saw, self moving carriage, lord worcestor, steam engine, cameron s, soda water, astronomy, royal mint, mechanical geometry, lifting ships by steam, voltaic mechanic agent, steam navigation, hand mill, brown s pneumatic engine, triple pump, cycloidal chuck, potato washer, sand clock, galvanic electricity, perpetual motion, hadley s quadrent, wollaston s night bolt, rope bridges, boring machinery, steam engines, new london bridge, steam and water wheel, spencer s patent forge, boat with wings, ivory profile portraits, jenning s gas burner, ramage s telescope, washing machine, tallow lamp, iron masts, self regulating pendulum, prismatic compass, simple blowpipe, bookplate -
Ringwood and District Historical Society
Book, Hugh Mahon, Patriot, Pressman, Politician - Jeff Kildea (Vol 1 1857 to 1901), 2017
Hugh Mahon (1857-1931) was a resident of Ringwood at the time of his death and was buried in Box Hill cemetery.Full title: Hugh Mahon, Patriot, Pressman, Politician by Jeff Kildea - Volume 1: Patriot and Pressman: the years from 1857 to 1901."This book, the first part of a two-volume biography of Mahon, spans the period from his birth in 1857 to his election to parliament. Pulling together the many facets of Mahon's life, it reveals the forces which drove this complex man who was reviled by many for denouncing the British Empire while remaining a hero to those who supported self-determination for Ireland." -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Ravenal Weinman, 1984
From an article headed "Sunrise or Sunset? Who's joining the Uniting Church, who's leaving, and why." The comment from Weinman is "The old fashioned idea that we can't serve God and Mammon is true. We chase the dollar and La Dolce Vita but the church calls for sacrifice and not self-indulgence. Affluence has made us more mobile, so there is the leap-frog syndrome. We are here one Sunday and at our beach-house or on the farm the next."Weinman is shown with his arm around his wife, facing the camera.Identification of C&N and Weinman.weinman, ravenal -
Falls Creek Historical Society
Clothing - Falls Creek Souvenir Caps
These caps were donated by Blake Thompson who with his wife started skiing at Falls Creek in 1979 and were members of Aurora Lodge for many years. They wore these hats at Falls Creek and Cedarwood Lodge which had a bar in the 1990s and was seen as “the place to go.” Cedarwood was built about 1979 by Peter Hyndman. It was a large lodge with over 100 beds. Like many lodges it has now been renovated to become studio and self-contained apartments.These caps are significant because they are representative of the range of memorabilia available at Falls Creek.Two souvenir caps from Falls Creek and Cedarwood Lodge. The Falls Creek Cap is made from green tartan fabric with a green suede peak and the Falls Creek logo. The Cedarwood Lodge cap is made from blue corduroy fabric and features the multi-coloured Cedarwood Lodge logoCap1 - Below logo - FALLS CREEK Cap 2 - Cedar Wood LODGE / FALLS CREEK / AUSTRALIAfalls creek memorabilia, cedarwood lodge -
Kiewa Valley Historical Society
Badge Boy Scout, circa mid to late 1900's
This badge, which was used in the mid to late 1900's (Scouts started in Australia in 1909) clearly demonstrates that the families in the Kiewa Valley although slightly remote were still able to participate in one of the prime "boy" only social groups. The Boy Scouting movement brought together boys from all the socio-economic areas in the Australian population. The scouting group applied the concept of self sufficiency and friendship to all its membership. It was an avenue to cross the boundaries of distance and regional mores. Many of the boys in the Kiewa Valley and its regions would have been more "in tune" with the core principles of the scouting movement because being in a rural environment and "living on the land" was a day to day part of their life. What was an important aspect to they was the "mateship" and the belonging to a very large, and international, group of "like minded" boys. This avenue of interacting with a larger group of boys cut through the "small population" mores of a rural and at times isolated environment. This Boy Scouting activity was both mentally and physically significant to growing boys within the Kiewa Valley as it opened up the world to them.This brass badge has a front formed in a half circle base supporting a "Fleur de Leis" in a spear shape with "cut outs" at the appropriate places to provide the emphasis needed to project the form. Attached to the badge is a crescent moon shaped pronged frame for attaching the badge to lapels or collars or button eyelets. On the bottom scroll "BOY SCOUTS" and on the back type fastener "STOKES & SONS" below this "Melb".societies, boy scouts, apparel badges, numismatics badges -
Kiewa Valley Historical Society
Tuyere Pipe, circa mid to late 1900's
