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Broadmeadows Historical Society & Museum
Equipment - Camera, Kodak Eastman, 1980 - 1982
Development Of Amateur PhotgraphyAdds To Story Of Amateur photographyBlack Tele-Ektralite 600 Camera with Flash Case Folds Dolon to Form Handle Uses 110 Film Battery Compartment 3 TokenTop : Open Badge : Kodak Tele - Ektralite 600/Camera Engraved Electronic Flash : Closed : Badge : Kodak . Embossed 600 Front Badge : Kodak; Embossed ResmaLens / 22/24 mm Bottom; Embossed Working / High Voltage / Do Not Disassemble/ Made In USA Battery Compartnment Open Inside: As 100/4-12ft/Pi/ 1.2.5.7m; Asa 400/4-18ft/Pi/ 1.2-5.5 m Pt/Pi 00-25 50-10 12.5-6.5 7-4.5 4.5-3.5 screen Printed m 00-8 15.3 4-2 2-1-1-4 1-4-1-1 ( Picture ) Mountain Half Body ( Hids ) 5 Body Waist Head + Shoulder Face photography, camera -
Upper Yarra Museum
Glass container, 1898 (exact); before 1898, product was trademarked in 1898
http://www.clag.com.au/about/about.htm http://en.wikipedia.org/wiki/Clag_(glue) Clag was first trademarked in 1898 by Joseph Angus, manufacturer, of 216 Nicholson Street, North Fitzroy, Melbourne. The National Archives of Australia holds the original trademark application - a digitised version is available online (see References). The exact composition of the original paste is unknown but is thought to have been starch-based. Australian schools commonly request that parents purchase Clag paste for their children as part of the stationery lists that are circulated before each school year. The main reason for this is Clag's reputation for safety and ease of use. The bottle includes a brush recessed into the lid that children find relatively easy to handle, and the packaging does not contain any small components that children might swallow. The main ingredient of Clag is wheat starch dissolved in a water base, meaning that children can safely swallow the glue without incident It feels cold to touch and when applied to paper, it sometimes alters the colour of what is on it and causes paper to warp, owing to the high water content of the glue. There is an Australian slang usage of the word "clagged" derived from the characteristic of Clag Paste and can be used in place of the words, "clogged", "congested", "restricted" or "stuck". Bottle used for clag. The bottle has the original marking made by Angus P/l who trademarked the glue in 1898.Angus & Co Pty Ltd, ISM 12school, bottle, glue, clag, trademark, wheat starch -
Warrnambool and District Historical Society Inc.
Household item, The Army and Navy Needle Case, c.1928
This is a needle book containing needles. It appears that the Army and Navy Needle books were not issued to soldiers or sailors but were made for home use in the Western World - Europe, America and presumably Australia. They were made mainly in Germany and some were made in Japan but were not sold in wartime. They were sold before and after World War Two and often featured images of well-known ships of the day. This folder has images of the Europa and the Bremen, two ships made in Germany which belonged to the Norddeutscher Lloyd Line (N.D.L.) and which were launched in the late 1920s. They were the two most advanced high speed steam turbine ocean liners of their day. The Bremen was gutted by fire in 1941. The Europa was captured by the Allies in 1945 and used as a troopship, then it went to France where it was became an ocean liner named Liberte. It was scrapped in 1963. The newspaper cutting tells of a presentation by the Warrnambool Woollen Mill to Private Les Lawlor on his embarking for overseas service. It is not known to which war the cutting refers and no reference can be found to Private Les Lawlor. No connection between the two items (needle book and cutting) has been established but they have always been together in our collection. The needle book is of social significance but has no known local provenance. The cutting contains information suitable for our files.1 This is a piece of thickened paper folded in two to make a folder containing four packets of needles. The folder is green with two images of ships on the back and the front. The images are multi-coloured and have an ornamental edging. The needles of different sizes are contained in black paper folded four times to enclose the needles (13 still in the folded paper – all rusty). It appears one needle packet may be missing. .2 This is a cutting from a newspaper regarding a soldier leaving for overseas military service. There is no date.‘The Army and Navy Needle Book’ ‘Made in Germany’ ‘Silver Steel’‘Superior Quality Royal Drilldeyd Sharps 1 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 1/5 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 5 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 6 Made in Germany’ needle books, ship bremen, ship europa, private les lawlor, warrnambool woollen mill -
Kiewa Valley Historical Society
Photograph - Mt Bogong - Tawonga, 06/05/1937
Mount Bogong located in the Alpine National Park and part of the Victorian Alps of the Great Dividing Range, is the highest mountain in Victoria, Australia, at 1,986 metres (6,516 ft) above sea level. The Big River separates the massif of the mountain from the Bogong High Plains to the south. From the nearby town of Mount Beauty to its summit, Mount Bogong rises more than 1,600 metres (5,200 ft), thus making it one of the highest peaks in Australia not only in terms of its elevation above sea level, but also in terms of actual base-to-summit prominence. Mount Bogong is a popular backcountry skiing mountain through winter but only has snow for the mid winter-spring months. It is around 30 kilometres (19 mi) by road and walking track or 12 kilometres (7.5 mi) direct to Mount Beauty. Falls Creek and Mount Hotham ski resorts are also nearby. Camping is relatively safe below the tree line but the summit ridgeline is very exposed. Emergency shelter is also available at Bivouac Hut on the Staircase Spur, and at Cleve Cole, above Camp Creek on the broad ridge to the south of the summit, and Michells Hut on the Eskdale Spur. Mt Bogong is a popular recreational venue in the Kiewa Valley for back country skiing and bush walking and is a favourite with sightseers and popular subject for photographersBlack and white photograph of Mt bogong taken from Tawonga - Thursday May 6th, 1937Handwritten on back of photograph. Thursday May 6th, 1937. Mt Bogong Tawongamt bogong, tawonga, kiewa valley -
