An example of a badges issued by Legacy exclusively for the Torch Society members. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of a rare badge given in thanks to a small number of benefactors. Torch shaped Legacy badge, it is made of gold coloured metal with red enamel flame and around the word Legacy. Badge has a post and a separate butterfly clutch.torch society, bequest, benefactors

Anthropodermic Bibliopegy is the name given to the use of human leather to bind books. The name stems from the combination of the Greek root words, human (Anthropos), skin (derma), book (biblion), and fasten (pegia). The practice of creating anthropodermic books was popular throughout the 17th and 18th centuries. Most commonly, anthropodermic books are medical tomes, with the human leather taken from medical cadavers. Others were produced after criminal trials, with the criminal’s skin used to enclose the record of their own death sentences, creating a form of punishment that would surpass death. Other anthropodermic books contain poems or are religious texts. This book was written and printed in 1599 but most probably was rebound later when creation of anthropodermic books became more predominant. The book is a small tome of a religious nature containing the work of Bishop Thomas Bilson, who in a puritanical voice states that the primary argument articulated in this book is that “the metaphorical Calvinist interpretation of Hell as an exclusion from God was accurate then Christ's descent into hell after his crucifixion must refer to an actual existent hell as Christ was neither subject to sin nor able to be separated from the Divine.” The unusual cover of the book has led to many questions, the main being whether the book is covered with human skin. It was confirmed as such in 2014 with DNA testing undertaken by honours student Talanna Buckley at Federation University finding an 100% match to human DNA on the outside cover of the book. This is one of only two confirmed anthropodermic books in Australia, the other is housed at the National Library of Australia. Other forms of testing the leather of books have been found to be more accurate than DNA testing. For example, before DNA testing or PMF (Peptide Mass Fingerprinting) are undertaken many books have been identified as made from human skin through the close examination of the skins patterning. Hair follicles are the focus of the examination as certain patterns and sizes lend themselves to being human. However, many of these books have been proven to not be bound in human skin, the same can be said of books with inscriptions claiming them as anthropodermic. Peptide Mass Fingerprinting (PMF) testing has been found to be the most reliable way of confirming a leather bindings origin. This process involves the sampling of collagen-based materials, cutting the protein to gain specific amino acid combinations which form individual peptide sequences. Each mammal has an individual amino acid sequence in its collagen therefore its peptide mass combination is unique. This form of test can provide a more accurate outcome as collagen will be preserved for longer after the tanning process and will not be damaged in the same way DNA can be by the tanning process. DNA testing can also provide false positives as trace DNA from someone touching the book could be amplified and provide the reading instead of that of the leather itself. However, this book was tested with many controls as well as specific decontamination procedures in order to ensure that it was not trace DNA being tested. This book is historically and spiritually significant because it is a rare example of an early printed English Christian religious tract produced in Old English and Latin.. Its association with Thomas Bilson, who oversaw the final printing and publication of the King James Bible, is important. The covering of this book has been tested for human dna. Findings prove the book is covered with human skin, increasing the rarity of the object.420 page book with unusual leather cover. The book is written in Old English with passages in latin. There is a pressed petal between p.68 and 69. The covering of this book is made of human skin. The practice of binding books in human skin, also known as anthropodermic bibliopegy.Inside cover - James Hendy No 17 (Fu)gends Road Palmers Village Westminster. The gift of his mother Mrs Thomas Hendy. Some notes made through text eg p.112, and a passage written on the last page.religion, bible, edward lowe, edward lotos, thomas bilson, anthropodermic bibliopegy, james hendy, full redemption, religious, leather, wilson, winchester, jesus, puritanical, puritans, bungey, bilson, human skin, skin, human skin cover, human skin binding

Souvenir dish featuring transfer print of the Entrance to the Avenue of Honour 14 Miles Long. The print foregrounds the Arch of Victory Ballarat and was made for Ballarat firm of R. Tunbridge & Sons. Early example of fine English porcelain with a new Ballarat landmark for the more discriminating buyer as opposed to the more common mass produced transfer printed items made in Czechoslovakia. The Ballarat Avenue of Honour is the longest surviving such memorial avenue to the Great War in the world and together with its entrance arch was officially opened by the Prince of Wales in June 1920.Souvenir dish made in England for local Australian sales. Evidence of early use of tourism pre-dating later built monuments for an Australian memorial to the Great War.Back stamped "Made in England exlusively for R. Tunbridge & Sons P.L.BALLARAT" with transfer printed Shelley England.porcelain, shelley, tunbridge, avenue of honor, arch of victory.

