Square-shaped china teapot. White background with brown transfer images of pineapples. Spout and handle ornately designed. Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. In the pattern, “Cenis”. Bottom-Ridgeways, -Cenis, Stoke on Trentteapot domestic-items food-drink-consumption ridgways

Pumpkins were grown widely on Orbost farms and used to feed pigsThis photograph is associated with pumpkin growing in Orbost.A black / white photograph / postcard of a paddock of pumpkins.on front- at bottom - "Orbost, East Gippsland"orbost-agriculture pumpkins-orbost

This photograph has been taken looking down Nicholson Street, Orbost. Temple's Store is on the left and the Club Hotel on the right. The township began to take shape about 1885. (More information from Newsletter August, 2004 Pauline Wilkinson)This is a very early pictorial record of early Orbost township.Three copies of a black / white photograph of a main road, unsealed with wooden buildings on both sides.The building on the right side of the photograph has a verandah with several people standing under the awning, There seems to be two or three young children further down on the edge of the road.on front at bottom - Orbost Main Street

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A cylindrical brown glazed ceramic ink bottle with the neck narrowing to a pouring lip.Towards the bottom : WYATT MOTTS LANCELEY

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for Halstead, 23 Bambra Road as at (as at 12/10/2020) https://vhd.heritagecouncil.vic.gov.au/places/276: Halstead is believed to be the oldest standing residence in Caulfield constructed in 1857 with subsequent additions during the 19th Century. The house was built for and owned by James Dickson, a stock agent, until his death in 1880. Although on a much reduced parcel of land, Halstead is one of the few remaining remnants of Caulfield when it was an area of mansion houses occupied by town residing squatters, professional and business men. It is important for its place in the socio-economic history of south eastern suburban Melbourne, the inland pattern of development stretching from Malvern through Murrumbeena. Architecturally the single storey building displays a history of alteration and addition. Its main front presents with a single storey cast iron verandah across the full width, including the two pavilion wings at each end. Located towards the rear on the Halstead Street side is the substantial three storey tower with its Mansard roof and cast-iron balustrade which makes the house clearly visible from Halstead Street and Bambra Road. Because of internal alteration the importance of the building relates to the exterior only of the main house. Halstead is believed to be the oldest standing residence in the city of Caulfield. https://vhd.heritagecouncil.vic.gov.au/places/43645: "Halstead" is regionally important as a surviving large villa from the early Victorian (1850's) period, offering insights into the lifestyles of the privileged in Caulfield at that time. The later tower is of architectural interest for its use of Medieval Romanesque enrichment.Page 33 of Photograph Album with one landscape photograph of the exterior of Halstead, taken from the street.Hand written: 33 [bottom left] trevor hart, caulfield north, bambra road, 1850's, halstead, james dickson, mansion, villa residence, cast iron verandah, pavillion wings, halstead street, victorian, tower, balustrading, decorative brackets, mansard roof, brick, slate roof, curved windows, single storey mansions, cast iron work, medieval romanesque style, slate roofs, gardens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melboume's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement. Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/4442 What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 61 of Photograph Album with one exterior photograph (portrait) of Anselm.Hand written: 61 [bottom left] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, brick house, attics

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This church has since become the Greek Orthodox Church. From Victorian Heritage Database: Citation for Greek Orthodox Church HO84 https://vhd.heritagecouncil.vic.gov.au/places/43587 (as at 19/10/2020) The former Primitive Methodist, later Congregational, church at 152 Grange Road, Glen Huntly, is a small timber building, erected in 1885 (89?) in South Melbourne and relocated to Glenhuntly in 1909. It is a highly individual picturesque timber structure with distinctive spire and timber enrichment. It has aesthetic, historical and social significance. Its aesthetic value is derived from the choice of materials and picturesque Gothic Revival character showing American influence. Its historical value is derived from its survival as a rare example of a Primitive Methodist Church building whilst its social value hinges on its early roles as a place of worship for the Primitive Methodists in South Melbourne and the Congregationalists in Glenhuntly.Page 73 of Photograph Album with two photographs (both portrait) of front and side views of the spire of the Congregational Church on Grange RoadHand written: 73 [bottom left] trevor hart, congregational church, grange road, gothic revival, carnegie, glen huntly, glenhuntly, greek orthodox church, primitive methodist church, spire, timber buildings

Stereographs consist of two nearly identical photographs paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope. These series of cards are made by one of the Pioneers families of the district who travelled went on a cruise aboard the 'Katoomba' to Papua New Guinea in 1939. The cruise was arranged by the Society of Australasia Methodist Missionary Cruise to Papua New Guinea in April 1939. The Cruise left Brisbane with 370 methodists from Melbourne, Sydney and Brisbane.Many of the early pioneers in the City of Moorabbin were Methodists.43 Homemade black & white - stereograph cards - two identical pictures on cardboard.Description of photo is written on bottom of card.stereograph card, papua new guinea, methodist, missionary cruise, moorabbin, kwato, samarai, katoomba, rabaul, kabakada, vunairima, port hunter, raluana, bronilow memorial church, dohu island, marriott, stereograph cards

