Black and white photographWritten on back of photograph: "L to R- J.F. Hodgkins, R. Horman, P. Vergers, L. McLeod, M. Deuter, B. Hubbard, R. Spencer, D. Baxter, A. Robertson, A.G. Lavis, F. Dwerryhouse."

TROVE : Cairns Post (Qld. : 1909 - 1954) Wednesday 28 October 1925 p 4 Article Lotol for Australians. The Mercury Chemical Co. Pty. Ltd. manufacturers of Lotol which is keeping so many Australian homes free of insects, advertised on Monday and Tuesday, that they would present £1 to the sender of the first letter opened at 4 p.m. on Tuesday containing the correct solution of certain jumbled words.The correct solution was "Sydney Australia," therefore Lotol is made in Australia for Australians, ' and the £1 offered has been won by Lucy Wilesmith, McLeod-street , Cairns. Mr. L. A. Drewe is the Queensland representative of the manufacturers, and conducted this competition on their behalf.Round clear amber glass bottle for screw top. Embossed text near neck, diamond pattern on side with text near heel of bottle.Near neck ' POISON', 'NOT TO BE TAKEN'. Panel of diamond pattern below text. Near heel at base 'THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF MERCURY CHEMICAL CO. PTY LTD'. On base ' A G M ', '1', 'S100'.amber glass, chemical, poison, vermicide, australian made

Black & White Photograph of W 327 in Swanston St at Lonsdale St, mid 1920's. Details on the rear that it was from the Stephenson Collection Preston Workshops. Side on view.In ink on the rear " M&MTB W 327, Keith Kings stamp - S-R 143 - Swanston St at Lonsdale St City, mid 1920's. Copy ex Stephenson Collection Preston Workshops.trams, tramways, w class, swanston st, tram 327

CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape

One of series of illustrated envelopes, without letter, sketched by soldier/s during the second world war and sent to Mrs McDonald of Grey Street WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with drawing of side profile of male wearing hat.Top right - postage stamp Left side - AIF Censor stamp Centre - Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia Bottom left - "Who is this?" Rear - Red Cross ww2, envelope art

Black and white photograph of family members posing in bush setting.Loose paper inserted with photograph identifies some people and reads: "1906 (approx.) photo. ?, ?, Bill, Mrs. Mary Sherburn (born 1863?), ?, some daughter, ? daughter alive 1975 (per M. McGivern 1975).

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of postcards during that time.Print postcard depicting Princes Bridge. Red one penny post stamp on back depicting Queen Victoria. On front: Under image: 'Princes Bridge.' On back: Left: '"Ailsa" / 10.7.05 / With best wishes / for present & / future. / Yours ever, / H. M. Craig' Right: 'Mr W. j Stuart / "Carlowrie" / Richmond Plains'postcard, 1900s, "green postcard album"

Illustrated booklet with white cover. Title and compilers name in black ink on front cover. Also on the front cover is a reproduction of a black and white photograph of nursing staff taken in 1958, as well as the two 'twin' gum trees which mark the site of the memorial rock in the hospital grounds where a number of plaques are located, in sepia/pink ink. The hospital logo of stylized black and white cross on a mauve background are on the front and back cover.non-fictionHistory of the Leongatha Memorial Hospital (formerly known as the Woorayl District Memorial Hospital) from the time one of two private hospitals in Leongatha closed in 1942, and a bush nursing hospital took over the premises. The need for a bigger hospital was recognized and new hospital opened in 1958. The booklet covers development of the hospital up to 2008.leongatha memorial hospital, woorayl district hospital, hospitals-victoria-history, leongatha

