Pocket Gospel of St John, issued to 'Men of H.M. Forces' on active service in 1914-1916. Contains a message from Field Marshal Frederick Sleigh Roberts, 1st Earl Roberts, VC, KG, KP, GCB, OM, GCSI, GCIE, VD, PC, FRSGS, at that time retired after his distinguished military career yet still active in public life, and less than three months before he died of pneumonia when visiting troops in France. Includes some hymns and music as well as the passages from the Gospel of St John. Brown coloured booklet of multiple white pages, discoloured by age.Handwritten notes on title page written in red ink that are no longer decipherable.wwi, scripture gift mission, naval and military bible society

A programme for a showing of film footage of Queen Elizabeth's coronation a couple of weeks after the coronation. In the 1950s few households had televisions so although the Coronation was broadcast, many people may not have had the opportunity to watch it live. A screening at South Melbourne Town Hall on 23rd June 1953 was for Junior Legatees. Approximately 1,200 children attended with their mothers (from 'History of Legacy 1953' at 01491). The Governor Sir Dallas Brookes was unable to attend due to illness and his wife, Lady Brookes spoke and read a message from him.Junior Legatees pledged allegiance to the Queen at rallies and classes, so they would have been excited to see the Coronation screened.White paper programme with a colour photo of the Queen and black type, folded in half.coronation, gala performance

Born August 7, 1842 on the Merri Creek, Coburg Died August 13, 1914 at his home, 'Wattle Brae', Eltham aged 74 years. 'Wattle Brae' is the name Phillip Shillingaw gave to their cottage in Eltham. In his Will, Phillip stated that any of his unmarried daughters could continue to live in Wattle Brae rent free. Both Annie and Elizabeth remained unmarried and continued to live at Wattle Brae until the Shire of Eltham purchased the property in 1963. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1908, mary ann shillinglaw (1880-1963), phillip shillinglaw (1842-1914), shillinglaw cottage, wattle brae

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. Three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty navigational signal alphabet flags & numeral pennants. Flags are made of wool.

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. In three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty-one galvanised canisters with separate lids. The canisters are painted a grey/white colour and have either numbers, letters or words painted on the lid and on the cannister in black paint. There are variations in the style of canister and in the style of the inscriptions.

Possibly early 1950sDark brown box with lid and clip fastener. The lid has a handle at the top.Lid & inside of box lined in red velvet. There is a separate narrow compartment for the reel. There is an electric cord and 3 papers. The reel is dark grey steel. The cord is brown rubber and very long. At the front is an attached plastic label with a switch in the centre. There is a black, red and gold disc with a Bell and Howell guarantee. A Registration card indicating model 606 & Serial no. 9039 and another card with a Safety message in 8 languages.On the base: G.B. Bell & Howell / 8 mm projector / Model 606 / 110-250 / volts / 5 Amps A/C/ or D/C/ England London. Above this label is : Lamp 400 Watts Max.. 9039 is printed in silver on the side. Inside bottom of lid: Cabinet by Raddports Pty. Ltd. / NSW / Leatheretteprojector, g. b. bell & hovell

This book details the history of Victoria’s Rural Finance Corporation. For more than 70 years farmers and other agricultural businesses had access to Government programs and assistance from this corporation. In 2014 the Rural Finance Corporation’s business and assets were transferred to the Bendigo and Adelaide BankThis book is kept as a library copy because its contents contain several references to Warrnambool and district and the Rural Finance Corporation was well-known to local people, particularly those in the agricultural sector and it was appreciated by so many in the district.This is a hard cover book of 197 pages. It has a multi-coloured front cover showing a child on a tractor with three adults nearby and four colour photographs on the back cover. The dust cover has similar images. The book has a message from the Treasurer, a foreword, seven chapters of text, a timeline, references and an index. The book has many black and white and colour photographs, diagrams and other illustrations. There is a loose page which contains names relating to some of the photographs. history of warrnambool

Items in the collection relating to George Frederick Pierce DCM. Refer Cat No 1891P for his service details..1) four page folding card, front cover has a map of Australia, crossed rifles, wreath, Corolla, inside has a short poem headed “He hath fought the good fight”. Next page a brief sympathy message with hand written entry in ink, a small black ribbon holds the pages together. .2) Yellowish envelope with two circular stamp marks, red 1 penny stamp and addressed in black pen. Envelope is stamped “20 NOV 2017.1) front cover,” A world of Sympathy”. Inside in ink from “Hilda C Stephens” .2) on front in black pen, “Mrs J Pierce Sebastian Post Office Via Bendigo”sympathy, cards, military

Items relate to George Frederick Pierce DCM. Refer Cat No 1891P for his service details, award and death..1) Four page folding card, front has an embossed map of Australia, central in gold a scroll, Rising Sun, crown and a wreath. Inside has a short poem headed by “Greater love hath no man than this”, next page a brief sympathy message, under in ink an entry by hand. A small string holds the pages together. .2) yellowish envelope with black edging, mail stamps and a 1 penny red stamp. Envelope dated 21 Nov ....... .1) On the front “ Duty - Valour - Honour”. Inside in ink from, ”Mr and Mrs F Stevens"sympathy, cards, military