This teaspoon is an example of electroplated cutlery that was affordable alternative to more expensive silver cutlery, popular in the late 19th and early 20th century. The teaspoon has been stamped with text on the back of its handle that describes the nickel silver alloy that it was made of, and that it was made in Sheffield, but does not mention the maker's name. The plain design and light weight of this teaspoon could mean that it was used as a common, everyday utensil. The text on the back includes the words 'wears wite', assuring the buyer that even if the silverplate wears or flakes off the surface, the metal beneath it will show the white colour typical of nickel silver, or German silver. This alloy of copper, nickel and zinc is often used as a base for electroplating and named Electro Plated Nickel Silver (EPNS). An exact match of this teaspoon's inscription "WEARS-WITE STAINLESS NICKEL SILVER SHEFFIELD" has been found on cutlery made by Viners Ltd., and has not yet been found on flatware made by other manufacturers. Other cutlers have used very similar text but have used 'rustless' instead of 'stainless' and 'white throughout' instead of 'wears-wite'. Viners Limited was established in Sheffield in 1901 by Adolphe Viner and his sons. By 1908 they had a manufacturing plant in Bath Street, Sheffield, and went on to be the leading cutlers in the United Kingdom. They expanded to Hong Kong and Japan, and from 1925 they used the trademarks 'Alpha', 'Resilco' and 'Wear-wite stainless silver nickel'. They were appointed as Royal Cutlers to King George V in 1930, at which time their trademark was still 'Wear-wite' followed by the words 'Rustless Nickle Silver'. They continued to expand and prosper over the years. The Viners name is still being used by the current owners, the Rayware Group. In 2018 the Viners name celebrated 110 years as specialists in flatware. This teaspoon is historically significant, dating from the mid-1920s and made by a leading Sheffield silversmiths, Viners Limited, established in 1901 and continuing on with cutlery still branded with the Viner’s name today. Viners who were appointed as Royal Cutlers in 1930 by King George V. The teaspoon is an example of silver plated cutlery in common everyday use in the earlier half of the 20th century. This Viners teaspoon is unique in our collection as an item produced by Viners Ltd. and bearing the stamp ‘Wear-wite”.Teaspoon, small, thin, nickel silver plated. Narrow plain handle flares out to a wide, rounded end. Maker’s marks are stamped on the reverse. Made in Sheffield, England.“WEARS-WITE STAINLESS / NICKEL SILVER SHEFFIELD”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, electroplate, electro plate, nickel silver, nickel alloy, alloy composition, copper nickel zinc, german silver, epns, silversmiths, victorian era, 19th century, flatware, tableware, cutlery, cutler, dining utensils, eating utensils, silver-white metal, wears-wite stainless nickel silver sheffield, teaspoon, sheffield, wear-wite, silver nickel, stainless, rustless

This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool

This anesthetic ampoule, once containing pure Ethyl Chloride, was used from the 1930s to sedate patients before an operation. It was made and distributed by Sydney company Woolwich-Elliott Chemical Company Pty Ltd. The company had a recycling program, as indicated by the lable offering "6d [6 pence] will be allowed on return to us in good order and condition". This ampoule was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’s own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The anesthetic ampoule, once containing pure Ethyl Chloride, is an example of the medication used in surgery in the early to mid 1900's. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Medication ampoule once containing Ethyl Chloride, a pure local anesthetic. Glass cylinder with metal closure, once used in the 1930s, VERY FRAGILE. Part of the W.R. Angus Collection. Contained 100cc; made in Australia by Woolwich-Elliott Chemical Company Pty Ltd, of Sydney. Printed text on label includes "ELLIOTT'S ETHYL CHLORIDE (PURE) 100cc / FOR LOCAL ANAESTHESIA / Manufactured by Woolwich-Elliott Chemical Company Pty Ltd, Sydney / Made in Australia" and "Conforming with requirements of the British Pharmacopeia 1932". Another label is printed "6d will be allowed on return to us in good order and condition"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, surgical preparation, surgical medication, medicaiton ampoule, anesthetic ampoule, pure ethyl chloride, woolwich-elliott chemical company pty ltd,

