The word “catheter” comes from Greek, meaning “to let or send down.” Catheters were used as early as 3,000 B.C. to relieve painful urinary retention. In those times, many materials were used to form a hollow catheter shape, including straw, rolled up palm leaves, hollow tops of onions, as well as, gold, silver, copper, brass, and lead. Malleable catheters were developed in the 11th century. In time, silver was used as the basis of catheters as it could be bent to any desired shape and was felt to have an antiseptic function. Benjamin Franklin, the inventor and colonial statesman, fashioned silver catheters for use by his older brother John. John suffered from kidney stones and needed to undergo a daily ritual of placing a bulky metal catheter into his bladder. To make these daily requirements on his brother less painful, Franklin worked with his local silversmith on his design for a flexible catheter. "It is as flexible as would be expected in a thing of the kind, and I imagine will readily comply with the turns of the passage," he wrote to John. Holes were bored into the sides of the catheter to allow for drainage. Coudé tip catheters were developed in the 18th and 19th centuries to facilitate male catheterization and continue to be used for this purpose in current medical practice. Catheters made from rubber were developed in the 18th century but were weak at body temperature, leaving debris in the bladder. The advent of rubber vulcanization, by Goodyear in 1844, improved the firmness and durability of the catheter, and allowed for mass production. Latex rubber became available in the 1930s. Dr. Frederic E.B. Foley (a St. Paul urologist) introduced the latex balloon catheter at a urologic meeting in 1935. Though he lost a legal battle with Davol for the patent, this catheter has since been known as the “Foley.” The earliest self-retaining catheters had wing tips (called Malecot) or flexible shoulders (called Pezzer), and were tied to the male penis or sutured to the female labia. Charriere’s French scale was used to describe the external diameter of a catheter. Thus the term “French (Fr)” size was coined. Joseph-Frederic-Benoit Charriere was a 19th century Parisian maker of surgical instruments. A 12 French catheter is approximately 4 mm in external diameter (0.33 mm = 1 French [Fr]). In French-speaking countries, these catheters may be referred to as the Charriere or abbreviated Ch. Catheterization of the bladder was felt to be fairly safe because of the antiseptic principles of Lister (1867). But many physicians continued to be concerned about catheter-related infections as patients were still developing “catheter fever” (systemic infection) despite antiseptic principles. After World War II, Sir Ludwig Guttman introduced the concept of sterile intermittent catheterization in patients with spinal cord injury. For many years, sterile technique was used for catheterization. In 1971, Dr. Jack Lapides of the University of Michigan at Ann Arbor introduced the clean intermittent catheterization (CIC) technique. Dr. Lapides’ theory was that bacteria weren’t the only cause of infection. He believed that chronic stagnant urine residuals and overstretching of the bladder were also responsible. But the fact that CIC was not performed in totally sterile conditions, Dr. Lapides still felt it was superior to indwelling catheters. Initially, Lapides was scorned in the urology world. Three decades after this debate, clean intermittent catheterization remains the preferred method to treat chronic urine retention and neurogenic bladder. Recent regulatory changes have recommended against the reuse of catheters for CIC in an attempt to further reduce the risk of catheter-associated urinary tract infections. https://www.urotoday.com/urinary-catheters-home/history-of-urinary-catheters.html This catheter was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928. Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community. They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Stainless steel catheter with hollow tip from W.R. Angus Collection. Top and end of this instrument screw together. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, department of defence australia, australian army, army uniform, medical treatment, medical history, medical education, catheter

This is one letter in a series of eighteen letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild and, as a Guild member, was strongly involved with the social activities and events organised to entertain visiting seafarers. The Ladies' Harbour Lights Guild was an integral arm of the fundraising that enabled the building of the Mission to Seafarers. These letters provide insight into a woman who was a member of the Guild as well as offering a glimpse into the social activities and courting rituals of the time.Handwritten letter consisting of four parts including an envelope and three pages of writing on front and back.Postmark on envelope: [indecipherable]/28.5 28.5/PORT SAID Company identifier on reverse of envelope: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSletters, handwriting, 1928, mission-to-seafarers, stamps, lillie-duncan, ladies-harbour-lights-guild, lhlg, lillie duncan, ted, ss mandasor, port said, egypt, suez canal

