Educational historyB/W aerial photo of early site works Mt. Helen Campus of University of Ballarat.On rear, "Tertiary Institute site work at Mt. Helen commenced March 1968 (see A.R. 1967-68, p.8 Knowles and Stapleton had earthworks contract" also stamp " N.L. Harvey & Son Photographers 131 Sturt Street Ballarat"buninyong, mt. helen, ballarat university, campus, earthworks

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 1A College Street, Hawthorn by Margaret Picken.1A College St, Hawthorn, Margaret Picken '92. Woodards. artist - margaret picken 1950-

The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms us based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.Pullup Banner of the University of Ballarat Coat of Arms on white background - in grey carry caseuniversity of ballarat, university of ballarat coat of arms, pullup banner, marketing, logo, coat of arms

The Ballarat School of Mines had a model mine used by students, and to conduct assays for a fee. The Register of Gold Entry Book had to be kept by the Licensed Gold Buyer or Assayer under the Gold Buyers Act.Brown half leather bound register registering receipt of gold. Columns include date, nature of transaction (eg assaying/purchase), age, where employed, business (eg mining, fossicking, assayer, etc), Abode, Signature, Witness, Claim, Mining Division, District, Where Obtained, Character of Gold (eg alluvial, smelted, quartz, etc), Weight, Value, How Gold Treated, To whom delivered after assay or smelting, Date of Assayer's Certificate. ballarat school of mines, model mine, battery, assay, smelting, gold, robinson, frederick martell, r. callister, a. garrard, peter tong, lee sue, ah lung, chinese, f.w. calaby, ah kit, charlie ah lung, ah sung, ah chee, dep choon, charlie ah hing, frederick greaves, peter fong, george ah ki, ah hing, william mong, thomas bell and party, brown hill, dentist, amalgam, albert sydney sergeant, plumber, plumbing, george spence, plumber, commonwealth bank, j. hutton-jones, golden duke mining syndicate, blackwood, d.e.j. grant, eganstown, linton gold mining company, mining, d. bernard, g. peron, john page, david bernard, harry webb, ah fou, w.d. thompson, a.b. tolliday, m. webb

Women of the Diggings was published by BHS Publishing and written by Dorothy Wickham. The chapters in the front of the book give an account of women's life on the goldfields, while the back section is the biography of around 1500 women in Ballarat in 1854.women, goldfields, dorothy wickham, eureka stockade

Colour photograph of Ballarat College of Advanced Education 3rd Year Librarianship student at Mount Helen Campus. Back Row: Cheryl Lewis, Anne Martin, Peter Stutchbery, Mark Vanner, Brenda Astbury, Rosey Arnts, Pam Bignell 2nd row: Erin Oliver, Sharon Sabbatini, Jennifer Murphy, Chew Poh Li, Michelle Cooper, Camille Vearing, Fifi Stamos, Heather Howard Front Row: Sharon Dent, Dianne Guille, Anthony Insana, Carolyn Bray, Sue Nicholscheryl lewis, anne martin, peter stutchbery, mark vanner, brenda astbury, rosey arnts, pam bignell, erin oliver, sharon sabbatini, jennifer murphy, chew poh li, michelle cooper, camille vearing, fifi stamos, heather howard, sharon dent, dianne guille, anthony insana, carolyn bray, librarianship, sue nicholls, ballarat college of advanced education

This is a collection of stories written by girls who attended Presbyterian Ladies College.This is a collection of stories written by girls who attended Presbyterian Ladies College.genealogy, presbyterian ladies college

Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in french; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in light brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / French / First Prize / Upper Third Form / Awarded to / Kate Whittle / Christmas [date obliterated]