This specimen was found in Harcourt, Victoria. Harcourt is a small historic gold rush town located in a valley at the foot of Mount Alexander (741 m) in the Central Highlands of Victoria. In recent times the goldrush origins of the town have been replaced by a district known for apples, cider and wine. The Traditional owners of Harcourt are The Dja Dja Wurrung people. Granodiorite is a coarse-grained intrusive igneous rock similar to granite, but containing more plagioclase feldspar than orthoclase feldspar. Granodiorite has greater than 20% quartz by volume, and between 65% and 90% of the feldspar is plagioclase. This piece is of significance due to its provenance in Harcourt, Vic. Granodiorite is commonly produced in volcanic arcs, and in mountain buildings where it emplaces as large batholiths in mountain roots. Granodiorite is the plutonic equivalent of dacite. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Granodiorite is a coarse-grained intrusive igneous rock similar to granite, but containing more plagioclase feldspar than orthoclase feldspar. According to the QAPF diagram, granodiorite has a greater than 20% quartz by volume, and between 65% and 90% of the feldspar is plagioclase.GRANDIORITE. / Locality: / Harcourt, Victoria / Other label: Geological survey / R S / Loc Harcourt quarries [?] Alexander / 1/4 Sheet. | 4 | Granite /granodiorite, granite, burke museum, harcourt, coarse-grained, igneous, plagioclase feldspar, orthoclase feldspar, quartz, mount alexander, the dja dja wurrung people, the traditional owners, central highlands of victoria, gold rush

HMAS Yarra (D79), a River class torpedo boat destroyer commissioned into the Australian Commonwealth Naval Forces in 1910, transferred to the RAN on its foundation in 1911, operated until 1929, and scuttled HMAS Yarra (U77), a Grimsby class sloop commissioned in 1936 and was lost on 4 March 1942 while defending a convoy from five Japanese warships HMAS Yarra (DE 45), a River class destroyer escort commissioned in 1961 and in service until 1985 HMAS Yarra (M 87), a Huon class minehunter commissioned in 2003 and in active service as of 2012Wooden Plaque 15cm x 13cm with insignia of H.M.A.S Yarra H.M.A.S Yarra

This librarian's chair was given to the school by the family of Joy Chapman who had died during 1948. The chair was part of a number of furnishings supplied by donation for the new library which was opened in 1949. These included blackwood shelves, tables and chairs and a new set of Encycopedia Britannica supplied by the Parents and Friend's Association, a grooved periodical table given by Old Collegians Younger Set, a librarian's desk supplied by the E M Bell estate and more than 200 books supplied by the Old Collegians. (see 'A lamp burns brightly' p. 61). This item is a significant example of the degree to which the school relied on donations from the community to develop the school during the post-war years. Solid wood chair with high solid back and solid arm rests. Carved CPLC crest attached to neck rest. Padded seat. Bronze plaque at front of seat. Plaque: In memory of / JOY CHAPMAN / 1947 - 1948 - The Gift of Her / Father, Mother & Ruthc-p-l-c, younger-set, parents-and-friends-association, clarendon-presbyterian-ladies-college, library, joy-chapman

In the early days of flying in France, Armand Deperdussin and his aircraft designer, M. Bechereau, formed the Societe Pour Appareils Deperdussin, and designed and produced Deperdussin monoplanes of advanced design for the period. In 1912, the Australian Government ordered from the British Deperdussin Aeroplane Company, two single-seat trainers, Type A with 35hp Anzani Y-type three cylinder engine. These two aircraft were in the first batch of four aircraft ordered by the Commonwealth Government (the other two aircraft were BE-type biplanes). The recorded cost of the Deperdussin was 480 pounds each. The serial number CFS 5 identifies this aircraft as the 5th Australian Military aircraft. It is the oldest existing Australian aircraft. either military or civilian. Rectangular shaped glass covered picture frame with photo of the plane and pilot.RAAF AIRCRAFT 1921-1981. FIRST FOREBEAR The 1912 Deperdussin was the first military monoplane ordered for the RAAFs ancestor, the Central Flying School, Point cook.This historic aircraft is retained at the Australian War Memorial as a symbol of the nation's airpower genesis.deperdussin monoplane, australian military aircraft, lara r.s.l. australian flying corps, 1912 aircraft.

This bottle holds one imperial pint. The manufacturer John Sutherland & Sons began production in Melbourne in 1885 and ended production in the 1970s. This bottle was made with a 3 piece mould. 2 pieces for the bottle proper and a third for the base. The side mould seams extend right through the lip, so this was not applied separately. The type of A G M mark on the bottom indicates it was made during the 1929 to 1933 period. It displays some stretching in the glass on the neck as it was taken from the moulds whilst still somewhat plastic, not having cooled enough. Overall the bottle in excellent condition.Clear glass bottle, embossed inscription, AGM mark on base.Embossed inscription: "John Sutherland & Sons Pty Ltd Melbourne Pickles"glass bottles, john sutherland & sons, pickle bottles

HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse

THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse

THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse

THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse

A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. The high tea held on 29 June 2013 was an opportunity to visit the exhibition.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Slightly pink cream colour flyer An invitation to enjoy an afternoon of high tea and heritage at the Memorial Chapel of St Peter / 2pm-4pm-Saturday 29 June 2013reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

A Student Magazine was produced regularly with the assistance of students' contributions. News and photographs were also included giving an outline of activities, sporting results and awards. Photograph shows: Back row: M Wilson (chem); S J Allan (art) Second row: A Bosher (art); R Elsworth (science); Dr. J R Pound (President); Mr. A E Williams (manager); C L Smith ( art); K Windsor (sport); J Curran (Junior Tech) Front row: J Walters (sport); J Skelton (Prep); F Whitworth (sec); Black and white photograph mounted on fawn card. People in formal pose - students and staff.Thornton Studios Ballaratstudent magazine, committee, m wilson, s j allan, a bosher, r elsworth, dr j r pound, a e williams, c l smith, k windsor, j curran, j walters, j skelton, f whitworth

SATTELBERG AREA, NEW GUINEA. 1943-11-15. A PATROL OF THE 2/24TH. AUSTRALIAN INFANTRY BATTALION LEAVING THE BATTALION LINES. SHOWN ARE: VX14320. PRIVATE A. W. M. CORCORAN. (1) VX75910 PRIVATE N. W. JONES. (2) VX33860 LIEUTENANT J. H. CAPLE. (3) VX75647 PRIVATE P. L. MATHIESON. (4) VX31579 CORPORAL R. W. WEBB. (5) VX75207 PRIVATE D. N. MUIR. (6) NX73554 PRIVATE H. T. ROCHE. (7) VX76785 PRIVATE R. W. RICE. (8)The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honourReproduced black and white photograph of armed soldier on patrol in jungle terrain2/24th battalion, new guinea, ww2

G. Bendall, J. Brauner, G. Condliffe, Cowling, G. Cooper, R. Cumming, R. Galvin, K. Gillam, J. Henderson, P. Holman, S. Hutchins, R. Hutchinson, B. Maloney, I. Martin, J. Martin, N. McNelis, W. McRae, J. Mounsey, V. Murphy, D. Newman, Patten, A. Pearce, R. Richardson, M. Rogers, Sum (?), P.Watson. Twenty-seven men in photograph and only Twenty-six names three of which were added by hand later and do not have initials.Black and White photograph of ambulance officer traineesambulance officers training centre

Concongella Resident’s Reunion with children Adults Seated L-R : Mr J. Holden Mrs E. Cooper, Mr H. Taylor, Miss Urquhart, Unknown, Mr J. Court, Mr G. Holden, Mrs Mills, (behind children) unknown Mrs G. Holden, Male standing extreme right J. Mulveny Other people in the background include : M. Pianta, J. Evans. J. Pickering, Miss Davies, Arch Simpson, O. Simpson G. Simpson, D. Rathgeber, Bess Simpson, P. Ronchi Photo of a large group of adults and children at a reunion in Concongella.A. OLIVER is on the backconcongella, reunion

The Wonga Park and District Residents' Association requested the Shire of Lillydale consider removing the crests on Jumping Creek Road Wonga Park east and west of the intersection with Yarra and Dudley Roads to improve visibility at the intersection. The Shire of Lillydale thought that this would simply increase the speed of traffic through the intersection and suggested a roundabout be built and came up with four alternative treatments. When they discovered that a roundabout would require water mains to be lowered and the M&MBW would not give a quote on the cost (which would be substantial) they opted for traffic islands instead.

A photo of President G. M. Swan with a group of school boys with Appeal tins. Also a police band on Swanston Street and a trading table set up by the Legacy Widows outside Legacy house. The widows clubs ran a craft stall outside Legacy house for many years to help with fundraising during Legacy Week. Also the author Patsy Adam-Smith is in one photo. She went on to be a celebrity of the year for Legacy in 1994. Of note is that the Queen Victoria Hospital has been demolished and the new QV shopping centre has not yet been built.A record of Legacy Week in 1992.Colour photo x 3 of Legacy Appeal in 1992.Printed on the back "707 0131 N N N 1 2" and 708. On Kodak paper. legacy week, badge week, legacy appeal

Shops on the left of the picture are: saddler (probably O'Sullivan at this time), butcher (probably G G Bennett), baker's shop (Nicol?), shop with verandah (originally 'Ellington House' owned by T M Wise), Preston's shop (with verandah, on corner of Sussex & Gillespie Streets), and Wishart's blacksmiths (on the far side of Gillespie Street). On the right, the buildings are E H Nicholls ("cheap grocer and seedsman"), the Surface Hill Hotel, Richard Ching's store and dwelling (grocer & produce merchant), and another shop without verandah (probably shop and dwelling owned by Annie Brown, née Nicholls).Original black and white photograph affixed to white backing paper which has then been mounted on grey card. The photograph shows the view along Sussex Street to the south-west. Two men are standing outside a shop on the rhs, and there appears to be a woman with a perambulator outside a building further along the street on the rhs.On back of original photograph: "g (or e) Bennett" (in blue pencil or chalk) / "LINTON STREET "(in ink) / "Elizabeth long ago" (in ink, with arrow pointing to blue writing).sussex street linton, o'sullivan's saddlery, g g bennett's butcher shop, nicol's bakery, ellington house [t m wise draper], preston's shop, wishart's blacksmiths, e h nicholls' store, surface hill hotel, richard ching's store, annie brown's shop, annie brown (née nicholls)

Photocopy of the March 1953 SEC Geelong Timetable, giving details of the fares, transfers, luggage or parcels, lost property, times of each tram on the Newtown, West Geelong, East Geelong, Chilwell, Eastern Park, Belmont and North lines. Has adverts for M F Knell chiropodist, Henwood and Dancey Printers, photos of the Captain and Coach and Secretary of the Geelong Football Club, a list of Premiership records, goals and Brownlow Medals. Note: Sheets are not in the same order as the printed versions due to the photocopying method. See items 5357 and 5629 and 9821 for other versions. Yields information about the operation of the Geelong tramway system.Photocopy - 17 A4 sheets of the "Official Time Table Geelong No. 47" published March 1953tramways, trams, geelong, football, timetable, operations

Small mustard coloured Falcons Netball Club Inaugural Debutante Ball Friday, 29th July 1988. Debutantes Partners Kim Read Barry Selleck Kylie McCloy Cameron Emond Paula O'Connor Brad Hecker Amanda Drummond Blair Hall Tracy Hecker Scott Burgess Helen Garde Marcus Phillips Susan Maggs Brendan Cox Presented to Strathfieldsaye President Mrs. M. I. Wallis and Mr I.M. Wallis at 8.00p.m. Flower Girls Tanya Kearns Rae Watson-Jones Chaperone Mrs. Estelle Waterman Tutors Mrs. Mary Smith Mr. Peter Ellis Band 'Premiers' M.C. Mr. Alan Stevenson Programme 1. Fox Trot 2. Veleta Waltz 3. Evening 3 Step 4. Fox Trot 5. Plain Schottische 6. Parma Waltz 7. Fox Trot 8. Presentation of Debutantes 9. Pride of Erin 10. Progressive Barn Dance 11. Fox Trot 12. Veletta Waltz 13. Charmaine 14. Fox Trot 15. Gypsy Tap 16. Alberts 17. Fox Trot 18. Parma Waltz 19. Evening 3 Step 20. Modern Waltz 21. Progressive Pride of Erin 22. Fox Trot Presentation Dance: Grand March & Alberts Quadrille Autographs Thank you Peter from Myrtperson, individual, peter ellis oam