Showing 1766 items
matching musical
-
Kew Historical Society Inc
Programme, Kew Light Opera Company, Goodnight Vienna!, 1956
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of the Australian premiere of 'Goodnight Vienna!' by Marvell and Posford. Performances were held in the Kew Recreation Hall in 1956. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), performing arts, goodnight vienna! (musical), kew light opera company, kew recreation hall -
Kew Historical Society Inc
Programme, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by The Kew Light Opera Company for a revival of 'A Country Girl' by Lionel Monckton. Performances were held in the Kew Recreation Hall in 5, 6, 7, 8 June 1957. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), theatre groups (kew), performing arts, kew recreation hall, a country girl (musical) -
Warrnambool and District Historical Society Inc.
Tins, Gramophone Needles HMV, Early and mid 20th century
These gramophone needles were manufactured by The Gramophone Company Limited for use in gramophones that had an arm in which to insert a needle to play an old shellac record. The Gramophone Company was an early recording company based in the United Kingdom and was the parent organization for the His Master’s Voice label of recording devices. The company was founded in 1897 and merged in 1931 with another company to form E.M.I. (Electric and Musical Industries) but the name The Gramophone Company continued in Britain until the 1970s. Gramophones were a popular household item from the late 19th century until the mid 20th century when more sophisticated recording and playing devices were invented. These gramophone needles is of some interest as an example of entertainment devices of the past. It will be useful for display. .1This is a metal box with a lid containing an image of a dog and a phonograph (‘His Master’s Voice’) painted in white and brown on a dark blue background. Inside the tin are about 150 metal gramophone needles, most of them being a little rusted. The needles are covered with a sheet of brown paper with yellow printing. The tin itself is rusted and the printing is discoloured. There is a paper sticker on the back of the box with an early catalogue number (almost obliterated). .2 Small rectangular plastic container with picture of white polar bear with blue background. It contains approximately 30 needles which have red ends and silver points. .3 small plastic bag with a number of needles..1 Front of box: ‘His Master’s Voice, Extra Loud Tone’ Back of box: Approximately 200 English gramophone needles manufactured by The Gramophone Company Limited, Sydney, Australia’. Inside: ‘Use each point once only’ (printed twice). .2 50 semi- permanent needles on front of box. On bottom Made in Germany. gramophone needles, warrnambool, e.m.i., electric and musical industries -
Melton City Libraries
Document, Scots' Church Choir, 1955, 1937
In March 1955 the Presbyterian Oratorio Society Choir held a Sacred Concert including with solo performances from Clarice Gerber, Anne Ballantine (Mrs Creighton Barr) and Eric Hancock. The choir performed the following pieces; With a Voice a Singing (Shaw) How lovely are the Messengers (Mendelssohn) The Storm (Jenkins) Spring Bursts Today (Shaw) Linden Lea The Spirit of the Lord (Elgar) Hymn 135 Rejoice the Lord is King. Choir and Congregation All in the April Evening (Roberton) Nightfall in Skye Hallelujah Chorus from Handel’s Messiah (Congregation Standing) From Scots’ Presbyterian Church Melton-Edna Myers Barrie musical contributionsEdna Barrie's copy of the Presbyterian Oratorio Society Choir schedule and Edgar Barrie's copy of a balance sheet churches -
Wycheproof & District Historical Society Inc.
Photograph, Harrington, The Storey Dance Orchestra, (estimated); 1937/38
The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles -
Warrnambool and District Historical Society Inc.
Document, Lyndoch Revue, C1950
This is a program for a local theatrical performance. It was produced and directed by Frances Sinclair and contains a number of dance and musical items. There are a number of local Warrnambool names among the performers such as K T Swinton, Rex Fotheringham, Mavis MacDonald, Miss Rooney, W Goodall, John Reid, George and June Philpot. The dancers ranged from tiny tots, Petite ballerinas, Corp de ballet to the belles De Paris. Some of the other items on the program are the Scottish Samba, Tut and Khamen and Fiesta in Granada by Ferdinande Del Campo Caravani111 and Monty Bellow the Atomic Bull & Co which would suggest that it around the time of the Atomic testing in the Montebello Islands in the 1950’s. A program which shows the artistic side to the city and associated humour and talent. It has a large number of names of those involved in the production and performance and would be typical of concerts performed around the country at that time. It predates the Warrnambool Theatre company which commenced production of musical items in the 1960’s.Dusty blue paper with red text running at an angle down the front cover. Diagram of a lady sitting and stitching. Brown floral border down the edge of the front and middle page. Back cover is plain apart from printer’s name on bottom centre.Kaye & Sons Printers Warrnambool. -
Vision Australia
Administrative record - Text, Quarterly general meeting of the Queensland Society of Blind Citizens: 19/11/1974 - 17/8/1976, 1974-1976
Minutes of the Queensland Society of Blind Citizens committee including centre activities, staffing changes, fund raising appointment and resignation of committee members and life governorships. Some highlights include: 19/11/1974 - the final meeting of the Queensland Musical, Literary and Self Aid Society for the Blind, dissolving it and vesting all assets to the Queensland Society of Blind Citizens. 21/11/1975 - a report of duplicity from a man who gave a false name and identification, then sold cash and property before absconding. 2/6/1976 - members in Townsville are desirous of purchasing a property to utilise as a headquarters. 41 Armstrong Street, Hermit Park was approved for purchase on 29/6/1976.1 bookqueensland society of blind citizens, queensland musical literary and self aid society for the blind -
Kew Historical Society Inc
Programme, Kew Light Opera Company, Celebratory Variety Performance, c.1953
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A known list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued for a celebratory variety performance. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, performing arts, theatre groups (kew) -
Eltham District Historical Society Inc
Photograph, Joh Ebeli, Best Eltham Theme, Eltham Festival Community Parade, 11 November 1989, 11/11/1989
Prize was a plate. Bruce Ness made the house on his truck. Joh Ebeli holding the sign. [from a contemporary report:] The Shire of Eltham District Society's Parade float theme for 1989 was gold mining which, of course, was a most important aspect of our early history. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis MacDonald also arranged for the Victorian Folk Music Club to provide us with appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson, was in charge of the equipment on the float. The parade assembled in Youth Road and commenced at 10:30am.Colour photographeltham festival, shire of eltham historical society, 1989, central park, bruce ness, joh ebeli -
Unions Ballarat
Eureka revisited: The contest of memories, Beggs Sunter, Anne et al, 2004
Comprehensive and brief account of the Eureka rebellion and the story of the flag of the Southern Cross. Includes photographs of various artistic representations that are held in the Ballarat Fine Art Gallery. Written for the 150th anniversary of the Eureka Stockade. Contents: Machine derived contents note: Eureka Timeline and Personalities 6 Eureka Revisited: the contest of memories 9 Anne Beggs Sunter The Eureka Flag and its champions 23 History of the Flag 24 Holy Relics - the puzzle of the pieces 35 Design and making of the Eureka Flag 38 Symbols and Legend 40 Artistic interpretations 40 Films 44 Writing and dramatising the legend 47 Songs and Musicals 49 The living tradition of protest 50.Relevant to the history of Ballarat, gold mining, Ballarat Reform League and the Eureka Rebellion.Book; 56 pages; pictorial. Front cover: white background; colour painting, "Pioneer", by Sally Smart; blue and gold text; title.btlc, ballarat trades hall, lalor, peter, humffray, john, eureka stockade, eureka stockade - anniversary, eureka flag, southern cross flag, art and history, ballarat reform league, history - ballarat, ballarat trades and labour council, art, australian - 19th century - exhibitions -
Clunes Museum
Photograph
Miss Florence Perry was at the centre of a strong and vibrant musical culture in Clunes which featured a brass band, a men's mouth organ band, an orchestra and church choirs. The success of Miss Perry's choirs in competitions was a source of pride in the town and a cause for celebration. After their success in Melbourne in 1906, the Juvenile Choir were greeted at the Railway Station on their return by the brass band and well wishers before attending an impromptu concert at the Town Hall. Miss Perry herself was born in Clunes in 1880 and worked as a music teacher in the town. Her father was the conductor of the Clunes Orchestra. Most social occasions, such as annual Balls, fundraisers and 21st birthdays, involved music played by local musicians Important artefact in the musical history of Clunes in the late 19th and early 20th centuries.WOODEN FRAMED BLACK AND WHITE PHOTOGRAPH OF THE CLUNES JUVENILE CHOIR 1906 - CHILDREN ARRANGED IN ROWS WITH THE CONDUCTRESS CENTRED IN THE PHOTO Clunes Juvenile Choir with their conductress, Miss Florence Perry. Taken by Chapel St. Prahran photographer; probably taken when Choir competed successfully in a Choral competition in Prahran. juvenile choir, clunes junior choir, miss florence perry -
Warrnambool and District Historical Society Inc.