This tuyere (word from French origin) was used by professional blacksmiths and or cattlemen before and during the Kiewa Hydro Electricity Scheme was being constructed. The need to use a furnace or forge in the shaping of metal rods, horse shoes and pipes is both a rural necessity and a construction, on site requirement. The "inventiveness" of cattlemen and construction workers to produce metal objects not available "off the shelf" is one of the inherent traits not only of rural self sufficiency but in the "pioneer" days of rural isolation one of survival.This tuyere is of great significance to the Kiewa Valley and its regions because it highlights one of the greatest strengths of the rural (especially isolated) life and its folk living there, and that is the great human factor of adaptability and survival techniques in sometimes harsh and demanding environmental circumstances. The inventiveness and the attitude, "she'll be right mate", demonstrates life on the land where specialised blacksmith activities can be found in non "professionals" because of the fact that "someone" has to do the job. This is one of the differences between country "rural" life and that found in cities and larger towns.This iron cone shaped tuyere has a small hole (diamenter 25mm) starting within an ever enlarging cone (amplification of the air pressure going through) delivering varying hot or extremely hot air into a furnace or hearth which intensifies the heat to allow the "shaping" of metal objects. The larger "flared" cone extension allows for the directed air to be spread and not concentrated.blacksmith tool, tue, bellows, fashioning metal, forge manufacturing process -
Kiewa Valley Historical Society
Ink Well
This inkwell was in use up until the early 1960's (especially in schools) and used as a source of ink into which a nib pen was inserted which could hold only a small amount for distribution onto mainly paper. The pen itself did not contain any "self" ink replenishment(such as fountain pens or later on biros ). Writing using this method involved a greater time period and also involved a drying application such as blotter to stop the ink from smudging(blurring or becoming smeared).This ink well is very significant to The Kiewa Valley because it represents a period before "cartridge" fountain pens and biros. It was in a "slower" paced era when written communication was not required to be an "instant" method. This was also a period in time when all forms of communication, especially in a rural settings, had no requirement, because of the facilities available, to be the "now" contingency. The "lay back" environment of semi isolated rural areas can be highlighted by the well used phrase of the times - "she'll be right mate"Brown coloured inkwell. Made of pottery, cylindrical shaped container with a raised neck opening at the top. This item has a flat bottom for positioning on a desk or other flat surfacepottery, inkwell for nib pens, stationery -
Glen Eira Historical Society
Article - MACFARLANE, DONALD
This file contains 1 item pertaining to Donald Macfarlane: 1/A clipping from The Age (titled ‘Visionary business leader was an outstanding example of the modern Renaissance Man’, by Noel Turnbull and Melissa Macfarlane, dated 03/09/2016), which eulogises Macfarlane following his death on 11/06/2016. Contains a mention of his early life having been spent in East Bentleigh – otherwise, there is nothing of relevance to Glen Eira. Contains a printed colour copy of a self-portrait of Macfarlane.macfarlane donald, macfarlane gordon henry, business people, east bentleigh, bentleigh east -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet, Phrenological Chart, Rev,J.J.Brown c1928, Physiological and Phrenological Chart Rev,J.J.Brown c1928, c1928
George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C Phrenology is a process that involves observing and/or feeling the skull to determine an individual's psychological attributes. Franz Joseph Gall believed that the brain was made up of 27 individual organs that determined personality, the first 19 of these 'organs' he believed to exist in other animal species. Rev. Brown acknowledges that this printed delineation for self assessment is only approximate and proper analysis would cost time and money for personal consultation.After Charles Darwin, 1809 - 1882, English naturalist whose scientific theory of evolution by natural selection became the foundation of modern evolutionary studies. His nonreligious biology appealed to the rising class of professional scientists and the general public. Phrenology became a popular interest.A paper booklet with diagrams, charts and photos explaining Phrenology in 54 pages by Rev. J.J. Brown Coloured front and back covers have a drawing of a model of the human skull divided into 36 sections Front Cover ; SEVENTEENTH EDITION/ PHYSIOLOGICAL AND PHRENOLOGICAL / CHART / ( IN BOOK FORM) /BY / REV. J.J. BROWN/ Illustrated with 70 Engravingson Wood by S. Calvertgall franz joseph, phrenology, darwin charles, naturalists, jewellers, ezard & clark company moorabbin, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers,housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, draftsman, architect, -