The design of this small disc is from the Australian Colonial period. The cedar wood desk was made in Australian by Foy & Gibson in the 1880s, most probably in the business’s works in Collingwood, Victoria. The heavy brass locks fitted into the desk drawers were made by the famous Hobbs & Co of London, mid-late 19th century. In 1860 the business changed hands but the locks were still branded Hobbs & Co. The desk is branded with the symbol of Victoria’s Public Works Department. There is currently no information on when, where and by whom this desk was used. However, a very similar desk with Hobbs & Co. locks is on site at the Point Hicks Lightstation in Victoria and was formerly used by the Point Hicks head light keeper there. Other light stations also have similar desks from the P.W.D. (see also ‘Desk, Parks Victoria – Point Hicks Lightstation, Victorian Collections’.) HOBBS & CO., LONDON Alfred Charles Hobbs, 1812-1891, was American born. He became an executive salesman in 1840 for renowned lock manufacturer Day & Newell. His technique of exposing the weaknesses of people’s current locks was very successful in generating sales. He represented Day & Newell at London’s Great Exhibition of 1851, competing with other lock makers. Through the Exhibition he became famous for picking the best trusted Bramah and Chubb locks. Hobbs’ fame led him to found his own company in 1851 then register it in 1852 as Hobbs & Co., London. Hobbs was awarded the Telford Medal by the British Institution of Civil Engineers in 1854 for his paper 'On the Principles and Construction of Locks'. In 1855 the very successful company added partners and became Hobbs, Ashley and Co. In 1860, it traded under the name of Hobbs, Hart & Co. and was based in Cheapside London, where the business remained. Hobbs then returned to America, having sold the complete company to John Mathias Hart. He briefly returned to attend the 21st anniversary celebrations of the successful business in 1872. Hobbs kept himself busy in America, inventing and manufacturing firearm ammunition, for which he held several patents. He passed away there in 1891, a month after his 70th birthday. FOY & GIBSON Mark Foy wan an Irish draper who migrated to Bendigo, Victoria in 1858, attracted by the gold rush. He lived and worked in the area, establishing a drapery business. In the 1870s he moved to Melbourne where there were better prospects for expansion. He chose a place in Smith Street, Collingwood, a suburb of Melbourne, and started his business at the rear. In 1883 Foy retired, bringing in William Gibson as a partner, and then transferred his own share of the company to his son Francis Foy. Not long afterwards Francis sold his half share to Gibson, and the business continued under the name of Foy & Gibson. Francis Foy and he and his brother Mark Foy (junior) moved to Sydney. They established a business there in 1885, named after their father, Mark Foy. Gibson added to his business by starting his own manufacturing works from 1887, producing clothing, millinery, furniture, bedding and hardware for his stores. The factories, warehouses and stores complex became one of Victoria’s largest employers. He set up branches of his stores in Perth, Brisbane and Adelaide and two more branches in Melbourne. Foy & Gibson (usually referred to as Foys) became one of Australia’s largest retail department stores. In 1931 Foy’s little house in Collingwood was still part of the entrance to Foy & Gibson Emporium. In 1955 the company was bought out by Cox Brothers. Later on the stores were sold to various businesses such as David Jones, Woolworths and Harris Scarfe. In 1968 Cox Brothers went into receivership, ending almost 100 years of the business known as Foy’s. The former Foy & Gibson Complex is registered by Heritage Council Victoria. “Designed by William Pitt, this magnificent 19th and early 20th century complex of factories, warehouses and showrooms saw the production of a remarkable range of goods for Foy & Gibson, Melbourne’s earliest department store chain”. (Quoted from the Plaque erected by the Collingwood Historical Society 2007) P.W.D. – Public Works Department, Victoria The desk is stamped “P.W.D,” signifying that it is from the Public Works Department in Victoria, which operated from 1855-1987. The department was responsible for, among other things, the design and supply of office furniture and equipment for public buildings and organisations. This desk is significant historically as it originated from Foy & Gibson, a colonial Australian company that had a positive and strong impact on employment, manufacturing and retailing in Melbourne, Victoria and Australia. The significance of Foy & Gibson to Victoria’s and Australia’s history is marked by the Collingwood Complex being registered in both Heritage Victoria Register (H0755, H0897 and H0896) and National Trust Register (B2668). This locks on this desk are significant for their connection with their manufacturer, Hobbs & Co, who invented a lock that surpassed the security of any other locks produced in the mid-19th century. Desk; Australian Colonial cedar desk, honey coloured. Desktop has a wooden border with a rolled edge and a fitted timber centrepiece. The four tapered legs are tulip turned. Two half-width drawers fit side by side and extend the full depth of the desk. The drawers have dovetail joints. Each drawer has two round wooden knob handles, a keyhole and a fitted, heavy brass lever lock. Inscriptions are on the desktop, drawers, desk leg and lock. Made in Australia circa 1880 by Foy & Gibson, lock made by Hobbs & Co, London.Impressed into timber frame of one drawer “FOY & GIBSON” Impressed into lock “HOBBS & CO / LONDON”, “MACHINE MADE”, “LEVER” Impressed along the front edge of the desktop [indecipherable] text. Impressed into the timber of right front leg “P. W. D.” below a ‘crown’ symbol Handwritten in white chalk under a drawer “206” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, desk, cedar desk, colonial desk, 1880s desk, australian colonial furniture, furniture, office furniture, office equipment, australian made furniture, colonial furniture, colonial hardware, foy & gibson, alfred charles hobbs, hobbs & co london, hobs & co lever lock, cabinetry lock, machine made lever lock, p.w.d., public works department victoria, day & newell, great exhibition of 1851, bramah lock, chubb lock, telford medal 1854, cheapside london, mark foy, mark foy – bendigo draper, smith street collingwood, william gibson, foy & gibson emporium, foy & gibson complex, cox brothers

‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize

This type of cup was designed for use by an adult and was in common usage from the early 1900s to the 1930s. Feeding cups were used both in the home and in hospitals, and were also often made of white enamel. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them the museum collection in 1993. Feeding cup made out of white china, now discoloured. The cup has a curved spout (similar to a teapot spout) with a handle. There are four small holes inserted inside the cup diagonally at the proximate end of the spout. midwifery

Hickory wood is hard and heavy. Owned and used by Wally Deans.Used by SECV employee, Wally Deans who worked on the Kiewa Hydro Electric Scheme.Wooden skis made of hickory wood with metal binding and leather straps. Cane stocks with wide baskets. Ski boots are black, lace up with a steel plate screwed onto the front of the sole. The boots are in a steel hanging device for storage and transportation. Skis: "S.E.C. -3" inscribed on side. "66 / Hickory / 1742" on front of ski. Binding: 'Northland'. "Kanadar". Steel Carrier: "Tyrol / Can.Pat.1962 / U.S.Pat. 3074085 / Made in Canada"wally deans, ski equipment, skis, ski boots, ski stocks

This soda syphon used for making carbonated drinks is a French bottle made about the beginning of the 20th century. This bottle is of considerable antiquarian interest but unfortunately has no known local significance. It may, however, be the one given to the Historical Society by Mr and Mrs S. Lindsay of Koroit Street, Warrnambool. It will be useful for display. This is a French soda syphon made of clear glass in a double bulbous shape. It is covered with wire mesh and has a pewter spout. The pewter is somewhat corroded and there is one small bend in the wire mesh. There is a small glass tube inside the bottle and a there is a crack in the glass on the top sphere. On pewter spout: ‘Veritable Seltzogene D. Fevre Paris’. Label pasted on: ‘80’ soda syphon, veritable seltzogene de fevre,, paris, warrnambool

It was probably made to be placed on the head table at meetings of the Naval Association of Australia.A cut of the Naval Association of Australia Badge attached to a wooden background set on a wooden base. The badge has a King's Crown on top indicating that it is pre 1954. Provision is made in the side for flags to be inserted. It has the Australian Flag mounted on one side and Royal Navy Flag on the opposite side.

