The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia

Rectangular (hand tooled) worked (raised) copper plaque on wooden base in dark wood frame with light wood edges. (Eight sided backing). Metal name plate on base. Design on copper of trees/ leaves/ plants. Two screws and wire on reverse side of base for hanging. "Doris Long" written on masking tape on rear, however creator is unknown.1 x digital image of copper wall hangingRainforest Doris Longrecreation, association for the blind

Photograph of W7 class tram 1004 westbound in Collins Street approaching Swanston Street displaying destination "City Spencer St route 11". The photograph looks westward, showing a long length of Collins Street with numerous trams and motor vehicles including a taxi. The trams are fitted with side lights from the early 1970s and most trees are without leavesYields information about trams and traffic in Melbourne CBD. Black and white photograph with nothing on rearfnptt, r class, plenty road, preston, span poles, track loop, melbourne and metropolitan tramways board, fnptt number 1, tram number 151

Service # 2353 William Ambrose Kennedy was born in Ballarat and enlisted in Melbourne on the17th January 1916 at the age of 35 years and 6 months. He fought with the 3rd Australian Division of the 37th Battalion in France and Belgium. He was killed in action on the 8th June 1917.Circular Victory Medal. 1914 - 1919. No ribbon with medal.The obverse shows the winged figure of Victory. The reverse is inscribed THE GREAT WAR FOR CIVILISATION 1914 - 1919 surrounded with laurel leaves on outer rim. The medal edge is stamped with Service # 2353.A- SGT. W.A Kennedy 37 BN. A.I.F.

This postcard folder contains lithographs of photographs taken locally by Georg Rose between 1880 and 1942. He reproduced them at his company's premises, the Rose Stereographic Company at Armadale, Victoria. The postcard folder was purchased as a Warrnambool souvenir by the donor's parents around 1945 to 1950. Interestingly, the city on the cover is printed as "Warrambool", which is a location in New South Wales, but the postcards within all have the locations and text of Warrnambool. The photographs include the 'new' concrete bridge, built in 1922 to replace the original bridge, built in 1872. The boathouses belonging to Proudfoots and to Flett/Fanny Nelson are also pictured on the Hopkins River mouth. The twelve photographs included locations connected to other items in our Collection. The photographs are titled: - b. The Avenue and War Memorial. Warrnambool. Vic. c. The Blow-hole. Thunder Point. Warrnambool. Vic. d. Botanical Gardens. Warrnambool. Vic. e. Eagle Rock. Warrnambool. Vic. f. The New Concrete Bridge and Breakwater. Warrnambool. Vic. g. Liebig Street. Warrnambool. Vic. h. Looking to Thunder Point. Warrnambool. Vic. i. The Beach. Warrnambool. Vic. j. Hopkins Falls. Warrnambool. Vic. k. Shelly Beach. Warrnambool. Vic. l. The Mouth of the Hopkins River. Warrnambool. Vic. m. Panorama of Warrnambool. Vic. [Kepler Street towards Presbyterian Church on Spence St] George Rose, 1861-1942: - famous for his Late 19th and early 20th century photography. He was born in Clunes, Victoria, and was in his 20th year when he founded Rose Stereograph Company in 1880. He took the opportunity of a popular trend of the times to produce stereographs, pairs of almost duplicate photographs which appeared to be in 3D when viewed in a handheld stereo viewer. By the 1920s these lost their popularity, so he used his photographic skills to produce cards and postcards of scenes and people. The photographs in this postcard folder were taken between 1880 and 1942 by the renowned Victorian photographer George Rose. The locations match photographs and postcards in our collection that were taken at different times. A comparison between them shows the changes over time in the land and bay, the buildings and other structures, transportation and even the fashions of the times, building the story of our local history.This copy of a postcard folder has a blue-grey textured rectangular card cover with a sketch of a rose on the front along with the name of the postcard series. the location of the series' focus, the producer's details and lines for adding an address. The folded cover contains a long, concertinaed page with six titled photographs on each side, totalling twelve in all. Interestingly, the cover has the location name of "Warrambool", a place in NSW, instead of Warrnambool, the location of all of the photographs inside. The folder contains scenes from Warrnambool and nearby popular areas including Lady Bay, Port of Warrnambool, Warrnambool Breakwater, Viaduct, Merri River Footbridge, the Hopkins River Mouth, with Proudfoot’s and the Fanny Nelson/Flett boathouses. The cover has a sketch of a rose and inscriptions. The photographs for the lithographs were taken prior between 1880 and 1942 by well-known Victorian photographer, George Rose, Rose Stereograph Company of Armadale, Victoria.Image: [Rose with rosebud and leaves] Printed: "Rose Series / Picturesque Views of / WARRAMBOOL / AUSTRALIA" [correct spelling is WARRNAMBOOL] "PUBLISHED BY / ROSE STEREOGRAPH CO / ARMADALE. VIC." Printed lines (3) for an address. Printed rectangle [ ] for attaching a stamp.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards

Florence Amanda Lake (1870-1946) was the daughter of John and Jane LAKE. Following her husband’s death, Jane married George ROLFE of ‘Lyndoch', Warrnambool. After his death Florence remained at 'Lyndoch' until moving to Melbourne in later life. Florence was noted for her charity and philanthropy. This memorial was presented by Mr George Webb of Camperdown. Florence Lake is buried in the St Kilda General Cemetery. Florence Lake was very loyal and generous parishioner of Christ Church and the Parish of Warrnambool and in the city generally. The association with George Rolfe and 'Lyndoch' is historically important.Mosaic set into blind window alcove, south wall, sanctuary, main nave. Plain white cross outlined with gold and set against a blue opus sectile mosaic on a biscuit coloured tile background bordered with stylised vine leaves and grapes.To the Glory of God, in Memory of Florence Lakelyndoch warrnambool

The Victory medal was awarded to all Allied servicemen and women who served in World War One. Australians were issued with the medal made for British service personnel. The medal described above was awarded to Private Thomas Wickham. He was born in Port Fairy in 1886 and died in Warrnambool in 1955. Private Wickham enlisted in February 1916 and his next of kin was his wife Elizabeth, living at that time in Terang. Thomas Wickham was a member of the 58th Battalion, 2nd Reinforcement. He served overseas and returned to Australia in 1919 and was discharged as medically unfit because of rheumatism. This is a round bronze medal with the image of a winged female figure of Victory on the obverse side and engraved lettering surrounded by laurel leaves on the reverse side. There is lettering around the edge of the medal. The medal has a metal ring to which is attached a rainbow-coloured ribbonThe Great War For Civilisation 1914-1919 1773 Pte. T. Wickham 58 Bn. A.I.F. world war one, thomas wickham, history of warrnambool

See also Cat No’s 4452, 4453 & 3146Cardboard postcard, one side has a black & white photo of the interior of a japanese miniature submarine. The reverse side has image of a RAN badge & oak leaves. Dated 30 July 1942. Wording in the middle certifies the bearer as sat at these controls.postcards, japanese

This badge was a local Bendigo Regiment as part of a succession of units and was a unit from 1903 -1913.Badge, flat, brass, centre has a large number 8, left & right sides have leaves & fruits. Under the 8 is a box. Name banner at bottom is curved with 8th Aust INF Regt. embossed. No evidence of mounting device at rear,numismatics-badges-military, metalcraft brassware, passchendaele barracks trust

Foreword by Associate Professor Robert L Allan, Head, School of Arts, University of Ballarat. Information regarding travel awards by Anne Saunders. Book sectioned by study areas, including photos of students, contact details and an example of their work. Final page includes list of sponsors, award donors, exhibition committee and designers.Catalogue accompanying exhibition of final year, Visual Arts student work at University of Ballarat, 1997. Spiral bound landscape book, 36 leaves (72pp) plus card covers front and back. Single colour black and white print throughout.university of ballarat, federation university, ceramics, drawing, graphics, graphic design, printmaking, sculpture.

Document. 100 cash receipts with carbon copy duplicates pages. 33 pages used. Receipts signed by Chancellor Gen. Sec. The title of the document is 'The Shell duplicate. 100 leaves in duplicate. Cash Receipt Book for carbon copy.' 1939-40.Lydia Chancellororganization, club / society

A Cigar cutter? Or Button Stamper? The blade/stamper is missing. Has a black wooden handle. It is constructed of steel, painted black with gold painted patterning, displaying flowers and leaves. The base is 18cm x 8xm and the height is 15cm Previously numbered #113.

Gummed label printed in dark blue on a white background. Label has decorative border with leaves and flowers. Printed on the label is: The Favourite Shop - Hargreaves Street and Arcade, Bendigo. Warren's, Drapers and Clothiers. Space at the end to write in who sold it and the date.business, printers, cambridge press, cambridge press collection, warren's

Worn on Medical Corps great coat 8 Field Ambulance 1967-1968.Gold coloured metal embossed buttons displayed on ref felt covered cardboard. Seven (7) large buttons and eleven (11) smaller buttons all with Medical Corps insignia. Crown, laurel leaves, sword, snake wrapped around sword. uniform buttons, medical, medical corps, 8 field, baker, vietnam

Photograph -copy of a coloured photograph of the gravestone of Margaret A Barber, dated 3rd JULY 1949, AGE 88. What appears to be a marble rectangular plaque, attached to a granite rectangular block, at ground level, surrounded by leaves and bark, in the Springvale Botanical Cemetery.Springvale Botanical Cemetery Memorial I.D: 199141630.photograph, streetscape, springvale botanical memorial cemetery

Textiles. Pale green coloured rectangular silk table runner backed with mid green silk twelve cm border on all sides of beaded vines, leaves and flowers. Three cm fringe on all edges of pale blue and silver threads.textiles, domestic, table runner

Paper certificate mounted on canvas being a diploma presented to Julius Cohn of Sandhurst from Lehmann's Brewers College certifying he attended the college and was appointed Brewer Foreman. Certificate shows a male figure in period costume and border of vine leaves.person, individual, julius cohn