Kiewa Valley Historical Society
Set of 2 hand coloured photographs of early Mount Beauty, photographs of Mount Beauty, 1947/48
Construction of the town of Mount Beauty commenced in 1946 and continued until 1952. It was built to provide family accommodation for workers engaged in the construction of the hydro electric power scheme. As well as housing, there was an administration building, staff hostel, merchandising centre, workmen's camps, base stores and workshops and the Mount Beauty Terminal Station. The first house was occupied in November, 1946 by the then manager of the trading store, with a frontage onto Hollonds Street. The total number of houses erected was 488, 162 custom built and 326 prefabricated. The main workmen's camp can be seen just left of the centre of the photograph and accommodated 144 men at the time of the photograph. By 1950 it could accommodate 1200men. Photo No. 1 is taken in 1947/early 1948 as there is no evidence of the staff hostel under construction. This hostel was commenced in August/September 1948 and is clearly shown in photograph No. 2, dating this photo as 1948 as it is before the completion of the bypass road connecting to the main (high plains) road. This road was constructed in 1939 and in 1948 followed the route of Tawonga Crescent. This remained in use until the bypass construction was completed in early 1949 and does not appear to be finished in this photograph.. Both photographs are taken from the power line easement adjacent to the Bright road.Significant historical pictorial record of the development of a town from grazing land. The type of terrain that had to be surveyed and then to construct roads and other infrastructure, with very little machinery, is also of prime significance in the development of the Kiewa Hydro Electric Scheme.Two photographs, both hand painted to show colours, and both of Mount Beauty c 1947/48 not long after commencement of construction of homes and facilities for workers.Photo No.1 - on back of photo, left upper corner, faintly in pencil, SPIKE, underneath this is written T Pay,. Photo No. 2 - on back of photo, left upper corner, faintly in pencil, Jmount beauty, housing, accommodation -
Eltham District Historical Society Inc
Painting - Watercolour, Ronald Coudrey, Falkiners Cottage, 1980
Originally situated on the northwest corner of Ely and Porter streets, Eltham. Incorrectly titled by the artist as "Old School House" Newsletter No. 189 November 2009 Donation: Lesley Rickards of South Australia has made a donation to the Society of a painting by her father Ronald Coudrey, who was a well-known artist in that state. The water colour painting reproduced below, is titled "Old School House, Eltham" but has been identified as an old cottage that once stood in Ely Street Eltham near the Eltham High School. In the late 1970s and early 80s this building was the subject of a campaign by our Society with the objective of its preservation. It had been identified as having associations with Eltham pioneer Frederick Falkiner. Suggestions that it was an old school building shifted to this site were not supported by any evidence. The land developer donated the cottage and a small area of land to the Eltham Shire Council. However, due to its poor condition and vandalism, it was decided that the cottage could not be retained and ultimately it was demolished. The land on which it stood has recently been sold by Nillumbik Shire Council. The Society has a number of photos and another painting of this building, but this recent donation is an important addition to our collection and we are grateful for the donation.art, falkiners cottage, ronald coudrey -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 3, No. 4, Aug-Sep 1998, 1998
Vol. 3, No. 4, Aug-Sep 1998 CONTENTS THE GREAT DAREBIN MUSIC EXPO Celebrating cultural diversity 3 THE FINAL TOUCH Dangers of inappropriate picture framing 6 BOOK REVIEW Michele Lonsdale reviews Raymond Gaita's Romulus May Father 9 A NEW FACE IN ELTHAM ARTS From Brown's Town, Jamaica, to Eltham Wiregrass 10 BANYULE YOUTH ART AWARDS Young artists throw down the gauntlet 12 CD REVIEWS Authentic and Get A Handle On It 14 PHOTOGRAPHY John Fitzgerald's first exhibition 16 SHORT STORY Girl in a Yellow Sweater by Morag Kirk 18 POETRY REVIEW Ray Liversidge reviews Ian McBryde 22 THEATRE Carolyn Pickett at Heidelberg Theatre company 23 DAG HOUSE ON HIGH STREET New home for Darebin Arts Action Group 24 SIGMUND JORGENSEN DINES OUT Food and wine as culture 25 POETRY Sandy Jeffs' Poems From the Madhouse 27 RAY MOONEY PLAY REVIEW 27 THEATRE Alabaster Youth Theatre and Daniel Kahans at La Mama 28, 29 WINING, DINING & ENTERTAINING 30 PICASSO AND TUCKER AT HEIDE 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, john fitzgerald, annie keil-taggart, just add water, melanie shanahan, darebinn music expo, ruby hunter, cretan brotherhood dance academy, tim nikolsky, margaret leighton, paper moon, alfie massoud, conga pa gozar, neville crawford, framing, dymocks booksellers, raimond gaita, michelle lonsdale, eltham wiregrass gallery, charmaine sheppard, banyule young artists award, brett wood, rebecca james, saramcfarland, michael hebden, heath warwick, michelle wood, victoria ashton, pietro ristorante grossi, la mama theatre, robbie greig, nerida kirov, george kirov, mathew arnold, john skinner, jeff buckland, laurie strickland, eltham high school, montsalvat, eltham library community gallery, alan marshall short story award, morag kirk, dynamic vegies, jenni mitchell, ruth johnstone, la trobe university art museum, ian mcbryde, ray liversidge, heidelberg thearte company, carolyn pickett, darebin artists action group, sigmund jorgensen, sandy jeffs, la piazza restaurant bar & cafe, adams of north riding, llobex image wizards, yarra valley country club, daniel kahans, bulleen art & garden centre, museum of modern art at heide, monty deli & catering services, albert tucker, volumes -