Stereographs consist of two nearly identical photographs paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope. These series of cards are made by one of the Pioneers families of the district who visited Sydney in April 1939.Made by one of the pioneer family in the City of Moorabbin9 Stereographic Cards - black & whiteDescription of each card written on bottomsydney, stereograph card, new south wales, city of moorabbin, sydney zoo, sydney harbour bridge, sydney royal botanic gardens, cronulla, hyde park sydney, shrine of remembrance, paramatta park, blue mountains, katoomba, three sisters, moorabbin

This collection of Stereograph card depicts scenes from the Coronation of King George V. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer. Some of the pioneers of Moorabbin were staunch supporters of the Monarchy of England. This collection of cards was donated by one of the founding pioneer families.Stereograph cards - 25 cards produced by Rose Stereographs. - black and whiteDescription of each card written on bottomcoronation, king george v, england, monarchy, moorabbin, london, westminster abbey, trafalgar square, boy scouts, crystal palace, queen mary

Presented to Olive Cassell in 1932 on the occasion of her marriage to Clive Jarvis, by her brother Leonard, son of local butcher Milton Cassell. The tea set was bought at O.Gilpins store in Korumburra . It was donated by Leonard Cassell on 22nd September 2011. White chin tea set with a black printed transfer of Korumburra Public Park as the decoration on each item. 9090.1 - 9090.4 Four tea cups 9090.5 Saucer 9090.6 - 9090.11 Six side platesOn bottom of each SHEFFIELD MADE IN ENGLAND

Aeronica C3. One of a collection of 25 model aircraft made by Brian Anthony DOWD The Aeronca C-3 was a light plane built by the Aeronautical Corporation of America in the United States during the 1930s. Khaki bi-wing plane with yellow wings & tail. Red nose & wheels. Has red, white & blue stars on top wing. U.S. Army underneath bottom wing.model airplanes, aeronica c3.

The Sunbury Flower show is held annually and is organised by St. Andrew's Presbyterian Church. It is held in the Memorial Hall.A black and white photo of entries in the preserves and cakes section in the foreground. There are flower entries on the side and vegetables in the background. Two men are standing to the side.bottom RH corner: Chr. Christiansensunbury flower show, flower shows, sunbury, shows and exhibitions, christiansen, chris., photographers, food, vegetables, st. andrews presbyterian church, churches, george evans collection

It is possibly a portrait of the Rev. Goyer. The photo was sent while he was a minister at a church in Canterbury Road, Middle Park. Inscription on back: 'With best wishes from you old Minister "The Manse" Canterbury Road, Middle Park.A b/w portrait of a minister - possibly Rev. Goyer who was minister of St. Andrew's Church in Sunbury. The photo is mounted on cream cardboard with a cover sheet over it.Bottom Rh corner: Lafayette / Melbournegoyer, - (rev.), clergymen, churches, st. andrew's presbyterian church, sunbury, canterbury road, middle park, st andrew's uniting church, george evans collection

This is a photograph of the Sunbury Baths used by the people of Sunbury before the building of the swimming pool. There are six people on the bank of the creek.A unmounted sepia photograph of the Jackson's Creek used for the Sunbury Baths. The are six unidentified people on the bank of the creek.'SUNBURY BATHS' written on bottom centrejackson's creek, the nook, swimming club, sunbury, sunbury baths, sport, swimming, george evans collection

Bartley's Brewery, Howlong Road, Chiltern (photograph of a painting by Fanny Bartley) Property owned by Benjaming Jackson Bartley 1834-1899Australian Impressionism, Naturalism, Colonial Art, Folk ArtA small, rectangular painting with a wood frame in a basic relief styleSignature in bottom right corner of paintingaustralian landscape, landscape, farm

Norma Bull is an Australian painter who is most famous for her paintings and sketches made during World War II in Britain as an official war artist. Bull was a finalist in the Archibald prize twice, in 1952 and 1953. Her work is featured in collections around the world including the Royal Collection, the Imperial War Museum, the National Gallery of Australia, and the Bright Art Gallery.traditionalRural City of Wangaratta Collection. Donated by Associate Professor Leslie E Bolitho AM.A windy seascape painted in oil using blues, browns, greens, yellows, and whites.Obverse: Norma Bull/ (bottom left)wangaratta art gallery, norma bull, seascape, painting

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Bontharambo is a homestead located in Wangaratta and was built in 1857-9. This homestead plays a prominent role in the history of Wangaratta and the pastoral history of Victoria. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Bontharambo homestead on white paper.Obverse: Cantlon 65/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, bontharambo, homestead

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Fairfield, Rutherglen is located in the North East region of Victoria and is a historic homestead that was built in 1889 and plays a prominent role in the history of the region. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Fairfield homestead on white paperObverse: Cantlon 66/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, homestead, fairfields, rutherglen

Rural City of Wangaratta Collection, Wangaratta Art Prize 1978.A snowscape painted in oil using shades of brown, white, blue, and green. Obverse: colby/ (bottom right corner)wangaratta art gallery, shirley colby, painting, landscape