Card - Concert Ticket, Modern Print, Warrnambool, Complimentary Concert, 1926
This is a ticket for a complimentary concert to the Victorian soprano, Miss Mollie Hayres, in the Warrnambool Town Hall in 1926. Inez Mary (Mollie) Hayres (1897-1980) was born in Port Fairy and received her early musical training from the Good Samaritan Sisters in Port Fairy. She received local funding to enable her to study at the Melbourne Conservatorium of Music under Madame Weiderman and toured the Western District in 1926, supported by the pianist May Broderick and the violinist Cecil Parkes, in a series of complimentary concerts to give her funding to study in Europe. She became a well-known singer and singing teacher in Melbourne, featuring in radio programs and concerts. This ticket is of interest as a memento of Mollie Hayres, a noted singer in Victoria in the first half of the 20th century.This is a small white card with black edging and printing. Grand Complimentary Concert to Miss Mollie Hayresmollie hayres soprano, good samaritan sisters port fairy -
St Kilda Historical Society
Ephemera - Special event program, Complimentary Smoke Social, 1927
Event at the St Kilda Town Hall in recognition of the St Kilda Cricket Club First Eleven winning the VCA Premiership in four successive seasons - 1923-24, 1924-25, 1925-26, 1926-27. Details of the matches are set out on the back of the program. A smoke social was a predominantly Australian form of male only social event in the late nineteenth and early twentieth century, until about the 1940s, where men would gather to smoke. Smoke socials were often coupled with a formal dinner, an annual general meeting or a musical revue and were run by football clubs, charitable organizations, civic organizations, trade unions, and governments.Folded cream coloured paper, printed in bluest kilda cricket club, maynard dakin, j alexander browne, norman bradshaw, fred champion, dave bell, w burrell -
Federation University Historical Collection
Photograph - Photograph - sepia, Wright Family of Smeaton, Victoria
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Alex was an accomplished opera and musical comedy singer. Maurice won the Tenor Championship in New Zealand. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a group of four men, three of which are seated. They are all dressed in 3-piece suits. The men are Frank Wright, William Wright (the father), Alex Wright (behind) and another brother (possibly Maurice).frank wright, william wright, alex wright, cornet, ballarat, conductor, "wendouree", smeaton -
Ballarat Tramway Museum
Ephemera - Timetable/s, Electric Supply Co. of Vic (ESCo), "Ballarat Tramways Rubicon Street and Sebastopol Time Table.", 1920's
Demonstrates aspects of the Ballarat Tramways in providing information to the travelling public about their tram services, times and how organised in relation to the time of the day. An ESCo era timetable. Two local businesses have advertised as well.Folded printed card, off white, titled "Ballarat Tramways Rubicon Street and Sebastopol Time Table." Gives details of trams from the City for Rubicon St and Sebastopol for the various days and inbound trams from Rubicon, indicating that trams ex Sebastopol ran 10 minutes earlier. Has various notes on the timetable. On Front of card, has advertisements for R. Hutchinson - 29 Armstrong St Ballarat, auto electrician and Suttons Ltd - Musical instruments - Corner Sturt and Dawson Streets. An ESCo produced timetable - 1920's, as the SECV used "Grey St" instead of Rubicon St. (Email from Alan Bradley 8/2006). Copy of email with worksheet.Pencil marks on the cover - about tram services etc. g "Ten to the hour Aunties will catch the tram up at Sturt St"timetables, sebastopol, rubicon st, r. hutchinson, suttons, esco -
Federation University Historical Collection
Book, June Epstein, ABC School Broadcasts Music books and teachers guides, 1970s
Books used in conjunction with Music of the Air in schools throughout AustraliaA variety of ABC school broadcast books and teachers guides .1 Mustard cover with picture of a brass instrument and the word music. .2 Teachers' guide with blue cover and picture of an owl. .3 Teachers' guide with two tone green cover with scattered squares .4 Teachers' guide with pink cover and stripy border with children holding a harlequin puppet .5 Teachers' guide with orange and maroon cover with cat and children. .6 Teachers' guide with pink and purple dotty cover with large hand with face on it. .7 Purple covered book with girl playing the flute on the front and three flowers .8 Grey covered book with 3 musical instruments on the front a violin, Banjo and brass instrument non-fictionBooks used in conjunction with Music of the Air in schools throughout Australia june epstein, teachers' book, music of the air, abc, infants, kindergarten, radio, books -
Kiewa Valley Historical Society
Whistle Penny, circa 1950s
This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music -
Warrnambool and District Historical Society Inc.
