Photograph shows Ballarat 28 after it has been converted to a one-man tram with doors and blinds. Steps are folded up. See reference document for tramcar history. Based on the background, photographed at Gardens Loop in Wendouree Parade late 1930's or early 1940s. Has the SEC green and cream colour scheme. Photographer unknown.Yields information about tram 28 after completion of its conversion to a one-man tram.Black and white print on paper.tramways, ballarat, tram 28, gardens loop, wendouree parade

The Ballarat School of Mines is a predecessor institution of Federation University Australia.Ballarat School of Mines Annual Report. The report includes: Ballarat Gaol Reserve and Endowment, Black Hill (F.M. Krause), Lal Lal Geology (F.M. Krause), Lal Lal Iron Ore Deposits (F.M. Krause) , Sedimentary Rocks of the Ballarat District (F.M. Krause), Skipton Lignite Deposit (F. M. Krause) The report includes the following Images: Ballarat School of Mines and Botanical Garden ballarat school of mines, ballarat court house, ballarat circuit court, skipton, coal, skipton coal, ballarat school of mines botanical gardens, ballarat gaol, w.h. shaw, ferdinand krause, black hill, lal lal, lal lal ore deposits, lal lal geology, sedimentary rocks of ballarat district, skipton lignite deposit, john ditchburn, john o'malley, john thompson mckenna, george samual gawler, henry henry keast, george james, donald mcgregor, george kidd, hachin gordon illingworth, john king, josiah curnow, john james patterson, john bailey bullen, john trevan, thomas james, patrick mcloughlin, patrick murray, john hore, henry ferdinand conrad

Set of four colour photographs / prints taken on either the occasion of the special tram for the Friends of the Botanic Gardens, Ballarat, 150 years of the Ballarat Botanic Gardens, September 23, 2007 or setting up the tram the previous day. All on Fujifilm Crystal Archive paper. Taken by Judith Bailey, Secretary, Friends of the Ballarat Botanical Gardens. .1 - On the tram, Jeremy Bannister, Stephen Butler .2 - on the tram with Roger Salen .3 - one of the kids who made the flowers .4 - Putting the flowers on 40 - Daniel Edwards 150 years of the gardens, friends of the botanic gardens, wendouree parade, flowers, tram 40

Yields information about Ballarat 's Gardens loop precinct in the 1940'sCopy negative of a black and white photograph from Ray Pearson Collection, taken by Dave Macartney in 1975c of Ballarat Gardens loop precinct, based on the motor vehicles late 1940's - after the introduction of bogie trams. Original negative held in the negative file. Laser print of scanned image in box 01-01-77. Scanned at 2100 dpi and Photoshopped for file image.trams, tramways, gardens loop, wendouree parade

Yields information about the appearance of SEC tram No. 28 at Gardens loop mid 1950's.Black and white photograph of Ballarat tram No. 28 at the Gardens Loop - 27-2-1954. Has a little girl walking at the rear of the tram. In the background are the timetable signs on the tram stop pole. The tram is travelling south.On rear in ink "ARHS Photo, Botanical Gardens, Ballarat, 27-2-1954."trams, tramways, wendouree parade, gardens, gardens loop, tram 28

The international cards depict a range of view of items such as nature shots of America to photos of abbeys and cathedrals in Europe and views in England Scotland and Ireland. The views in Australia are a similar eclectic mix from shots of the Melbourne cemetery to images of statues in the Ballarat gardens. By placing the card with two images of the same subject, in the stereoscope, it provided a three dimensional view of the photo.Provides a snapshot of general interest items and views of early Australia and Australians.A collection of 76 cards with various scenes and topics. Each card displays two photos of the same view or item on various coloured card backgrounds. There is a mixture of sepia Black and white and coloured photographs.A number of the cards with international scenes have typed on the reverse “Photographed and published by Kilburn Brothers Littleton N.H. Others depicting scenes in Australia are stamped Theodor Bloch. warrnambool, stereoscope, stereoscope photographs

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man sitting in a park (possibly the Ballarat Botanic Gardens) with two young boys on his lap. The man is Frank Wright and the boys could perhaps be his nephews.frank wright, conductor, brass band, park

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Yields information about the appearance of tram 30 in the Gardens area.Agfa colour slide, white blue plastic mount. Photograph Monday 14/9/1970, by David Verrier of No. 30 in Wendouree parade, in the Gardens area. Photo is out of focused.On back of slide in pencil "Mon 14/9/70 30 Lake Wendouree near Gardens Ballarat"tramways, trams, wendouree parade, tram 30

Yields information about the appearance of tram 13 in the Gardens area at Gardens Loop.Agfa colour slide, white blue plastic mount. Photograph Monday 14/9/1970, by David Verrier of No. 13 at the Gardens Loop. Tram has the destination of Victoria St.On back of slide in pencil "Mon 14/9/70 13 Lake Wendouree near Gardens Ballarat"tramways, trams, gardens loop, lake wendouree, tram 13

The photograph shows SEC Ballarat tram No. 11 running into the SECV Wendouree Parade Depot. Tram has the destination of Gardens via Sturt St West indicating it ran in from the Gardens and revesed outside the depot. Photo by I K Winney of Sydney, 12/1949.Yields information about tram 11 and the depot run in tracks in 1949.Black and white photograph with photographers details on rear."Car No. 11 outside Ballarat Depot, near Gardens terminus 12/1949, I K Winney"tramcars, sec depot, tram 11, wendouree parade

