A cream coloured cardboard cover. Top firht hand corner reads AAP 7456.091-1M. In black ink reads Temporary Binder. Due to shortage of plastics this binder is to be utilized as a temporary binder. Replacement binder will be forward when available. Under this in pencil reads Ground Flight Switch, Type C. The manual is held together by two metal slides which are down the left hand side.royal australian airforce - manuals, royal australian air force, ground flight switch

Portrait of a man seated beside a table. He has a quill in his hand and his hand resting on a sheet of paper on the table. 96560 stamped on the back with a handwritten c. /Rear shows - Maull & Co Photographers to the Royal Family 62 Cheapside and 187a Piccadilly LondonMaull & Co., 60 Cheapside and 187A Piccadilly, Londonportrait, male, portrait of a man, maull & co., carte de visite

Sepia photograph. J R Hoskins Timber & Iron Yard. Timber premises, verandah. Horse on left hand side, 10 men posed in foreground. C A Brown's shop partly pictured on left side, hairdressing saloon. Physical description: faded. Inscriptions/Markings: Wall Bros. Photographers, 15 Chapel St., St. Kilda. Exactly Opposite All Saints' Church.Wall Brosbusiness, bendigo timber & iron yards, wall bros photographers, j.r. hoskins

A History of Freemasonry in the Bendigo District, During the First 50 years of its existence. Author R.W. Bro. W. C. Vahland . P.D.G.M (R.W. Bro. - right worshipful brother). Publisher: Bolton Bros, Bendigo. 88 pages. Illustrations: Freemason symbols throughout book. Margin notes on pages 24 & 60. Sketch by hand on last page. Price 1/6. (one shilling and six pence)R. W. Bro. W C Vahland, P D G Mchurch, history, freemason, bendigo, freemasons, history bendigo freemasons

Invitation from Mayor of Portland, Councillor Robert C. Menzel, to Miss B. Vivian, to the opening of the Woolcock Gallery in the C.E.M.A (Council for the Encouragement of Music and Arts) Arts Centre, Wednesday 21st February, 1990. The invite is printed on white, City of Portland letterhead A4 paper, black print. Top left hand corner Portland Victoria's Birthplace logo - image of a whale within a triangle and top righthand corner there is the City of Portland coat of arms.His Worship the Mayor of Portland / Cr. Robert C. Menzel, JP / cordially invites / Miss B. Vivian / to attend the opening of the Woolcock Gallery in the CEMA Arts Centre / by the Victorian Minister for the Arts, the Hon. Evan Walker, MIC. / to be held on / Wednesday, 21 February 1990 / 6.00 pm to 7.30 pm / at the CEMA Arts Centre.woolcock gallery, cema arts centre, betty vivian, mayor of portland, collin woolcock, nancy malseed

This six-postcard group is the seventh in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These postcards illustrate the links between battalions, such as the 5th and 47th. 1. Group portrait of the Officers and NCOs of C Company, 47th Battalion. 47th Btn was drawn from Queensland and Tasmania, and C company was primarily Queenslanders. 2. Group photo of the signallers and stretcher bearers of 5th Battalion. Dawson note that Josiah and Norman Rolls, from Golden Square in Bendigo, are in photograph. 3. Group photograph of 57th Battalion medal recipients taken outside Exeter cathedral. 4. 57th Btn band 5 HQ Pioneers, 57th Btn, 8th of October 1917. Dawson notes that the man front row extreme right is 50 years old. 6. Group photo of some officers of the 57th Btn 1. On verso "A.R. Tweddell, 47th Battalion, C Company A.I.F" 2. On Verso "This is a group photograph signallers 5th Battalion Jo and Norm Rolls" 3. "Group taken in Exeter at a a presentation of medals" 4. "This is our band can you pick out Bob Scott" 5. "This is our HQ pioneers who do all our building. The chap on the front row right is fifty years of age and came away with the first contingent. Also the corporal, sergeant and two left had men rear rank" 6. "This is a photo of some of the officers of our battalion. Colonel J.C. Stewart centre, Major R.M. Cotheson on left, Captain Laing M.C. on right. Will tell you the rest when I get home"postcards, 57th battalion, edgar dawson dcm

Cheltenham Tennis Club, Park Road, Cheltenham Back (left to right) Carrie Hayman, Clem Phillips, Anne Chandler, J Woods, Eugenie Fairlam, J Francis, W Foreman, Maggie Maxwell, Fanny Woff, Minnie Cullen, Third Row: Dr A Weigell, Edwards, C Scantlebury, WoBlack and white image of a group of men and women standing courtside with rackets in their handsRound red sticker:X2 [crossed out] Handwritten in blue ink enclosed in a circle:49 / written in pink ink 50%tennis, cheltenham, cheltenham tennis club, sport

The magazine was edited by Reverand R.C. Nugent Kelly as an Anglican Church publication. Reverend Kelly: Born in 1858 to Robert George and Mary Kelly (nee. Walker) of Birkenhead, England. Married Emma Louisa Edith Cremer in 1882 in England Died 11 Oct 1936 in Hornsby Shire, New South Wales, Australia Kelly joined All Saints Bendigo in 1896 where he edited the 'Our Own Magazine' and established a reputation for effective financial management. He left Bendigo in 1901. Much of his life was spent dedicated to church work which was documented as early as 1890. Now known as Old All Saints Cathedral, the church is located on the Northern corner of Mackenzie Street and Forest Street. The church was closed in 2015 and has remained abandoned. The church is located across the street from Bendigo Historical Society on Mackenzie Street. The Lambeth Conference: "The first Lambeth Conference took place in 1867 when the Archbishop of Canterbury, Charles Thomas Longley, invited the bishops of what would become the Anglican Communion to gather for a conference at Lambeth Palace.... There were two main issues that led to this invitation: First, a growing desire, expressed by many bishops around the world, to gather in order to pray, to study scripture and to confer together and, second, to address difficult pastoral and theological issues that were causing divisions between bishops around the world. These issues related to how the Christian gospel was and should be expressed in different cultures... Over successive Lambeth Conferences the mind of the bishops was expressed through published resolutions. These resolutions have touched on every area of the life and mission of the church... It has encouraged and enabled significant decisions to be made by the member churches" The 1897 conference resulted in 62 resolutions including the desire and establishment of regular conferences every ten years.1 October 1897 Edition of 'Our Own Magazine: A Church Monthly for the People'. The front cover contains the phrasing "registered as a newspaper" directly under the 'O' of "Our" though has been categorised as a magazine. Printed in black and white, the 10 page (not including covers) contains several advertisements for local Bendigo businesses. The cover showcases a hand drawn image of a robed man holding a ribbon "For God and His Church". The back cover shows a large black and white image of Enterprise Baking Powder. Other images include logos for local business and an ornate header on the front page. There are also ornate drop caps throughout the publication. The magazine includes articles pertaining to The Pope, the Lambeth Conference, Alexander Mackay of Uganda, the death of W. Walsham How (Bishop of Wakefield, C of E), the establishment of a press committee by the Anglican church, summaries of important sermons, mission notes, Parish news, baptisms, marriages and deaths. Centre fold and stapled together, each page is presented in a two-column layout. There is only one staple in the spine. Some pages extend past the edge of the cover. Printed on orange paper.reverand richard charles nugent kelly, all saints cathedral, bendigo, anglican church, lambeth conference, 1897, old all saints curch, local businesses

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen)collin woolcock, woolcock collection, woolcock, botanical drawings, botanical

Booklet owned by Arthur Baggaley, Fruiterer, who lived at 15 Forest Street, Bendigo. His business 'C.A. Baggaley & Son' was at Covent Garden, Mitchell Street, Bendigo. Arthur was born in Bendigo in 1903 to Charles Arthur Baggaley and Ada (Mallon). He married Evelyn May Grigg. Arthur died in September, 1993.Six page booklet. On front cover 'Laughable Dialogues for school and public entertainments, social gatherings, &c, &c, (free from objectionable language and incident) by S. Knowles, No. 32 - Tenth Thousand, That Boy Tommy'. Baggaley CollectionWritten in black pen down left hand side of front page 'Arthur Baggaley'fruiterer, confectioner, business, mitchell street, covent garden, entertainment, play script