Eltham District Historical Society Inc
Photograph, "Pindarri" - John Serle, 1968, 1971
Pindarri was the name of the property on which artist John Serle lived on Pindari Road, St. Andrews. Colour painting reproduced on page 11 of "Pioneers & Painters: One hundred years of Eltham and its Shire" by Alan Marshall (1971). This chapter 1 "In the beginning" gives a physical description of the area: "Thick forest covered all the higher mountain ranges .. These areas were all heavily timbered, associated grasslands and eucalyptus extending from the thick forest country across undulating hills to the Yarra... The timber in general is gum, oak and Banksia, the two later are small, the gum two to four feet of diameter and from then to thirty feet high; on some of the low ground somewhat larger. The forest was open with little scrub..." The artist John Serle (born 1928) was the first local artist to become a councilor for the Shire of Eltham. He also worked for the Shire of Eltham grading roads. The Shire of Nillumbik hold a similiar painting in their collection (access via Victorian Collections) titled: Untitled (bush) Donor details on file. Location of original painting unknown. Most probably held in Serle family collection. Painting produced in 1968. Reproduced in "Pioneers and Painters", 1971 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues.pioneers and painters, sepp, shire of eltham pioneers photograph collection, john serle, pindarrri, bush -
Waverley RSL Sub Branch
Print Torakina, Torakina
August 1945 saw Major Hugh St Clair Brockway accepting the surrender of a Marine Brigade of Japanese, at Bonis Northern Bougainville, from Naval Commander Takahashi the representative of the Japanese High Command. For a month Major Brockway concentrated on transporting the Japanese out and returning the area, as far as possible, to a pre-war condition. "The Japanese were in a bad way, saying no ship had resupplied them since 1942. They had lived off fish from the sea and what they could grow. Many were sick and they had few medicines. "Our job was basically to evacuate the Japanese and ship the troops out to a POW compound at Torakina, on the mid-eastern coast of Bougainville." Major Brockway had a small group of about 30 to execute the operation, which included destroying all Japanese arms and ammunition of the 3000 strong naval brigade. "They had been cut off since about 1942 and we had to clean the place up for civilian occupation again." Source "the Wargin Argus" BY VEANA SCOTT 27 Apr, 2005 09:36 AM Wagin Argus cnr Tavistock and Ranford Streets Wagin WA 6315 [email protected] Phone: 08 9861 1200Photograph in very faded colour (mainly pale pink with a square of colour visible under label) of Japanese P.O.W's resting en-route to compound at Torakina Digitally rescanned in greyscale -
Kiewa Valley Historical Society
Black and White photograph of Road Making Machinery, Kiewa Road Making, 25/08/1938
Construction of the main road from South Tawonga to the Bogong High Plains, to provide access to the construction sites for the new Kiewa Hydro Electric Scheme, was commenced early in 1938, the work being undertaken on behalf of the Commission by the Country Roads Board. For the construction work, the Commission purchased three Caterpillar - model R07 - diesel crawler tractors equipped with Kay Brunerei (Brunner) hydraulically operated trailbuilders (angle dozers). This acquisition resulted from a visit to the United States of America in May, 1937 by the Construction Engineer ( Mr. C.H. Kernot) and Assistant Civil Engineer (Mr. J.F. Douglas) where they saw this relatively new type of equipment in use. With the co-operation of the CRB, the Commission demonstrated the operation of these machines at Fishermen's Bend on 6th April, 1938. They were then sent to Kiewa where they commenced operation towards the end of the month. From South Tawonga, the route led immediately across the Western Branch of the Kiewa River necessitating the construction of a bridge 100 feet long. By the end of 1939, the excavation had been 'opened up' for a distance of 19 1/2 miles (approx. 31 km) and of this length, 10 miles (approx. 16 km) had been surfaced.The purchase and use of this type of mechanical equipment in road making was a huge investment, as prior to this most of the work would have been done manually with the use of picks and shovels. Not only were many months of hard manual labour saved, but a very significant amount of time in providing access to the proposed work sites for the new Kiewa Hydro Scheme. This photo is an excellent reminder of how primitive the early machinery was compared to the present but also represents the forward thinking of the State Electricity Commissions engineers in purchasing such innovative equipment . A black and white photograph showing the type of machinery used for road making in the 1930's. It shows a grader being towed by a caterpillar tractor.On the top left hand corner of the photograph , hand written in black ink is the words 'Kiewa Road Making 25/8/1938'. On the right hand side of the photo has been stamped in blue the Number 1. It has been developed on Velox paper (marked on back of photo) with a gloss finish.road making, state electricity commission, caterpillar tractor, kiewa -
Kiewa Valley Historical Society
Black and White photograph of Road Making Machinery, Kiewa Road Making 25/08/1938 No. 2, 25/08/1938
