Ernest Sewell series 'Tiddlytennis' game. Patent no.22857/35 (1935-6). Instructions sheet states: 'The game that interested H.R.H. The Duke of Kent at the/British Inductries Fair 1936'. Contains miniature net and wooden net supports, printed cotton as 'court', eight plastic discs (2 large, 6 small) and an instruction sheet. Materials: Cardboard, Ink, Glue, Wood, Natural fibre, Papertennis

'Wink Tennis' game. Incomplete according to Instructions sheet: contains two 'winks-on-a-string', four plastic discs, a plastic 'net' and a playing board. Should contain two plastic side clips - one plastic clip present, one missing. Also contains an instructions pamphlet. Three non-original metal clips contained in box. Materials: Cardboard, Paper, Ink, Plastic, Glue, Metaltennis

Articles from the annual report include: the unveiling of a memorial plaque to Henry Hedger for 57 years of service, 1413 blind people in NSW according to last census, a Special Appeal was launched with over 7000 pounds raised of the 20,000 pound target, the Women's Auxiliary holding a Pastel Ball to raise funds, the sad passing of home teacher (Alice) Ethel Campbell, the decision to make talking book discs free of charge, the opening of "The Haven" at Woollahra in Chester Street as a women's hostel, the gifting of a neon sign at the front of the Institution, Annual Picnic at Clifton Gardens and appointment of A.J. Harris as Superintendent and C.R. Rae as Home Teacher.1 printed booklet with illustrations in bound sydney industrial blind institution, annual report, herbert thompson, henry j. hedger, black and white committee, ethel campbell, , a.j. harris, c.r. rae

This item is an attractive one and has belonged to someone who was a more affluent member of society. It is an item that would have been kept in a bedroom on a dresser or table. It is surmised that the ‘H.D’ stands for Hope Dickson, a member of a prominent Warrnambool family. She was the daughter of Mary Glass Cramond and James Dickson. Her grandfathers, John Cramond and James Dickson, established a clothing and drapery store in Warrnambool in the 1850s and it continued as a major business in Liebig Street, Warrnambool until 1973. As an elderly woman in the 1970s, Hope Dickson donated many household and personal items to the Warrnambool and District Historical Society and this perfume bottle may be one of them. This item is significant because it is a high-quality household item that dates back 100 years. If it belonged to Hope Dickson then this local provenance gives it added importance. This is a glass bottle with a covering silver holder. The bottle body is round with two straight pieces on either side. The neck is rounded and short and the opening has a cork stopper that extends down the neck. The silver folder, which is cylindrical, covers the entire base of the bottle and is open at both ends. The silver holder has impressed silver patterns (chains, bows and discs).The bottle slides into the folder which is slightly rusted inside.‘H.D.’women’s boudoir items, perfume bottle, history of warrnambool

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern: thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint, and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Richard Strauss: Seven Songs; Mozart: Four Concert Arias. LP 33RPM vinyl, Catalogue Number: ASD 2493, Cardboard Cover, Paper sleeve, 1 Vinyl disc, lyric sheet inside with translations by William Mann (c) 1969, made in Great Britain. Singer: Elisabeth Schwarzkopf (British Soprano); Conductor: George Szell; Music: London Symphony Orchestra, Edith Peniemann (Violin), Alfred Brendel (piano).lp, sound recording

Compact Diskette with video (DVD), titled ""Yarra Trams Christmas 2004 Family Day", printed on disc, contained within a clear front, black plastic base CD case. Event held Sunday Dec. 5, 2004 - at Royal Exhibition Buildings, Carlton. Has scenes of people arriving, games, the tramways band, the inside of the building, food, the CEO of the time, Hubert Guyot, welcoming people. Length - 3mins.trams, tramways, yarra trams, exhibition buildings, christmas, employees