1959 was the first issue of 'Threshold'. In 1951 thirty girls started a junior technical course for the first time in Ballarat, under the Principal of the Ballarat School of Mines. By 1959 it had increased enormously with an enrolment of 284 students, and its own headmistress. The early school took place in the Dana Street Primary School and a large portion of the Ballarat Technical Art School. It was not thought necessary for girls to produce a magazine, but Joan Hood (Kirner) was determined that the girls would have the same opportunity as the boys. “When I went out teaching, I went to Ballarat Girls Tech, where I met [husband] Ron who was at Ballarat Boys Tech. They were seen as tough schools, and I saw the disadvantage faced by these girls who were at the lowest of the low of the education rung – and yet there were some fantastic girls there who needed equal opportunity. So I think it was teaching that cemented in my mind that people don’t get an even go – and in particular girls. It didn’t take me too long to realise blokes were largely empowered. And it was teaching that cemented how equity and empowerment for women could be achieved through education.” Sarah Capper: You graduated from Melbourne University in 1958, and as mentioned, began work as a teacher in Ballarat. You married Ron in 1960 and received one of those government letters asking you to resign - JK: Yes, I think it burnt a hole in my pocket when I brought it home! We were both teachers, and I said to Ron, “Well, you got married – where’s your letter?!” That really clarified that the world wasn’t quite even, even in this profession that I’d always wanted and loved. I didn’t get superannuation – I think I got something like 100 pounds as pay in lieu of permanent service. And that wasn’t just me – that was a whole generation. Fancy that – that’s what it said – “pay in lieu of permanent service”. So that made me livid. If I hadn’t been a feminist before then, I certainly was by then. I realised the distribution of power was different for women and men. http://sheilas.org.au/2014/02/a-bonza-joan-kirner/, accessed 06/06/2015 The four houses of the Ballarat Girls' Technical School were Bass House, Sturt House, Flinders House and Mitchell House. Orange and green soft covered magazine of 24 pages. Includes a message from the headmistress, Fay Moore, and a photograph of the Magazine Committee featuring teacher Joan Hook (later Joan Kirner, Premier of Victoria). Information and a photograph is given for the following personalities: Sandra McHenry, Sylvia Rowe, Heather Young, Beverley Davis, Lorna Robertson, Janice Hunter, Margaret Ayars, Margaret Veal, Heather O'Brien, Hilary Batt, Leone Davies, Marlene Drever, Janet Smith.ballarat girls' technical school, joan hood, joan kirner, fay moore, i.e. harris, faye hilton, marilyn miller, lesley cutts, margaret jones, moira blair, rosemary davies, lorraine button, vivienne guy, lorraine krankovich, loralie crabbe, beverley davis, shirley dean, lorrice campbell, hilary batt, valerie stewat, sandra mchenry, joy henderson

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Documents (2) pinned together Messages dated .28.3.1892, 1.4.1892 and 31.3.1892 Memo to Const. Meager seeking information re John Lynch, late of Terrick Terrick, said to be a relative of the Lyhnches residing at Mitiamo. On rear of memo ' John Lynch brother to Matthew and Patt Lynch has notyet returned to this colony. He is supposed to be living in the dist of Dubbo N.S.W., signed C.F. Major, Const. 2908, Kerang' Connelly, Tatchell & Dunlop response attached re information enclosed above.business, legal, connelly, tatchell & dunlop, connelly, tatchell & dunlop, john lynch, terrick terrick, mitiamo

Book or Program - "Ballarat Heritage Festival - May 7 to 30 (2021), 40 pages, centre stapled, giving the detailed program for the Festival following the cancellation of the 2020 event due to COVID-19. Has a table of contents and a message from the Mayor, Dr Daniel Moloney. Has a preliminary image of tram 18 as the "Night Tram" on page 8 and an image of 26 on page 23m, and a full page entry on page 33. See Reg Item 8142 for newspaper clippings.trams, tramways, city of ballarat, events, heritage, festival program

Set of two pamphlets distributed at the time for the "White Night Ballarat" Festival Saturday 4 March 2017. .1 - a grab rail pamphlet listing the bus services for the festival - piece of heavy card with a round top and a slit to enable it to be placed on a grab rail within the bus itself. .2 - 4 fold - DL sheet - titled "Give me the night" for the "White Night Ballarat" festival, with an map of the various events, messages of support, transport map and road closures. Published by Visit Victoria.trams, tramways, ballarat public transport, buses, ptv, public transport victoria, timetables, white night

2437 - Printed colour postcard of the Sturt St. from Grenville St. looking west - c1905. Card consists of a gold background with flowers surrounding an oval colour image of Sturt St. Embossed at the top of the card is "Best Wishes" with one tram west bound in the lower section of Sturt St. Titled "Sturt Street Looking West, Ballarat." along the bottom edge. On the rear of the postcard is an area for the stamp, address, message. Made by Valentines and printed in Great Britain trams, tramways, sturt st, postcards, grenville st, tram 19