Construction of the main road from South Tawonga to the Bogong High Plains, to provide access to the construction sites for the new Kiewa Hydro Electric Scheme, was commenced early in 1938, the work being undertaken on behalf of the commission by the Country Roads Board. For the construction work, the Commission purchased three Caterpillar - model R07 - diesel crawler tractors equipped with Kay Brunerei (Brunner) hydraulically operated trailbuilders (angle dozers). This acquisition resulted from a visit to the United States of America in May, 1937 by the Construction Engineer ( Mr. C.H. Kernot) and Assistant Civil Engineer ( Mr. J.F. Douglas) where they saw this relatively new type of equipment in use. With the co-operation of the CRB, the Commission demonstrated the operation of these machines at Fishermen's Bend on 6th April, 1938. They were then sent to Kiewa where they commenced operation towards the end of the month. From South Tawonga, the route let immediately across the Western Branch of the Kiewa River necessitating the construction of a bridge 100 feet long. By the end of 1939, the excavation had been 'opened up' for a distance of 19 1/2 miles (approx. 31 km.) and of this length, 10 miles (approx. 16 km.) had been surfaced. (see KVHS 0328)The purchase of this type of mechanical equipment in road making was a huge investment, as prior to this most of the work would have been done manually with the use of picks and shovels. Not only were many months of hard manual labour saved, but a very significant amount of time in providing access to the proposed work sites for the new Kiewa Hydro Scheme. This photo is an excellent reminder of how primitive the early machinery was compared to the present but also represents the forward thinking of the State Electricity Commissions engineers in purchasing such innovative equipment.A black and white photograph of road making near Mt. Beauty in 1938. Mount Beauty hills can be seen in the background with cleared land for grazing in the fore ground.Hand printed in black ink at the top of the photograph is 'Kiewa Road Making 25/8/1938'. On the right hand corner has been printed the number 2. It has been printed on gloss Velox paper.road making, state electricity commission, caterpillar tractor, kiewa, secv -
Kiewa Valley Historical Society
Black and White photograph of Road Making Machinery, Kiewa Road Making 25/8/1938(No. 3 in a series of 8), 25/08/1938
Construction of the main road from South Tawonga to the Bogong High Plains, to provide access to the construction sites for the new Kiewa Hydro Electric Scheme, was commenced early in 1938, the work being undertaken on behalf of the Commission by the Country Roads Board. For the construction work, the Commission purchased three Caterpillar - model R07 - diesel crawler tractors equipped with Kay Brunerei (Brunner) hydraulically operated trail builders (angle dozers)). This acquisition resulted from a visit to the United States of America in May, 1937 by the Construction Engineer ( Mr. C.H. Kernot) and Assistant Civil Engineer (Mr. J.F. Douglas) where they saw this relatively new type of equipment in use. With the co-operation of the CRB, the Commission demonstrated the operation of these machines at Fishermen's Bend on 6th April, 1938. They were then sent to Kiewa where they commenced operation towards the end of the month. From South Tawonga, the route led immediately across the Western Branch of the Kiewa River necessitating the construction of a bridge 100 feet long. By the end of 1939,the excavation had been 'opened up' for a distance of 19 1/2 miles (approx. 31 km.) and of this length, 10 miles (approx. 16 km) had been surfaced.The purchase and use of this type of mechanical equipment in road making was a huge investment, as prior to this most of the work would have been done manually with the use of picks and shovels. Not only were many months of hard manual labour saved, but a very significant amount of time in providing access to the proposed work sites for the new Kiewa Hydro Scheme. This photo is an excellent reminder of how primitive the early machinery was compared to the present but also represents the forward thinking of the State Electricity Commission's Engineers in purchasing such new and innovative equipment.A black and white photograph of a Caterpillar diesel crawler tractor and a hydraulically operated trailbuilder (angle dozer) making a road in the Mt. Beauty area.Hand written in black ink in the top left hand corner are the words "Kiewa Road Making 25/8/1938". On the upper right hand of the photograph has been stamped the number 3. On the back is stamped the word 'Velox' severaly times, which is the make of the photograhic paper. roadmaking, caterpillar tractor, kiewa, state electricity commission -
Orbost & District Historical Society
black and white photograph, Vogt, Stanley, C 1915-1920
This is a photograph of students of Orbost State School. Mary Gilbert has identified the girl holding the sign as Pen Gilbert. The 19th of March 1886 proved an important day in the lives of many early settlers in the Orbost area, because on this day the Orbost State School opened. The fact that the school had first operated temporarily in a leased building, and on a half-time basis with SS2745 Jarrahmond, did not dampen the enthusiasm of the local inhabitants as they saw their offspring commence their education under the guidance of HT Campbell Mackay. However he remained in charge only until 12th of May 1886. The second HT, John Rowe, served until 1908. On 30th of June 1887, a portable room was provided; it being brought to the area by schooner. The school now had accommodation for 30 pupils; the teacher's welfare was considered because quarters of two rooms were attached. As the population increased so did the needs of the school. This was reflected in the provision of a larger classroom in 1898. During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948.This photograph is associate with the history of education i n Orbost.a black / white photograph mounted on brown card. It is of a group of school children in front of an open doorwaay of a timber building. A female teacher is seated on a chair among them. A girl in the front is holding a board with what appears to be handwritten in white chalk on a blackboard -"Grades 111 & 1V Orbost".at bottom - "X PEN GILBERT"education-orbost-state-school -
Flagstaff Hill Maritime Museum and Village
Instrument - Musical, Organ, The Smith American Organ Company, Circa 1883