Used as a tourist souvenir of Orbost. Possibly made and distributed via the Slab Hut (Orbost Visitor Information Centre) in 1980's/1990's.The souvenir is an important component of the tourist experience with most tourists bringing back mementos and souvenirs as evidence. Fridge magnets are popular as souvenir and promotional items because they are relatively cheap to manufacture and very portable for tourists. This item is an example of a typical souvenir of Orbost. A small flat rectangular fridge magnet with a colour photograph of the Slab Hut (Orbost Visitor Information Centre) on one side. The other side is grey/black, At the top of the coloured side is "SLAB HUT" and below is "ORBOST VICTORIA made in Australia".souvenir-orbost fridge-magnet

This metal tin once contained sewing silk thread used in the making of the ship model, Sovereign of the Seas. Natural silk thread has elasticity and can also be teased out for making fine line for rigging on ship models. ”. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This tin of tailor's silk is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This tailor's silk was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage.Tin, round, with lid. Red label reads “The "A.B.C" Brand Tailors Sewing Silk (Raven) Color Fast. Dyed by a new process. Manufactured from the best raw silks procurable. Warranted. Made in England. Size No. 1/4 LB” .The container has no contents. This tin is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. “The "A.B.C" Brand Tailors Sewing Silk (Raven) Color Fast. Dyed by a new process. Manufactured from the best raw silks procurable. Warranted. Made in England. Size No. 1/4 LB”, Logo on lid is the intertwined letters of “A.B.C.” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model sovereign of the seas, jim williams, james bernard williams, ship model tools, ship model making, ship model making accessories, "a.b.c" brand tailors sewing silk, silk sewing thread, textile, tin container for silk thread, ship model, hobby, ship model tool, english war ship

The black and white manual typewriter is made of plastic and metal by the Swiss company,Hermes. The model name ‘Ambassador’ and the series number M82, indicate that the typewriter was made sometime between 1953 and 1965. It demonstrates the working operations of the lightstation under the Commonwealth Lighthouse Service when it was managed by the Department of Transport, which introduced a number of modernising initiatives during this period.It has second level contributory significance for its historic value as an original item of office equipment. It demonstrates the working operations of the lightstation under the Commonwealth Lighthouse Service when it was managed by the Department of Transport, which introduced a number of modernising initiatives during this period.1. Black and white plastic and metal typewriter. 2. Grey vinyl typewriter cover.2. On cover,"HERMES / Ambassador / FABRICATION SUISSE / MADE IN SWITZERLAND / D" : 1. On typewriter," M82". On label, " C.of A / D.O.T. 143851".

Iron leg shackles were worn by convicts to both punish inmates and prevent escape. Combined with physically exhausting labour, they helped control prisoners. The shackles weighed a considerable amount (there were differing sizes) which made it difficult to walk easily, resulting in a shuffling gait.A pair of very heavy leg irons. They are made of iron with holes at each side so they can be bolted around the legs. There is a long iron chain connecting the two D-shaped pieces.leg-irons shackles convicts

Les Solomano tells us this unit was made by their cousin Frank Solomano and mounted on the passenger side running board of his A Model Ford, Spare bads of charcoal were tied to the rear door, so passengers had to get in and out through the driver side doors. It is the smallest Gas Producer unit we have seenThis Gas Producer unit is obviously a home made construction for a specific application. Absence of any air-cooling facilities suggests these may have been fitted separately inside the engine compartment.No specific marlings