This helmet worn by SEC Victoria workers in the Kiewa Hydro Electricity Scheme is a mandatory safety requirement by all personnel employed by government and statutory agencies who worked on or around "dangerous" apparatus or underground location sites. This type of pressed fibre helmet was later superseded by moulded plastic helmets. The start of the project (late 1940's) was not greatly covered by later introduced health and safety regulations. This has been demonstrated by photos of workmen outside using heavy machinery and other apparatus, see KVHS 0396, KVHS 0405 and KVHS 0392. However in the tunnels and underground safety helmets were mandatory, see KVHS 0403.This safety helmet was used by workers during construction of the generators and tunnels of the Kiewa Hydro Scheme was issued once only to each worker during his employment covering the 1940's to 1960's period. The attitude to health and safety during this period, can be summed up by this "initiation" ritual. When the helmet had been instrumental in saving a bad accident to a worker, that worker would be "invested" into the "Turtle Club". Although a safety helmet was only issued once to a worker this changed when modern moulded plastic helmets and greater Health and Safety requirements were introduced. Helmets now are replaced bi-annually.This safety helmet is made from pressed fibres with eyelets for airflow to the head. On the base of the helmet (before the rim) are 15 metal eyelets and three quarters up are six other eyelets (3 on each side). A thick leather strap is fastened by two rivettes to the main helmet. This strap has a metal bar rivetted on to affix a "safety" lamp, for underground work (Tunneling). There are two additional metal prongs and a metal bar to secure the lamp on the rim of the front of the helmet.sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth

This handmade pinafore was worn by the donor, Ellen Brown, at her christening in 1905. It was made by Ellen's grandmother, Mrs Beeching, for the first daughter born in the Fagg family. The pinafore was a treasured family heirloom, and was not worn again. It is a rare example of a modest, homemade christening costume. Most costumes were gowns, but this humble pinafore still shows loving attention to detail.The connection between milestone moments and the wearing of a particular garment carries great significance. The christening gown represents the rites of passage: great importance is placed on the clothing, as well as the ceremony.This is a white cotton infant's christening pinafore, round neck with a flounce, sleeveless with a sash attached at the front and tied at the back. There are lace inserts and lace at the hemline. Tucks are machined as embellishments and a tie at the back of the neck.lace, celebrations, handmade, white, brown, ceremony, textile, cotton, bacchus marsh, brown family, 1905, mrs beeching, fagg family, pinafore, infants clothes, rituals, fagg, costumes, family heirloom, christening, ellen brown

Ill, p.336.non-fictionIn the harsh Libyan desert in the middle of the second world war, Private Jim Moody, a signaller with the First Australian Machine Gun Battalion, found a starving puppy on a sand dune. Moody called the dog Horrie. Much more than a mascot, Horrie's exceptional hearing picked up the whine of enemy aircraft two minutes before his human counterparts and repeatedly saved the lives of the thousand-strong contingent. The little Egyptian Terrier's ritual of sitting, barking, then dashing for the trenches, had the gunners running for cover before their camp was strafed and bombed. Where Moody went, Horrie went too, through the battle zones of the Middle East and far beyond. As the Japanese forces began their assault in Asia Moody and his soldier mates joined the fight, but not before they had smuggled Horrie onto a troop ship and a harrowing journey back to Australia where they thought their little friend would be safe. The war over, Moody brought Horrie out of hiding to raise money for the Red Cross, and the brave little dog's story became widely known. When quarantine officers pounced and demanded that the dog be put down there was a huge public outcry. Horrie had saved a thousand lives. How could a cruel bureaucracy heartlessly kill him? But defying the authorities would mean gaol for Moody and certain death for Horrie. Was Horrie, the gunner's hero, condemned to die or could Moody devise a scheme to save him? animals - war use, australia - armed forces - mascots