This organ in the Flagstaff Hill collection has a card under the hinged lid titled “The ‘Connoisseur’ Organ” and lists improvements, materials used in the components and directions for taking it apart; it is dated July 1883. Below this card is a printed label listing various Patents, dated; July 9th 1878 / Reissued December 10 1878 - plus September 10 1878 / April 15 1879 / October 28 1879. “The Smith American Organ Company was originally established by S.D. Smith and H.W. Smith as early as 1852. First known as the Smith American Organ Company, the firm was located in Boston and built high end parlour organs and melodeons. In the early 1880s the firm began building pianos and the name of the firm was changed to "The Smith American Organ & Piano Company". In 1889, the firm acquired The Regal Piano Company from the New England Piano Company, and the firm was known as "The Smith American Piano Company" by the 1890s. The Smith American Piano Company built and controlled the Regal Piano Company line until 1903. Many of the instruments by Smith American were also labelled as 'The Palace Of Music'. It appears that the Smith American firm went out of business in the first part of the 20th Century.” A significant item of musical memorabilia and regarded as a collectors item today. Reed organ (sometimes called a pump organ or melodeum). “Connoisseur “model, made by The Smith American Organ Company. Wooden piano-shaped musical instrument with carving and gold leaf decoration. Organ has keyboard, stops (16), shutters (10) above stop board, large foot pedals and a roll back keyboard cover. There is evidence of something being attached either side of the shutters (candle bracket?). Attached inside hinged lid are Directions and Patent information of The Smith American Organ Company, Boston MASS. USA. Label is dated July 1883. Lettering in gold across front of organ “CONNOISSEUR”, “SMITH AMERICAN - - -“ and “ORGAN - - M - - ANY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, harmonium, organ, piano, musical instrument, music, entertainment, connoisseur organ, reed organ, parlour organ, smith american organ company -
Flagstaff Hill Maritime Museum and Village
Equipment - Rowing Oar
The family-owned timber manufacturing business Pelco was started by Cecil Victor Woodfield in 1937. The joinery company Pelco began by making wooden ladders and was registered as the Palmerston Extension Ladder Company. C V Woodfield, who lived from 1884 -1959, arrived in Palmerston North from Canterbury NZ in the aftermath of the Great Depression to work in construction. The company got its first step up when Woodfield was asked by a commercial painter to make a ladder, and the founder set up shop in a garage on Ruahine St. According to the company website, Pelco made its name in New Zealand with its Oregon Extension Ladders, and up until its closure, manufactured non-conductive Lamilite Ladders for the electrical supply and service industry worldwide. The company was incorporated as a joinery business in 1946 and continued making high-end cabinetry for seven decades. Under director Geoff Woodfield, in the 1950s, the company embarked on the production of Fleetcraft plywood boats. Another water-related enterprise followed, with the manufacture of oars and paddles. Its branded Gull Superior Oars and Paddles business began exporting in 1972 to Australia and subsequently to the United States, UK and Japan. The company ceased trading in April 2018 and was placed into receivership.This pair of lightweight oars represents the maritime tradition of handmade oar making, which has evolved over the centuries. Their shape is still similar to early oars and continues to serve the same purpose, to steer and propel a boat. Pair of blonde varnished Tasman Fir oars with a flattened paddle at one end. Made by Gull of New Zealand, sold by James Edwards & Sons of Melbourne. Inscriptions on printed labels on the oars."GULL Superior Oars and Paddles, Pelco, Palmerston North NZ" "JAS. EDWARDS & SONS, Boat Builders, Oar and Skull Makers, & Importers, PRINCES BRIDGE MELBOURNE"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oar, oars, gull oars and paddles, new zealand oars and paddles, jas edwards and sons melbourne, rowing equipment, new zealand oak, paddle, james edwards and sons melbourne, james edwards, tasman fir, gull superior oars, marine equipment, marine technology, ship fitting, boat fitting, rowing oar, boat oar -
Flagstaff Hill Maritime Museum and Village
Equipment - Rowing Oars
The family-owned timber manufacturing business Pelco was started by Cecil Victor Woodfield in 1937. The joinery company Pelco began by making wooden ladders and was registered as the Palmerston Extension Ladder Company. C V Woodfield, who lived from 1884 -1959, arrived in Palmerston North from Canterbury NZ in the aftermath of the Great Depression to work in construction. The company got its first step up when Woodfield was asked by a commercial painter to make a ladder, and the founder set up shop in a garage on Ruahine St. According to the company website, Pelco made its name in New Zealand with its Oregon Extension Ladders, and up until its closure, manufactured non-conductive Lamilite Ladders for the electrical supply and service industry worldwide. The company was incorporated as a joinery business in 1946, and continued making high-end cabinetry for seven decades. Under director Geoff Woodfield, in the 1950s, the company embarked on the production of Fleetcraft plywood boats. Another water-related enterprise followed, with the manufacture of oars and paddles Its branded Gull Superior Oars and Paddles business began exporting in 1972 to Australia and subsequently to the United States, UK and Japan. The company ceased trading in April 2018 and was placed into receivership.This pair of lightweight oars represents the maritime tradition of handmade oar making, which has evolved over the centuries. Their shape is still similar to early oars and continues to serve the same purpose, to steer and propel a boat. The oars are associated with a significant family business situated in Palmerston New Zealand that along with making ladders also graduated into making wooden boats and oars.Pair of blonde varnished Tasman Fir oars with a flattened paddle at one end. Made by Gull of New Zealand, sold by James Edwards & Sons of Melbourne. Inscriptions on printed labels on the oars.(1) "GULL Superior Oars and Paddles, Pelco, Palmerston North NZ" (2) "JAS. EDWARDS & SONS, Boat Builders, Oar and Skull Makers, & Importers, PRINCES BRIDGE MELBOURNE"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oar, oars, gull oars and paddles, new zealand oars and paddles, jas edwards and sons melbourne, rowing equipment, new zealand oak, paddle, james edwards and sons melbourne, james edwards, tasman fir, gull superior oars, marine equipment, marine technology, ship fitting, boat fitting, rowing oar, boat oar -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Jacob John Halley, 1850-1869