Set of three colour photocopies on A4 sheets of documents issued to MMTB Traffic staff at the time of the 1956 Olympic Games in Melbourne. Titled "A Special message to all members of the Traffic Staff on the occasion of the XVIth Olympiad at Melbourne" - title page - General information page - about welcoming visitors to the city, information location, recognition of visitors - Ticket or passes - including an illustration and details of free travel badges. Also includes information on bus services to the Olympic village and sight seeing trips.trams, tramways, olympics, mmtb, tickets, passes, badges, buses

Colour - yellow and black - postcard - punched to enable the card to be folded and feature the Rhino standing up, with the words "Beware the Rhino", underneath. On the rear has a place for the stamp, address and the message "Beware: a tram weigh as much as 30 rhinos". Notes it is a ecological friendly card. Produced by Avant Card for Yarra Trams. This campaign was presented at the Oct. 2011 International Rail Safety Conference - see Reg Item 2322 for other items. .1 - same front, different back - no details as to who printed it.trams, tramways, yarra trams, passengers, tram services, safety, rhinos

Colour postcard of Melbourne all over advertising tram A 237 for Victoria Police, Travel Safe campaign, departing Malvern Depot. Photo Ray Marsh, March 1994. http://vicsig.net/index.php?page=trams&article=adtrams - gives the date of 19/3/1994 for entry into service for this advertising - accessed 13/4/2017. Postcard produced by Railcard for the Association of Railway Enthusiasts, ARE No.13/07. Has ARE logo, shop details and hours, space for small message, address and stamp.trams, tramways, melbourne, a class, malvern depot, advertising trams, decorated trams, tram 237

Colour postcard divided back - Biscay Greetings, of Z3 225 turning from Bourke St into Spring St. Route 96, East Brunswick. Looking down the west of Bourke St at dusk with the many buildings etc in the background. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1990's. Card No. BG 277. 2nd copy added 30/8/2020 Image also used in Reg Item 5129.trams, tramways, postcards, bourke st, z class, melbourne, tram 225

Colour postcard divided back, serrated edges - Biscay Greetings, series of featuring W2 601, passing under the 150th Victorian Anniversary arch on Princes Bridge during 1984 or 1985. Has the Arts Centre in the background. Tram has the destination of Glen Iris, Route 6. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid to late 1980's. Card No. BG200. Two copies held.trams, tramways, princes bridge, 150th anniversary victoria, w2 class, ceremonies, route 6, tram 601

Colour postcard divided back, red border, - Nu-Color-Vue, looking along Collins St from Spring St with W2 442, route 42 City and SW6 886? route 47 in the view. Has the T&G building in the view. Back has space for name and address, stamp and a message and details of the postcard. Produced by Nu-Color-Vue, early 1980's? - card number 11ML 150 and NCV 937. Has "Melbourne Australia" along the bottom edge.trams, tramways, collins st, w2 class, route 42, route 47, tram 442

Colour postcard 3 photo panels, blue border, divided back - Bartel Postcards: 1 - View of Melbourne over the Yarra River 2 - Princes Bridge 3 - B2 2013 in Bourke St, East Brunswick, Route 96 Back has space for name and address, stamp and a message and details of the postcard. Produced by Bartel Postcards possibly early 1990's Card No. BG318 Has "Melbourne Australia" along the bottom edge. Two copies held.trams, tramways, bourke st, mall, b class, tram 2013

Colour postcard divided back, black border, - Nu-Color-Vue, The Classic Collection of Z110 in the Bourke St Mall, at the Swanston St tram stop, late 1980s. Has the Coles store in the background. Tram has the destination of Route 87, LaTrobe University. Back has space for name and address, stamp and a message and details of the postcard. Produced by Nu-Color-Vue, number 140 117, NCV 6340. Has "Melbourne Australia" along the bottom edge.trams, tramways, bourke st, route 87, mall, z class, tram 110

Coloured Postcard of Rutherglen overlooking Lake King unto the Water TowerMessage on back: "Dear Alice. I received your p/c & liked it very much. Excuse lead pencil writing as I am in a hurry. Have got lesson at half past eight. Yours to a cinder. Gwen" Addressed to "Miss A. Smith, Drummond St, Rutherglen, Victoria"alice smith, rutherglen, lake king, water tower

This album was donated to the Orbost & District Historical Society after the death of Judy Walcott, a long-time member. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway.This album is a useful reference tool.A large photo album with a bright yellow cover and 19 plastic sleeves. It contains photographs, newspaper clippings, brochures , maps and an invitation to the veiling of McKillops Bridge on 8th August 2002. It also contains the history of McKillops Bridge.On inside cover - left hand side - "To Marie with Best Wishes from Judy Walcott 8/8/2005"mckillops-bridge album