This kind of tea cosy was found in just about every Dutch home in the 1950's. It took pride of place on the tea trolley and took the place of, or was an alternative to, the tea lights which also served to keep the teapot warm. It held a large teapot and although it was very effective in keeping the tea warm, after a couple of hours the tea became rather bitter and tasted "stewed". Since the Dutch are not in the habit of adding milk to their tea, the late afternoon cuppa was not always a favourite.A symbol of what the Dutch prize above all, namely "gezelligheid", which means homely cosiness. The afternoon tea ritual ("thee-uurtje") was a very important time of the day as children came home from school to a cosily lit home with their mother presiding over pouring out the tea and distributing biscuits (one at a time!) Half rounded cotton padded teapot warmer (Dutch "theemuts" = tea bonnet) with inserted plywood base. White outside with grey-blue Delft tile motifs, lined with navy blue taffeta and padded with kapok. Metal carrying handle under which there is a clasp which opens and closes the cosy.noneteapot, dutch family life, dutch, immigration, household items

Brought to Australia in the 1950s by Dutch migrants. These coffee grinders were in common use in the 1940s amd 1950s as an altrrnative to wall-mounted coffee grinders. They were operated by clamping the grinder between one' knees. The drinking of coffee is a highly social ritual among Dutch people. They brought this ritual with nthem to Australia as is evidenced by the number of coffee grinders and other coffee psraphernalia donated to the DAHC.Coffee grinder, wooden body, metal top. Wooden drawer in bottom, metal contaner for ground coffee. Metal top has circular raised section which has an opening with sliding lid to put in coffee beans. Metal handle with wooden knob in centre of top, connects with grinding mechanism inside metal top. Pe De on front above drawer.coffee grinder, kitchen ware

They walk as if on hallowed ground. They touch the stone. They speak with the dead. They come to mourn and to remember, memory mixing with grief, making an old ritual new, creating in this time another timeless moment.vietnam veterans memorial (washington, d.c. ) - pictorial works

Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Wooden artefacts from the Sepik River region in Papua New Guinea. Different tribes living along the river produce magnificent wood carvings, clay pottery and other art and craft. Kundu is the Papuan general name used for drum. It is an hour glass shaped drum made of wood with a snake's skin as membrane. A handle is placed on the narrowest part of the drum. Often, the kundu is decorated with animal figures on its edges. - donated by John Nelson TAYLOR QX25010,2900269,3108420 who served in the AIF 19/1/1941 to 7/12/1945 - Regular Army Special Reserve 30/1/1952 to 29/1/1955 and the CMF 1/8/1959 to 2/1/1960. Rank on final discharge - Trooper 8/13 Victorian Mounted Rifles. John was deployed overseas to New Guinea from 17/10/1943 to 23/2/1945 and 5/5/1945 to 26/10/1945 and served in Korea and Japan from 5/3/1953 to 6/4/1954. A member of the Wangaratta RSL he passed away in January, 2021.Wooden artefacts from the Sepik River region in Papua New Guinea. The Sepik area is well known for its sculpture masks shields and other artifacts. Many tribes use drums in rituals. Two decorative wooden face masks, one wooden Drum and one wooden Crocodilepapua new guinea, artefacts, wood, ww2

MGC042.1.1 & MGC042.1.2 - Blue card covered booklet with black print. 38 pages.non-fictionThe booklet is a guide for Directors in the efficient working of Comradeship Branches and covers information not found in the Constitution or Ritual, as well as emphasizing points in the Constitution with which the Director should be specially familiar. The booklet was for the use of the Branch and District Directors and Chief Rays. If a Branch lapse the Handbook had to be returned to the State Grand Council.methodist girls' comradeship, handbooks, methodist church of australasia, grand council of the methodist girls' comradeship

MGC042.2.1 & MGC042.2.2 - Blue card covered booklet with black print. 38 pages.non-fictionThe booklet is a guide for Directors in the efficient working of Comradeship Branches and covers information not found in the Constitution or Ritual, as well as emphasizing points in the Constitution with which the Director should be specially familiar. The booklet was for the use of the Branch and District Directors and Chief Rays. If a Branch lapse the Handbook had to be returned to the State Grand Council.methodist girls' comradeship, handbooks, methodist church of australasia, grand council of the methodist girls' comradeship

MOK234.1.1; MOK234.1.2: 99 page book issued by the authority of The Methodist Order of Knights General Court of Australia. The cover of the book is pale blue with royal blue text and image of the Albert Street Methodist Church, Brisbane. MOK234.2 : 87 page book : A General Court Publication 7/65 Methodist Church of Australasia Methodist Order of Knights Leadership Training Manual. This book has the same content as MOK234.1 but has a light green paper cover and no illustrations of badges and awards.non-fictionThis handbook contains all the information required for the organising and running a Methodist Order of Knights Court. Index: The Order and the Church; The Nature of the Order; Organisation and Control of the Order; Regalia; Officers and Companions of the Local Court; The Degrees of the Order; Ritual work in the Local Court; Awards and Decorations; Equipment; Uniforms; Merit Badge Tests; Badge Presentation Service; Inauguration Ceremony for New Courts; Service of Dedication for Court Officers; Leadership; Programming; Chairmanship; Know Your Companions; How shall we organise; Weekly programme; Your story and how to tell it; Devotional work; Chancellors; Suggested Introductory letter; Specimen accounts for Chancellors; Appendix for further reading.methodist order of knights

Gau boxes are ancient religious objects with deep cultural and spiritual significance in Tibet. Worn on a chain around the neck and hung close to the heart, they are believed to ward off negative energy and attract blessings. They open up to a concealed inner space, containing a picture of a deity, a scroll of mantras or sacred relics, blessed by a lama. Large square gau box incrusted with turquoiseritual implements, amulets

Representing the original Indian pandits (Hindu scholars) who brought Buddhism to Tibet; used in the Cham Dances performed by monks during the Monlam Prayer Festival. A solid wood mask carved in a Tibetan styletibetan buddhism, worship devices, rituals

Silver coffee pot, presented to Mr R W Pettitt.An electroplated silver, Britannia metal coffee pot in the shape of a rounded, bowl surmounted by a concave section with handle, pourer and hinged lid.J D & S/EPBM/100/MADE IN/ENGLANDpettitt, mr r. w., coffee pot, silver tableware, rituals, domestic life, gifts

freemasons, rituals, grand lodge

Part of regalia worn by K.J.Riddell Grand Master of MUIOOF 1950-51 DMG-1929Part of regalia worn by K.J.Riddell Grand Master of MUIOOF 1950-51 Ceremonial Collar: Collar- Purple velvet, gold braid, heavy metallic gold embroidery, two gold tassels, metallic gold fringe, backed with black material possibly cotton. Four(4) medals attachedFirst medal, purple/gold ribbon- 1929 K.J.Riddell, DGM, Port Fairy District. 2nd medal, Blue/white ribbon, K.J.Riddell for introducing 50 members 1947. 3rd medal, Faded purple ribbon, K.J.Riddell Grand Master 1950-51societies, muioof, riddell, k.j.

This photograph was taken by the historical Society Curator when the Society was offered most of the items that we could house when the Lodge closedA photograph taken in the Masonic Lodge meeting room displaying the ceremonial carpet and other ritual objects in place the hall is now a book shopBlack and white photograph of the interior showing the carpet and the lewis masonic, mason, lodge, james street

Index, bib, p.123.non-fictionThe author has traced the origins and development of Scottish country dancing from the ritual of medieval days through the French influence of Mary Queen of Scots and the elegant assemblies of 18th century Edinburgh to the highly respected conservation work of the Royal Scottish Country Dance Society.scotland - country dancing, scotland - history

The boot consisted of a complete man's black leather work-boot resting on the ground sub-floor surface (Layers A-B) in front of the fireplace. Although the uppers had folded inwards and hardened, the fabric was in generally good condition. The newspaper consisted of a single folded sheet, comprising the front and rear pages of 'The Age' (January 2nd, 1872), which was crumpled together with a contemporary theatrical flyer. As the items were removed prior to inspection, a direct association between these items cannot be made, though it is possible that the crumpled newspaper had been originally been inside the boot. The boot is significant based on its connection to the construction of the former Royal Mint building and its potential in demonstrating a ritual building practice. Leather boot - Black leather men's ankle-high boot. The leather is dry and desiccated leading to hardening. There is a layer of dirt and mud over all surfaces. Most of the sole has been lost. Nails revealed in this area are corroding, the heal remains and is well attached - there has been a pronounced shrinkage of the leather of the heal. The lace is missing from the boot. buildings, history, architecture, former royal mint, historic building