Born Highbury College London 1834, died Melbourne June 19, 1910. Ordained in Pitt Street Sydney Congregational Church 21/3/1860. Ministry: Bush Mission, Lower Darling River 1860–61; Maryborough 1861–64; Dawson St Ballarat 1864–72; Williamstown/Secretary CUV 1872–84; Secretary CUV 1884–1908. Chairman CUV 1871–72 & 1908–09. Son of Rev. Dr Robert Halley, Principal of Highbury College. Arrived Sydney c. 1853. Had a holiday home at Queescliff/Point Lonsdale and tried to establish a Congregational Church there. Obituary read: "For 37 years in the office of Union Secretary he had proved himself a faithful preacher of the Gospel, a leader of the general interest of the churches of peculiar force, knowledge and devotion, and an earnest and high principled citizen of the State, devoting hmself to the social amelioration of the people and the extension of the Kingdom of God. Our late Secretary was a man of vigorous intellectual power. His early life had given him a bent in the direction of the study of natural history. He was a keen observer, a lover of counry life, and the science and art of gardening, in which he occupied the leisure moments of a busy life."Portrait of Halley c. 1850–1869."C. 1850–1869 Rev. J. J. Halley, Cong. Union"halley, j. j., congregational church -
Uniting Church Archives - Synod of Victoria
Photocopy of engraving, Rev. Jacob John Halley
Born Highbury College London 1834, died Melbourne June 19, 1910. Ordained in Pitt Street Sydney Congregational Church 21/3/1860. Ministry: Bush Mission, Lower Darling River 1860–61; Maryborough 1861–64; Dawson St Ballarat 1864–72; Williamstown/Secretary CUV 1872–84; Secretary CUV 1884–1908. Chairman CUV 1871–72 & 1908–09. Son of Rev. Dr Robert Halley, Principal of Highbury College. Arrived Sydney c. 1853. Had a holiday home at Queescliff/Point Lonsdale and tried to establish a Congregational Church there. Obituary read: "For 37 years in the office of Union Secretary he had proved himself a faithful preacher of the Gospel, a leader of the general interest of the churches of peculiar force, knowledge and devotion, and an earnest and high principled citizen of the State, devoting hmself to the social amelioration of the people and the extension of the Kingdom of God. Our late Secretary was a man of vigorous intellectual power. His early life had given him a bent in the direction of the study of natural history. He was a keen observer, a lover of counry life, and the science and art of gardening, in which he occupied the leisure moments of a busy life."Photocopy of engraving from the Congregational Year Book for 1893.halley, j. j., congregational church -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Jacob John Halley
Born Highbury College London 1834, died Melbourne June 19, 1910. Ordained in Pitt Street Sydney Congregational Church 21/3/1860. Ministry: Bush Mission, Lower Darling River 1860–61; Maryborough 1861–64; Dawson St Ballarat 1864–72; Williamstown/Secretary CUV 1872–84; Secretary CUV 1884–1908. Chairman CUV 1871–72 & 1908–09. Son of Rev. Dr Robert Halley, Principal of Highbury College. Arrived Sydney c. 1853. Had a holiday home at Queescliff/Point Lonsdale and tried to establish a Congregational Church there. Obituary read: "For 37 years in the office of Union Secretary he had proved himself a faithful preacher of the Gospel, a leader of the general interest of the churches of peculiar force, knowledge and devotion, and an earnest and high principled citizen of the State, devoting hmself to the social amelioration of the people and the extension of the Kingdom of God. Our late Secretary was a man of vigorous intellectual power. His early life had given him a bent in the direction of the study of natural history. He was a keen observer, a lover of counry life, and the science and art of gardening, in which he occupied the leisure moments of a busy life."Photocopy of engraving from the Congregational Year Book for 1893.halley, j. j., congregational church -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Jacob John Halley
Born Highbury College London 1834, died Melbourne June 19, 1910. Ordained in Pitt Street Sydney Congregational Church 21/3/1860. Ministry: Bush Mission, Lower Darling River 1860–61; Maryborough 1861–64; Dawson St Ballarat 1864–72; Williamstown/Secretary CUV 1872–84; Secretary CUV 1884–1908. Chairman CUV 1871–72 & 1908–09. Son of Rev. Dr Robert Halley, Principal of Highbury College. Arrived Sydney c. 1853. Had a holiday home at Queescliff/Point Lonsdale and tried to establish a Congregational Church there. Obituary read: "For 37 years in the office of Union Secretary he had proved himself a faithful preacher of the Gospel, a leader of the general interest of the churches of peculiar force, knowledge and devotion, and an earnest and high principled citizen of the State, devoting hmself to the social amelioration of the people and the extension of the Kingdom of God. Our late Secretary was a man of vigorous intellectual power. His early life had given him a bent in the direction of the study of natural history. He was a keen observer, a lover of counry life, and the science and art of gardening, in which he occupied the leisure moments of a busy life."Photocopy of engraving from the Congregational Year Book for 1893.halley, j. j., congregational church -
Forests Commission Retired Personnel Association (FCRPA)
Driptorch - Firebug (hand held), c 1985