When Ballarat Junior Technical School building was opened in 1921, there was little cleared space for the students to use for sporting activities. The area known as Battery Paddock was used for dodge-ball and football. Gradually the slope area was cleared and planted. In November 1922 a tennis court was opened in the Battery Paddock. It was designed and built by two former students of the Ballarat School of Mines. The old Mount Doran school house was moved to the area as a students' common room. A new tennis court was built in the same vicinity in 1934. This area was on the corner of Grant and Albert Streets. Area is where the Corbould Building and the Automotive Skills Centre of School of Mines Ballarat Grant Street Campus now stand. Black and white photograph of the tennis court built in 1934 at Ballarat Junior Technical School. Gaol wall to the left and the old Mount Doran school house that was moved to the school grounds in 1922 and used as a Students' common room. Four students playing tennis with others watching.Stamp on back indicating photographer - "Richards & Co - Ballarat"ballarat junior technical school, student, 1921, battery paddock, ballarat school of mines, ballarat school of mines tennis court, mount doran, students' common room, 1934, grant street, albert street, corbould building, automotive skills centre, student activities

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Due to recent pronouncements concerning Mining Engineering Education and the possibilities of other institutions wishing to introduce it, Brian Coles and Peter McCarthy submitted a draft outline of a proposal for a PGI Graduate Diploma in Mining Engineering to Derek Woolley.The outline of this was passed on to allow other to consider and comment on. It outlines the rationale, course structure, course content - core and options, student demand and resource implications. ".... view is that this course should be pursued in order that the momentum of mining engineering at Ballarat C.A.E be kept going". PGI - Post Graduate Institute.Four A4 pages - 3 typed, 1 with newspaper articleThe Weekend Australian May 7-8 1983 RMIT advertisementviosh, victorian institute of occupational safety and health, ballarat college of advanced education, derek woolley, director, brian coles, peter mccarthy, pgi, graduate diploma in mining engineering, post graduate institute, mining engineering education, proposal

Ballarat College cohort in 1913 photographed standing and sitting on front verandah of Wanliss House. Second year of the school occupying buildings at this address. Fascinating insight into matters of uniform and deportment. Seven staff included - G R Crwother, R Williams, A Alston, A S M Polson, Miss C Gilbert, A R Orton, H P Levy; approximately 3/4 students named.Medium wooden frame with two cut-outs in mount featuring photograph at top and name card at bottom' mount is water-stained; back is sealed and two metal plates are attached to sides for fixing frame to wallHandwritten on back: Turnbull1913, ballarat college, wanliss house, teaching staff, uniform

These four certificates belonged to William Hunter. William Hunter (1893-1971) was a resident of Tatura and Mallacoota. He was a soldier, surveyor and amateur naturalist. The certificates include two first prizes for surveying, a technical scholarship for full day courses and a certificate for Applied Mechanics. William received his Surveying Certificate in April 1916. In June 1887, the Working Men's College opened after Francis Ormond, a noted Victorian philanthropist and member of parliament, suggested that a technical institute be built in Melbourne, offering further education for working men and women. He had offered to match the sum raised through public subscription if the government could provide a site for the College. William Hunter made valuable contributions to our knowledge of far East Gippsland plants. His records were meticulous. These certificates are part of his history.Four card certificates of merit for "Annual Examinations" from the Working Men's College, The Technical College and School of Mines for the Metropolitan District.All four certificates awarded to "William Hunter" and signed by Mordaunt Arundel Hall (accountant & chief clerk WMC) as the Acting Director.hunter-william-surveyor

Celebration of 125 years of publication. Articles relate to things from the past. Articles published include: Pressmen of the 1800s; Edward Bateman; Ballarat's Bank; Water and floods; Surviving the Depression. Letter from The Premier of Victoria, Joan KirnerTabloid newspaperballarat courier, joan kirner, robert clark, lola montez, tom buryedward bateman, lake wendouree, floods, wills family

White paper poster with black text and drawing of a woman in front of some gruesome looking people. The the poster was for a State College Victoria (formerly Ballarat Teachers' College) production held at the college hall in Gillies Street, Ballarat.Front: "S.C.V. Ballarat, formerly - Teachers Collge, Lysistrata, in the College Hall, Friday and Saturday, 12th and 13th, and Wednesday to Saturday, 17th to 20th July, 1974, at 8 pm, Admission - $1.00 Students, $1.50 non students, Bookings - Phone 341 202" Back: "Lysistrata, by Aristophanes, CAST LIST, Lysistrata: Liz Stubbs, Kalonike: Joy Dunstan, Lampito: Jenny Tait, Myrrhine: Denise Maroney, Stratyllis: Ann Bilston, Interviewer: Tina Conroy, Kinesias: Michael Russo, Police Commisioner: Tony Ryan, Spartan Ambassador: Terrence Dorian, Spartan Herald; Shane Quick. WOMEN'S CHORUS, Sue Richards, Tina Conroy, Ann Bilston, Anne Giles, Glenda Hamilton, Janette Marshall, Gillian Hogan, Janine Grieg, Robyn Stanesby, Stephanie Buchanan, Janeen McCullough, Wendy Gray, Elizabeth Evans, Jenny Tait (Leader of Spartans), Mary Staindl, Barbara Price. MEN'S CHORUS, John Rowe, Stephen Schneider, Chris Slater, Peter Hassell, Errol Elbourne, Peter Orford, Kieth McDougall,Terrence Dorian, Robbie Eastcott, Shane Quick, Gary Oliver. MUSIC, Piano: Robbie Eastcott. Drums: Alex Traianou. Congas: David Murphy. Rhythm Guitar: Kim Hatcher. Bass Guitar: Shane Quick. Clarinet: Steve Albon. Flute: Tina Conroy. Acoustic Guitar: Tony Ryan. TECHNICAL CREW, Lighting: Austin Rickell, Sound: Stuart Tolliday, Keith McIvor, Design: Bruce Miller, Terrence Dorian, Set Construction: Bruce Miller, Terrence Dorian, Ken Jones, Choreograph: Cheryl Brown, Costumes: Gillian Hogan, Mary Staindl, Props: Denise Maroney, Jenny Tait, Publicity and Front of House: Ruth Newall. ACKNOWLEDGEMENTS, Meena Bazaar for the Jug, Turner Audio Systems. DIRECTED BY, Miichael D. Edwards. DIRECTOR'S NOTE, The sexual power of women is all persuasive. If, as Germaine Greer says, they stopped loving the victors, there would be genuine revolution. The idea of a sex strike to stop a war seems preposterous.... What else is left to the aware but politically emasculated woman? Aristophanes, like us, had been appalled by a pointless and hopeless war. Outrageous indignation had failed to stop it - so he resorted to comic absurdity; perhaps to shame the warmakers. Our version of the play is colloquial and probably ' in vogue'. It is colorful, musical, flippant, and not a little risque. It is, however, based on an awareness of the power of sex roles and the arrogance of a male-dominated society and a profound sense of frustration at the apparently immovable forces that make our wars and enact repression in all its forms."ballarat teachers' college, production, state college of victoria, ballarat, gillies street, liz stubbs, joy dunstan, jenny tait, denise maroney, ann bilston, tina conroy, michael russo, tony ryan, terrence doran, shane quick, sue richards, anne gillies, glenda hamilton, janette marshall, gillian hogan, janine grieg, robyn stanseby, stephanie buchanan, janeen mccillough, wendy gray, elizabeth evans, mary staindl, barbara price, john rowe, jeff moore, stephen schneider, chris slater, peter hassell, errol elbourne, peter orford, keith mcdougall, terrance doran, robbie eastcott, gary oliver, david murphy, alex traianou, kim hatcher, steve albon, austin rickell, stuart tolliday, keith mcivor, bruce miller, ken jones, cheryl brown, ruth newall, michael d. edwards, norman lindsay

Black and white photograph of twenty members of the Ballarat Technical School Football Team with their teacher/coachPencil: Senior 18. JT3 crossed out. BTS. 1sts Pen: Refer 1966 Magazine

Small Brown/maroon booklet of 24 pages. Includes constitution, subscription, membership, rules of horse racing in general, standard weights for age, weighing, starting, heats, foul riding, nominations, disqualifications, stakes, forfeits, betting, scratching and amendments and additions made to the rules of the Ballarat Turf club approved at a special general meeting held at Craig's Royal hotel on 9 October 1872Ammended rules have been crossed out in red ink ballarat turf club, horse racing, sport of kings,

Colour photograph of a clock at the Ballarat Railway Station, "Ballarat Station" written on the face of the clock.clock, ballarat railway station, horology

