The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are White with gold trim (Christmas, Easter and some Holy Days).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil

The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are Purple with white embroidered cross and trim (Lent or Advent).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil

Black and white photo: Poor Clare sister holding altar bread prior to placing in a 'press'. Sister is wearing full robe, apron over top. Poor Clare convent is located in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.Glen Eira Heritage Management Plan 1996 by Andrew Ward St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 24 of Photograph Album with four black and white photographs of St Stephen's Presbyterian Church, with Balaclava Road written on the top right hand side. Three photos are of the exterior and one is a wide view of the inside towards the altar.Hand written: St Stephen's Presbyterian Church Balaclava Road [top right of page] / 24 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, presbyterian church, architects, red bricks, entrances

The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are Red with gold embroidered cross and trim (Holy Week, Pentecost and feasts of martyred saints).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil

This pair of brass altar vases is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. Each vase is inscribed with the donors' names and the year of presentation - Margaret R. Pearson 1944, Mrs B Raybould 1944, - and the maker's name T. Gaunt & Co. The two donors presented the vases to St Nicholas Seamen's Church in Williamstown as part of the furniture and furnishings for the new church that officially opened in 1944. T. Gaunt & Co. engraved on both vases. T. Gaunt & Co. of Melbourne, is a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt's photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This par of vases is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of pair of vases to the original donation to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Vase: pair of two polished brass altar vases, round, pear-shaped, bulbous body on a round pedestal, two neck rings and flared lips. Inscriptions on both vases in script around the base. Made by T. Gaunt & Co. One was presented to the church by Margaret R Pearson and the other presented by Mrs B. Raybould in 1944 The vases are part of the St Nicholas Seamen's Church Engraved on the 625.1 "Presented By Margaret R. Pearson 1944." Engraved on 625.2 "Presented By Mrs B. Raybould. 1944." Both engraved "T GAUNT & Co"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, brass vases, metal craft, brassware, altar vase, church vase, mrs r raybould, margaret r pearson, t gaunt & co, church furnishing

The Altar at Colac decorated for Holy Thursday 1934. Prior to the 1955 reforms of Pope Pius XII the Mass of the Lord's Supper and the Easter Vigil were celebrated in the morning of Thursday and Saturday respectively, and Holy Week and Lent were seen as ending only on the approach of Easter Sunday. The Altar is highly decorated and the ceremony focused upon as following the Mass of Holy Thursday Mass is not celebrated on Good Friday and the communion distributed at the Celebration of the Lord's Passion on Good Friday is consecrated on Holy Thursday.Caligraphy to board "St Mary's Colac Holy Thursday 1934".holy thursday, st mary's colac, easter, 1934.

Slide. Bendigo Views. Interior view of the Cathedral showing wooden pews and one of the small altars. Thee are large stone columns connected to the wall on the right by a high archway. Between the archways are timber ceilings. Along the right wall are picture frames.slide, bendigo, bendigo views, bendigo views

Copy of 'The Herald' Wed evening May 5th 1915 Head lines '40 officer's killed . Photos of six soldiers headed 'Lives of heroes laid on Altar of Empire.''The Herald' Wednesday evening May 15th 1915'The Herald'documents, newspapers

Black and white photo: Poor Clare sister placing bread in oven - or to prove. Possibly altar bread. Sister is dress in full robes, apron over top. On back of photo in blue pen 'Tray of bread' Convent situated in Edwards Road, Kennington. 3555.church, diocese of bendigo, poor clare order

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Altar cloth, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white fabric has been hand stitched and an embroidered emblem of a wheat wreath has been handworked onto the fabric. Embroidered symbol [wheat wreath]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, altar cloth, embroidery, wheat wreath emblem

The items in this collection of Ecclesiastical Linen were used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. The items donated include Maniples, Chalice Covers, a Goblet Cover, Altar Cloths, Matts, Priest's scarf, armband and sashes, and a bag that is a cover for the Baptismal Towel. HISTORY OF ST ANDREWS, DENNINGTON The land on which St Andrews Church was built in Dennington was surveyed in the 1840s and reserved for church purposes in 1855. In 1889 the Farnham Dairy factory relocated to Dennington and the town began to grow as involvement in the dairy industry increased in the area. In 1896 plans for a church hall on the reserved land were considered and on 22nd December 1907, the first Anglican Service was conducted in Dennington, with 60 people attending. In August 1909 the first building was opened with a midweek evening service conducted by the Rev. J.A. Coe. The Sunday School was opened the following year. In that same year, Nestle took over the Farnham dairy plant. On December 20th, 1914, a new church was opened in memory of Andrew Peacock, who passed away in 1912. The funds had been raised by the community and 150 attended the morning service. The building was described as a simple edifice with a plain exterior and high, wide pointed windows, and a comfortable porch entrance, all of which gave a pleasing impression of light and space. In 1935 the average attendance for morning services was just over 22 people. In 1936 extensive repairs and replacements were carried out. In 1947 the first recorded Pastoral Festival took place and in the same year, a Ladies Guild was formed. In 1954 water services were connected to the church building. Many items of furniture, furnishings and books were donated over the life of the church, including handworked linen items. Further items were added due to the work of the Ladies Guild, as well as donations in memory of church and community members.These items of Ecclesiastical Linen are significant as examples of handworked embroidery and drawn-thread work from the early 20th century. They are also examples of a collection of items used for church services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance of setting aside land in the 1850s for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900s and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Set of Ecclesiastical Linen. The items were once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. All of the handmade items are in white fabric. Some also have embroidered emblems, tassels and drawn-thread work. White embroidery thread has been used for most of the decorated items, with the following exceptions, which have been embroidered with coloured thread; the communion linen, the Priest's scarf, armband and sash, the altar cloths, mats and a cover for the baptismal towel. Two items have hand written inscriptions.(See individual objects for details)flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, linen for religious service, communion linen, priest's sash, baptismal towel, maniple, eucharist, emblem of rope and cross, embroidered religious cloths, embroidered celtic cross, drawn thread, chalice covers, handmade linen, embroidered linen, stylised cross, the english church, ladies guild dennington, nestle, farnham dairy, andrew peacock, victorian heritage register vhr 118083, hand worked linen, handworked embroidery, j.a. coe