The origins of the humble handheld driptorch have been lost in time. They are widely used for ignition in controlled burning operations in forest and grasslands. The “Pacific Forester“ with its short central wand and somewhat leaky ball-valve was made by the American Wajax company in the 1940s. The Pacific Forester is slightly different in design from the more robust and common “Panama” driptorch first manufactured in 1933 and used extensively by Queensland cane farmers. The Panama is closely related to the current “Firebug” used in Victoria which is manufactured by Rodney Industries in Brisbane and has an offset wand design which gives it good balance. The fuel is a mixture of petrol and diesel and every FCV District had their own closely-guarded secret formula ... 2:1, 3:1, 1:1, 4:1 or 3:2 ratio. There was also the choice of 91, 95 or 98 octane petrol mixed with summer or winter diesel. Occasionally some of the old Avgas or Jet-A1 lying around the depot was added with a splash of engine oil to make the mixture stick to the fuel to be ignited. The fuel mixed also varied between autumn or spring, heathland, mixed forest, or high-intensity slash burnsCommon driptorch used throughout AustraliaDrip torch with handle Wand has loop and valve. The loop is designed to assist with even flow of fuel which flows out onto the burning head of the wand. Pressure equalising value in top of aluminum fuel container which holds 4 litres of burner mix. Gravitational feed of the driptorch allows the unit to drip fire, making it simple and quick to operate. Instructions for use. CF+L written with texta pen.bushfire -
National Wool Museum
Clothing - 1988 Seoul Olympics women's scarf, c. 1988
The conduct of the LA games changed many factors in a short space of time. The Americans made their Games a huge financial success, whereas other countries, e.g. Canada, was left with a huge debt. The key to this was SPONSORSHIP which soon replaced the old Australian way of fundraising with pub raffles. It also began to change the atmosphere where the AWC had previously been valued for their generous donation. There was a move by commercial specialist uniform marketing organisations paying sponsorship money to publicise the fact that they were clothing high profile athletes. Old loyalties remained but became tested more and more as time progressed. For example, each uniform was expected to include an Akubra hat, why? Because it always had. For the same reason the uniforms also had Driza-Bone Coats. The day before the Seoul Opening Ceremony it rained in Seoul, so at the Opening Ceremony the Australian Team emerged in their Driza-Bones, made from cotton, not a wool fibre in sight, and the wool growers were footing the bill for over a million dollars. Thoroughly embarrassed, I resolved to avoid this situation next time by having all uniform fabrics pre-treated with Scotchguard prior to garment making.The scarf is brightly coloured in blue, green, yellow, purple and red on a plain cream base fabric. The lines of colour run on an angle across the fabric as jagged, irregular lines with small motifs of Australia, the Southern Cross stars, fish, triangles and a wave pattern, placed throughout. The centre of the scarf is dominated by a depiction of Australia presented in yellow. Within Australia are eucalyptus leaf shapes as well as mountainous shapes and the wave shape that is featured elsewhere on the scarf. The left hand short hem of the scarf has a differing pattern with larger lines running on the opposite angle to the rest of the scarf. Within the larger lines the same motifs are again printed. -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Glenormiston Butter & Cheese Factory Company, 2015, 26/12/2015
The 1924 building of the Glenormiston Butter and Cheese Factory Company Limited is one of the more intact butter factories in the state. This building, together with the 1936 addition, stand free on the site and make up the total complex. Architecturally interesting, Glenormiston gains visual importance from the bi-chromatic banded chimney, one of the best diary industrial chimneys in the state, and the elegant design and detailing of the complex which indicated the added importance placed on the industry in the western district over and above mere commercial concerns. The factory is noted for its aesthetic impact gained by being situated outside the township in a clear rural situation at the foot of Mount Noorat. The Glenormiston/Trufood connection is technologically significant for its innovative role in establishing the dried skim milk powder industry, once a site of high tourist importance. Historically the well known Black family, Western District pioneers and large land holders, played an important role in establishing both Glenormiston and Trufood and the family connections operated to maintain the unusual trading links between the two.(http://vhd.heritagecouncil.vic.gov.au/places/69388/download-report, accessed 31 January 2017) In 2015 the building was neglected and in a ruinous condition. A number of colour digital images of the Glenormiston Butter & Cheese Factory Company.glenormiston butter & cheese factory company, glenormiston, factory, dairy -
Melbourne Legacy
Photograph, Intermediate Legacy Conference, Adelaide, Easter 1948, After Easter, 1948
Landscape photo with delegates, senior observers, and visitors gathered at the Intermediate Legacy Conference in Adelaide, held at Easter in 1948. Encased in a glass frame with wood (painted black) lining the edge. From TROVE: Chronicle (Adelaide, SA : 1895 - 1954), Thursday 1 April 1948, page 8 Legacy Conference In Adelaide Addressing delegates from all States at a convention of Intermediate Legacy Clubs last week, His Excellency the Governor (Sir Willoughby Norrie), who was accompanied by Lady Norrie, said that Adelaide regarded it as a privilege to be chosen as the venue of the first of what might become a series of annual conferences on the general policy of Intermediate Legacy of Australia. His Excellency stressed that the objects of Intermediate Legacy were to foster the spirit of comradeship, self-sacrifice and service, and to establish a high standard of citizenship and a spirit of responsibility in national development. 'Anything to do with Legacy has the strongest support of Lady Norrie and myself,' continued the Governor. 'Membership of Intermediate Legacy is open to the children of deceased servicemen who have passed the age of 16. There is no upper limit, although in 1945 a Senior Intermediate Club was formed in Adelaide for men returned from the services, or who, ineligible for service, had attained the age of 25. 