Showing 128 items
matching indigenous heritage
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Koorie Heritage Trust
Book, Behrendt, Larissa, Aboriginal Dispute Resolution, 1995
Discusses the importance of Indigenous communities being able to implement their own models of dispute resolution which take into account traditional values and decision-making structures; proposes a model which could be adapted for use in traditional, rural and urban communities.115 p. : ill. ; 20 cm.Discusses the importance of Indigenous communities being able to implement their own models of dispute resolution which take into account traditional values and decision-making structures; proposes a model which could be adapted for use in traditional, rural and urban communities.law - indigenous - dispute management | law - relation to anglo australian law | law enforcement | social organisation - elders | aboriginal australians -- legal status, laws, etc. | arbitration and award -- australia. | aboriginal australians -- land tenure. | dispute resolution (law) -- australia. -
Koorie Heritage Trust
Book, Bear-Wingfield, Rebecca, Sharing good tucker stories : a guide for Aboriginal and Torres Strait Islander communities, 1996
Describes the purpose and aims of the guide and provides background on indigenous heelth together with descriptions of community efforts to improve nutrition.154 p. : ill. ; 30 cm.Describes the purpose and aims of the guide and provides background on indigenous heelth together with descriptions of community efforts to improve nutrition.aboriginal australians -- food. | aboriginal australians -- nutrition. | wild foods -- australia. | torres strait islanders -- food. | torres strait islanders -- nutrition. -
Koorie Heritage Trust
Book, Bishop, Mervyn, 1945, Let's rap!, 1995
This series is a great collection of stories for beginner readers. As the teachers guide says, these books are about things children do in their communities. Colourful photographs show children cooking, dancing and playing. `A Big Day` is a story about a group looking for bush tucker. This would be an unfamiliar experience to many non-Indigenous Australians and a good source of new and interesting vocabulary. The series introduces beginning readers to a variety of text types including recount, narrative and procedural. They would make excellent texts for guided reading sessions to introduce textual features and develop reading strategies. The teacher book introduces literacy theory and links outcomes to a curriculum profile of Australian schools. It details relevant text information for each reading book and gives extensive guidance on teaching and learning strategies. The Teacher Book also includes a variety of activities including worksheets and links with curriculum areas.16 pages ; 48 cmThis series is a great collection of stories for beginner readers. As the teachers guide says, these books are about things children do in their communities. Colourful photographs show children cooking, dancing and playing. `A Big Day` is a story about a group looking for bush tucker. This would be an unfamiliar experience to many non-Indigenous Australians and a good source of new and interesting vocabulary. The series introduces beginning readers to a variety of text types including recount, narrative and procedural. They would make excellent texts for guided reading sessions to introduce textual features and develop reading strategies. The teacher book introduces literacy theory and links outcomes to a curriculum profile of Australian schools. It details relevant text information for each reading book and gives extensive guidance on teaching and learning strategies. The Teacher Book also includes a variety of activities including worksheets and links with curriculum areas.readers (primary) | readers (primary) -- aboriginal australians. -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Physics Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Physics Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Flagstones at the University of Melbourne Old Physics Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the flagstones at the Melbourne University Old Physics Building.university of melbourne, old physics building, flagstones -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Physics Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Physics Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.university of melbourne, old physics building -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Law Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Law Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Flagstones at the University of Melbourne Old Law Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Law Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, f.m. white, j.s. gawler, r.e. featherstone -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Law Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. A third plaque states: These cloisters, commenced in 1853 and extended in 1930 nd 1969 were completed in 1981 through the generosity of the late Edward Stevens, a member of Council from 1926 until 1939. The work was also supported by the Wilson Trust and Sir Wilfred Brookes.university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, cloisters, edward stevens, wilson trust, wildred brookes -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, University of Melbourne Old Commerce Building, 2010, 29/09/2010
Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of The Old Commerce Building, later part of Architecture. An 1856 Reed designed Bank of New South Wales faced was incorporated into the original 1940 building. university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, cloisters, edward stevens, wilson trust, wildred brookes -
Ballarat Heritage Services
Document, Zena Cumpston, Indigenous Plant Use: A booklet on the medicinal, nutritional and technological use of indigenous plants, 2020
non-fictionindiginous plants, koori food, botany, river mint, kulin national plant list, nardoo, murnong -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Ellen José, Pipi, 1998
Ellen José, Pipi 1998, oil on linen, 92 x 92 cm. Bayside City Council Art and Heritage Collection. Purchased 2022oil on linen (diptych)pipi, ellen josé, ellen jose, torres strait, indigenous, painting -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Artwork, other - woven basket, Lisa Waup, Mourning basket, 2015
emu feathers, white sulphur crested cockatoo feathers, cotton, possum jaw.basket, feathers, indigenous, lisa waup, cockatoo, emu, possom, woven -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Artwork, other - woven basket, Lisa Waup, Custom, 2016
emu feathers, pine needles, job seeds, cotton.basket, woven, feathers, pine needles, indigenous, lisa waup, job seeds, handcraft -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Artwork, other - woven basket, Lisa Waup, Ties to country, 2016
emu feathers, parrot feathers and peacock feathers, seed, cottonbasket, feathers, seeds, indigenous, lisa waup, woven, emu, peacock, parrot, handcraft -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Artwork, other - woven basket, Lisa Waup, Nature, 2016
emu, parrot and peacock feathers, silk thread, cottonbasket, woven, indigenous, lisa waup, peacock, emu, feather, handcraft -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Lisa Waup, Chosen before birth, 2016
It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Arweet sit down, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Arweet sit down 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, arweet, vicki couzens, carolyn briggs, bayside indigenous coastal trail -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Paint the Country, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Paint the Country 2010, etching, 19.5 x 28 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, vicki couzens, country, indigenous coastal trail, bayside, carolyn briggs -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Yams and eels, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Yams and eels 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, yams, eels, vicki couzens, bayside indigenous coastal trail, carolyn briggs, bayside -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Women's journey, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Women's journey 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, journey, vicki couzens, yam, eel, bayside indigenous coastal trail, carolyn briggs -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Guy Boyd, The swimmer, 1988
bronzesculpture, swimmer, female, figure, guy boyd, public art, bayside, bayside city council, australian bicentennial project, guy martin à beckett boyd, bronze, city of sandringham, indigenous resource garden, bluff road, sandringham -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Ellen José, Boon wurrung Blossom, 2008
The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - acrylic on linen, Alec Baker, Ngura (Country), 2019
Winner of Bayside Acquisitive Art Prize 2020-21.ngura, country, alec baker, yankunytjatjara, indigenous, bayside acquisitive art prize -
Sunbury Family History and Heritage Society Inc.
Photograph, Bulla Primary School, Gundiwindi School camp, 14th - 18th August 1989
The photograph was taken in 1989 when the children in grades 4 an 5 attended a school camp at Gundiwindi, which is in the Yarra Valley on the border of Wandin and Nth. Silvan. At the camp the children were acquainted with the skills used by the local indigenous people. The children the photograph attempted to construct a bark shelter along the lines of those build by the local indigenous people. While the children from Bulla Primary School attended the camp at Gundiwindi they were introduced to skills used by local indigenous people.A coloured non- digital photograph of three children sitting at the entrance of a primitive bark shelter. The immediate surrounding area has been cleared but native woodland is growing beyond the fence line. school camps, gundiwindi, bulla primary school, indigenous culture -
Sunbury Family History and Heritage Society Inc.
Photograph, Gundiwindi School camp, 14th - 18th August 1989
The photograph was taken in 1989 when students in Grades 4 and 5 from Bulla Primary School attended a school camp at Gundiwindi Camp. The camp is in the Yarra Valley area on the border of North Wandin and Silvan. At the camp the children were learning bush survival skills, which were practised by the local indigenous people.The emphasis on the camp at Gundiwindi was bush survival and skills used by indigenous people.A non-digital coloured photograph of four children in a bushland setting attempting to build a camp fire in the cleared area. the forested area is behind the group.school camps, gundiwindi, bulla primary school, indigenous culture