Programme, Felix Meagher et al, The Wreck of the Loch Ard - An Opera in Three Acts, 1985
This is a programme of the opera performance of the Wreck of the Loch ArdThis is a programme of 16 pages. The cover has a colour image of a seascape and a ship and black printing. The pages contain printed text, black and white sketches and photographs and advertisements. The pages have been stapled but the staples have been removed.non-fictionThis is a programme of the opera performance of the Wreck of the Loch Ard wreck of the loch ard, warrnambool theatre company -
Melbourne Legacy
Document - Document, list, Property of Mr. and Mrs. Frank, 1943
Undated list of personally owned furnishings at Holmbush found in a file next to letters dated 1943. The piano, musical cabinet, card tables, fire fender and fire irons, wireless, and kerosene refrigerator give an indication of how homes were furnished at the time. Mr Bert Frank was appointed to the role of manager of the Legacy Club Hostel in March 1943 (see 00355.1) and details of his application for the role is also in the archive at 00351. As were the times the wife of the successful applicant was automatically assumed to be working as well but without the acknowledgement of a hired position. As it was a live-in position perhaps this list recorded their personal contents to avoid disputes later on. Legatee Carleton is mentioned as who supplied the fender and fire irons.Demonstrates the frugality with which the first Melbourne Legacy hostel was furnished. Faded white copy paper, black carbon imprint, two holes punched for filing.holmbush, residences, staff, holmbush administration -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Studio portrait of seated man with hat and walking stick, circa 1880-1900
This portrait could be of Captain Daniel McCallum. In the Williamstown Chronicle dating back Saturday 16 March 1895 we could read: " An interesting ceremony will be performed at the Sailor's Rest next Thursday 21st. inst., when a large photo of the late Captain D. McCallum (which has been presented to the Rest) will be unveiled, in the presence, it is expected, of several of those who assisted Captain McCallum in his good, work amongst the sailors, and others who were closely connected with the Mr Ronald Reid a will supply the musical part of the pogramme." Captain McCallum was secretary of the Williamstown Sailors' Rest, located in Ann Street, and had himself saved the rest paying some of its debt. He died in 1887.Many portraits of supporters were unveiled in the several buildings of the Mission. Sadly few reached us and are difficult to identify.Studio portrait of a man sitting, with moustache, wearing a 3 piece suit with buttonhole spray, walking cane ad bowler hat.Signature in red ink in the bottom right corner: "CHUCK-artist"portait, bowler hat -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Costume - Calisthenics Uniform, Bentleigh Presbyterian Church Group, c1964
Bentleigh Presbyterian Church Calisthenics Group was established following the popularity of physical education programs for women that began in the 19th century. Following World War 11, the population of the City of Moorabbin increased rapidly as the market gardens were divided into housing lots and sold to returned Soldiers who began to establish their families in the area. The 'Baby Boomers' were born and schools, churches, sporting clubs were overflowing with young members. Judy Clark joined this Calisthenics Group c1964 and enjoyed the exercise, companionship and presentation of displays for the local community. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this outfit for her daughter Judy.c1950 Calisthenics was a very popular activity for girls and young women and the Presbyterian Church, Bentleigh established a Group for the local residentsCalisthenics uniform made of white cotton 'sailor top' , bloomers, blue headband and blue beltphysical education, calisthenics, dressmaking, craftwork, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers, presbyterian church bentleigh -
Warrnambool and District Historical Society Inc.