'A record of an intermediate Legacy Conference in 1948. Junior Legatees who had achieved the age of 16 were forming intermediate clubs to further Legacy's work.Landscape photo with delegates, senior observers, and visitors gathered at the Intermediate Legacy Conference in Adelaide, held at Easter in 1948. Encased in a glass frame with wood (painted black) lining the edge. INTERMEDIATE LEGACY CONFERENCE ADELAIDE - EASTER, 1948 DELEGATES - SENIOR OBSERVERS - VISITORS List of names: Back Row: F. Holliday (Melbourne), R. Gammon (Geelong), M. Mead (Adelaide), S. Deverell (Adelaide), B. Rostron (Adelaide), G. Dodd (Sydney), A. Gale (Adelaide), C. J. Merefield (Brisbane), P. Phillips (Adelaide), V. Poulson (Brisbane), P. Lynch (Adelaide), D. Lapthorne (Adelaide). Second Row: R. Cumming (Melbourne), G. Bremmer (Adelaide), F. Bruce (Adelaide), M. Stevenson (Adelaide), R. A. Rowe (Hobart), H. H. Kirkwood (Adelaide), E. F. Marshall (Adelaide), E. B. Hill (Newcastle), K. Bremner (Adelaide), C. Lee (Perth), D. Lynch (Adelaide), K. Trevaskis (Geelong). Third Row: R. Wood (Adelaide), W. McDougall (Adelaide), H. B. Murn (Hobart), M. Thiselton (Adelaide), T. Rowatt (Brisbane), B. Fennel (Secretary, Adelaide), J. D. Harvey (Chairman, Adelaide), J. Murray (Sydney), V. Hawkesworth (Adelaide), L. Rolls (Melbourne), J. Yeates (Sydney), J. Byrne (Adelaide), J. Crouch (Brisbane). Front Row: G. Mead (Adelaide), R. White (Adelaide), E. Brown (Melbourne), A. Lawson (Melbourne), J. Raymond (Adelaide) Bottom of page: Frank Boase, Adelaide Back of Frame is as follows: CONROY MOFFAT PTY. LTD. PICTURE FRAMER 23 MCKILLOP STREET Tel. MU - MELBconference, ilc, delegates -
Melbourne Legacy
Photograph, Legacy 50th Anniversary, 1973
Photos of the 50th Anniversary Dinner on 6 October 1973 held at Chaucers during the Legacy Conference. (date to be confirmed) 00452.1 shows 6 men with Legacy Torches lined up along the front of the high table. A caption found when the photo was published elsewhere says 'On the occasion of the Golden Jubilee Annual Conference of Legacy Clubs of Australia, held in Melbourne in October 1973, the Chairman of the Legacy Co-ordinating Council, Legatee George Cowan, presented an illuminated Torch emblem to the President of the capital city Legacy Club of each of the six States. Members of Legacy are determined that the Torch shall continue to burn brightly throughout Legacy's second half century of service to dependants of deceased ex-servicemen.' Other photos are of table groups or room shots. Chaucers was a reception and conference centre in Canterbury, Melbourne, before it was sold in 1999 after operating 28 years (Telegraph news article from web). Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morewell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL". See items 00451, 00391. A record of a dinner marking the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo x 6 of 50th anniversary dinner.Stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink and 6 October 1973 in purple ink.golden jubilee, conference, legatee function -
Bendigo Historical Society Inc.
Document - The Faces of China - Bendigo, Eaglehawk, Mines and Missionaries
George Young arrived in Australia in 1856-7 and settled in Eaglehawk where he was the mining manger in a firm that extracted gold from tailings using cyanide. In 1917 it was recalled by the Eaglehawk manager of the Commercial Bank of Australia that he employed about 70 men in his firm. In 1884 he successfully applied through Sergent John Gleeson for Victorian naturalisation. His application was processed along with five others. According to an article in the Australasian he was 'highly respected' in Eaglehawk for his 'uprightness and integrity'. The Bendigo Advertiser described him as being 'held in high esteem' and being 'a kind and benevolent man'. He made donations to the Bendigo Benevolent Asylum and Hospital on a number of occasions and was involved in organising the Chinese performance in the Bendigo Easter Fair in 1879. In June 1900, after his elder brother's death in 1899, George Young returned to China at his father's request to manage the family property. His Chinese-born wife and six Australian-born children accompanied him. Prior to his departure a portrait of the Young family was published in the Australasian and given to prominent citizens of Eaglehawk. A banquet was also given by the citizens of Eaglehawk to see the family off and George Young was presented with an illuminated address.The Faces of China - Bendigo, a presentation author unknown, photo copy of Seo (George) Young and his family with two paragraphs description of Chinese mines and missionaries on the gold fields. Seo Young of Eaglehawk was a wealthy mine tailings manager believed to be the only known Chinese to have occupied a position of authority over both Caucasians and Chinese workers.Handwritten on the rear is "found in "Chinese Footsteps" Historical sites of Bendigo.history, bendigo, eaglehawk, chinese, chinese mine managers, chinese missionaries -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Irusaq Void Sayer's Robe, 1986-1989
“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter -
Kew Historical Society Inc
Newspaper - Newspaper Article, Kew's Great Loss, 27/06/1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Newspaper report in The Sentinel reporting the death of Cr Sir Henry Kellett in 1924mayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Certificate - Certificate of Marriage, Henry de Castres Kellett & Joan Harrison, 1880, 09/11/1880
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Original Marriage Certificate of Henry de Castres Kellet and Joan Harrosn, in Richmond on 9 November 1880mayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Letter - Letter of Condolence, Lady Kellett, Lota Begg, Westbrook Street, Kew, 1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Original official document from a noted event in Kew's historyOne page undated, handwritten letter of condolence to Lady Kellett on her husband's accidental death in 1924 while serving as a Kew Councillor. The latter is signed by his fellow councillors, the Mayor and the Town Clerkmayors of kew (vic), sir henry de castres kellett