Small Pale green Silk Apron (France) Trimmed around the edge with cream lace. 5 Tucks in centre trimmed with posies of shaded pink roses made of silk ribbon. Leaves Embroidered in Green. Mrs Doris Ferguson Ligar Street.stawell clothing material

Belonged to Skey Margaret, donorSquare ecru coloured pot pourri sachet. Centre is a square pocket containing pot - pourri and has floral spray of green leaves and red and cream flowers hand painted on it. Wild Strawberry is also printed on it. Edging is of ecru Nottingham LaceHand painted pot - pourri drawer sachet, Made in Englandhandcrafts, hand painted, lacemaking

Item donated anonymously to a teacher of the Australian Lace Guild. The lady who was about 80 years old said the lace originally belonged to her aunt who worked in a dressmakers in Flinders Lane in the 1930s where she acquired the pieces of lace.Cream square tablecloth edged in hand made tape lace with hand crocheted edge. Centre fabric has been replaced with fine organza and lace has been attached by hand. Design is flowers around centre and leaves around the outside.handcrafts, lacemaking

Tea pot would have had a thick tea cosy and this piece over the top as decoration.White tea pot cover - semi-circle in shape. hand made tatting and drawthread edging. Three cut out embroidery patterns with leaves embroidered around them on one side and one example of the sam pattern enlarged on the other side.handcrafts, needlework, manchester, table linen

Following the death of his only child Mervin on 23 December 1916 at Magdhaba Egypt, Mr Justice Higgins HB has a small number, possibly as few as six, of memorial books made. He sought permission from Signaller JC Campbell to use a selection of photographs taken at Gallipoli and Egypt. The photographs together with typed copies of several letters written by Captain MB Higgins 8th ALH make up the book. It seems likely this copy of the book was given to the 8th Light Horse Association for safe keeping. Following the closure of the Association the last secretary Mr Matthew Maynes entrusted the book to a relative Mrs Baily to be donated to the 8/13 Victorian Mounted Rifles.This is a rare, historic and artistic example of how one family sought to come to terms with the loss of their only child in the Great War 1914-1918.Leather bound album of 44 leaves containing collection of photographs taken by Signaller JC Campbell and typescripts of two letters written by Captain Mervin Higgins 8th Australian Light Horse AIF during WWI. Cover is faded maroon in colour.Donated by Mrs Baily [held] in trust to late M Maynes 8 ALH [to] VMR Museum 17.11.92world war one (1914-1918), higgins mervin b captain, 8th light horse, higgins henry b justice mr

Presented to Dr Higgins as Bishop of Rockhampton before his translation to Ballarat. This presentation piece evidences Bishop Higgins' work around Australia in the late 19th and early 20th century and his administrative moves.Victorian Silver Plated folding scallop design warming/biscuit dish, having a hand-chased oval body with grape and vine leaves decoration and plane silver border sitting inside a rustic cast frame with cast feet. c.1890. Inscribed- To the Right Rev Dr Higgins from his grateful children the Pupils of Rosebank Sept 2nd 1899. Makers Mark for Walker and Hall underneath dish.walker and hall, bishop higgins, rockhampton, ballarat, rosedale.

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1

Wedding/bridal horse-shoe(s) and associated Kewpie doll and branch of buds/leaves. Doll - Probably celluloid with jointed (shoulder only) arms and attached satin supporting band with a single branch of buds/leaves; Horse-shoe #1 - (cardboard?) shaped horse-shoe covered with narrow ribbon; edges of shoe have imitation pearls (some missing); supportive ribbon attached to either side of shoe; Horse-shoe #2 - slightly padded and covered horseshoe with attached 'sprig' of buds and leaves; attached to one end of horse-shoe is a triangular material 'emblem' with black border, and gold 'bar' on a central white background; Buckle made of mother-of-pearl; small length of narrow ribbon; four separate pieces of 'twigs' with buds and pearls attached. This collection presented in a plastic (modern era) box with cotton wool padding - inscribed with previous catalog number of U2664)costume accessories, female, wedding

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here we see a creation of the type whose beauty is said to have astonished the celebrated sixteenth-century tea master Sen no Rikyu. Originally, confections of mochi (steamed and pounded rice) filled with bean jam were wrapped in chigaya, a species of reed, and came to be called chimaki. We are told that a shopkeeper named Kawabata Doki used bamboo leaves to wrap the chimaki he presented to the emperor Gokashiwabara (1464-1526) and that thereafter the use of bamboo leaves for wrapping such confections became predominant. In fact, the bamboo-wrapped chimaki seen here are known as Doki chimaki after the pioneering shopkeeper, and it is small wonder that this product of Kyoto should have an air of refinement and dignity suggestive of the imperial court. The two different flavours of the contents are indicated by exposing either the upper sides or the undersides of the leaves. The cord used to bind the chimaki together is made of rushes, and ceremonial gift cords (mizuhiki) are attached. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving