COLOUR PHOTOGRAPH OF building / landscape /4 ladies. Possibly at Werribee Mansion.photograph, person, female

Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art

In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Landscape, unknown location, probably Hawaii, USAInscribed Made in Australia / 5 / AUG 71M1slide, robin boyd

A b/w photograph of a landscape scene from railbridge across Rupertswood.Number stamped on back: 7922landscapes, rupertswood, george evans collection

PHOTOCOPY - CLUNES LANDSCAPE TAKEN FROM CAMP STREET AND CAMP PARADElocal history, photography, photographs, clunes landscape, buildings

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: empty storage, Empty large spools on racksindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee loading a group of yarns to warperWarpingindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarn load onto warperindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 2 Male Employees examining lower spoolindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: office - Woman working on computer with full desk.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: AUNDE Plants, countries, Flags AUNDE WorlideAunde Textile locations: Germany, Luxemburg, U.K, Spain, Portugal, Italy, Turkey, India, South Africa, Mexico, Brazil, Argentina, Australia, USA.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Map of the world dots of locations and countries maps.Textile AUNDE logo 19 Plants, 14 Countries.industry, aunde

Aerial photograph of a factory in the UK.Black and white aerial photograph of a factory with townhouses in the background in a landscape format.Front bottom right corner - Geographia Ltd, 167 Fleet Street, London, EC4. Back stamped - Neg. No. 3658 Date Subject Bides (?) 631wool, woollen mills, wool manufacture

The photograph was taken from the rear of the Emu Bottom Homestead and its outbuildings in front of the home paddock. George Evans, one of the district's earliest European settlers built the original homestead from Silurian sandstone removed from the surrounding hillsides in the 1830s.A black and white landscape photograph with a cream border of a farm house and outbuildingsemu bottom homestead, homesteads, george evans, jackson creek, sunbury

1 of 2 Oil painting by Charlotte Rippert which were given to Otto Lobert and his wife on the wedding Camp 3 1946.landscape scene with a hill in background and five tall trees and a river in the foregroundBack: 'Oil Painting by ??Charlotte Rippert?? Wedding Gift - in Camp 3. DONOR: Otto Lobert (One of pair C3502) Nov. 1993)charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, oil paintings, internment camp art work

Landscape of the Bnendigo Ordinance Factory Black & white photograph, taken in the 1950s

Seated female nude with blonde hair in landscape with male nude and owl. Signed (L.r) 'Clifton '85'clifton pugh, painting, female nude, dunmoochin, owl, male nude

Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a woman in a blue dress sitting on a chair in the landscape.art, artwork, neville bunning, available

The curved path through the Botanical Gardens at Port Fairy. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black & white panoramic landscape of the paths and garden beds of the Botanical GardensPort Fairy Gardens W. Scottbotanical, garden, paths, trees