Hand operated . Made in 1880. A novel way of presenting an apple to eat with or without the skin. Used by a resident in the Kiewa Valley.Black metal apple peeler with clamp, winder, fork grip and peeler blade'Made by Goodfell Co./Antrim N. H. / USA' and 'White Mountain Apple' embossed along spine N = New H = Hampshireapple corer, apple peeler, kitchen utensil

Baby brush and comb sets were often given as Christening presents. The pure bristles were especially soft for use on infant's hair. Children's hair is often a problem because it is supremely fine and may be difficult to care for because of its nearly downy softness and fluffiness. Up until the age of 7-10, this fine hair will remain about the head. Children’s hair is different from adult hair in texture, density, and likely also colour, body and so on. Hair's traits change over time as humans physically develop, and even age. Like the rest of the human body, (example, teeth), hair has different stages of development spanning the full lifetime from birth to death. Source: www.wikipedia.org Infants' brush made of cream bakelite and pure bristle. Comb made of cream bakelite . Inscription in silver "Baby".Written in silver script, the word "Baby". Indentations on comb.child, and, nursery, bakelite, infant, grooming, brush, comb, pure, bristles, soft, mother, toiletries

2 Hand Made Split Wood Roofing Shingles with Hand made nail. Old Post Telegraph Office stawell

Not much is known about William Rothwell other than he is recorded as working as an optician and scientific instrument maker in Manchester at 277 Deansgate Street from 1780 until 1820. An entry in the “Complete History of the Trades of Manchester” published in 1822, in which the author describes Mr William Rothwell as an intelligent young man who is conversant in several languages. He went on to describe him as an philosophical instrument maker of optical and mathematical objects, specialising in spectacles, all sorts of surveyors instruments as well as eye glasses of all types. At present that is all that is known of William Rothwell other than his products were made to the highest standards of the time. Today his products are now actively sought by collectors and are currently fetching high prices at auction sales overseas. The telescope is a rare item even though not much is known about Rothwell's history his scientific instruments and optical items fetch high prices when they become available as collectors look for rare and well made items from the 18th and 19th centuries. Its completeness and good condition make it a very good addition to the collection at Flagstaff Hill. A three draw military telescope brass with main cylinder section made of wood, main lens is removable for cleaning.Marked "Rothwell, Manchester"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, telescope, william rothwell, scientific instrument, manchester optician, optician

Nippon dolls were made by Noritake in Japan. This example is referred to as a China glazed doll. They were made about 1915. The shoulder plate bisque dolls were usually under 10inches tall.Stuffed doll with ceramic face, decolletage, hands and feet. Dress machine sewn from cream and brown printed material. Arms and legs made from browncolored linen type material. Eyes (blue), eyebrows (brown), hair (black) rouge (pink) and lips (red) painted on. Dress tied at back with pink embroidery cottontoys, dolls, sewing

This item was made by Mrs Helena warren of Newmerella. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This item reflects the needlework skills of women in the first half of the 20th century. This item also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A handmade white fluffy squirrel holding a gum nut. It is possibly made of sheepskin. The eyes are pink plastic. The whiskers are white nylon thread (item no. 2495.4)toys needlework warren-helena handcraft

Model of a Hong Kong double deck tram, No. 45 made by Bachmann models, China. Painted in an overall advertising scheme for Prime Routing for JCDecaux advertising.Demonstrates of a model of Hong Kong double decker tram.Model of Hong Kong double decker tram in cardboard box, clear plastic packaging, instruction sheets made fitted with a motorised bogie, trolley pole. Model shows seats and stairways on upper deck. HO Scale. Model is operable.models, tramcars, hong kong, bachmann models

Three Ballarat churches boast stained glass windows by Amalie Feild - St Andrew's Kirk, Lydiard Street Uniting Church, and the Mount Pleasant Methodist Church boast stained glass windows were made to Amalie's design. Colour photograph of World War One memorial stained glass windows in the Lydiard Street Uniting Church. The windows were designed by Amalie Feild (later Colquhoun). The windows were made by Tarrant in 1920.stained glass, lydiard street uniting church, amalie feild, world war one memorial, amalie colquhoun, lydiard street wesleyan church