How widely the prisoptometer was used is unclear but the Standard Optical Company later patented a new model, The Standard Prisoptometer, on June 21, 1904. Edward Jackson's crossed cylinder technique of determining astigmatism was first detailed in the Transactions of the American Ophthalmological Society (1887)4:595-598. The convenience of Jackson's crossed cylinder lenses over the prisoptometer in weight, cost, portability and reliability meant that they were soon almost universally adopted.This is a rare item as few are known world wide.This instrument is an optometer, that is, a device to measure the refractive error of an eye. It is made of cast iron, steel, brass and glass. It contains a prism which could be rotated, and was used to view a disc or an object circle. The prism caused monocular doubling of the object circle and the separation of the two images varied as the prism rotated, depending on the astigmatism present. The axis of the astigmatism was indicated by the prisoptometer and trial lenses were used to determine the the magnitude of the spherical and cylindrical refractive errorImprinted:"DR CULBERTSON'S PRISOPTOMETER/ GENEVA OPTICAL COMPANY MAKERS, GENEVA, N.Y./ PATENTED SEPT, 21, 1886". Stamped "853" on eyepiece and lens mounting.optometry, prisoptometer, optometer, astigmatism, refractive error, refraction, culbertson

Records sent to Mrs E.Till from Alwyn Till during World War 2Record 1. Red Cross recording to Mrs E. Till in paper log. Record 2. Broadcasting recording supplies record. Record 3. As above in grey envelop. Record 4. Royce recording disc in envelope. Record 5. Broadcasting recording supplies 33 1/3 record Record 6. Record in postal envelope addressed to Mrs E. Till Record 7. 78RP record Birthday Greetings from Alwyncommunication, electronic

The booklet shows important aspects of the Shrine, 'one of the greatest of the war memorials erected in various parts of the world'. 'The purpose of this imposing structure is set out in the simple words quoted on the eastern wall of the Shrine of Remembrance itself- "This memorial was erected by a grateful people to the honoured memory of the men and women of Victoria who served the Empire in the Great War of 1914-18." The booklet outlines parts of the Shrine including the Battle Honour Discs, the Porticos, the Stone of Remembrance, the Inner Shrine, the Crypt and the Ray of Light. The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191). Labelled with red pen S10 as part of an old archive numbering system.A record of the Shrine of Remembrance. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191).A 16 page of booklet of buff paper in a cream cover describing the Shrine in photos and brown print.Stamped 'The Property of Legacy Melbourne' in purple ink. S10 in red penmemorial, shrine of remembrance

The Sub Branch male members began an annual day out in 2005 whereby they took travel by train to and from Gisbourne to enjoy each others company over a lunch and an ale and to while away the time. In a lighthearted spirit, the Break The Seal competition was began to honour that member who held off the longest before succumbing to the 'call of nature'.Significant is respect to being a lighthearted evidence of the comradeship and supportiveness of Vietnam veterans.Trophy shield of mahogany polished wood for the Breaking of the Seal award at the members' annual day out. Brass plates on the shield record the winners from inception in 2005 to retirement in 2014Shield heading on a gold plate at the top of the shield records: D Viets Whistlestop Tour, Gisbourne. "Break"-The-Seal "Perpetual Trophy. Individual brass plates record the winners since inception in 2005 until the Trophy was retired in 2014. Central in the body of the trophy is a circular disc imprinted with By Presidential Decree with sketches therein: possum on the left, a beer glass in the middle and a koala on the right with a jagged lightening like slash diagonally through the middle of the circle.diamond valley vietnam veterans sub branch, social