This is a folio of photographs of the Creswick Plantations presented to the 1928 Empire Forestry Conference. related to item 1434. 2 additional folios -State Nursery Macedon. Ballarat Botanic Gardens. Photographs of mature specimens of timber trees from the State plantation Creswick, the State Nursery Macedon and the Ballarat Botanic Gardens. Photographs loosely bound into 3 sets. 2 x dark brown loose covers, 1 x dark green loose cover, bound with coloured embroidery thread.PhotographsPresented to the delegates to the 1928 Empire Forestry conference by the Forests Commission of Victoria

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

Has a strong association with the formal opening day of the BTPS's Wendouree Parade tramway on 1/2/1975 and two of the volunteer workers.Colour photograph of Gavin Young and Graham Jordan standing in front of No. 26 on 1-2-1975, the day of the official opening of the BTPS tramway. Photo taken by Lilian Butler. See note re inscriptions. 2nd copy added 25/7/2010On rear in blue ink "With my compliments, Lilian Butler, 1st February 1975, Botanical Gardens Ballarat Victoria"btps, opening, ballarat tourist tramway, tram 26

Set of five colour photographs / prints taken on the occasion of the special tram for the Friends of the Botanic Gardens, Ballarat, 150 years of the Ballarat Botanic Gardens, September 23, 2007. All on Fujifilm Crystal Archive paper. Taken by Liz Sheedy. .1 - No. 40 Wendouree Parade .2 - Roger Salen through one of the windows .3 - ditto .4 - Close of the flowers strung along one side .5 - Close up of one of the flower strings on No. 40 150 years of the gardens, friends of the botanic gardens, wendouree parade, flowers, tram 40

The memorial fountain was erected at the main entrance to the fernery of the Ballarat Botanical Gardens in 1890 by public subscription. It was a tribute to Frederick Moses Claxton, Councillor and Mayor of Ballarat (1872-1877), who was devoted to beautifying the Lake and Gardens.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble bust atop a decorative fountain with swan and cherub figures on a bluestone base, concrete surrounds the pond base with a low iron rail.claxton, fm claxton fountain

Adam Lindsay Gordon famed poet lived in Ballarat for two years about 1867/68 situated behind Craig's hotel (central Ballarat). The cottage now stands in Ballarat Botanical Gardens having been relocated in 1934 the bust was commissioned in 1941.the artwork is of historic and aesthetic importance to the people of BallaratBronze bust cast on granite and concrete plinth.Adam Lindsay Gordon Poet 1833-1870adam lindsay gordon

David Ham (1830 - 1908) MLC donated the two marble lions in 1893. These were characteristic of grand entrances in 19th Century landscapes and the lions were also an emblem of the strength of the British nation. The lions are located inside grand entrance gates to the Ballarat Botanical Gardens.The lions are of historic and aesthetic significance to the people of BallaratTwo large marble lions Presented by the Hon David Ham M.L.C 1893.19th century lions

Yields information about the appearance of SEC trams early 1960's in the Gardens and the streetscape.Black and white photograph of Ballarat tram 21 in the Gardens section of Wendouree Parade, June 1961. Tram has the destination of Victoria St., a roof advert for A. H Collins timber of Sebastopol, front dash panels adverts for The Age newspaper and Mutual Homes. Photo by Lloyd Rogers.In ink "Car 21 - Gardens Ballarat June 1961 (Car 21 ex Adelaide) and "7/4/61" In Pencil "Ballarat June 1961"trams, tramways, wendouree parade, gardens, tram 21

Eternal Flame was created by Ballarat sculptor Peter Blizzard as a marker of the end of WWII in the Pacific. Engraved into the bluestone shaped tile across the base of the statue is details about conflict areas where Australian Troops were active. The metal structure mimics a moving flame with it's polished golden hue, a feature included in many war memorials around the world. Peter Blizzard also designed the Prisoner of War Memorial in the South Gardens, Ballarat Botanic Gardens. The metal structure mimics the moving flame of polished golden hue that is present in war memorials around the world. Eternal flame is aesthetically and historically significant to the people of BallaratMetal construction on bluestone tile baseConflict areas for Australian Troops are engraved into bluestone shaped tile across the base of the statue. eternal flame, world war ii, conflict, peter blizzard, australian sculpture

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

Colour print of Ballarat 43 at the Gardens Loop. Has the kiosk in the background. Photograph from the Bob Lilburn Collection. Inscription in Bob's handwriting.On rear in ink "11/68"trams, tramways, gardens loop, wendouree parade, tram 43

.1 Colour photocopy of map of events for the 2015 Begonia Festival in the Ballarat Botanic Gardens showing what was happening, toilets etc and that Free Vintage Tram rides were available. Taken from item 6232.2 .2 - Pamphlet - fold out A2, full colour for the 2015 Ballarat Begonia Festival with details of events and attractions at the gardens. Contains the map.trams, tramways, begonia festival, map, btm

This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus

This artwork by Peter Nicholson commemorates Robert Clark, co-founder and proprietor of The Courier newspaper in Ballarat. The Robert Clark Centre at the Ballarat Botanic Gardens was built as the result of a $2 million bequest from Bob Clark, grandson of Robert Clark. The Robert Clark Conservatory and the Robert Clark Centre opened in 1995 and are a permanent memorial to his grandfather.The artwork is of historic and aesthetic significance to the people of BallaratBronze statue of Robert Clark holding a newspaperThis conservatory was erected in memory of / ROBERT CLARK / Born Dunfermline, Scotland, 1862 / Died Ballarat, 1902robert clark, robert clark conservatory, robert clark centre

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of a statue of Thomas Statue in the Ballarat Town Hall.thomas stoddart, statues, bust, ballarat town hall