Staff Members of the Ballarat School of MinesA black and white photograph showing 18 men. Standing L-R: S.B. Vial (Chemistry); W. Doepel (Clerk); Alfred E.C. Kerr (Mechanical Engineering); Arthur Garrard (Battery Manager); Henry Hall (Drawing); W. Kerr Grant (Mathematics); C.E. Campbell (Photography); J.M. Sutherland (Electricity); H.R. Murphy (Assayer); Charles A. Dean (Cyanide Works). Sitting: Daniel Walker (Chemistry); Thomas S. Hart (Mineralogy & Curator); Fred. J. Martell (Registrar); Alfred Mica Smith, Senior Professor (Chemistry, Metallurgy, etc); J.S. Dawburn (Engineering & Surveying); Dr J.F. Usher (Materia Medica). Seating (Front): P.A. Osborne (Assistant Assayer); Godfrey Hart (Museum). .2) is a framed copy of the photograph in a carved timber from from Peake's BallaratFramer's plate 'Peake's Ballarat' Framed mount 'The Ballarat School of Mines, Staff 1900'ballarat school of mines, alfred mica smith, daniel walker, thomas hart, s.b. vial, w doepel, alfred kerr, arthur garrard, henry hall, w kerr grant, ce campbell, john sutherland, hr murphy, charles dean, fred martel, j.s. dawburn, j.f. usher, p.a. osborne, godfrey hart, c.e. campbell, w. kerr grant, kerr grant

Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in English; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in mid-brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front cover; decorative bookmark includedBookplate: Ballarat College crest / English/ First Prize / Fourth Form / Awarded to / Kate Whittle / Christmas [date obliterated]

The framed photographs were presented to University of Ballarat to commemorate 140 years of Technical Education. The Ballarat School of Mines was the first site of technical education in Australasia.Framed photographs of two views of the Ballarat School of Mines Administration Building. The first was was taken c1901 and shows the former Ballarat Circuit Couthouse (now demolished) and the original front of the former Ballarat Wesleyan Church. The second photo was taken in 2010 and shows the former Wesleyan Church, the Administration Building and the Ballarat Technical Art School. Presented by the City of Ballarat in recognition of 140 years of Technical Education in Ballarat.ballarat school of mines, administration building, new classroom, ballarat circuit court, ballarat wesleyan church, a building, anniversary, available

The curator of the relaunched Ballarat School of Mines Museum was Gael Ramsay. Photograph of a metal plaque located in the Ballarat School of Mines LibraryThe School of MInes and Industries Ballarat Established - 1870 This plaque commemorates the official opening of the E.J.T. Tippett Learning Resource Centre on 4th July, 1986 by His Excellency Dr. Davis McCaughey Governor of Victoria P.R. Shiells K.F. Flecknoe Director Presidentballarat school of mines museum, launch, e.j. tippett library, smb library, e.j.t. tippett learning resource centre, david mccaughey, peter shiells, ken flecknoe

The Ballarat School of Mines Hockey team played in the Ballarat Hockey Association competition. Mounted black and white photo of the 11 women dressed in the Ballarat School of Mines Sport uniform. Verso " Ballarat Hockey Association SMB 1931 Back Row: Effie George, Jean Maude, Edith Curnow, Glad Dunstan, Al Duggan, Mary Fogarty Front Row: Mavis Whitehead, Olga Dulfer, Kath Windsor, Alice Bosher, Olga Lyons"effie george, jean maude, edith curnow, glad dunstan, al duggan, mary fogarty, mavis whitehead, olga dulfer, kath windsor, alice bosher, olga lyons, hockey, ballarat school of mines, ballarat hockey association

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations. Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'South Wing, Xavier College' by the artist Joy Stewart. Inscription: "South Wing, Xavier College". Signed lower right: "JStewart".joy stewart, xavier college (kew)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 10 College Parade, Kew by Margaret Picken.10 COLLEGE PDE., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 19 college parade -- kew

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 College Parade, Kew by Margaret Picken.13 COLLEGE PDE., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 college parade -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 14 College Parade, Kew by Margaret Picken.14 COLLEGE PDE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 14 college parade -- kew (vic.)