This cross or crucifix is part of the original furnishings of the St Nicholas Missions to Seamen's Church in Williamstown, Victoria. Mrs R J Ewart presented it to the church in 1942 to commemorate the lives of those lost at sea. On 29th May 1979, the cross was donated to Flagstaff Hill Maritime and Village by the Missions to Seamen Victoria, along with many other items from the St. Nicholas Mission to Seamen's Church. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village. Hence, the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This brass cross is historically significant for its origin in the St. Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England, when a Seamen's Mission was formed in 1837. The cross is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women formed to support seafarers. The connection highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Polished brass altar cross on a round base with top and side branch ends shaped like three-leafed clovers. The Centre of the cross is a circular shape. An inscription is engraved in script on the base. Mrs R.J. Ewart presented the cross to the church in 1942 to commemorate those lost at sea. This is now part of the St Nicholas Seamen's Church Collection. "Presented by / Mrs. R.J. Ewart, / M.N. / In Memory of those lost at sea. / 1942"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, church furnishings, mission to seamen victoria, cross, crucifix, r j ewart, st nicholas church williamstown, religious symbol, church furnishing, flagstaff hill maritime museum and village, maritime village, religious service, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, religious furnishing

Renderings of stained west end sanctuary and side altar glass windows within traceries for St Patrick's Cathedral Ballarat. The stained glass was designed by James Bentley and manufactured by Clayton and Bell Londond. Installed in 1880 these windows and the sanctuary tiles are the only example of Bentley's artwork outside the British Isles.Only known plans with specifications of Ballarat's St Patrick's Catholic Cathedral major windows. Measurements of glazed portions for stained glass within the traceries. Stamped with the architect's stamp in strap roundel centred with "Architects Melbourne" the firm's name "Tappin Gilbert & Dennehy".

The St Peter chapel was furnished thanks to donations of supporters of the Mission. Some were donated for the previous temporary chapel at the Sidney Street site and some are lost. - Holy Table (altar): donated by Mrs Shuter, in Memoriam of Charles Shuter - Cross: - Vases (lost) - Stained Glass Windows: donated by Misses Edith and Ruby Forge, in Memoriam J. Leslie Forge - Altar Lectern - Alms Dish: donated by the Godfrey sisters in Memoriam of their parents - Credence Table: donated by - Sanctuary Chairs: donated by Miss Gladys Hawkey - Sanctuary Rail - Choir Stalls and Chancel Screen - Lectern (donated in 1909) - Pulpit (donated in 1907) - Prayer Desk (a plaque to Goldsmith) - Bible and Prayer Books - Font - Cover for Font - Pews - Offertory Collection Plates (lost) - Music Cupboard in Vestry (lost) The document lists all the gifts donated by generous supporters of the Mission in 1917. The chapel was built during World War 1 as. memorial to the merchant seamen lost during the war. These items are still in the chapel today.A4 document on cream colour paper, wording in black ink.gifts, chapel of st peter, flinders street, mission to seafarers, mission to seamen, gladys amy hawkey (1886-1974), reverend alfred gurney goldsmith, gifts-1917, amelia shuter nee lord, beatrice elizabeth higgins (nee shuter), charles shuter

A frontal, or Antependium, is the same size as the front of the altar. Some churches opt for a plain frontal as this one is, has an embossed cross in the centre and blue in colour (Advent), it is W 52cm x L139cm. One characteristic is shared by all frontals: they are coloured green, red, purple, blue, black, white, gold or of unbleached muslin, and are changed according to the colour of the Church year. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, antependium, altar cloth

three colour photographs of Bendigo Sacred Heart Roman Catholic Cathedral 18A exterior of cathedral from High Str & Short Str intersection, dated April 1997 18B Short Street façade of cathedral, including main spire, dated January 1994 18C interior of building along nave towards the altar, dated January 1994Estelle Hewston

This item was found in 2018 washed up on the beach at Lady Bay in Warrnambool. It is a religious object and is similar to ones made and sold to be used in the home on a family altar or as an ornament on a shelf. It may originate from Italy. The display of items such as this would have been common in the early to mid 20th century, particularly in the homes of those belonging to the Catholic religion. The owner of this item is not known but it is retained for display purposes.This is a white china object with a statue of a Madonna and Child recessed into a oval-shaped setting. There are three holes at the top of the statue for attaching the item to a wall or shelf. The edge of the item is decorated with a pattern of white shells. At the foot of the statue is the remnant of a decorative piece broken off. warrnambool, religious ornaments

Black and white photo: two Poor Clare sisters in process of making altar bread. One sister standing, holding mould for making circular communion bread, the other feeding the mould into a 'press' like machine, presumably to stamp out the communion bread. Sisters dressed in full robes and veils. The Poor Clare convent is situated in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order

photograph of the St Peter chapel sanctuaryWritten in black ink at he bottom of the mount: To Miss Ethel Godfrey/ Hon. General Secretary L.H.L.G. / April 1929 / From A [missing] Written at the back in black ink: Mission to Seamen / Flinders Street Extensionst peter chapel, cross, altar, alm's dish, sanctuary, altar lectern, ethel augusta godfrey

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter the Mariner chapel, chaplain facing away from congregationstamp: 8940, photographic paper mark ILFORDst peter chapel, services, seamen, pews, altar, chaplain, david kent

Errors: The altar was gifled by Mrs Charles Shuter window of Charles Shuter who died in 1902. It was designed by architecte Rodney Alsop. The pulpite was also designed by Rodney Alsop The two sanctuary chairs were designed by architecture William Scott Purves Godfrey and carved by Gladys Hawkey (who may have been a student of Prenxel: need some research) A4 assessment with photograph printed in colour.context psy ltd, georgia melville, significance

Original photograph loaned by Sister de Sales of Presentation Sisters in 1988, together with a typed up history of the Sisters in Rutherglen. Father Lawless (later Monsignor) was Priest at St Mary's Rutherglen from 1923 until his death in September 1958. He is buried in Carlyle Cemetery. Father Woods was a local curate and is second from the left at the altar below the bishops.Photograph of the interior of St Marys Church Rutherglen, with a congregation of priests at a requiem mass. Black and white, sateen finish.On back: "The Old Church St Marys Rutherglen | Fr Woods at Mons Lawless's Requiem"st marys church, woods, lawless

Nineteenth century brass bookstand or table lectern used to hold book for reading or display purpose often deemed an essential item for the nineteenth and early twentieth century library. Also used as altar lectern in church items. This example was purchased to enhance reading in a household private library and also used to display books when on loan in the public domain in libraries and other repositories.brass, bookstand, book-rest, altar lectern, reading, library, display, 19th century. church.

Frederick Perkin Stevens was a prominent in business and community matters. He also presented the peal of three German bells in 1881 as a memorial to his and Jane’s son.. These windows are among the earliest stained glass windows in Christ Church and because of their position make a strong visual impact in the church. Further, Frederick later married Emma Bews, sister-in-law of the Reverend Peter Tuelen Beamish, first Vicar of the Parish of Warrnambool (for a period of 45 years 1850-1895,), thus consolidating his association with the church. Three lancet stained-glass windows, east wall, main nave, above the High Altar. Presented by Frederick Perkins STEVENS in memory of his wife Jane (nee RULE), born abt 1821, died 1868. The windows from left to right depict the Baptism, Crucifixion and Ascension of Jesus. Transversing the lower section is a depiction of the Last Supper. Running across the bottom of the windows is the inscription. Left window: IN MEMORIAM JANÆ VXORIS CARISSIMA REDEMPTORI SVO IN GREMIVM COMMISIT SE ILLAM INTER BEATOS CITIVS Centre: OVAM DISIDERIO SVMMO ANNOS XLVIII NATUM FREDERICUS STEVENS CONJVX VIDVVS QVI REVISVRVM SPAM LÆTAM AMPLECTITVR Right: SEPTIMO ANTE KAL SEXT A.D. MDCCCLXVIII PAVLISPER INTER VIVOS MORATVS HANC FANESTRAM POSVIT This may be translated as: "This window was erected in memory of Jane, his beloved wife, whom at the age of 40 years on the 26th day of July, 1868, with deepest grief and love he committed to the bosom of her Redeemer, by her bereaved husband, Francis Stevens, who tarrying a little while among the living, embraces the hope of meeting her speedily, if it may be, among the blessed."

Four photos of the 50th Anniversary rededication service at St Pauls Cathedral in 1973. 00455.1 shows a group of men holding a Legacy torch near the altar and priests. Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morewell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL". See items 00452, 00453, 00454, 00391. A record of a church service marking the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo x 4 of a church service for the 50th Anniversary.All stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink. 00455.1 Label on front says "Re-dedication service at St.Pauls Cathedral".golden jubilee, 50th anniversary, church service

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter chapel, chaplain facing away from congregationstamp: 8940, photographic paper mark ILFORDdavid kent, st peter chapel, mission to seafarers, services, chaplains, lay readers, rededos, altar, flinders street