Medal - Warrnambool City Council Citizenship Award -Joyce Hayward, Mid 20th century
Joyce Hayward and her husband, Cyril came from England to Warrnambool in 1955. For 30 years she and her husband were dominant figures in the performing arts organizations in Warrnambool. Joyce was the Director of the Warrnambool Theatre Company from 1955 to 1985 and directed more than 80 plays and musicals. She founded the Warrnambool Calisthenics Club, helped develop the Holiday Actors Company and was a key figure in the revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Theatre Group. Along with her husband she helped to develop and build the Warrnambool Performing Arts Centre. She was awarded the British Empire Medal for services to the arts in Warrnambool in 1981. Warrnambool City Council gives Citizenship Awards annually. This is a significant item as it was an important award received by Joyce Hayward, a prominent person in the Warrnambool arts scene for 30 years. This is a bronze-coloured medallion presented to Joyce Hayward as a citizenship award in 1970. It is circular in shape with the crest of the City of Warrnambool on one side and a laurel wreath with inscriptions on the other. It has a metal ring at the top for hanging the item. It is in a black leather box lined with red velvet and white silk and includes a small metal stand to display the medallion. Medallion – City of Warrnambool, Dieu et Mon Droit, By These We Flourish Citizenship Award, J.T.H.Hayward, 1970, Stokes Melb. joyce hayward, warrnambool city council -
Yarrawonga and Mulwala Pioneer Museum
Photograph, Portrait of Alan K. Dunstan Bandsman RAN
Alan, born at Cobram on 25 February 1920, was a member of the Dunstan family of Yarrawonga and member of the Royal Australian Navy Band. All of his siblings were musical. The portrait hung in the home of Alan's parents Joseph and Harriet Dunstan who lived at 40 Hume St Yarrawonga. (now the site of Karana Nursing home). After their death the portrait was in the possession of Alan's youngest sibling Dawn White (nee Dunstan). Dawn passed away in 2016. Alan enlisted at Yarrawonga on 4th August 1941 and served on HMAS Australia the flagship of the Australian Navy.no 24862. At the time of his death 25 February 1945 he was serving on the HMAS Rushcutter. He is buried at Rookwood War Cemetery, Sydney. Service Ornately decorated oval shaped frame containing hand coloured photo of Alan Dunstan. Frame made of painted pressed woodWesley Durburtiry?? -
Federation University Historical Collection
Book, Scrapbook Relating to the Career of Frank Wright, c.1930-1970
This is a scrapbook of newspaper cuttings, invitations, show tickets and music sheets pertaining to Frank Wright and his musical career between the years of 1933 to 1935. The extra assorted clippings range from this date to the 1970. Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This scrapbook has great research significance when researching the life and work of Frank Wright.Brown paper covered scrapbook containing newspaper clippings, but also includes letters, scripts, parts of programmes, photos, tickets and small printed scores. The scrapbook belonged to Frank Wright and began in January 1933 and finished in December 1935. In addition there are some loose clippings from the 1940's and 1951. b). Assorted newspaper clippings all pertaining to Frank Wright from the 1930's to the late 1970 and one invitation.Throughout the book and on some of the clippings there are various additions written in pencil, mainly dates and the name of the newspaper.frank wright, music, scrapbook, smeaton, cornet, adjudicator, newspaper clippings -
Bendigo Historical Society Inc.
