Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu

The Inner Circle was a steam era suburban railway line (later electrified) in Melbourne, Australia. It served the inner-northern suburbs of Parkville, Carlton North, Fitzroy North, and Fitzroy and later expanded to outer suburbs. It opened in 1888. In this video, the viewer is taken on a train journey around the Melbourne rail network and also looks at the stations and lines that have since closed.Original footage of Melbourne's railways.1 x DVD in black case. DVD of approx 43 minutes.melbourne rail network, transportation, railways

History of Britain 1915-1958. - The Machine Age - After Waterloo - The Reform Era - Palmerston's England - The Second British Empire - Gladstone and Disraeli - The Victorian Age - From Victoria to George V - The First World War - A Twenty Years' Crisis - Britain and the British Commonwealth - The Second World War - The Welfare State and the Cold War - From Steam to Atomic Energy History - United Kingdom.Book; fourth book in the series. Cover: red background; black lettering; author's name and title. Underlining and notes in pencil and pen.btlc, ballarat trades hall, ballarat trades and labour council, military - world war i, military - world war ii, military - united kingdom, waterloo, history - united kingdom

A World War 2 era W. W. Boes and Co. MKll astro compass typically used as an aviation navigation aid. It is manufactured from aluminum with black enamel finish. An astro compass is a navigational tool used to determine true north from the position of the sun or astronomical bodies. These are used in circumstances where magnetic compasses and gyrocompasses are unreliable, for example in the presence of magnetic field anomalies (such as polar regions, ships hulls, aircraft hulls, etc.). Nameplate on the base reads "ASTRO-COMPASS MK II / The W.W. BOES CO. / DAYTON, OHIO, USA"compass, astro compass, navigation, aeronautical, raaf, raf, ww2,

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens, womens and childrens garments. This book would appear to have been produced at the time of the Sputnik launch in 1957 - unusually the garments have been given names like 'Supersonic', 'Satellite', 'Thor', 'Nikes', 'Rocket', 'Vanguard', 'Canaveral', and 'Electra'. Prior to the launch of Sputnik by the Soviets on Oct. 4, 1957, there was little awareness of satellites; also, the Vanguard and the Thor were American rockets launched from Cape Canaveral during the same era. As far as is presently known, Patons 'Jet' wool first appeared in the mid 1950s - the name probably represented modernity and was a reflection of the public interest in rockets / jets / supersonic aircraft / space travel which occurred in the post World War II era and which culminated in Sputnik and the formation of NASA in 1958.No. 583 Featuring PATONS JET TRIPLEKNIT / Patons / KNITTING BOOK 583 / WITH T.V. DESIGNS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Trench art, Vietnam era. Made of a wooden rod and a spent 50 calibre cartridge which has been cut into two with one piece attached to either end of the rod to form an ornamental stick, commonly referred to as a 'swagger stick'. Half of the cartridge, complete with a projectile forms one end with the other half of the cartridge forming the opposite end. There is a gilt uniform button attached to the cartridge detonator end, with the emblem of the Royal Australian Electrical and Mechanical Engineers (RAEME).