Belt from khaki dress suit no.11798. Khaki material with silver buckle, two leather tabs attached to button on inside. Five buttons on insidebelt, uniform

Made by internee, Rosa Rubitschung, at Internment Camp 3, Tatura.Handknitted woollen black dress , with belt. black shank buttons & white material collar. Plain knitting with full length centre panel which is patterned.rosa rubitschung, ladies dresses, internment camp hand crafts

Sent from Germany to survivor of Kormoran POW in Camp13 replacing possessions lost 19 Nov 1941Navy blue trousers. Front flap forms 2 pockets when buttoned up. 6 buttons and buttonholes close front. Adjustable clips on side.Elmecker 4kormoran pow's, camp 13 pow's, kormoran crew

Army mess dress is the formal military evening dress worn by Army officers and senior non-commissioned officers in their respective messes or at other formal occasions. Tailor made item belonging to Lieutenant Leonard V. GREAVES 310387. Badges attached to jacket collar indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME). This uniform serves as an example of the military dress worn by the Royal Australian Electrical and Mechanical Engineer during the late sixties.The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Two piece dark blue/black material suit consisting of long pants with red stripe and jacket with metal buttons and two badges attached to collaraustralian army mess dress, raeme

Dress worn by Ellen Kelly aunt of donorBlue and black Coat and Dress. Four cm black trim around all edges, and two patch pockets, eight black buttons down front.Aphrodite Australian madecostume, female

Light Grey blouse with lace inset and pin tucks. Seven pearl buttons, long sleeves, cuffed and 1 pearl button. Ruffle around neckcostume, female

Baby's dress of voile cotton with embroidered yoke and hemline and sleeves. Lace trim around neck and sleeves. Ribbon insertion on yoke. Three buttons on back.costume, infants'

Cream silk riding coat with two large self covered buttons. Fold back pockets with one button on each. Felted. Made of Tusser cotton.costume, male

From the Till collectionBlack leather purse with black leather thonging around edges. Two outer black buttons. Red lining with one inside button. Three compartments.costume accessories, female, handcrafts, leatherworking

Margaret Skey migrated to Australia with family 4/8/1957. She was wearing this coat on a hot summer's day, arriving in Melbourne 6/9/1958 on a cold wet Sunday. This coat was purchased at the local shop - Prattes of Streatham London.Red Mohair overcoat. Shawl collar fastening to a tab in front & closing with three large buttons down front. Wide raglan sleeves with turnback cuffs.LESTERS COUTURIERS STREATHAM LONDON SW 16costume, female

From the Betty McPhee sewing collection.A card labelled 'Modern Miss' with a colour picture of a ladies face and a reel of thread and scissors with five 22 cm cream plastic buttons attached by thread.'Modern Miss'handcrafts, dressmaking

Middle section - bellows made of paper. Leather handle and stoppers on one end and mother of pearl press buttons, which operate keys on the other end.Mezon manufactured for Accordion Lyons Melbourne Bourke Street Lyons Sole agent Bourke St.musical instruments, wind

Fine white cotton camisole with lace inserts and cream ribbon in eyelet lace at neck. Drawstring waist and five pearl buttons concealed by lace edging.costume, female underwear

Long white Nightdress with square neckline and long sleeves. Cotton broderie anglaise lace at neckline and cuffs. Four self covered buttons covered by placketcostume, female nightwear

Collected by a soldier during the First World War.Brown webbing belt with 14 brass shoulder badges mainly from British Territorial regiments, an Australian shoulder badge and three metal buttons pinned to itVariousww1, world war 1, first world war, british, metal badges, shoulder badges, british regimental badges, australian shoulder badges

Black navy jacket double breasted with 8 buttons Queens crown with ribbons signifying Vietnam service. Rank Petty Officer with trade badge of Victuals.Lednar

Owned by Carol Dale.Navy blue,shoulder boards,brass buttons one pease of uniform from a two part set item num (1324) is other part of the setRoyal australian air force, mess dress, flying officer rank air force, royal australian air force

SANYO Memo-Scriber Telephone Recorder Silver body with a grey control panel, black buttons and auxiliary sections. clear plastic cassette window on the right. SANYO MEMO-SCRIBER Typing

Box of assorted items, costume jewellery, buttons, belt buckle, hat ornaments. Box covered with pink floral fabric with padded lid and pink bow.costume accessories, jewellery, assorted

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black crepe bodice with front opening featuring numerous buttons, covered with the same fabric as the bodic. It has short sleeves and a square scalloped neck line.australian fashion - 1940s, costumes - bodices, fashion design, fashion -- 1940s

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long-waisted black fitted silk and lace bodice with black wooden buttons. The lace at the edge of the bodice may have been added at a later period.day dresses, women's clothing, mourning wear, fashion -- 1880s, netta fuller

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full length long sleeved dark green silk velvet evening coat buttoned to three quarter length at the front with buttons of the same colour and fabricwomen's clothing, australian fashion - 1930s, evening wear, coat dresses

Upon mechanisation in December 1941, 20th Light Horse (Victorian Mounted Rifles) was re-titled 20th Motor Regiment (Victorian Mounted Rifles). It was equipped with Bren Gun Carriers and deployed to airfield defence in Northern Territory. In 1943, the Regiment was deployed to Merauke, Dutch New Guinea, where it conducted patrols along the coast and up rivers using barges and canoes. Returning to Australia in April 1945, the Regiment was redesignated 20th Pioneer Battalion then disbanded several months later at the end of the war. Good quality reproduction.Khaki woollen tunic with colour patches of 20th Motor Regiment. Metal 'Australia' shoulder titles, metal Rising Sun collar badges and metal buttons.20th motor regiment, uniform

Printed cotton maxi dress with long sleeves. Print of red, navy, white and green spots. Shirtmaker front which fastens with three covered buttons. Label, woven maroon on cream acetate, centre back: Imported / from Italy / BY GEORGES / OF COLLINS STREETgeorges, georges of collins street, 1970s

This nightgown was made by Vasiliki Raftopoulos around 1900 for her daughter Toula's trousseau. Born in Ithaca, Toula's family migrated to Romania when she was only a baby. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos, where their daughter Olga Black was born in 1930. Olga is a longtime Brighton resident. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Women's white cotton nightgown, long with three quarter sleeves. Cotton lace on front and sleeves. Front fastening buttons. Pintucked with eyelets around neck.nightgown, toula black, toula mavrokefalos, vasiliki raftopoulos, olga black, 1900s, trousseau

The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Red and dark green tartan kilt with eye and hook fastening clips and buttons on three different size settings. A metal clasp fastens on the left side. tag: Fletcher Jones / PURE NEW WOOL / DO NOT WASH / DO NOT BLEACH / VERY COOL IRON / DRY CLEAN ONLY / REMEMBER - FLETCHER JONES / OFFERS EXPERT PROFESSIONAL / CLEANING AND REPAIR SERVICEclothing, fashion, tartan, kilt, scottish, wool

A stuffed white fabric doll, with a hand painted face, blue knitted cap, brown knitted top and pants. It has three plastic buttons at back.dolls, leisure objects, toys

Black leather child's boots with decorative stitching on leather edges. 6 islet holes for buttons with decorative stitching on tongue. Nailed leather soles and heelsOval stamp on instep of sole worn "ALL LEATHER D" 13 stamped on sole

Worn by donor's mother c 1970s.- Summer house coat with raglan sleeves - Cotton with satin trim & tied neck - Iris & stripe pattern in multi colour - Plastic buttons down front " A Ralstan Gown", size 18, Bust 100cmclothing, fashion, housecoat