Document - CHU CHIN CHOW, BENDIGO OPERATIC SOCIETY, 10 Nov, 1961
Chu Chin Chow, Bendigo Operatic Society, opening 10th November, 1961 for six nights. Bendigo Operatic Society. President: Mr J McK. Cannon, Vice-President: Mr C Bubb, Secretary: Mr G Dart, Subscription Secretary: Mrs J Cannon, Treasurer: Mr RB Ralph, Committee: Mrs W Brown, Mrs J Smyth, Mrs W E Wright, Messes O Hamilton & M Welch, Messrs A Annison, B Thomas & L Spencely. President's Message Since its formation in 1952, the Bendigo Operatic Society has presented 23 well-known Musical Comedies, Pantomimes, and a Revue. . . Notes and photographs on Robert Watson, Sawn Beckwith, Valerie McCracken, Leonard Carr, Max O'Loghen, Carol McKenzie, Fred Trewarne, Max Beckwith, Olive Hamilton, John Stephens, Charles Phillips, Ferd Lorenz, Victor White, Peter Houston, Reg Boromeo, Joan Heard, Patricia Lyon, Miss M Welch, Mrs P House. Musical Numbers. . . Synopsis of Scenes. . . Bendigo Concert Orchestra Violins - Miss A McNair (Leader), Mesdames A Bolton, A Faulds, C Messer, F Robbins, J Weldon, Dr, J Borema, Messrs R Charlett, Dr Gault, Messrs C Gill, J Jordan, I Lacey, O Turner. Violas - Mr E Jarrett, Mr S McNeill, Mrs J Pinder. Cello - Mrs C Bubb, Miss L Slade, Mrs J Borema, Mr A Rutland. Bass - Mr C Hargreaves, Mr T French. Flutes - Mr C Bubb, Master D Bubb. Oboe - Mrs S Willis. Clarinets - Mr J McKay, Mr R Holyoake. Bassoon - Mr S Anderson. Trumpet - Mr B Armstrong, N Pearce. Trombone - Mr A Martin, Mr E Washington. Horn - Mr R Perry. Tympani - Mr J Allen. Bendigo Operatic Society presents by permission of Samuel French (Aust.) Ltd. Chu Chin Chow a Norman Lee Production. Told by Oscar Asche. Set to music by Fredric Norton. Dramatic Personnel - Robert Watson, Max Beckwith, Fred Trewarne, Leonard Carr, John Stephens, Charles Phillips, Ferd Lorenz, Peter Houston, Reg Boromeo, Victor White, Dawn Beckwith, Carol McKenzie, Valerie McCracken, Olive Hamilton, Joan Heard, Patricia Lyon. Ladies of the Ensemble - Kath Alexander, Bernice Boromeo, Joan Crane, Edna Faderson, Edith Glen, Wendy Griffiths, Joan Head, Emily Houston, Shirley Levers, Pat Lyon, Pat McCracken, Margery Reed, Ellen Stephens, Norma Trewarne. Gentlemen of the Ensemble - Alfred Annison, Ian Beckwith, Denis Cremin, Roy Cronin, Gerald Gleeson, Peter Houston, Ferd Lorenz, Keith Millar, Kenneth Nicholls, Robert Nicholls, Eric Pollock, Daryl Walker, Victor White. Ballet - Joan Harding, Shirley Harding, Jean McClellan, Kaye Miller, Carol O'Sullivan, Rosalie Panozza, Bronwen Townsend, Marion Weigard, Shirley Williams, Annette Wilson, Bill Arthur, Peter Houston. Musical Director: Mr Max O'Loghlen, Society Pianist: Mrs P House, Stage Manager: Mr Murray McGrath, Ballet Mistress and Asst. Stage Manager: Miss M Welch, Wardrobe Committee: Miss M Welch, Mrs P Lyons, Mrs N Lindrea, Mrs M Jarvis, Mrs A Annison, Mrs S Richardson. Publicity: Mrs J Smyth and Mr B Thomas. Scenery & Art Work: Messrs. N Cronin & A Watkins. Make-up: Mesdames E Wright & Miss S Cannon. House Manager: Mr B Searle. In Retrospect In mid 1952, a distinguished man arrived in Bendigo and interested several citizens, including Dr. P Goodman, the President of the Musical Advancement Society, in the formation of a Company for the production of Musical Comedy. The meeting was called at the home of Mr Fred Bush, and a group of enthusiasts made the acquaintance of Mr Norman Lee, our producer and sequently the M.A.S. and several leading citizens, sponsored the first production, by subscribing funds for initial expenses. From such humble beginning, our present Society originated. Mr Cyril Cyril Warne was appointed Musical Director, Mrs Phyllis House, Pianist, and Miss Madge Welch, Ballet Mistress. During the Season of ''Chu Chin Chow,'' the Society will stage its 100th performance - indeed an outstanding feat in such a brief history. Looking back it is interesting to recall the 23 shows which are included, and the productions are- (listing of productions included in program). Next Productions. . . Acknowledgements: 3BO, Bendigo Advertiser, Mr N Cronin, Mesdames C Neilson & T Lambert for Art Work, Messrs L Spencely, D Cremin & J Cannon for Scenery & Carpentry. Miss M Welch for use of Studio, Make-up Staff, Back Stage Staff, Front of House Management Usherettes and Programme Sellers. Advertisements: Martin Washington, Photographers, Bendigo. Hanro. Markings on front cover in black pen, Capital Theatre.Cambridge Press, Bendigoprogram, theatre, music advancement society of bendig, chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre. chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre. -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, December, 1958