The design of the corkscrew may have been derived from the gun worm, which was a device from at least the early 1630s, used by men to remove unspent charges from a musket's barrel in a similar fashion. The corkscrew is possibly an English invention, due to the tradition of beer and cider, and the 'Treatise on Cider' by John Worlidge in 1676 describes "binning of tightly corked cider bottles on their sides", although the earliest reference to a corkscrew is, "steel worm used for the drawing of Corks out of Bottles" from 1681. In 1795, the first corkscrew patent was granted to the Reverend Samuel Henshall, in England. The clergyman affixed a simple disc, now known as the Henshall Button, between the worm and the shank. The disc prevents the worm from going too deep into the cork, forces the cork to turn with the turning of the crosspiece, and thus breaks the adhesion between the cork and the neck of the bottle. The disc is designed and manufactured slightly concave on the underside, which compresses the top of the cork and helps keep it from breaking apart. The winged corkscrew, sometimes called a cork extractor, butterfly corkscrew, owl corkscrew, Indian corkscrew, or angel corkscrew, has two levers, one on either side of the worm. As the worm is twisted into the cork, the levers are raised. Pushing down the levers draws the cork from the bottle in one smooth motion. The most common design has a rack and pinion connecting the levers to the body. The head of the central shaft is frequently modified to form a bottle opener, or foil cutter, increasing the utility of the device. Corkscrews of this design are particularly popular in household use. In 1880, William Burton Baker was issued British Patent No. 2950 for his double lever corkscrew, with both levers sliding onto the upper end of the shank. The first American patent was in 1930 granted to the Italian Domenico Rosati who emigrated to Chicago, Illinois, to work as bartender before prohibition. Rosati's design had an exposed rack and pinion mechanism. Such design was adapted by other brands as the wine-market grew in popularity. The winged owl version, with two side-plates covering the rack and pinion mechanism, was first designed and manufactured in 1932 by the Spanish industrial designer David Olañeta for his brand BOJ and was later adopted by others, such as the 1936 US Patent No. 98,968 by Richard Smythe marked HOOTCH-OWL https://en.wikipedia.org/wiki/CorkscrewThis object is significant as an example of an item in common use in the 19th and early 20th centuries, and that was developed further in the 1930s.Winged corkscrew with a T-shaped wooden handle, metal spring and worm-wheel screw section.None.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, corkscrew, beverages, kitchen equipment, bottle opener

Initial court cases for the Western district were held and controlled for some time by Rutledge in Port Fairy. The first courthouse was built around 1854 and was in service until the stone building was built next to it in 1870. These two implements were used until around 1970 when heating was installed in the courthouse. They were decommissioned by Mr Ellis Roberts, Public Works Department Inspector.These implements have a strong connection to a public building which has a long association with the town and surrounding area. The courthouse of 1863 was the scene of an infamous murder of Constable O’Boyle in front of the fireplace. Shovel has barley sugar twisted handle with eight sided domed top. It is flared at the bottom to hold the spade which is attached with two metal rivets. Spade contains a number of holes cut into oval shape in centre and has fluted side edges. The tongs consist of two parts held together below a short handle with a metal rivet and two metal discs. Both pieces have decorative mouldings on the handles and remnants of black paint. warrnambool courthouse, fire tongs, fire shovel, fire spade, warrnambool

These photos were taken at Training Camps in Australia, Shepparton, Royal Park, Darby Camp, Balcombe, Alice Springs, NT, Larrakeyah, Darwin, Bombing of Darwin, Alice Springs, Adelaide River, New Guinea. There is several interesting photos of damage to Darwin Hotels by AIF units disgruntled at not being sent overseas. Allen Edward Malone VX46797 enlisted in the AIF on 13.7.1940, allotted to 8th Division, transferred to 2/4th Australian Field Workshops 8.2.1941, Moved to the NT arriving 8.5.1941, unit renamed 23rd Independant Group Ordnance W/Shops, moved to QLD 4.6.1943, posted to 2/137 Brigade W/Shops, promoted A/Cpl 26.6.1943, embark 12.7.1943 for New Guinea, detached for duty with 6th Aust Field Ambulance (Had previously done this with prior unit as a medical Orderly) Promoted Cpl 8.12.1943, Leave to Victoria 5.11.1944, embark at Townsville for New Britain 2.2.1945, disembark Brisbane 5.6.1945, discharged from the AIF 28.11.1945.1) Cover for Album, cardboard with a buckram finish, all black colours. .2) Album black covers, black pages with white glassien tissue sheets between each page, rear cover page has a envelope for a disc. Pasted on inside front cover is an A4 sheet typed with the service details re the owner and when taken, 20 pages have photos on with photo corners, photos have details written in white pen under them.On first page in white pen, "A.E. Malone Photo Album - photos taken during War service 1940 - 1945. Many of the photos were taken and developed by A.E. Malone"album ww2, malone collection