Federation University Art Collection
Ceramic, Crump, Lloyd, Untitled by Lloyd Crump, c1985
Lloyd CRUMP (1961- ) Lloyd Crump graduated from Ballarat College of Advanced Education (now Federation University Australia) in 1985 with a Diploma of Fine Art majoring in Ceramics. He was a self-employed potter from 1986-2004. He exhibited this work in the end of year 'Graduat '85' exhibition which was opened by Michael Leunig. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, lloyd crump, ceramics, available, available ceramics, alumni -
Vision Australia
Article - Text, Bowlers claim national title
Summary update of Centenary AppealMembers of the Victorian Blind Indoor Bias Bowls Association won 13 medals at the recent championships held in Queensland. Initially beginning as a small self-help group at the Association for the Blind, the group of Ken Gunning, Gloria Pascoe, Bill Muller, Rose Del-ZMonaco, Sally Leighton, Bill Lovett, Athol Blain, Alma Box, Pat Gaze and Frank Bartoli came way with five gold, four silver and four bronze medals. Pictured is Sally Leighton on the green.1 white page with black writing and colour photographnon-fictionneil maxwell, association for the blind, elizabeth maxwell, sally leighton -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Robert Clark, Mayor City of Sandhurst 1875 - 76, 180.1; 1875
Robert Clark was a self educated man who had arrived in Australia with his step father to take up mining in 1854. He worked in several local mines and being familiar with the hardships associated with mining life helped to establish the eight hour day for miners. Robert married Sarah Jane Kernaghan in 1862 and together they had nine children. Robert Clark was first elected in 1872 and remained a councillor until his death in 1883. He died aged 41 years. 180.1 Donated by Jenny Taylor; 180.2 Organisational created.Photograph mounted on card. Front facing, 3/4 length portrait, wearing mayoral robes with bicorne hat on stand.mayor city of sandhurst, councillor robert clark, mayor clark, mayor of the city of sandhurst -
Merri-bek City Council
Acrylic on canvas, Marlene Gilson, Marngrook Football, 2015
Aunty Marlene Gilson is a Wathaurong (Wadawurrung) Elder who lives on Country in the Ballarat area. A self-taught artist, Gilson has received considerable acclaim and attention for her painting of historic encounters, in particular with regard to the retelling of events in which early colonial depictions excluded First Nations people. Marngrook Football depicts the first game of Australian Rules football played between Ballarat and Geelong while a parallel game of Marngrook takes place within view. -
Orbost & District Historical Society
black and white photograph, Warren. Mrs H, first half 20th century
Many farmers on the flats at Orbost used to grow a lot of maize and harvest the maize by putting the pigs in to eat the maize.. Maize and pumpkins fed in conjunction were largely used for fattening pigs. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This item is a pictorial record of farming in Orbost in the early 20th century. It is also associated with Helena Warren. a well-known photographer born in Orbost.a black / white photographagriculture farming-orbost pumpkins maize pigs warren-helena -
Kiewa Valley Historical Society
Book - Non Fiction History, Australia's Royal Welcome 1954, circa 1954
This publication covers the mid 1900s and relates to a period where the majority of the Australian population was engrossed with the Queen of Australia, even though her Highness did not reside on this continent. The period covered was before the great immigration insurgence from Europe.The Labour Party's "White Australian" policy was a hinderance and a barrier towards the Asian and African prospective immigrants. The motto Queen and Country was still very ingrained in the rural population. This period in Australian domestic self reliance, brought about the growing strength and very active trade union movement and their staunch support for the Tariff protection against a growing swell of imported goods. This self reliance psyche was essentially a by product of World War II, and the isolation felt by the Australian People. The Queen (royalty) was the binding force holding the British Empire together which was emphasised with her popularity when touring Australia Queen Elizabeth's visited the MCG twice in 1954 1. to attend an assembly of ex-servicemen and women's organisations 2. to attend a Children's Display. She also visited Government House and visited Country Victoria on the Royal train from 24th Feb - 9th March.The Kiewa Valley and all the rural areas in the region were still very much tied to the "mother land" and trade between Britain and Australia was very strong. Trade with Asian manufacturers was minimal and needed the late 1900s to see both the trade and immigration barriers fall. This book was produced during a time when the majority of Australians looked more to England for trade and companionship. The agricultural trade with England and Europe was very high and the motto of the time was "Australia grows on the sheep's back". Late 1900's saw the motto "Australia grows on the miner's back" The Queen was still very popular then which was emphasised by the large crowds which greeted her on tour. Residents of Mt Beauty including Cubs, Brownies, Scouts and Guides travelled to Benalla to see the Queen. Clare Roper was a founding member of the KVHS and attended a garden party at Buckingham Palace representing the local CWA. She has purchased this book and therefore giving this a close historical significance connection, it has good provenance and interpretive capacity. This hard(blue coloured) covered book contains thirty six double sided pages. Both the first and last pages (inside cover included) has the royal crest of Australia (kangaroo and emu) balancing the individual six states crests ,united under the royal crown. The first six double pages, each portraying a coloured free hand sketches of various Australian scenery enclosing the Queen's day by day and State by State itinerary. There are 115 black and white photographs and 25 coloured photographs contained in this book.Third page has free hand penned signature "Clare Roper"1954 royal tour, queen elizabeth ii monarchy, british empire in the 1900s, god save the queen. -
Federation University Art Collection
Painting, Loris Button, 'Hand III' by Loris Button, 2004
Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available -
Federation University Art Collection
Print - Printmaking - linoprint, Loris Button, 'Fragments of Time' by Loris Button, 2002
Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut -
Mission to Seafarers Victoria
Letter - Correspondence, 02/07/1951
Pat writes of the high cost of living in London, the meagre food ration, and the scarcity of flats for rent. Quinn CollectionA self-folding letter (0878.a) headed 19 Luxemburg Gardens, Hammersmith, W.6 and dated 02/07/51. The letter is typed using black ribbon. It is addressed to Mr Allan Quinn, C/- General Delivery, Post Office, Oslo, Norway. The return address is Mrs B. J. Hannon, C/- S.M.H.E.A., 1 Regent Street, Picadilly (writer's spelling). Below the return address is typed "Our telephone number is Riv. 1770 but in case of our moving Barry's business address is above and the number is Whitehall 3985." Below that is an Oslo postmark.Letter commences "My dear Allan," and concludes "With love from Pat." 'Pat' is written in blue ink.letters-from-abroad, allan quinn, pat hannon, barry hannon, hammersmith, u.k. -
Flagstaff Hill Maritime Museum and Village
Clothing - Mourning Outfit, skirt, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s, but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made skirt is one of three pieces of a ladies’ Edwardian mourning outfit. The skirt is made from black silky fabric. The garment has only two seams; at the side closure and the centre back. The whole skirt has sunray pleats; narrow pleats at the waist that fan outwards towards the hem. The top of the skirt is finished with a waistband that is shaped as an upward V shape in the centre. The side seam is closed with four self-fabric buttons with silver metal backing. The shirt has been machine sewn.flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, mourning dress, death mourning, sunray pleats, western district victoria, full-length skirt -
Federation University Historical Collection
Book, Winborn, Arthur T, The Use of Oxygen Breathing Or Rescue Apparatus for Work in Noxious Atmospheres, Etc, c1912
Green hard covered cloth book of 127 pages. Images include the Monmouthshire Colliery Owners' Rescue Association (T. Braithwaite, J.F. Tallis, A.S. Tallis, W. Stewart, W. Gregson. Robert Jordon, T.H. Deakin. W.H. Routledge, B. Nicholas); A.T. Winborn of the Miners' Rescue Station, Crumlin; Draeger apparatus in use; Dragerwerl Lubeck, Water Gauge for testing Injector, Injecting sample air into test tube containing lime water, Meco Apparatus, Pneumatogen Self Rescue Type, Animal Air-Testerbreathing, poison, mine rescue, rescue apparatus, oxygen breathing rescue apparatus, a.t. winborn, monmouthshire colliery pwners' rescue association -
Bendigo Historical Society Inc.
Book - BOOK: THE TRUTH ABOUT MY FRIENDS
Hardcover cloth bound book - blue cover with silver decorative border engraving and title. Small 'parlour game' book containing blank pages with a small printed pasted in slip with the words '' Now 'play the game', Don't peep beneath, First sign your name, Then lift the leaf''. Various self criticisms or truths are then revealed under the slip. Some pages have been signed, others are unsigned. Several pages have been removed. The name O M Chamberlain has been signed inside the front cover.Dow and Lester London Forresters Hall Place ECbook, bendigo, bendigo history & its people -
Bendigo Historical Society Inc.
Book - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: THE ART OF SPEECH
The Art of Speech, A Note Book for Use in Speech Training and Oral English Lessons by H. W. Traynor. Second Edition-Revised. Hard cover book with mid blue cloth cover. Foreword by Professor J. J. Stable, M.A., The University of Queensland, Brisbane, February, 1940.Preface by H.W.T., Grimwade House, Melbourne Church of England Grammar School, 1939. Topics include Introductory; Voice and Speech; Respiration - The Act of Breathing; Phonetics; Vowels; Diphthongs; Consonants; On Reading Aloud; A Self-Correction Chart and Index of First Lines and Authors.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - the art of speech, h w traynor, australian music examination board, professor j j stable ma, whitcombe & tombs pty ltd, professor g h cowling, mr a j dunstan, hwt, australian educational quarterly april 1929 -
Hume City Civic Collection
Dress, black crepe, 1940s
Belonged to Kathleen Marjorie Dunn (nee McKenzie)Formal day dress in black crepe. It has a round neck and short set-in sleeves. The front opens from neck to waist and has four self-covered shank buttons. The bodice is slightly gathered at two points front and back. The skirt is gathered centre front with seven rows of shirring. The bodice features six arabesques in black and white beads. The skirt has two false pockets with similar beading. A small vent at the left waist closes with a hook and eye. The dress is machine sewn with a hand sewn turn-up on the hem.Nonecostume, george evans collection -
Whitehorse Historical Society Inc.
Functional object - Camera, 1961
Coronet was first popular- class camera released in 1961 as distinct from the high and expensive class.Canon Canonet 35mm camera with light meter around and Cannon Lens SE,45mm,1.19. Made by Canon Camera co Inc. speed B(bulb) to one 500th for a second (11 settings), auto made and 'f' setting from 1.9 to 16. Self timer. Camera has a steel base with a satin chrome finish and a leatherette band around camera. Rewind lever and film forward lever on back.Camera has leather carry case in two pieces and strap. Provision for a flash to be fitted. Three items in the set.Canon Canonet, Canon Camera Co Inc made in Japanphotography, cameras -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE DIGGING - THE DIGGERS, c1800s
Diggers & Mining. The Digging - The Diggers. Slide: Contemporary writers stress two characteristics of the diggers- (1) They were sturdily self-reliant and independent, conscious of their rights as men, and willing to act together to maintain them. Their work made them so; most of them of the first and last time in their lives were working, not for a master, but for themselves. ''Quiet acceptance of a government in which they were not represented could not be expected of such men, particularly if they became aware of government only through irritation and injustice.'' Markings: 69 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Cheese World Museum
Advertising mobile, Barnes Honey bee
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This advertising mobile is part of the collection of items given into the care of the Cheese World Museum. The van Nooten family purchased the neighbouring property Tooram from the Neale family. Honey bee printed on card and mounted in a blue painted metal holder. On the front the bee is striped black and orange with 2 large wings and 1 small wing in white with black line detail. On the back is advertising material for Barnes honey -text and a drawing of a bee with wings folded. The metal stand has a loop at either end. The loop on one end has a piece of string tied through it to hang up the bee mobile.BARNES/28 FIRST PRIZES/PURE HONEY/Awarded GRAND PRIX. Franco-British Exhibition/HONEY/HOMELL/WHOLEMEAL FLOUR/SELF-RAISING/For SCONES, BISCUITS and BREAD/FRU-ITY FLAKES/For PORRIDGE/SUNLIT/CREAM HONEY/W.J. & F. BARNES Pty Ltd/550 SWAN ST.,/BURNLEY, (printed) JANET/VAN/NOOTEN (child's handwriting in pencil)allansford, advertising material, barnes honey, bees, honey, uebergang, van nooten, tooram -
Federation University Historical Collection
Instrument - Scientific Instrument, Petrographic Microscope
This microscope was used in the Ballarat Institute of Advanced Education Petrology Laboratory.Optical microscope, petrographic type, with a 4-lens objective turret. Black enamel frame, chrome plated accessories. Liftable frame. Housed in a blonde polished wood case.Reichert Serial Number 275062 Inside storage box "2" in red marker pen. On microscope frame a self-adhesive sticker "Ballarat CAE Geology". Also riveted to base frame a label "Supplied by H.B. Selby & Co Pty Ltd, Australia". Inside carry case door a card giving visual magnifications. On box door "S BOSHMA" in red Dymotype.petrographic microscope, ballarat college of advanced education, petrology laboratory, reichert, selby, microscope -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Gay Rosalinda, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers and organisers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. A characterful photograph that includes Marg Moir - Ida/rehearsal pianist, Phil Wakenshaw - Props, Marion Tilley - costume designer and wardrobe, Den Lynch, Maureen Lynch, and Mary Dupuy.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Marg Moir, Phil Wakenshaw, Self, Wendy ****, Maureen Lynch, Mary Dupuy". She was to add at a later date: "My dress was grey satin. Denise Lynch: brother Phil Lynch MP. Mary Dupuy went for holiday with daughter 1962 became ill in car was dead by the time a doctor arrived."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)