White Booklet With Black Text Bendigo Operatic Society Theatre Programme 'Jack & the Beanstalk. Capital Theatre Bendigo December 10th, 11th, 12th Evening & Matinee 13th at 2:15pm, 1958. Price 1 Shilling. Arranged by J.C. Williamson Ltd. Producer Norman Lee, Musical Director Max O'Loghlen. Main Cast: Jill Angwin, Joan Hokin, Sandra Cannon, Joe Quigg, Royce Reed, Barbara McGregor,Alfred Annison, Ian O'Neill, Betty Cullen, Brian Brewster, George Steele, Bert Donovan, Adrian Van Dyk, Norman Lee. Songs Include: 'Out in the Morning Early,' 'That Happy Feeling,' 'Alexander's Ragtime Band,' 'La La La.' Non Traditional Performance.Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, March, 1958
White Paper & Red Text Bendigo Operatic Society Programme Production 'You're in Love' Capital Theatre Bendigo performances March 24, 25, 26 and 27, 1958. J.C Williams Ltd Arrangement 'You're in Love' A Musical Comedy in Two Acts. Music Rudolf Friml, Book & Lyrics Otto Hauerbach & Edward Clark. Production Norman Lee. Cast Max Beckwith, Brian Brewer, Barbara McGregor, Celia Douglas, Gertrude Perry, Bert Donovan, Alfred Annison, Mervyn Penno, Joseph Quigg, Ann Stone & Rosalie Spencely. Production songs include: 'Married Life,' 'You're in Love,' 'He Will Understand,' 'Be Sure It's Light',' Dreaming,' 'Things You Must Not Do,'and 'Loveland.'Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Ephemera - SIDNEY MYER STAFF SOUVENIR PROGRAMME
Floral impressed Souvenir Programme for a Musical Social Evening given by Mr S Myer to his Bendigo staff, Thursday June 11th 1914 at the Masonic Hall Bendigo at 8pm printed on cover. Inside folded card contains printed program items with names of singers and accompanists. Names listed are Miss S. Jennings, Mr. W. H. Wales,Miss M. Kershaw, Misses C. & W. Ronan, Miss G. Rogers, Mr. EH. Collett, Miss M. Court, Miss E. Boldt, Miss E. Jackson & Mr. E. H. Collett, Miss. C. Ronan and Mr. G. Wilkinson. Accompanists - Mrs Johnson and Miss E. Hyett. Selections by Mr. G.Bruhn's Orchestra.bendigo, industry, bendigo myer store -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: THE HOPETOUN BRASS BAND OF 1918
Two copies of a black and white photo of the Hopetoun Brass Band of 1918. Bandsmen are wearing uniforms and holding various musical instruments. The man in the middle at the front is wearing a suit and has a shield in front of him. Under the photo is printed the name of the band and that today it is known as the Marong Municipal Band. Also the known names of the bandsmen. The names of the known bandsmen are: Roy Pain, Orm Bamford, Bill Turner, Mick Banfield, Rup Tregonowan, George Roy, Bert Bowater, Harold Hildebrandt, Les Rundle, Col Brown, Vic Rosenbrook, Herbie Reed, Tom Skilbeck, Bell Ketterer, Les Maher, Albert Hocking, Bill Roy senr, Mr Bain, George Michell, Dave Collier, Bill Pain and Sammy Veale.bendigo, history, long gully history group, the long gully history group - the hopetoun brass band of 1918, marong municipal band, roy pain, orm bamford, bill turner, mick banfield, rup tregonowan, george roy, bert bowater, harold hildebrandt, les rundle, col brown, vic rosenbrook, herbie reed, tom skilbeck, bell ketterer, les maher, albert hocking, bill roy senr, mr bain, george mitchell, dave collier, bill pain, sammy veale -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet - Patons Knitting Book No.182, Patons & Baldwins Ltd, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia.Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1940A printed black and white booklet with 31 pages of knitting instructions and photographs c 1940Front Cover ; Patons / Knitting Book / No. 182 / 'Rhumba' See page 14 'Swing" See page 15 / 6d ( decimal = 5cents) Back Cover ; Patons / No. 182 / Knitting Book / 'Fandango ' /See page 17 / 'Tarantella' /See page 18knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george