Mounted black and white photograph of 30 uniformed ESCo Ballarat employees in a room seated or standing in four rows.. Date on rear of photo mounting is 1915. Different image and arrangement of employees to that in Reg Item 708 and 2238. Image 1 of the photograph and part of the mounting. Print 152H x 200W. Mounting is cardboard with a depressed photo mount area, with actual printed surrounded by another sheet of white paper (now off white). Cardboard has a light grey colour finish. On the bottom right hand side is the photographers name "Richards & Co., Ballarat". Image 2 - mounting and photograph showing general condition of the mounting. On rear is a taped sheet of paper (see images 3 and 4), giving some of the names of the people, identified by A. Walker, 1/10/69. Left to Right Back: - Stokoe, - , - , G. O'Hara, C. Ereuson?, Jolly, Powell, - . 2 - C. Johns, - , Davey, -, -, -, -, -. 3 - -, A. Johnston, F. Greenfields, Insp Salthoose, -, -, -, Egan. 4. M. Rawlings, J. Lasey, R. Haines, F. Jarces, P. Corby, -, -, T. O'Donnell (this list has not be audited against employees register at time of cataloguing) trams, tramways, esco, employees, group photo

Made by Isobel McNamara from recycled silk. Hand embroidered & crochet edging. Infant silk petticoat made from night dress. C 1965 -1967. Embroidered with hand crochet edging. Nilinfant clothing, silk embroidery, recycled clothing, heather mcnamara

Handknitted by Isobel McNamara. Layette reportedly from Home Journal 'Princess Elizabeth Layette for Prince Charles'. (C 1948).Cream baby pilchers, handknitted with hand embroidery on front leg with button crutch fastening and ribbon waist fastening. Refer to Supplementary File.Nilknitting, baby clothes, hand knitting, layette, embroidery

John Chambers was employed as Reader at St Paul's Church of England, Linton between 1866-1867. He was involved in the 'Free Church of England' movement and was accused by mainstream church leaders of attempting to set up a schismatic congregation in Linton. After the termination of his appointment in 1867 he moved to Ballarat. Photograph is part of Old Lintonian Collection ; No. 38.Sepia photograph of an older bearded gentleman wearing suit, standing with left hand holding a book forward and right arm resting on balustrade in front of him.On back: "Mr C Linton Kind Regards". old lintonian collection, rev.chambers, john chambers

This is a report on the experimental production of the colour Orthophoto Map 1:25,000 7924 - 3 - SW Northwood (Puckapunyal area) during 1971 conducted at the Army Survey Regiment Bendigo. The report covers all aspects of production including cartographic enhancement, test proofing, platemaking and printing. While Annexes A and C are listed in the contents, they are missing from the document. A second copy has been added to this record that contains Annex A that is a colour enhanced colour orthohotomap of the map sheet.Soft covered A4 sized booklet stapled along the left hand side. Title and a greyed map image printed on cover. A second copy containing Annex A was added in 2025royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Figure of a man. He is slim, one foot in front of the other. He looks straight ahead. Looks to be wearing a white wig. He is holding his hat in his hand. He is coat tails and wears black shoes. He is standing on a base which has blue decoration on it. He looks to have high collar.England / 1887 / M** C. Keillerporcelain figurine, figurine

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 13619, the recording “Poor old England” published by Castling and Godfrey, sung by Billy Williams. Made by National Phonograph Company USA. C.1907On lid “Edison Record” and “This record should turn at 160 revolutions per minute, no faster” Written on lid in blue pen “Trumpet”, “EDISON AMBEROL RECORD / FOUR MINUTE”warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Photograph appears to have been taken outside Linton State School building.Black and white photograph of eight young ladies dressed in costume for a school concert, four seated, four standing behind, other people in background.On card mounting of photograph, hand written in ink: "Song / Miss Milligan's / by / Music Pupils of / Miss G. Barry / about 1912 / at Shire Hall (crossed out) State School" "Back row: C McBeath P O'Beirne M Bolte K Burke Front row: K O'Beirne L Burke G Cox J Cox Background S Mark V Cornish A Thompson C Bolte".gertrude barry, music students, musicians, c. mcbeath, p. o'beirne, m. bolte, k. burke, g. cox, j. cox, s. mark, v. cornish, a. thompson, c. bolte, milkmaids

This photograph is thought to have been taken c.1919, when Violet was about 17. Violet married Carl Hoffman in 1926.Black and white copy of original photograph showing a young lady dressed in a white dress with her right hand resting on a book on an ornately carved tall table. She is wearing a large bow in her hair.violet reid (afterwards violet hoffman)

Book is a register of the names of those who fell in the 1939-1945 War and are buried in cemeteries in Belgium.Grey coloured paper book with black type on cover.1939-1945 The War Dead of the British Commonwealth and Empire Heverlee War Cemetery Heverlee Churchyard Top right hand corner handwritten Mavis E Emery 1958ww2, register of deaths

Restricted Australian Ceremonial Instructions (1958)Light Brown paper book with black writing with Australia crest.Restricted Australian Military Forces Ceremonial (1958) S/C Bateman handwritten top right hand cornerceremonial, amf, 1958

This book records the impounding of animals which have been found wandering on local roads or trespassing on land. Many are farm animals and give the various breeds of animals from red Ayrshire cows to bay ponies, and nanny goats. Impounded animals were either claimed by their owners after payment of a fee or if unclaimed , they were sold. The Warrnambool pound was situated on Merrivale Drive.This book is a record of a practice which was necessary to remove stock which were wandering on local roads or trespassing on neighbours. It contains many local names and is of social interest. Rectangular book with hard cover Fawn cloth with red leather spine. Pages are lined in blue and red and pages are headed in black . It dates from 1957 to 1998 with one entry for 2004.Entries are hand written in blue and black. The entries give particulars of the animal impounded and where found with name of council officer and owner, if known, of the animal.various pieces of paper pasted inside front cover.There are many names included in this journal. Among the earlier entries are James P O'KeefeH C Bidmade, Keith Nixon, C Eccles, I Carmody,warrnambool, warrnambool pound

This is a diverse collection of Tourist Maps for the Warrnambool & District area. [.1] From information on this guide it dates from the mid 1970's. It appears to not have been commercially printed and includes details of attractions no longer operating in Warrnambool such as Warrnambool Aquarium and the Oasis Reptile Park and Zoo. [.2] Commercially printed Warrnambool tourist map (c mid 1980's) surrounded by advertisements for local businesses. [.3] Commercial printed December 1991 tourist map of Warrnambool and District includes a competition entry form [.4] Commercially printed tourist map aimed at children [.5] Walking map of Warrnambool and District [.6] Commercially printed Warrnambool tourist map (c mid 1980's) surrounded by advertisements for local businesses. This collection of maps from the mid 1970's to early 1990's gives an insight into what was available to assist tourists find their way around Warrnambool and District. They include advertisements for business operating during this period and include lists of available accommodation, eateries, and tourist attractions.[.1] Tourist Attractions In and Around Warrnambool two foolscap pages with two sides of type written information of local and district attractions. There is a Warrnambool City map with points of interest marked and a hand drawn district map; [.2]Commercially printed grid map of Warrnambool City surrounded by advertisements from local businesses. Reverse side has a district map and a map of the Warrnambool CBD surrounded by advertising. [.3] Brochure including small grid maps of Warrnambool and district listing accommodation providers and places of interest. Stylised blue & bright green design of Norfolk pines and sea. [.4] Children's treasure hunt map to Warrnambool There are two examples, one with blue edging (Jan 1986) and one with red edging (Aug 1993) Both have a circular logo with a stylised whale and lighthouse [.5] Walking maps of Warrnambool blue printed photo of four tourists walking coastline on the front cover. [.6] Commercially printed grid map of Warrnambool with a bright yellow inset of Warrnambool CBD main shopping centre. The map is surrounded by advertising for local businesses.warrnambool, tourist maps, warrnambool businesses, warrnambool accommodation

A surveyor was employed to measure the land designated as Yangery, County of Villiers, in the Borough of Warrnambool. The area on the map is similar to the earlier Farnham Survey undertaken by William Rutledge in the 1850's. Warrnambool was a Borough between 1863-1883. Coutours, waterways, sea and other significant points are shown. The distances are accurately measured. This survey map was used for planning future land sales, recreation areas and roads. WILLIAM RUTLEDGE (1806-1876) William Rutledge surveyed the land known as Farnham in southwest Victoria in 1843. His tenants made him a profitable business from working the land there. In 1863 Rutledge moved from nearby Port Fairy to Farnham and became very successful in breeding sheep, which he imported from J.R. Kirkham of Lincolnshire, England. He also bred horses on his land. The survey map of Yangery is important for its connection with renowned surveyor William Rutledge. The map shows the growth of landholders in the district when compared to the original Rutledge survey of the 1850's.Survey map of Yangery, titled "Yangery - County of Villiers". Printed on white paper, mounted on brown paper. c. 1863-1876. Comments printed on the Map include; Special Survey by William Rutledge, Photo-lithographed at the Department of Lands and Survey, Melbourne by W.J. Burson, Price 1/- [one shilling]. Scale is in Chains. Map has boundaries of Koroit Borough, Meerai, Purnim, Wangoom, Borough of Warrnambool, Mentions the Proposal of Tower HIll for Public Recreation. The map names the owners of the land at that time. Hand written pencil marks and figures and "Sauls fence" drawn on map. Hand written pencil markes and figures and "Sauls fence" drawn onto map. "For Department Use only". "Scale: 8 chains to 1 inch" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, county of villiers map, yangery district, w.j. burson, borough of warrnambool, koroit, purnim, meerai, wangoom, proposal of tower hill for public recreation, special survey by william rutledge, william rutledge, farnham, lincolnshire sheep, clydesdale

When Carl Sandner began Sandner and Sons Eucalyptus Distillery in 1875, he probably had no idea his archives would end up in the National Library. The distillery operated until 1967 and the Uley Street site was the subject of archaeological monitoring in 2011 prior to Bendigo’s new ambulance station being built there. But his great great grandson Alec Sandner handed over some mint-condition documents that he has held on to for many years. “I had this tin and the more I opened it, the more interested in it I became,” Mr Sandner said. “There was a letter from the Kaiser in 1888 because the business had written to them asking them to endorse. They had politely refused. “There was also a letter from the Italian consulate saying the King of Italy was satisfied with the product he received. From then the advertising said the products had been approved by the King of Italy.” At its peak, Sandner and Sons had agents up and down the east coast of Australia as well as in New Zealand and the United States of America. https://www.bendigoadvertiser.com.au/story/3854951/sandner-and-sons-to-be-preserved-in-national-library/ Rectangular cream coloured box with attached fold back lid. Printed in purple on the lid and also inside the lid "SUPERBA" SKIN FOOD Brings Beauty. All Chemists & Stores.1/3. No Lady should be without it. SANDER & Sons. BENDIGO, Victoria, Australia. A centred circle frame includes the following Removes wrinkles, tan, sunburn blemishes &c. Beautifies the complexion. Heals chapped hands and inflemed skin. Inside the box is a loose advertising card for the product. The box contains eleven small tins of the skin cream. Each tin has a small red wax seal on one side. Seven appear to be intact and unopened and four have been opened. Some of the printing on the tins is gold coloured in places but all tins show various stages of wear Two of them are inside original smaller boxes. The tins contain a waxy substance covered with a piece of waxed paper. Folded information sheet inside one of the boxes. There are no ingredients listed. sandner, cosmetics, eucalyptus distillery

Hand written advice from A. Baggaley that the premises at 255 Mitchell Street from Charles Arthur Baggaley & Son, is from 22/02/1963 operated by Arthur Baggaley as sole proprietor following death of C. A. Baggaley

Letter dated June 22nd, 1877. Same as 6637.323 but written in a different hand and on paper with a printed letterhead.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, mr c weyland, court king of the forest, court victoria, mrs weyland, kew lunatic asylum, e lawrence

Photograph shows SEC Ballarat tram No. 34 climbing Bakery Hill in Victoria St. The photo is taken at Humpffray St looking west. There is a Grocer on the left hand side of the photo. Photo by I K Winney of Sydney, 12/1949.Yields information about the view looking west along Victoria St from Humpffray St during 1949.Black and white photograph with photographers details on rear."Bogie No. 34 (ex MMTB C class) en route to Victoria St. Ballarat city area in background. 12/1949, I K Winneytramcars, tram 34, victoria st, bakery hill