Photograph made by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden."3 copies colour photograph. Copy of a newspaper article made by A.P. Winzenried. Caption reads, "Flowering almond trees at the Burnley Horticultural College are in full bloom." Original b/w, copies hand coloured. 4 female students beside and in an almond tree in blossom in the Ornamental Garden.Handwritten, ' "The Argus". 18-8-35. W. Thompson, E. Pearce, M. Younger, H. Dance (in tree.)'a.p. winzenried, green grows our garden, almond trees, w. thompson, e. pearce, m. younger, h. dance, student group, newspaper cutting

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. Thomas Stokes a diesinker and electroplater was born in Birmingham in 1831, and arrived in Victoria in the 1850s. By the 80s he was well-established in Melbourne, employing 30 tradesmen and apprentices. The business became a proprietary concern in 1911, re-named Stokes & Son Pty Ltd. This assists in establishing the provenance of the item to before 1911.This item comes from a collection used by a prominent citizen of Wodonga. It is also an example of silverware of the early 20th century.A silver plate sugar bowl. It is circular in shape but has a scalloped rim and has a handle attached to the top. The hallmark of Stokes and Son, Australia is embossed underneath the bowl. This indicates that the item is made from Electro Plate Nickel Silver. A1 indicates that it was manufactured with the highest quality EPNS produced by Stokes and Son.On underside of bowl: "W S in the middle of a star and above a boomerang EPNS S&S A1 MADE IN AUSTRALIA 462 MATES LTD ALBURY"silverware, silver plate, domestic items

A copy of two addresses made at the funeral service for Legatee James George Gillespie, a long serving Legatee. The funeral was held on 25th May 1987 at St Stephen's Church, Caulfield. The addresses were by Rev. Vere Heazlewood (Parish Minister) and Wing-Commander Ron Austin. The article is very similar to the VALE notice published in the Bulletin and includes a snapshot of his life and career as a surveyor and long history of service in many fields. He was a member of the RMIT Council, and on the board of the Royal Women's Hospital - both of whom named building after him. He served on the Hospitals and Charities Commission, and the Nurses Memorial Centre and Greenvale Geriatric Centre. Plus many more. He enlisted in the AIF 18 months after his older brother had been killed on the first day of the landing at Gallipoli. He was in the 46th Battery, 12th Artillery Brigade as a gunner. He served in France and Belgium and was in Paris on the day the Armistice was signed. In World War 2 he was called up and was appointed Assistant-Director of Survey, with a rank of Lieut-Colonel. Jim Gillespie joined Legacy in June 1928, being nominated by Frank Doolan and seconded by Harold Peters. He filled many posts, including vice-president in 1937 and President in 1938 The article was part of an folder about of past presidents that served on the LCC in preparation for the photo board that was produced. The folder included biographical details and obituaries, eulogies and death notices of some Legatees. The items have been catalogued separately.A record of the life and service of Legatee Jim Gillespie. The information was published in the Bulletin and collected to record the lives of prominent legatees in a folder.Photocopy x 5 pages of the addresses made at the funeral of Legatee James Gillespie.eulogy, past presidents, jim-gillespie

These beads were made by Fred Walker, then of Wodonga, during the Depression. He created them to make additional income when work was scarce. They were sold for 3 shillings per necklace. The snakes he caught were boiled to separate the flesh from the bones. After saturating the market in Wodonga, Fred and a friend took to the road. At one stage they travelled with live snakes which had been de-fanged and kept them alive with frogs until more necklaces were needed. He travelled much of the east coast of Australia until the economic conditions improved, when he settled in Melbourne. After the death of his wife in the mid 1970s, Fred took to the road again, resurrecting the making of snake jewellery as he travelled the countryside. These beads were purchased by Mrs. Lilian Black of Kergunyah, Victoria when Fred Walker visited her family farm in the 1930s.These beads demonstrate enterprising activities carried out by Australian people in order to survive during the Great Depression of the 1930s.A necklace made from black beads and treated snake bones. There are 5 coloured beads in the middle of the necklace.snake jewellery, the great depression, survival during the depression