This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable

Walter Joseph Constantine Baldwin (born Nhill, enlisted Mildura) Enlisted in the 1st reinforcements 38th Batt AIF on 11.3.16. Hospitalised with Mumps 13.12.16. He remained unscathed for the wars duration and was discharged from the AIF on 4.9.19. Refer 1526..1) Medal set, court mounted, set of (2) re W.J Baldwin. 1. War Medal 1914-1918. 2. Victory Medal 1914 - 19 .2) Set of ribbons for War and Victory Medals .3) 38th Infantry Social Club Life Member badge, gold colour with 38th Batt colour patch in centre. .4) ID disc, round metal, stamped "1617 W J Baldwin IRF 38 AI CE".1) (1 & 2) "1617 Dvr WJC Baldwin 38 Bn AIF" .3) Inscribed on back "W Baldwin 14/9/66"medals, military, history

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

Late WW1 gas maskThis item was worn by German soldiers to protect them against chemical weapons during WW1Late first world war gas mask complete with field grey carry tin and replacement lenses in original paper Tin has a short, tan cotton strap for wearing over the wearers shoulder. replacement lenses are packed in celephane with "klarscheiben vor feuchtigkeit schutzen nicht wischen, nur am rande anfassen so einlegen" which translates to "Do not wipe clear discs from moisture protection, just touch at the edge so insert " 27.Mal1918 on base of tin "klarscheiben vor feuchtigkeit schutzen nicht wischen, nur am rande anfassen so einlegen" on replacemet lenses ww1, german, gas mask, wark vc club

A Mason jar is a moulded glass jar used in canning to preserve food. The mouth of the jar has screw threads on its outer perimeter to accept a metal ring (or "band"). The band, when screwed down, presses a separate stamped steel disc-shaped lid against the rim of the jar. An integral rubber ring on the underside of the lid creates a hermetic seal to the jar. The bands and lids usually come with new jars, and bands and lids are also sold separately; while the bands are reusable, the lids are intended for single use when canning.The Mason jar was invented and patented in November1858 by Philadelphia tinsmith John Landis Mason. The same design was used on the jars well into the 1900'sThe early settlers of Moorabbin Shire had to be self sufficient and grew their own fruit and vegetables even if not market gardeners They preserved their produce for use all year. A clear, glass jar with a metal screw top lid used for preserving food c1900. This jar has a 'keystone' symbol. 'keystone' symbol / MASON'S / PATENT / NOV 30TH / 1858 base 67. PAT NOV 96early settlers, market gardeners, mason's jar, mason john landis, food preservation, moorabbin, bentleigh, cheltenham

Possibly early 1950sDark brown box with lid and clip fastener. The lid has a handle at the top.Lid & inside of box lined in red velvet. There is a separate narrow compartment for the reel. There is an electric cord and 3 papers. The reel is dark grey steel. The cord is brown rubber and very long. At the front is an attached plastic label with a switch in the centre. There is a black, red and gold disc with a Bell and Howell guarantee. A Registration card indicating model 606 & Serial no. 9039 and another card with a Safety message in 8 languages.On the base: G.B. Bell & Howell / 8 mm projector / Model 606 / 110-250 / volts / 5 Amps A/C/ or D/C/ England London. Above this label is : Lamp 400 Watts Max.. 9039 is printed in silver on the side. Inside bottom of lid: Cabinet by Raddports Pty. Ltd. / NSW / Leatheretteprojector, g. b. bell & hovell

Object. Light Infantry Hat Badge, dark metal Bugle horn Badge with looped tassels above it, symbolizing the Rose of York. The badge is mounted on a brass disc (dia.4cm). Three lugs on the badge with two holding pins. The bugle horn badge was first introduced by the Germans in the 1700's. From the 1700's each British Foot Regiment had Light Companies (more mobile and loosely organized). These became Regiments in their own right, which were then called Light Infantry.numismatics, badges - military, light infantry hat badge

Page with three black and white photos, Two of them have four men and a lady and the third one is the same people standing behind and to the side of a little bench. The names of the people are, from left, John Bolitho, Cr Darrel McClure, George Ellis and Carol Rasmussen at the unveiling of the Long Gully Mining Monument. (Names from same photo in Newsletter June 2003 - 11010.214). Fixed to the paper is a nashuatec MF2HD disc with Miners Monument Long Gully 1 & 2.bendigo, history, long gully history group, the long gully history group - unveiling mining monument, nashuatec mf2hd disc, miners monument long gully

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl